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A Research On One Hundred Years Of Cross-Cultural Interpretation To A Dream Of Red Mansions, Xiaohong Yu

Theoretical Studies in Literature and Art

In a century of redology, the studies of A Dream of Red Mansions of Cross-cultural Interpretation mainly focus on four dimensions: elucidation, parallel study, translation, and spreading abroad. The adaptation and performance abroad of A Dream of Red Mansions are literary interpretations and artistic variations of the theme of the novel in a foreign cultural context. The crosscultural interpretation and research on the novel among various kinds of cultural contexts is a crucial part of comparative literature.

A Study On The Realm And Spirit Of Drunkenness In Ancient Chinese Aesthetics, Yulong Tan

Theoretical Studies in Literature and Art

The idea of drunkenness originated in the pre-Qin period and developed in the Qin and Han dynasties. After that, drunkenness was gradually transformed into an aesthetic standard of Gongfu and noumenon. Meanwhile, it consisted of life aesthetics and art aesthetics. The drunkenness of life aesthetics not only helped individuals surpass fame and fortune, but brought them into a realm of absolute equality to communicate with the ontological realm. The art aesthetics aspect of drunkenness made one disinterested so as to create art naturally. Besides, it let individuals break the bondage of skills and brought them to the realm of unity …

Negation Of Life: Reassessing Schopenhauer's Influence On Early Nietzsche's Metaphysics Of Art, Dong Lü

Theoretical Studies in Literature and Art

This article aims to reveal the great influence of Schopenhauer's aesthetic thought on early Nietzsche's metaphysics of art. Firstly, in terms of typology of art, early Nietzsche uses the framework of the Apollonian art/Dionysian art for the binary division of artistic types. Such binary division is the result of direct appropriation of Schopenhauer's artistic dichotomy. The general art which is the facsimile of the idea changes into Apollonian art, and music which is the facsimile of the will changes into Dionysian art. Secondly, in terms of the theory of aesthetic experience, early Nietzsche's concept of tragedy is composed of the …

Poetics Of Gesture: Agamben's Biopolitical Criticism, Yunbo Zhi

Theoretical Studies in Literature and Art

This article explores the gestural criticism in Agamben's works and elucidates why it belongs to the biopolitical criticism of politics or ethics. This article has three sections. First, it discusses the dimensions of gesture, gag, emptiness, and pure medium, and then points out that gestural criticism's revolutionary significance in terms of suspending the critical tradition and resetting a new boundary for criticism. Second, it illuminates that gesture is also a key critical concept of Benjamin's, and then discusses the meaning and value of interruption in gesture. Third, this article illustrates that the theory of gesture belongs to biopolitical criticism. This …

Semiotic Differance And The Re-Disappearance Of Image In Ming Landscape Painting, Duan Lian

Theoretical Studies in Literature and Art

In the Ming dynasty, the mainstream in the development of Chinese landscape painting experienced a change from exploring the Tao in the external world to exploring it in the artist's inner world. This is a change "from the outside in." This essay aims to make a point that the Ming mainstream is a repetition of the previous dynasties' mainstream in the development of landscape painting throughout Chinese art history, which is particularly signified by the re-disappearance of human figures in late Ming landscape painting. Studying this issue from the Derridean perspective of 'differance," this essay examines how the signification process …

Symmetries In The Semiosphere: A Typology, Leone Massimo

Theoretical Studies in Literature and Art

The article points out that the current expansion of the semiotic focus from signs and texts to whole cultures needs the development of a coherent method. It therefore proposes to establish the method through an application of the topological theory of fractals to the analysis of different kinds of symmetries in the semiosphere. Having defined fractals as resemblance between two topological structures, the article first dwells on what "resemblance" means in the comparison of both visual and conceptual patterns; it then proposes a typology of fractal similarities, based on the topological operations of rotation, translation, and reflection. Examples of each …

