History of Art, Architecture, and Archaeology Commons^™

West Coast Workshop To Southwest Institute, Hannah Marie Cerne

Art & Art History ETDs

This thesis considers Tamarind Institute in Albuquerque, New Mexico (originally established as Tamarind Lithography Workshop in Los Angeles, CA), and its contributions to collaborative printmaking. Originally founded in 1960 by June Wayne with Clinton Adams and Garo Antreasian, Tamarind Lithography Workshop (the precursor to Tamarind Institute) revitalized lithography through structured collaboration between artists and master printers, alongside rigorous training programs. This thesis provides an institutional history of the workshop during its relocation to the University of New Mexico, highlighting its transformation into a university-based institute that integrated education and professional production. Using social and labor-based methodologies, this study analyzes how …

Symbolists Beyond The Magic: Appropriation In The Art Of Elihu Vedder And Gustave Moreau, Rebecca B. Shalliker

Art & Art History ETDs

This thesis examines the paintings of Elihu Vedder and Gustave Moreau as examples of how the late nineteenth-century Symbolist movement drew on Eastern regions as aesthetic sources for representing the spiritual. Considering the iconographic and conceptual overlap with the Spiritualist movement, it explores how these groups contributed to constructing an image of the “East” as inherently mystical. While existing scholarship analyzes the Symbolist movement’s engagement with psychoanalytical concepts such as the subconscious and dream state, the role of cultural appropriation in shaping the Symbolist aesthetic has been largely overlooked.

The depiction of Eastern iconography as fantastical will be explored through …

Un-Imagining The Anglo Southwest And The Impossibility Of Trans-Scription, Lynnette M. Maphies

Art & Art History ETDs

This thesis is an interrogation of the Anglo Southwest as a problematic and persistent regional and national construct. I propose that the Anglo Southwest emerged at a pivotal moment in the late nineteenth century during which Americanist approaches to geography, anthropology, and the arts, were being shaped to define the region and determine the production and distribution of knowledge. This resulted in an Anglo view of the Southwest as uninhabited, silent, and imaginary, which omitted the actuality of silencing Native voices, cultural appropriation, and the taking of resources and land. Army surgeon and amateur ethnographer Washington Matthews (1843–1905) serves as …

“…Stay On It…”/A Theory///“Illumination Happens”//, Lara E. Goldmann

Art & Art History ETDs

“…stay on it…”/a theory///“illumination happens”// is a critical engagement with the work of contemporary Black artists Arthur Jafa and Adam Pendleton, explored through the lens of the Black radical tradition. Bridging aesthetics, politics, and history, the dissertation investigates how their visual, sonic, and conceptual practices articulate Black life, insurgency, and imagination.

Drawing on theorists such as Fred Moten, Sylvia Wynter, Hortense Spillers, Frantz Fanon, and Cedric Robinson, the study constructs a framework that considers Blackness as an ontological, social, and aesthetic force. It examines how Jafa and Pendleton unsettle dominant epistemologies, staging acts of refusal and creation that resonate within …

Secured Through Stone: The Power, Monuments, And Memory Of Thyra Danmarkarbót And The Jelling Dynasty, Jacquelyn Truitt

History ETDs

Sometime in the mid-tenth century on the Jutland peninsula of Denmark, the Viking Age Queen Thyra (d. ca. 958/9) passed away and the epithet Danmarkarbót—Denmark’s Adornment—was skillfully carved onto her memorial runestone. Yet Thyra’s story has been clouded by few and unreliable textual sources, by differing assessments of her familial background that have emerged from those sources, and by misrepresentations of the material culture relating to her. This thesis explores Thyra and her place within the Viking Age Jelling dynasty through textual and material evidence and considers how the construction of both medieval and modern memory work and memorialization …

