Digital Humanities Commons^™

Orpheus, Fall 1985, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Orpheus, Spring 1985, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Summer 1985, 90.9 Wmpg Fm

WMPG Program Guides

Light pink, folded into thirds.

Spring 1984, Wmpg 90.9 Fm

WMPG Program Guides

WMPG program guide for Spring 1984

Includes notes from Program Director, information on shows and events, and schedule.

Orpheus, Spring 1984, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Fall 1984, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.

Summer 1984, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Summer 1984,

1984 (Season Unknown), 90.9 Wmpg Fm

WMPG Program Guides

Mention of 1984 folk festival in program...

Fall 1983, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Fall 1983.

Orpheus, Fall 1983, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Fall 1983, 90.9 Wmpg Fm

WMPG Program Guides

Newsletter format.

Gay Side Story Original Poster, Audacity Theater

Gay Side Story

Poster for original production of GAY SIDE STORY as presented in conjunction with Symposium X at the University of Southern Maine, 1983.

Gay Side Story Original Script, Diane Elze

Gay Side Story

Original script for Gay Side Story

WRITTEN BY

Avis

Diane Elze

Rico Estabrook

John Frank

Dale McCormick

Tony Norton

Cheryl Ring

Chris Thurston

Gay Side Story Scrapbook, Gay Side Story Collection

Gay Side Story

Scrapbook containing photographs and ephemera from original 1983 production of Gay Side Story.

The full playbill can be seen here.

Gay Side Story Playbill, Gay Side Story Collection

Gay Side Story

1983 Playbill for Gay Side Story with forward by John Frank

WRITTEN BY

Avis

Diane Elze

Rico Estabrook

John Frank

Dale McCormick

Tony Norton

Cheryl Ring

Chris Thurston

WITH SPECIAL THANKS TO

Leonard Bernstein

Arthur Lawrence

Stephen Sondheim

Phil Spector

Newsletter Of The Association For Documentary Editing, Volume 5, Number 1, February 1983.

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

No abstract provided.

Realities Of The Sermon: Some Considerations For Editors, Wilson H. Kimnach

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The word "sermon" derives from the Latin sermo, indicating a talk or discourse. That definition endures, with the historical narrowing of the term to the proselytizing public addresses of representatives of religious faiths. Metaphorically, of course, the term is applied to any exhortation of a more or less formal nature that resembles such homiletical efforts. The important point is that the sermon is an event in time that inevitably terminates when the oral discourse ends. As Richard Weaver has observed, "every speech which is designed to move is directed to a special audience in its unique situation"; I ultimately, this …

F. B. Sanborn And The Editing Of Thoreau, Joel Myerson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

One of the most rapacious editors of nineteenth century American literary figures was Franklin Benjamin Sanborn (I831-1917). When he moved to Concord in the mid-1850s, Sanborn began making friends with all the major Transcendentalists. As Theodore Parker's literary executor (though Parker's widow prevented him from editing anything) and a friend of Bronson Alcott and Henry David Thoreau, he had access to their journals and manuscripts. But, as an editor, Sanborn left much to be desired: he often transcribed incorrectly, left out much material, and invented new material to suit his purposes. Perhaps the most famous example of Sanborn's editorial technique …

Textual Criticism And Composition Research, Patrick Scott

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

It's a commonplace among textual bibliographers that the questions they ask and answer apply across many different disciplines. As Fredson Bowers long ago argued, "No matter what the field of study, the basis lies in the analysis of the records in printed or in manuscript form."l Not just in high literature, but in history, philosophy, and the history of science, modern bibliographical editing is widely recognized as indispensable. Yet in bibliography's, and Professor Bowers', own traditional fiefdom, the English graduate program, one area has been almost totally neglected. Whereas twenty-five years ago, it was students of modern literature, especially the …

Newsletter Of The Association For Documentary Editing, Volume 5, Number 2, May 1983.

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

No abstract provided.