The Affect Theory Of Tao With "Wuhua" From An Animal Perspective, Suqin Hu

Theoretical Studies in Literature and Art

This article explores the affective, bodily and linguistic aspects of Tao's lyricism in the pre-Qin period from the perspective of human-animal relationship. Based on the human-animal affective bonds in wuhua, this article first proposes that the animal effects emotional changes in human beings in the light of Deleuze and Guattari's "becoming-animal" and the affect theory, which can also be firmly demonstrated by the "qi" and "qi-qing" cosmology in the Pre-Qin period. Then it argues that the human-animal bond of "wuhua" is embodied and performative, thus forming affective auras between the bodies. Viewed linguistically, the special position of the animal at …

The Commercial Press And The Modern Novels In The Literary Field Change: A Study Of The Ten-Volume "Novel Series", Juan Wen

Theoretical Studies in Literature and Art

The "Novel Series" was one of the well-known brands of the Commercial Press. It was published between 1903-1908 and consisted of a hundred novels. It had three characteristics: diversified origins of the novels that were collected from Japan, Europe and America, a wide variety of types, and the inclusion of both classical Chinese and vernacular works. The Commercial Press was a major and influential market-oriented private press. Its selection of the titles in the Series was defined by the times, and subject to the cultural thought of the society and the needs of the post Novel Revolution readers, reflecting the …

The Discourse System Of The Qing Loyalists: A Case Study Of "Zhenyuan Courtiers", Jingru Pan

Theoretical Studies in Literature and Art

The Qing loyalists' self-writing was consigned in their poetry texts, in which we could reevaluate the adherent phenomenon through close reading. The Qing-loyalists had a discourse system, which reflected their position and even ideology. However, as individuals, their self-expression did not obey the rules of the discourse system, which means that we should reinvestigate the adherent phenomenon and their literary works. "Zhenyuan courtiers", which was often alluded by the Qing loyalists, is a good example for the reinvestigation. As a classical allusion, on the one hand, it implied loyalty. On the other hand, it expressed their reminiscent moods as well …

The Priori Grounds For Kant's Judgment Of Taste, Youfeng Hu

Theoretical Studies in Literature and Art

In The Critique of Judgment, the essential problem to be resolved is that Kant should search for the priori grounds for appreciation and judgment so that they can be contained in the priori philosophy system. It is not a smooth course for Kant to make it. First of all, the fundamental problem that why appreciation and judgment are priori needs to be answered, after which Kant can search priori principles for teleology. Secondly, through the priori deduction of appreciation and judgment, Kant discovers their universal necessity. Kant looks for the priori grounds in the human mind for them, and what …

The Sense Of Beauty As Sensus Communis: The Issue Of Sense Of Beauty In Aesthetic Experiences, Xuguang Liu

Theoretical Studies in Literature and Art

As a kind of universal capacity for the communication of the state of mind, sensus communis is the premise of aesthetic judgment, a feeling of the free play of the powers of representation, and proportion of cognitive powers. When we use the concept of sensus communis, we intend to deal with the objective necessity of the confluence of the feeling of everyone with that of each. It is the constitutive principle for aesthetic pleasure, and the regulative principle for experience. Kant does not think that sensus communis is a kind of sense, but a kind of idea. However, Marxists believe …

The Tension Of Expression And Ways To Balancing, Yue Jiang

Theoretical Studies in Literature and Art

The "crisis of expression" in the humanities and social sciences is caused by the imbalance of expression tension. The phenomenon of expression tension is very common; it is not only found in the same text and different texts of the same object, but also in the process of understanding, expression and re-understanding the same text. The text tends to be successful when the various expression tensions are balanced. When one of the tensions is too strong to keep balance, it either leads to the failure of the expression, or produces texts of aggressive expression. The purpose of analyzing the expression …

