Digital Humanities Commons^™

Meir B. Elijah Of Norwich And The Margins Of Memory, Miriamne Ara Krummel

English Faculty Publications

"Meir b. Elijah of Norwich and the Margins of Memory" is a study of Meir of Norwich's use of acrostics to record his English Jewish identity. In the face of the 1290 Expulsion, which follows upon many episodes of anti-Jewish violence and antipathy, Meir attempts to have his name recorded in perpetuity. This essay details some of those moments of violence in order to give voice to Meir's world and to clarify Meir's desire to be remembered.

Glsen Safe Schools Map, Betsy Parsons

Betsy Parsons Collection

1997 DeLome road map which was altered by Betsy Parsons in June 2009 to indicate the success of GSLEN's Safe Schools work in Maine. Parsons noted the locations of Gay-Straight Alliances, student groups located in Schools.

A Sputnik Moment? The Natural Sciences And Humanities, Edward L. Ayers

History Faculty Publications

Fifty years ago, the Natural Sciences and the Humanities were described (by C.P. Snow) as ‘Two Cultures’. Are they still so? This interview conducted by Peter Vale suggests that they are complementary and are likely to be increasingly so. Edward Ayers is the President of the University of Richmond. Previously dean of arts and sciences at the University of Virginia, where he began teaching in 1980, Ayers was named the National Professor of the Year from the Carnegie Foundation for the Advancement of Teaching in 2003. A historian of the American South, Ayers has written and edited ten books. The …

Presidential Address--Why Documentary Editing Matters, Michael E. Stevens

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The title of my talk tonight is “Why Documentary Editing Matters.” The question I seek to answer is critical, especially in an era that has seen rapid change in how we make information accessible.We need to know the answer to the question in order to explain our work to funders. But we also must also explain to ourselves why we choose to dedicate our energies to this endeavor. The significance of what we do is not based on how we publish our work, but in the value we add.

Association For Documentary Editing Business Meeting, 23 October 2008, Westward Look Resort, Tucson, Arizona And 2009 Annual Meeting, Springfield, Illinois, October 15–17, 2009

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Association for Documentary Editing:

• Business Meeting, 23 October 2008, Westward Look Resort, Tucson, Arizona
• 2009 Annual Meeting, Springfield, Illinois, October 15–17, 2009

Recent Editions, Linnéa Caproni

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This semiannual bibliography of documentary editions recently published in the fields of American and British history, literature, and culture is generally restricted to scholarly first editions of English language works. In addition to the bibliographical references, Internet addresses are provided for the editorial project or the publisher.

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

No abstract provided.

Review Of The Moravian Springplace Mission To The Cherokees, Volume I, 1805–1813 And The Moravian Springplace Mission To The Cherokees, Volume Ii, 1814–1821. Edited And With An Introduction By Rowena Mcclinton; Preface By Chad Smith., Angela Pulley Hudson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Noted historian William G. McLoughlin once observed that in addition to mirroring U.S. political structures, the nineteenth-century Cherokee Nation shared two other trends with the young Republic: slavery and Christianity.1 Indeed, even as Cherokee people fought to retain their eastern lands in the first decades of the nineteenth century, they often adopted the ideologies of the land-hungry Americans they tried to resist. Few sources document this complex and contradictory process more vividly than The Moravian Springplace Mission to the Cherokees. Rarely do Cherokee, Christian, and slave histories appear in such intimate relation to one another. In the secondary works on …

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4: 2008-2009-Front Matter

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Front matter -- Officers -- Publication Committee -- Editorial Staff -- Table of Contents -- Contributors

In The Beginning: Ade And The Big Bang Revolution, Roger Burns

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Welcome to the celebration of the thirtieth anniversary of the founding of the Association for Documentary Editing. Some people have compared the origins of the ADE with the American Revolution. Others have linked it to the big bang theory. I prefer to think of it as a Big Bang Revolution. Anyway, today you will get a little of the inside story of the creation of ADE. You see, I was there. And with me today are three individuals who have joined the ADE at different times in its history. Charlene Bickford, editor of the First Congress Project, who was also …

Digital Editions: Scholarly Tradition In An Avant-Garde Medium, Andrew Jewell

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

I come to you from the digital world. I am president of the Digital Americanists; I recently received a Digital Humanities Start-Up grant; I edit a digital archive on the life and work of Willa Cather; I am a faculty fellow at the Center for Digital Research in the Humanities; and I even have the word “digital” in my official job title: Assistant Professor of Digital Projects. I don’t begin this way in order to impress you with my credentials, but as a confession: my current professional identity is absolutely entangled with the digital medium. That said, I want to …

President’S Letter 2009 : Documentary Editing Is Alive And Well, Cathy Moran Hajo