Optical Scanning And Cindex: Tools For Creating A Cumulative Index To The Laurens Papers, David R. Chesnutt

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

When the Papers of Henry Laurens project published its first volume in 1968, computers were still very much the domain of our scientific colleagues. Only a handful of humanists like Wilhelm Ott in Germany and Eric Boem in the United States had begun to realize the computer's potential for eliminating some of the drudgery associated with publishing scholarly materials. Today, computer assistance has become the sine qua non for almost every large-scale edition. Older editions like the Laurens Papers have had to automate their procedures gradually-moving step-by-step to replace traditional methods with computer-assisted methods.

The Laurens Papers began that process …

Dangerous To Documentary Editing: Copyright Office Report On Section 108, Michael J. Crawford

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Ever since the 1976 copyright act went into effect, the Copyright Office has been interpreting the paragraphs that apply to library and archival reproduction of copyright protected works in a way that could impair the ability of documentary editing projects to collect previously unpublished sources. In a report transmitted to Congress on 5 January this year, the Copyright Office has recommended that its interpretation be enacted into law. A brief explanation of the copyright law as it applies to unpublished written works will put the Register's report in context and illucidate the danger it poses.

Single-Editor Editions From Manuscript: The Journals Of Theodore Parker, Carol Johnston

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Anyone who undertakes to edit a text must necessarily make some basic decisions about the nature of that text and the purpose of the final edition. The editorial plan on which this edition is based was derived from a series of premises on the nature of the Parker manuscripts and on my purpose in editing them. The journal manuscripts are massive, encyclopedic documents rendering Parker's thought coherently, if not always according to strict grammatical usage. They are private, unpublished documents written in a hand that is cramped and difficult to read, and the manuscript pages are complicated by unformed words, …

Newsletter Of The Association For Documentary Editing, Volume 5, Number 3, September 1983.

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

No abstract provided.

Computer-Assisted Document Control For Editorial Projects, Paul Machlis

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Effective organizing and indexing of historical and literary texts are essential to the work of documentary editing. Card files, typed lists, and computer printouts help us count and classify documents and provide access to materials by date, subject, owner, and other features. In doing so, they offer editors some control over the tens of thousands of documents that form each of the editions. Maintaining tools of document control is not our central work, but it is prerequisite to the publication of accurate and thoroughly annotated texts.

The following remarks concern the use of computers at four projects to produce instruments …

On Editing Old French Texts, Mary B. Rutgers

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

As I understand it, a major focus of our discussion this afternoon is to be the problem of writing a manual on editing for an audience that is-to say the least-not in agreement on a single best method of editing texts. By way of approaching the problem of "orthodoxy" in Old French textual criticism, let me describe how Alfred Foulet and I came to write our manual as we did, the readers we had in mind, and the reactions our work evoked. The manual, On Editing Old French Texts, was published in 1979 by the Regents Press of Kansas.

Newsletter Of The Association For Documentary Editing, Volume 5, Number 4, December 1983.

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

No abstract provided.

Some Reflections On The Soft Money Generation, Charles T. Cullen

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

When I reflect on the state of our association after five years of existence I am pleased at what I see. We have been forced by circumstances to mature early-ours was a baptism by fire and I think we have succeeded. The hopes expressed at our organizational meeting in St. Louis in 1978 and the goals set by the first councils have been realized in a short period of time. Our membership has grown steadily and increasing numbers of people have attended our annual meetings to exchange information and ideas and to participate in the program. The editing guide called …

Booker T. Washington: The Labyrinth And The Thread, Louis R. Harlan

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

l am living proof that an editor can be a biographer. Whether an editor should be a biographer, or vice versa, depends on the person and the subject. I cannot speak for everyone faced with that dilemma, but for me as editor and biographer the double life proved that much richer. As a biographer focusing on the thread of biographical narrative I had the advantage of collaborating with an editor, a co-editor, and a corporal's guard of editorial researchers who explored the geography of the labyrinth-the historical context, the principal associates of my central figure, and even what Tom Clark …

Jonathan Edwards' A History Of The Work Of Redemption, John F. Wilson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

As a historian of religion, I appreciate the opportunity to present this discussion of a very particular editing assignment I have lived with for some years. Needless to say, this experience has increased my respect for those whose primary profession is close editorial work on texts. As a consequence, I offer these brief comments with a vivid sense of being essentially a layman in the field of editing who has tried to come to terms with its demands. Let me summarize the very special issues present in this project, and then turn to indicate the elements of the solution that …