Words As Signatures: Agamben And The End Of Poetry, Jiang Lan

Theoretical Studies in Literature and Art

In Agamben's works, there is a tension between the mysterious fire and the narrative language. The language, which derives from the doxologies in Christology, seals the mystery between the Heaven and the Earth. Rilke's Duino Elegies and H9 lderlin's poetry could be regarded as the production of these signatures. However, if we intend to break the signature, we cannot destroy the words and verses in poetry, as Mallarmé does in Coup de dès, because as soon as we destroy the signature, the mystery behind it will be dispersed. Therefore, Agamben argues that we can transform the fossilized political and linguistic …

Text Mining In Chinese Ancient Attires, Lu Wang

Western Research Forum

Starting from the Shang Dynasty (1600-1046 BCE) when writing system appeared in China, clothing was recorded as symbols to denote social statuses. The hierarchical signification of clothing remained in the following dynasties until the end of imperial China in 1911. The imperial period produced twenty-five official dynastic histories with rich corpuses on the subject of attire, documenting regulations and prohibitions of detailed dress code, a subject being scarcely studied and treated with assumptions today. This research will use text mining tools to identify descriptive words of clothing that reflect Chinese hierarchal ideology from the twenty-five histories. The method is to …

The Claremont Colleges Asian Studies Faculty Research Practices, Xiuying Zou, Carrie Marsh

Library Staff Publications and Research

A study on research practice and needs for library resource and service support of Asian studies faculty at The Claremont Colleges.

Am I Good Enough? Dealing Pastorally With The Shame Of Women In The Amalgam Of Korean Confucian And Christian Culture, Sarah Ahn

Seminary Masters Theses

In this paper, the literature review of shame is examined: the definition of emotions, the relationship between shame and the self, the definition and characteristics of shame alongside with guilt, the social nature of shame, and the female quality of shame. After examining the previous attempts on shame and its relationship with culture, this paper argues how shame functions, particularly in Korean culture, employing a cultural-anthropological, a societal-anthropological, and a Korean native-psychological approach. Furthermore, the paper explores the relationship between shame and Korean women in the amalgam of Korean Confucian and Christian context. The negative and positive roles of shame …

Míng (名) As “Names” Rather Than “Words:” Disabled Bodies Speaking Without Acting In Early Chinese Texts, Jane Geaney

Religious Studies Faculty Publications

My first scholarly article was about the work of A. C. Graham. Unfortunately, I never met him but my copies of his books became so worn from over-use that I had to replace them. My second, now equally worn, copy of Later Mohist Logic, Ethics, and Science opens to a statement that inspires my work:

A consistent nominalism has to extend its principle to the particular utterances of the name itself; I pronounce the sound ‘stone’ over X and afterwards convey that Y is like X by pronouncing a similar sound.

This claim has two important implications. First, in early …

The Taiko Connection: Reclaiming History, Activating Equality, Tamiko Cavey

History

Taiko drumming has been a Japanese cultural art form from as early as the fifth century. A taiko "boom" in which ensemble groups gained popularity took off in Japan post-WWII, and in the United States during the late 1960s-early 1970s amid the Asian American Civil Rights Movement. In discussing the historical experiences of the burakumin outcastes of Japan and Japanese Americans, this paper explores how taiko has been used as a form of social activism for these marginalized groups, and how this cultural reclamation facilitates the process of developing self-identity.

What Drives Consumers In China To Buy Clothing Online? Application Of The Technology Acceptance Model, Zhenqian Wei, Min-Young Lee, Hong Shen

Retailing and Tourism Management Faculty Publications

An enormous number of Internet users have made China a profitable e-commerce marketplace, and clothing is one of the most frequently purchased items. This study explores the predictors of consumers’ motivation to buy clothing online in China by extending the technology acceptance model. Data were collected via an online questionnaire, resulting in 504 returned responses. The results indicate that perceived usefulness has a significant effect on consumers’ intention to buy clothing online; however, no direct relationship between perceived ease of use and buying intention was found. Furthermore, perceived convenience, perceived money saving, and perceived time-saving can explain why consumers perceive …

