History of Art, Architecture, and Archaeology Commons^™

A Methodological Dismantling: Manet’S Olympia And The Rupture Of The Western Reclining Nude, Abigail Charlotte Van Hoak

Student Scholar Symposium Abstracts and Posters

The question is whether Édouard Manet was shaped by his era or doing the shaping, and Olympia answers it. It was not an accident but a methodical dismantling of a centuries-old tradition, and by refusing to look away from modern life he forced everyone else to reckon with it too. The reclining nude has never recovered. For centuries, artists from Titian to Ingres constructed a genre around idealized bodies, mythological distance, and an uncontested male gaze that rendered real women into timeless passive objects. Manet inherited that tradition and refused to perpetuate it. Through the theoretical frameworks of Berger and …

The Living Archive: Photography, Social Media, And The New Frontier Of Activism, Lundyn C. Herring

LSU Master's Theses

This thesis seeks to analyze the discursive field and technology of photography and its multi-faceted role in the oppression of colonized people under Western imperialism. Among the main collection highlights of many established state-run archival institutions are photographic records consisting of surveillance images, mugshots, and other visual media as representations of the political hegemony that is exerted over governed peoples. From the mid-19th century to 2026, much has shifted in the realm of photography with the introduction of smartphones, accessible technology, and social media platforms during the beginning of the twenty-first century. As states and powerholders apply the technology of …

Bodies Of Knowledge: The Accuracy Of Medical Anatomical Drawings From The 14th To The 18th Century, Marina G. Mitchell

Honors Undergraduate Theses

From the fourteenth to the eighteenth centuries, European anatomical illustration underwent major transformations in response to changing scientific methods, technologies, and visual conventions, reflecting critical transitions in anatomical history. Scientific evolution allowed these images to achieve increasing structural precision and internal detail, though they frequently diverged from anatomical forms as they are understood today. This study examines how anatomical inaccuracies across five centuries emerged not from ignorance, but from deliberate mediation between purpose, observation, pedagogy, artistic convention, and cultural ideology. Through close analysis of works in visual comparison to their modern counterparts, this thesis identifies specific deviations from the twenty-first …

Connecting Children With Artists Through A Children's Art History Book, Katie Meyer

Theses

This project is a children’s art history book that is set in an art museum. The goal of the book is to help children connect with Contemporary artists and their art. A museum setting is utilized to introduce children to museums and as an appropriate environment for viewing art. The theme of the exhibit that will be presented in the book is titled the “Innovators Exhibit.” This exhibit features six Contemporary artists from different art styles/mediums. The artists come from diverse backgrounds to expose children to a variety of cultures. Thought provoking questions will also be asked throughout the book …

The Tests Of Time: An Examination Of Contemporary Indigenous Artwork On Display In Southern Museums, Gwendolyn R. Pfrenger

Honors Theses

This paper examines current practices in three Southern museums of varying sizes and missions as they relate to the curation and display of Indigenous art. Specifically, the paper aims to investigate the place of contemporary Native art in art and anthropology museums: How does display vary across the two disciplines? What is its role, now that cultural institutions are becoming more progressive and making a stronger push toward representing artists from minority groups? This is a fairly new area of study, especially for art history, so much of what is discussed here is drawn from art historians, anthropologists, and museum …

Trans-Pacific Connections: Unveiling Cultural Exchange Through Baroque Folding Screens Of Japan And Mexico, Natalia Christine Ramirez

Departmental Honors & Graduate Capstone Projects

This study focuses into the often-overlooked world of 16th-17th-century globally-mobile folding screens, revealing them as vastly important cultural objects. While conventional scholarship tends to compartmentalize artistic traditions, focusing on isolated cultures, this research emphasizes the vibrant exchanges that connected Japan and Mexico during the ‘Baroque’ period. By contrasting the Conquest of Mexico screen with the Japanese Namban Folding Screen, the nuances and vastness of cultural interaction through creative objects becomes illuminated and revered as important pieces of global history.