Ghost Highway: De-Touring Albuquerque's Route 66, Madison A. Garay

Art & Art History ETDs

Route 66 was a U.S. Numbered Highway stretching from Chicago, IL to Santa Monica, CA, rising to fame through music and popular culture. In Albuquerque, New Mexico, Route 66 has a troublesome twin life as Central Avenue, a highly politicized space where bodies are contested. In this thesis, the function of public arts and architecture of Albuquerque’s main street thoroughfare, Central Avenue, will be analyzed as visual devices of U.S. Highway 66, or known in popular culture as “Route 66.” I employ a critical Derridean framework through Mark Fisher’s theorization of hauntology and Gerald Vizenor (White Earth Ojibwe)’s theory of …

El Presidio Hispano-Colonial: Estudio Del Discurso Moderno De Fortificación Del Imperio Español A Traves De Planos Y Mapas, Javier E. Astorga Villarroel Ph.D.

Latin American Studies ETDs

This dissertation project delves into the processes of ideation, design, projection, and knowledge-transfer around the Presidio, an iconoclastic fortification system deployed by the Spanish Empire while projecting its colonial power toward the Transatlantic region. Based on Bruno Latour’s classic theory on the agency of networks of meanings (also known as new materialism) applied to historical cartography, my investigation examines the production of techno-military knowledge around the presidios as they were depicted through plans, maps, and manuals while mapping out border areas over North America and the Caribbean, from the 17th to the 19th centuries. With archival research work performed at …

Horizonte Fronterizo: The Vitality Of Community And Contemporary San Diego-Tijuana Border Art, Ruben L. Loza

Chicana and Chicano Studies ETDs

This research dedicates attention to different examples of music and visual art that encompass contemporary San Diego-Tijuana border-integrated art. By employing a participant-observer approach with the music component and conducting plática-based interviews with all involved artists, this work underlines the vitality of the artworks’ manipulation of the U.S.-Mexico border wall and community as a driving force in the elaboration and growing influence of these projects and pieces. By analyzing how these works act as vehicles for response, light is also cast on greater matters that lie beyond the border zone: propagation of fear, anti-immigrant sentiment, and misinformed anxieties.

The Social Life Of Plants: Botanical Representations In Moche Art, Breanna Fae Reiss

Art & Art History ETDs

The Moche were semi-autonomous communities who thrived in the ten fertile riverine valleys of Peru’s northern coast between the late fourth and ninth centuries CE. Phase IV (c. 590–700 CE) Southern Moche ceramics feature intricate fine line visual narrative scenes with many multivalent symbols and motifs. This dissertation intends to understand why plants begin to play a more significant role in the Moche iconographic corpus in this period. I explore the interests of elites, the ecological web interweaving image and environment, and species identification. The local flora was affected on one hand by naturally occurring changes in weather and environment …

The Re-Presentation And Mis-Re-Presentation Of The “Indigenous Woman” Throughout Mexico’S Colonial And Early Independence Periods (1521–1830), Alejandra Daosiri Rodriguez

Art & Art History ETDs

This research examines the visual and textual representations of Indigenous women in colonial New Spain and early independent Mexico (1521–1830), revealing how these images evolved alongside dynamic colonial political, social, and cultural shifts. Through an analysis of codices, portraits, and other material culture, this study demonstrates how colonial authorities, artists, and patrons manipulated these depictions to serve wider colonial agendas, from evangelization to social stratification. These representations often used Indigenous women as symbols, rather than as individual subjects, to reinforce hierarchical colonial structures, shape racial and gender identities, and support efforts to ‘civilize’ the native population. By focusing on pivotal …

Speculum Feminarum: Feminine Representation And Identity In Fifteenth-Century France, Karli R. Snyder

Art & Art History ETDs

Late medieval views of women in Western European culture, specifically in fifteenth-century France, were predicated on the ideologies of "other." According to normative sociocultural attitudes of this period, women were immoral, lascivious, and indulged in frivolity. Their culturally acceptable and, therefore, natural roles were delineated solely as that of wife and mother. Although the origin of these views is obscured by time, there are scores of textual and visual examples of this cultural labeling. This thesis focuses on how the ideologies of feminine sociocultural roles developed and matured during the late Middle Ages. By comparatively analyzing copies of the visual …

Portuguese Bate-Papo + Lunch, Latin American And Iberian Institute

LAII Events

Come practice Portuguese, make some friends, and try Brazilian Snacks!