Asian Journal Of Pentecostal Studies 21.1 (February 2018), Faculty Of Asia Pacific Theological Seminary

Asian Journal of Pentecostal Studies

EDITORIAL Dave Johnson

Biblical Reflections on Shame and Honor in Asia

ARTICLES

• Amanda Shao-Tan, "Spirituality for the Shamed Tsinoys with Disabilities: The Shamed Jesus in the Book of Hebrews"

• Marlene Yap, "The Crucifixion of Jesus Christ: From Extreme Shame to Victorious Honor:

• Im Seok (David) Kang, "Meaning of Remembrance of Me in 1 Corinthians 11:23-27 in Light of Bakgolnanmang: A Korean Concept of Honor"

• Im Seok (David) Kang, "True Friendship: Job 6:14-30"

• Balu Savarikannu, "Expressions of Honor and Shame in Lamentations 1"

BOOK REVIEWS

• Joel Tejedo Ivan Satyavrata, Pentecostals and the Poor: Reflections from the Indian Context
• Monte Lee Rice …

Succor In Smoke: A Historical And Comparative Analysis Of Incense And Moxibustion As Similar Agents Of Edification And Self-Cultivation, Hannah E. Matulek

Black & Gold

Since its origins in the Shang Dynasty nearly 3,000 years ago, traditional Chinese medicine has undergone many dramatic shifts and adapted to a wide range of cultural, social, religious and foreign pressures. One of the most notable changes is the attribution of the etiology of disease (as well as general poor health and behaviors) from volatile and dissatisfied external forces to manageable internal forces. This allowed for a flourishing of thought in Chinese medicine, for once granting an individual the power to influence his or her own health. Three religions—Confucianism, Buddhism, and Taoism—were also introduced to China at this time, …

A Differentiation And Rectification On "Modern Xiqu", Wei Li

Theoretical Studies in Literature and Art

The concept "modern xiqu" is used usually in three senses: First, it refers to all xiqu works of the modern period; second, it refers to some xiqu works that depict modern life; third, as a theatrical and a cultural term, it covers works with the quality of modernity. These meanings apply to different fields, but both the first and the second overlook the connotation of modernity. When discussing the modernity of "modern xiqu", professor Lü Xiaoping emphasizes both modern spirit and the dramatic principle of "the unity of plot", and professor Fu Jin emphasizes virtuosity and the subsequent self-discipline and …

A Study Of "The Anti-Modern Modernity" And Its Change In Two-Way Travels, Yuyu Wu

Theoretical Studies in Literature and Art

Since Wang Hui discussed "the anti-modern modernity" in detail in his article "Contemporary Chinese Thought and the Question of Modernity", the issue of Chinese modernity has become a bone of contention in the ideological circle of China. In fact, the theory did not grow from China, but was initially proposed by Western Leftist theorists. It affected Chinese scholars in the West and then entered China. This article focuses on the discussion of "the anti-modern modernity" by Arif Dirlik, Liu Kang and Wang Hui, and compares their different understandings and interpretations in Chinese and Western contexts. The theory of Arif Dirlik …

The Likening Of Pen Into Weaponry In Ancient Literary Criticism And The Metaphor System Of Literati's Writing And Craftsmen's Crafting, Minxue Huang

Theoretical Studies in Literature and Art

The analogy of pen with weapons is a phenomenon rich in hierarchy and systematicness in ancient literary criticism. It comes from the ancients' pursuit of words' real power, the habits of mind of metaphor with objects, the influence of war craft on art theory and the literati's hope of being well-versed in both polite letters and martial arts. It has kinds of existence forms and concludes words, literary form, atmosphere and ornate wording and so on. Besides, the analysis of the analogy of pen with weapons' production will guide us to a deeper system of literary criticism, which is the …

Ranges Of Understanding: On The Vast Scope Of Art Interpretation. A Wittgensteinian Perspective, Majetschak Stefan