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

As experienced editors, we sometimes see change as a negative—complaining about the paucity of funding, or about the new requirements that digital publishing has forced on our projects. But when you meet so many enthusiastic newcomers, it is hard to remain a pessimist.We have made great strides in the last thirty years, bringing our editions to a far broader segment of the public than the founders of ADE had ever thought possible.We have honed our practices, paving the way for new editors to follow using our publications in microfilm, book, and digital format as examples of best practices, a massive …

A Bibliography Of Editions Prepared By Ade Members, Karen Mylan, Linnéa Caproni, Harriet Simon, Richard Leffler

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The following is a listing of the many editions and volumes that have been published by members of the ADE. Each edition contains at least one editor, and usually more, who is or has been a member of the Association. It is a remarkable record of scholarly productivity in a wide range of disciplines. These many volumes, microfilms, microfiche, and electronic editions have added greatly to the resources available to scholars and laymen alike. It should also be noted that this list is incomplete. There are many other editions that have escaped the attention of those who prepared this list.

Review Of The Eleanor Roosevelt Papers, Volume I: The Human Rights Years, 1945–1948; Allida M. Black, Editor; John F. Sears And Mary Jo Binker, Associate Editors; Craig Daigle And Michael Weeks, Assistant Editors, And Christopher Alhambra, Electronic Editor, Kathlleen Dalton

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The publication of the first volume of the Eleanor Roosevelt Papers Project (ERPP), edited by Allida Black and her associates at George Washington University, is an event of the utmost significance to documentary editors and historians alike. Nothing like this pathbreaking volume exists in the ER literature, and this resource will forever change the research landscape. This volume stands for documentary editing at its best, and the larger ERPP itself, with its informative website and teacher training workshops, is a model of the highest editorial scholarship applied innovatively to the mission of public education.

Review Of Emma Goldman: A Documentary History Of The American Years, Volume One: Made For America, 1890–1901 And Emma Goldman: A Documentary History Of The American Years, Volume Two: Making Speech Free, 1902–1909. Edited By Candace Falk; Barry Pateman, Associate Editor; Jessica M. Moran, Assistant Editor., Nancy Marie Robertson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

For more than a quarter of a century, Candace Falk and her comrades at the Emma Goldman Papers Project (EGPP) have worked to make the records of the turn-of the-century anarchist, lecturer, and social critic available.With the assistance of the National Historical Publications and Records Commission (NHPRC), they joined with papers projects for Jane Addams, Elizabeth Cady Stanton and Susan B. Anthony, and Margaret Sanger to form the Consortium for Women’s History, part of an effort to diversify the people represented in historical editing projects. Funded by individual contributions as well as support from NHPRC and the National Endowment for …

Association For Documentary Editing 2008–9 Annual Plan

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The ADE is at an important crossroads. Much has changed in the documentary editing profession in the past three decades. New methods of publication have emerged; the era of the large projects is diminishing; and the number of users of published historical documents has exploded as a result of the Web. Many more people are engaged in the practices that we call documentary editing (the selection, transcription, and explication of documents), but these same individuals don’t define their work or their profession as such. Scholars use new and changing tools to produce their work in ways that weren’t imaginable when …

Learning The Five Lessons Of Youtube: After Trying To Teach There, I Don't Believe The Hype, Alexandra Juhasz

Publications and Research

No abstract provided.

In Memoriam, Thomas E. Dulan, Charlene Bickford, Mary Jo Kline, Raymond W. Smock

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Beverly Runge--Larry I. Bland--John Y. Simon

President’S Letter 2008: Moving Forward, Michael E. Stevens

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This past summer, the ADE’s Planning Committee met in Madison for three days to discuss the Association’s future. The group had previously developed background papers, and while in Madison they built on that work. The conversations were stimulating, and participants’ opinions changed as the pros and cons of different ideas were weighed. In the end, the group agreed upon a strategic direction and an action plan for the Association. The plan is printed elsewhere in this issue as well as at www.documentaryhistory.org. I urge you to give it a close read and to think about ways you might want to …

One-Dimensional History, Denton L. Watson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

I began attending the annual ADE conference on a regular basis in 2000. Since then, I have often wondered how many of you have been aware of my distinction? The lone black in a sea of white. Not the first, of course, just the lone one. Nevertheless, I have always reveled in my distinction, even though, to be truthful, I would have welcomed some company. My distinction, I am sure, has been due to the reality that I am one of just a tiny handful of black documentary editors, which has been the result of a combination of factors. I …

“I Hope You Never See Another Day Like This”: Pedagogy & Allegory In “Post 9/11” Video Games, Marc A. Ouellette

English Faculty Publications

Although critics and scholars have considered the extent to which the terror attacks of 11 Sept. 2001 influenced subsequent media productions, video games comprise a largely unexamined form. This oversight also applies to related forms of media production and among those who study video games is in part attributable to the ongoing debate regarding the relationship(s) between narrative and play. Even so, as early as 1997, JC Herz was investigating the role of video games in the military-entertainment complex. That said, the focus of this paper will not be the obvious games which draw settings and plots directly from the …

Recent Editions, Linnéa Caproni

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This semiannual bibliography of documentary editions recently published in the fields of American and British history, literature, and culture is generally restricted to scholarly first editions of English language works. In addition to the bibliographical references, Internet addresses are provided for the editorial project or the publisher.