Bate-Papo | 3-4 PM

November 7, 21

December 5

Lunch | 12-1PM

November 22

Please contact [email protected] with any questions.

Imperial Architecture And Absolute Chronology In The Inka State: The View From Northern Chile, Beau G. Murphy

Anthropology ETDs

Scholars often evaluate the political aspects of imperial architecture in terms of the symbolism of specific buildings, leaving a gap in our understanding of the political calculations of overall site layouts. This study of the architecture of the Inka provincial capital of Turi, located in the Atacama of northern Chile, identifies aspects of planning in the site’s layout that extend our knowledge of the use of architecture by past empires to communicate political messages. In so doing, the study addresses multi-scalar issues of a neglected Inka chronology, including the chronology of Turi itself, of Inka rule of the Upper Loa …

Building Materials Cut From The Earth: A Look At Sod Construction Around The World And In New Mexico, Giulia Caporuscio

Architecture and Planning ETDs

Terrón, or sod, is an earthen building technology that is being lost. The blocks are cut directly from the ground, generally along banks of bodies of fresh water, marshlands, or grassland valleys. The resulting blocks are clay rich with plant root systems that provide strength to the construction material. This building material is found in archeological and modern structures around the world. Today the material and knowledge behind this earthen technology is being lost.

This paper starts by summarizing other studies of sod construction in Indigenous cultures of the Americas, homesteaders of the Plains of the United States and Canada …

Going Beyond The Margins: Photographs By Ming Smith, Isis A. Serna

Art & Art History ETDs

Ming Smith is a photographer who has been creating images since the early 1970s and trained with the artist collective Kamoinge Workshop. Throughout most of her career, Smith has been marginalized by art historians, critics, and museum curators. Since the early 2000s, Smith has only been included in museum exhibitions highlighting African-American female artists from 1960 to the present. Before this surge of interest in her work, the art world ignored and silenced her. However, Smith’s creative process allowed her to see and experience going beyond the struggle by being consistent in her strategy to do what she wanted on …

A Nomination For The Oliver La Farge House To The Historic Santa Fe Foundation’S Register Of Properties Worthy Of Preservation, Hayden D-L Mcafee

Architecture and Planning ETDs

647 Old Santa Fe Trail is a traditional one-story adobe house in the territorial style. Constructed in 1867, it has a long history and has played a significant role in the development of Santa Fe. Sitting on the original path of the Santa Fe Trail and later Route 66, it has witnessed over 150 years of history both outside and within its doors. It was occupied by the Pulitzer Prize winning author and respected anthropologist Oliver La Farge from 1947-1963. La Farge was an important figure in the Santa Fe community, most recognized for his novels and activism, advocating for …

Menetekel: Ishmael's Black Whale And The Semiotics Of Doom, Todd Tyner Cronkhite

English Language and Literature ETDs

This study employs the narrator of Moby Dick, Ishmael, as a focal critic to interpret several potential examples of ominous writing on the wall, or menetekel. It concludes that the message of such writing, owing primarily to its irrevocably deictic relationship with the surface it is written on, is fundamentally apocalyptic in nature, regardless of its explicit content. The physical walls of the “kingdom” are incorporated into the grammar of the menetekel as object, so that its elemental message, “I was here,” becomes not only an admission of criminal trespass, but also a direct threat to the current order and …

The Dance Of Domesticity: How Gender Constructs Obscure Lived Experience At Museums, Marcy J. Botwick

Museum Studies Theses

My thesis focuses on Mary Shepard Greene Blumenschein and Ernest L. Blumenschein, married artists born in the late 1860s. Ernest Blumenschein was an important regional artist and member of the Taos Society of Artists (TSA). Paintings by Blumenschein and other TSA members promoted tourism in the Southwestern United States through annual exhibitions and their use in advertising the Atchison, Topeka and Santa Fe Railway (AT&SF). Mary Greene Blumenschein was an award-winning painter and illustrator whose work focused on images of women at the beginning of the twentieth century, however, she is now a secondary and obscure figure in art history. …