Through applying global art historical theories, especially the concept of the ‘global Baroque,’ I explore how Mexican biombo screens adapted from …

Medusa's Metamorphosis: Art, Mythology, And The Changing Perception Of Female Power, Elizabeth Kehr

School of Art, Art History, and Design: Theses and Student Creative Work

The evolution of Medusa’s iconography in ancient Greek art mirrors societal and cultural transformations. As attitudes shifted in relation to gender roles, power relationships, and morality changed, so too did images of the Gorgon. Following the course of development of Medusa’s image allows one to discover details of the thoughts and struggles the ancient Greeks had with concepts of power, womanhood, and monstrosity and otherness. Previous art historical research on Medusa has largely examined her function and evolution of visual depictions from the Archaic monster to Classical ideal. Few, however, have explored how and why these changes may be indicative …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

Rediscovering Ancient Greek Pigmentation, Cynthia-Rose Seeds

Departmental Honors & Graduate Capstone Projects

This thesis paper will discuss various questions relating to pre-Greco-Roman Ancient Greek paint pigments. In recent years discoveries of paint samples on Ancient Greek sculptures and architecture are becoming increasingly common, contradicting the stereotype that history has made of Ancient Greece having a pristine white aesthetic in their artwork. (Brinkmann, 2008) The various paint pigments that can be found throughout excavations in Greece, as well as the general history of pigments, create a new narrative when it comes to the art of Ancient Greece. Using various evidence such as pigment samples, artworks, textual primary sources, and scholarly research, this thesis …

A Decorated Bronze Platter From Kafr Misr (Pp. 227–241), Sara Lutan-Hassner

'Atiqot

The finding circumstances of the platter from Kafr Misr could not enlighten us regarding its date, artistic origins or provenance. Therefore, a detailed iconographic and stylistic analysis of the images portrayed on the platter was undertaken, in an attempt to decipher its enigma. The artistic analysis points to Christian iconography, as manifested in Byzantine art of the tenth and eleventh centuries CE. The article discusses relevant comparisons to other artistic data from the period and offers a reconstruction of the route of the platter to Kafr Misr in the Lower Galilee.

Essential Caretaking For Artists With Disabilities: Exploring The Overlooked Histories Of Hazel Knapp And Grandma Moses, Bryan P. Martin

Dissertations and Theses

This thesis explores the intersection of disability studies and art history, addressing the underrepresentation of disability in scholarship, especially concerning medical sociology and caretaking. Focusing on two early-twentieth-century self-taught American artists, Hazel Knapp (1908–95), who fell into obscurity, and Anna Mary Robertson Moses (1860–1961), best known as Grandma Moses, this is a comparative analysis of how disability influenced their artistic practices and shaped their divergent career outcomes. Knapp was born with Charcot-Marie-Tooth disease, a neurodegenerative disorder, and fell into obscurity due to a lack of support for her condition, but experienced a promising start to her career that included patronage …

Ultrabaroque Grandeur: Examining The Churrigueresque In Spanish Architecture From The Seventeenth And Eighteenth Centuries, Sarah Staeben

Capstone Showcase

Following the Protestant Reformation, Spain was in a unique position compared to the rest of Europe. The importance of Catholicism was intrinsic to Spanish society by this point, as it was under King Ferdinand and Queen Isabella, aptly dubbed the Catholic Monarchs, that the Christians reconquered the Iberian peninsula in 1492, after an eight century rule by Arab-Muslims. In the centuries that followed, Spanish architecture reached new levels of grandeur in the wake of reformed Catholic doctrine. Following the motto “docere, delectare, movere”(to teach, to delight, to move), architects were urged to convey the Church’s power and garner new supporters. …

Art Worker: Atlanta’S Contemporary Art History And The Workers Who Shaped It, Abigail D. Miller

Master's Projects

There is a contradiction at the heart of the relationship between artists and the public in the United States. Art is considered culturally important and beneficial to the public, yet hardly any public funding is paid directly to artists for their labor. Moreover, because the nature of art production in contemporary society does not align easily with capitalism’s need for constant growth and profit, artists are often on the economic fringes in a constant state of precarity. These conceptual arguments are explored in this project, and the related research aims to position artists as members of the working class who …

The Re-Presentation And Mis-Re-Presentation Of The “Indigenous Woman” Throughout Mexico’S Colonial And Early Independence Periods (1521–1830), Alejandra Daosiri Rodriguez

Art & Art History ETDs

This research examines the visual and textual representations of Indigenous women in colonial New Spain and early independent Mexico (1521–1830), revealing how these images evolved alongside dynamic colonial political, social, and cultural shifts. Through an analysis of codices, portraits, and other material culture, this study demonstrates how colonial authorities, artists, and patrons manipulated these depictions to serve wider colonial agendas, from evangelization to social stratification. These representations often used Indigenous women as symbols, rather than as individual subjects, to reinforce hierarchical colonial structures, shape racial and gender identities, and support efforts to ‘civilize’ the native population. By focusing on pivotal …

An Examination Of Artistic Expression Through Honoré Daumier's Le Fardeau, Sarah Isak-Goode