Theoretical Studies in Literature and Art

The article examines the question of what "understanding an art work" means and offers some considerations about the ranges of understanding that we experience in interpretations of art: the vast scope between the contrasting extremes "expert knowledge" on the one hand and "art blindness" on the other. With respect to the philosophy of later Ludwig Wittgenstein it will be shown what these ranges originate from and why they are unavoidable. This may come as a surprise to some philosophers since Wittgenstein usually is not regarded as someone from whom one might expect pronouncements of an aesthetic nature. But in fact …

Refiguring "Philosophical Words": The Genesis Context And Classification Of Wang Chuanshan's Theory "Integrating Philosophy Into Emotions", Ningning Yang

Theoretical Studies in Literature and Art

"Philosophical words" in poetry has always been an important issue in classical Chinese poetics. In its complicated development process, the poetic discourse of Wang Chuanshan played the role of clarification and remodeling. From the point of view of the source, some theories of poetry, such as "the law of things" in the Song dynasty, Yan Yu's ideas of "language, thought and image", "opposing reason in favor of emotion" put forth since the Yuan and Ming Dynasties, Hao Jing's idea of "the reason of poetry", Chen Baisha's idea of "using emotions to govern reason", became the context for the genesis of …

The Autonomy Of Literature And Literary Standards: A Study Of Earl Miner's Methodology Of Comparative Poetics, Jianxun Ji, Jianfeng Zhang

Theoretical Studies in Literature and Art

The autonomy of literature and literary standard is of great significance for Earl Miner's comparative poetics research. The former is the presupposition of Earl Miner's system of comparative poetics, and the latter its basic standard. Departing from these, Miner draws a map for the literary and poetic tradition of the West and the East, thereby redefining the essence of literature and literary genres from a comparative perspective and expounding the cultural and historical factors that have led to the difference. Key to his system, Earl Miner's assumption of literature autonomy and abidance to the literary standard in literary studies are …

Fang Dongshu's Comments On The Jiangxi Poetics, Sheng Wu

Theoretical Studies in Literature and Art

Fang Dongshu was an important writer of the later Tongcheng Literary School. He discussed poetics from the perspective of article writing style and therefore reframed the historical connection between the Jiangxi Poetics and Du Fu's Han Yu's "prose style in poetry". Fang Dongshu argued that although Huang Tingjian had learnt the creation of artistic conception from Du Fu and the expression of style from Han Yu, he didn't achieve the natural realm and smooth aesthetic found in them.Fang had a comprehensive and detailed analysis about the Jiangxi Poetics, summarized its value, ways of composition, experience, etc. These are the historical …

St John The Baptist: Da Vinci's Irony, Chunlian Chen

Theoretical Studies in Literature and Art

In Leonardo da Vinci's St John the Baptist, the figure is androgynous, whose expression and posture look enchanting and tempting. Such an image does not accord with the description in the Bible, which is remarkably unusual in Christian culture. People in the Renaissance began to rethink about truth and revelation of Christian religion, believing that Christian thoughts and culture were not monolithic any more. St John the Baptist predicts the coming of Jesus; namely, he witnesses the true light. However, da Vinci transformed his image characteristics and gave the image new connotation and symbolic meaning, which made Christian truth that …

A Fusion Of Yangmingism, Politics And Literature: The Constructional Dimensions Of Li Fu's Literary Ideas, Wei Chang

Theoretical Studies in Literature and Art

Li Fu's ( 1675-1750) literary ideas are a fusion of Yangmingism, politics and literature, due to his profound research on Yangmingism, his political expectation for being a man like Yi Yin, his appreciation for Ouyang Xiu, Zeng Gong, Wang Anshi, a group of people born in Jiangxi who put great importance on literature, his rich literary experience and profound insights in his articles. Based on Yangmingism, he cleared the barriers to be a saint and got the ideas which could turn thoughts into action. He then bridged the traditional gap between "Confucian orthodoxy" and "dominion", constructed the discourse system about …