The Body Articulated: Gender Violence And The Performative Turn In Mexico, Kylee Aragon

Museum Studies Theses

The Body Articulated: Gender Violence and the Performative Turn in Mexico explores the role of performance art in raising awareness for gender-based crimes. My thesis investigates the performative response to gender-based violence in contemporary art in Mexico during the 1970’s and then again in the post-NAFTA era, with the aim of examining the use of the artists body, the voices of women as substitution for the body, and the bodies of others as means of creating a greater awareness to the feminicidal epidemic. Artists like Mónica Mayer and Lorena Wolffer use their body and the voices of woman, as opposed …

Constantino Escalante's Lithographs In La Orquesta And The National Legacy Of The Mexican Constitution Of 1857, Steven Vaughn Cary

Art & Art History ETDs

An examination of the lithographic prints of Constantino Escalante in the Mexican publication, La Orquesta, was undertaken for the years 1861 through 1868. Foremost among La Orquesta’s concerns and repeatedly appearing in Escalante’s work, is the importance of the Constitution of 1857 as the Liberal instrument for Mexico’s journey to become a sovereign, modern state. During a tumultuous period of 19^th century Mexican history, Escalante and La Orquesta dealt with sustained threats and censorship, causing frequent and intermittent shutdowns. An early supporter of Benito Juárez, La Orquesta radically amended its positive view of Juárez following the unsuccessful attempts …

Graphic Scotland: Visuality And Empire, 1810 – 1913, Laura Michelle Golobish

Art & Art History ETDs

Graphic Scotland: Visuality and Empire, 1810–1913 interrogates the aesthetic, technological, and literary conventions used to represent Scotland’s character in nineteenth-century publications. Beginning in the late eighteenth century, publishers, authors, and readers began to correlate the material format of prints, books, illustration, and bookbinding with individual and national character. Periodicals and literature drew the correlations between the aesthetic conventions of picturesque Scottish landscape, physiognomy of Scottish authors, and bookbinding to frame ideas about Scottish character as a didactic model for middle class British and American readers. Thus, Graphic Scotland offers an intertextual reading of three illustrated publications about Scotland–J.R. Osgood’s 1882 …

“By Order Of The Commandant General”: Eighteenth-Century Bourbon Reforms And The Architecture Of Mission San Francisco De La Espada, San Antonio, Texas, James E. Ivey

Art & Art History ETDs

The effects of Bourbon reforms on mission architecture of the northern frontier of New Spain have not been examined in the surprisingly limited historiography of the San Antonio, Texas missions. The few existing architectural studies overlook major structural and developmental changes at the missions. Using the construction history of Mission San Francisco de la Espada, I argue that most of these changes are the result of the application of the Bourbon-revised mission administrative method, the método nuevo, made possible by the Patronato Real Universal of 1753 that gave the King of Spain temporal control over the Catholic Church within …

Living Between The Lines: How Japanese Crafts Taught Frank Lloyd Wright, Adolf Loos, And Eileen Gray To See Modern Domestic Space, Regina Nabil Emmer

Art & Art History ETDs

Histories of European and U.S. modernism conventionally accept that Enlightenment rational thought set modern architecture’s terms and criteria in the late-nineteenth and early-twentieth centuries. Rationalism privileges visual and material properties; distinguishes between art, architecture, and craft; and identifies space with the structure that frames it. It normalized the view that buildings stand fixed, independent of our interaction with them, and perpetuates assumptions about what physically defines domestic space. Consequently, Japan’s significance for modern domestic space in Europe and the U.S. has been interpreted as structurally evident. Simultaneously, the architecture of European and U.S. modernists who did not think like rationalists …

Beauty, Real Or Apparent: Christian Kings, Muslim Artisans, And The Development Of An Imperial Image Through The Silk And Horticulture Industries In Sicily. (Ca. 1090-1190), Casey K. Brown