Theses

Honoré Daumier, renowned for his career as a political cartoonist in 19th-century France, created a substantial body of personal works that have received comparatively little scholarly attention. This thesis focuses on Daumier's paintings, particularly those created during his midlife (1848-1864), examining their distinctively serious qualities and emotional depth. Through an interdisciplinary approach combining art historical analysis and psychobiography, this research explores the previously unrecognized connection between Daumier's paintings and his private life experiences. Central to this study is an in-depth analysis of Le Fardeau, a painting that exemplifies Daumier's artistic evolution and emotional expression during a period marked by personal …

Shadow Of Death: Mortality In The Mythological Art Of Nicolas Poussin, William Whitledge

Theses and Dissertations

For this thesis I look at six works by Nicolas Poussin, Venus and Adonis (c. 1627-1630), Narcissus and Echo (c. 1630), Landscape with Man Pursued by Snake (c. 1637), Landscape with Man Killed by Snake (c. 1648), Landscape with Orpheus and Eurydice (c. 1648-1650), and Landscape during a Thunderstorm with Pyramus and Thisbe (c. 1651). I explore the themes of mortality and the concept of inevitable death as it is emphasized by the choices of subject matter, the composition of the works, and the use of light in the works. Through extensive visual analysis and research of the current body …

Suspicion And The Witch’S Tit, Shayna R. Miller

Theses and Dissertations

Shayna Miller’s paintings are built up panels with protruding points, appearing as if a mass is pushing up from behind the burlap-stretched painting surface. In Suspicion and the Witch’s Tit, Miller contextualizes her work in relation to a history of shaped painting and frames her discussion around references related to suspicion, embodiment, and rejection.

As The Night Is Lit: The Nocturnal Urban Landscapes Of Childe Hassam., Diana M. Wilder

Electronic Theses and Dissertations

The scientific investigations into light that began with the Enlightenment garnered added information useful for artists. To depict the changes in light due to weather, time of day, and season more accurately, artists took the information reaped from studies of the refraction of light gained from Isaac Newton’s color theories. The new technological advances of gaslight and electric arc lighting also changed the way that light was represented on canvas. Artists were now able to paint in their ateliers due to modern lighting that would light up the rooms like the day. Some artists decided to explore the night and …

From The Outside, Looking In: Reflections On The Complex Infrastructures Of African Art History, Joanna Gardner-Huggett

Artl@s Bulletin

This essay engages with the five articles featured in this issue from the perspective of a non-specialist. Each contribution considers challenges facing scholars of African arts when confronted with incomplete and not always reliable historical evidence. The author contends that given the escalating demands for the repatriation of African objects, all art historians— not only art historians focused on African arts—should better understand the important strategies proposed by contributors to this issue. These interventions encourage the development of a more critical audience for African arts and also model ethical research, a slow critical archival practice, and sustainable provenance and digital …

Passage Of Time- The Evolution Of Art And Technology Through The Ages, Mina Ferrante

Master of Liberal Studies Projects

Passage of Time

The Evolution of Art and Technology Through the Ages

Abstract

"Passage of Time" explores the intersection of art and technological evolution through a series of portraits that transition from youth to old age, arranged sequentially from left to right. As each head turns, the face ages accordingly. These portraits illustrate the evolution of art styles throughout history, each representing a significant art movement and cultural context, pairing visual art with concurrent technological milestones.

The portrait series is presented on a background panel with a drawing depicting the evolution of technology from ancient times to the present, which …

Or To Be Eaten Alive, Christopher Williams

School of Art, Art History, and Design: Theses and Student Creative Work

“or to be eaten alive'' is a multimedia exhibition in which I merge my own coming of age story with a mythological ecology. In this work I reclaim my queer identity by communing with my past selves in a fantasy world created through the lens of Queer Ecology and Queer Eco-Futurism. The visuals in this exhibition obscure reality. They are abstractions of the landscapes I occupy—particularly the Tallgrass prairie and Ozark ecoregions. Through a speculative, fantasy world the exhibition introduces moments of adoration, death, fracturing, growth, joy, and failure. I form, draw, color and arrange the work embracing mistakes and …

Gender Transgressions In Pre-Modern Italian Painting, Belle Tassent

Honors Program Theses

This thesis explores works of art made in pre-modern Italy. Chapter One examines portraits of ‘Female Courtiers’ which display women’s adaptation of the ideal male courtier’s characteristics. These characteristics surpass that of the ideal woman who lack independence and who are confined by man-made definitions of the ideal. Chapter Two discusses a progression of the female courtier concept in which heroines are shown physically dominating men in art. The female artists of these paintings participated in the paragone at the time in which they competed against their male counterparts. Whereas non-transgressive portraits of women remained stable over time, men had …

Warhol Uncovered: From Byzantium To Pop, Kassandra Ibrahim

MA Theses

Despite being one of the most extensively researched artists of the twentieth century, Andy Warhol’s identity as a Carpatho-Rusyn Byzantine Catholic is often omitted by a majority of sources. Inspired by the 2020-2021 exhibition Andy Warhol: Revelation, this thesis examines the aesthetic influence that the artist’s religious upbringing had on his oeuvre. By examining Eastern Christian icons and church interiors, I define key characteristics of the Byzantine aesthetic — gold grounds, stylized frontal figures, flattening of depth, seriality, excessive decoration, etc. — and identify its usage in Warhol’s Pop Art. I also explore the Carpatho-Ruysn folk art tradition of pysanky …

Arth102: History Of Western Art Ii, Heather Horton

Open Educational Resources

Syllabus for History of Western Art II, a chronological survey of major periods, styles, artists, and monuments of western visual arts, primarily painting, sculpture, and architecture beginning with the development of the arts from about 1300 to the present day.

F Is For Frida: An Illustrated Guide Of Women Artists From A To Z, Emily Kohls

Master of Liberal Studies Projects

F is for Frida: An Illustrated Guide of Women Artists from A to Z is an illustrated children’s book that aims to teach young readers the alphabet and about art history by presenting to them a diverse range of women artists from the Baroque period to the modern day.

Each letter of the alphabet is accompanied by a portrait and brief biographical description of a woman artist whose name corresponds to that letter. The visuals of the book were designed to make the reader feel like they are viewing artwork in a gallery. For example, each portrait has been made …

Annotated Bibliography Assignment For An Art History Class, Nicole Derenne

AI Assignment Library

This assignment aims to help students explore various ways to find scholarly sources for academic research papers using Primo, Google Scholar, and Elicit. It is designed to be completed individually by students in an asynchronous 200-level course. For example, I use this assignment in my 200-level art history survey course as an introduction to the research process. This assignment contains two parts: first, identifying a topic and research question and finding sources, and second, annotating two of the identified sources.

Back To Nature: Marie Antionette And The Cottagecore Fantasy, Rose Caughie

Anthós

This essay is an examination of the legacy of Marie Antionette's Chemise a la Reine. At the end of the 18th century, a portrait of the queen in this dress caused scandal and outrage. Despite, or perhaps because of this, the Chemise a la Reine became a staple in the wardrobe of the Western woman. Today, this style continues to be popular. This is particularly notable in the Cottagecore aesthetic movement. Much like Marie Antionette's use of this style, Cottagecore fashion carries deep ties to an escapist pastoral fantasy. However, more important is the continued legacy of Neoclassicism and the …

Both Human And Holy: A Veneration Of Personhood Through Mythic Means, Abigail Porter

MFA in Visual Arts Theses

Mythology acts as a reflection of humanity, a connection of personhood and storytelling that spans through history. This essay covers how the ideas of myth, personhood, archetype, and portraiture remain central to my work. The nature of mythology is innately human in all aspects, centering on ideas being both fictitious and truthful - which allows the ideas of the dualistic aspects between the personhood and mythos with the figures worked with. My work is about people; I elevate the figure into mythic while using those myths to discuss the aspects of identity. My work leans heavily upon my own fixation …

Negotiating Liberty: Fine Ceramics For The U.S. American Market Before 1860, Presley Rodriguez

Theses and Dissertations

This thesis argues that the rise of the consumer market toward the end of the eighteenth century led to the production of decorated fine ceramics that became powerful modes of popularizing new ideas in the United States regarding independence, national symbols, and abolitionism.

The “Trans-Historical Community Of Women” And The Paintings Of Artemisia Gentileschi, Grace T. O. Ray

The Confluence

Though the term feminism did not yet exist, Artemisia Gentileschi’s embrace of the vital force of feminine strength is a distinctive component to her paintings. The woman painter’s life and art were affected by her sex, in a time when women were not only considered property but had to deal with the repercussions of an oppressive patriarchal society. From her youth onwards, Gentileschi witnessed women unjustly convicted and punished for crimes that had men committed, the law would have allowed them to walk free. Sadly, Artemisia was later privy to the misogynistic laws herself with the famous rape trial. It …