History ETDs

In the wake of the Norman conquest of Sicily in the second half of the eleventh century, the Mediterranean island housed a diverse collection of Greek, Latin, and Muslim communities. Norman kings chose Palermo to become the seat of Latin-Christian Sicilian government for its productivity and strategic location and included the island into the complex world of self-fashioning politics and exchange. For Sicilian and ‘foreign’ Muslims alike, the imperious pose Roger II and his successors held created a precarious balancing act between the real and imagined worlds of Sicily. The content of this thesis is primarily concerned with the impact …

From Stasis To Ecstasy: Tracing Bernard Of Clairvaux's "Queer" Influence On French Gothic Art, Jackson O. Larson

Art & Art History ETDs

I trace the progression of figural sculpture in the Latin West from the static statues of the late-tenth century to the ecstatic statues of the mid-thirteenth century. I explore the various reasons for the return of freestanding figural sculpture and suggest that the return is indicative of an eroticization of the Christian holy figures. I suggest that Bernard of Clairvaux’s erotic theology in the twelfth century resulted in a synthesis of eros and Christian devotion that allowed latent classicism to find purchase in Christian art. I submit that Bernard’s influence on European art is a form of “queering”—a process by …

Stripped And Exploited Blackness: Black Nude Men In The Art Of F. Holland Day And John Singer Sargent, David P. Saiz

Art & Art History ETDs

Black representation in late-nineteenth to early-twentieth-century U.S. art and visual culture is primarily dominated by racist depictions produced by white elite (usually male) artists. Exploiting Black male nude subjects in their art production, F. Holland Day and John Singer Sargent are inextricably tied to this complicated legacy. For Day, his African series featuring U.S.-born model, J.R. Carter, extracts the subject from his time and place to present him as an exotic African subject/object. On the other hand, Sargent encounters Black Bahamian laborers at Miami’s Villa Vizcaya where he then documents his subjects in watercolor as bathers in the surrounding subtropical …

El Paso Segundo Barrio Muralism: Barrio History, Memory, And Identity In Community Artwork, Eduardo García

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

The border city of El Paso, Texas has a longstanding tradition of muralism in one of its oldest neighborhoods- the downtown Segundo Barrio. Though these manifestations have not received as much scholarly attention as other borderland muralist traditions, they echo a similar theme of community artwork focused on sociohistorical issues, cultural memory, and barrio identity relevant to their geopolitical space. Through a study of mural artists and programs in the downtown El Paso area, I view the use of specific iconography and themes as expressions of Segundo Barrio history, memory, and identity. These artists have continued a lineage of …

Aztlán Del Sol, Marcus Zúñiga

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

An artistic writing developed from the themes and concepts of an of art installation made by a visual artist of Mexican-American descent from New Mexico. The work references the relationship of Aztec mythology to the American Southwest, art theoretical discourse in object oriented ontology and aesthetics, and key ideas in astronomy. Additionally interwoven is an expanded sense for interpreting ancestry and history under the constructs of multicultural conceptions of time, specifically cultures with notable spiritual rituals of Sun worship and observation.

William Blake's Satan As A Hermaphrodite, Genevieve E. Hartsock

Art & Art History ETDs

Depictions of Satan had started off with a grotesque and monstrous figure, but depictions of and attitudes towards the character shifted with the publication of John Milton’s Paradise Lost. However, although the aesthetics of the figure shifted, I argue that William Blake’s renderings of Satan continue the tradition of rendering them as monstrous and grotesque in a new way, in that Blake renders Satan as a hermaphrodite. Attitudes towards hermaphrodites has shifted over time, but the attitude of regarding them as unnatural or monstrous harkens back to ancient Greece, and these attitudes were only furthered with time and the advent …

Counter-Mapping As Display: Unfolding, Revealing, And Concealing Intermediary Spaces, Larson Ellen

Hemisphere: Visual Cultures of the Americas

No abstract provided.