A Place In The Sun: Review Of The Selected Papers Of Margaret Sanger, Volume 2: Birth Control Comes Of Age, 1928–1939. Edited By Esther Katz; Peter C. Engelman And Cathy Moran Hajo, Associate Editors; Amy Flanders, Assistant Editor., Jimmy Wilkinson Meyer

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Birth control advocate Margaret Sanger (MS) was, and still is, both revered and reviled for her efforts to move contraception out from the shadows of illegality and obscenity into the light of widespread acceptance. During her radical activist days (1910s–1920s), MS honed her leadership, networking, and speechmaking skills and often depended on direct action to further her cause.1 By 1930 she had departed from her radical cohorts but continued to employ her broadening network of contacts. The Selected Papers of Margaret Sanger, Volume 2: Birth Control Comes of Age, 1928–1939 covers the efforts and life of MS during this era. …

Association For Documentary Editing Business Meeting, November 16, 2007, Richmond Marriot Hotel, Richmond, Virginia, Christine S. Patrick

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

President's Report--Treasurer’s Report--Secretary’s Report--Publications Committee Report--Travel Funds Committee Report--President-Elect’s Report--Federal Policy Committee Report--Meetings Committee Report--New Business

President’S Letter: Looking Backward, Looking Forward, Michael E. Stevens

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This year marks the thirtieth anniversary of the Association for Documentary Editing, and it is a time to both celebrate our past and look forward to new directions. I recently took a look at the first volumes of The ADE Newsletter (predecessor of Documentary Editing) to refresh my memory of the ADE’s first annual meeting. I was struck by how much has changed over the past three decades, as well as by how much has stayed the same.

Humor And Its Hazards: Editing The Papers Of Will Rogers, Steven K. Gragert

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Almost from the opening day of the Memorial, discussion began about publishing Rogers’s collected works. An early one-volume effort appeared in 1949. Author and magazine editor Donald Day literally cut and pasted several of Will’s newspaper and other writings—retyped versions, fortunately—to produce the chronologically sequenced The Autobiography of Will Rogers, published by Houghton Mifflin. Other trade books and assorted academic studies came into print over the next several years, but no serious attempt was made to collect and edit his published works.That is, until 1967. In March of that year, Paula Love, the curator of the Memorial since its opening, …

Documentary Editing: Journal Of The Association For Documentary Editing--Front Matter

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Front matter: Table of Contents--Contributors

Balancing Public And Private Lives In The Letters Of Lucretia Coffin Mott And Florence Kelley, Beverly Wilson Palmer

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Despite their obvious differences, Lucretia Coffin Mott and Florence Kelley share some striking similarities. As prominent women reformers, they embraced three passionate concerns. First, they battled injustice to women. Lucretia Mott (1793–1880) helped organize the historic Woman’s Rights Convention at Seneca Falls in 1848 and constantly spoke out for women’s rights, not only at the ballot box but in marriage, courts of law, and the workplace. Florence Kelley (1859–1932) likewise fought for both political and economic equality for women. She worked for the passage of the Nineteenth Amendment giving women the right to vote, and throughout her career as director …

The Risks Of A Mammoth Edition: The Example Of The Complete Letters Of Henry James - Review Of The Complete Letters Of Henry James, 1855–1872. 2 Vols. Edited By Pierre A. Walker And Greg W. Zacharias., Kevin J. Hayes

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

With The Complete Letters of Henry James, general editors Pierre A. Walker and Greg W. Zacharias have undertaken such a mammoth task. In their editorial introduction to the first volume, which has been released simultaneously with the second, they explain that by the time it is finished the entire edition will fill at least 140 volumes. If the editors can maintain their two-volume-a-year pace—in itself quite ambitious—simple division tells us that it will take seventy years to finish the project. The Complete Letters of Henry James is one of those cathedral-like works whose editors will not live long enough to …

Long Before The Nhprc: Documentary Editing In Nineteenth-Century Virginia, Brent Tarter

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

In 1791 Thomas Jefferson wrote a letter to congratulate Ebenezer Hazard, of Pennsylvania, on the publication of the first two volumes of his Historical Collections, the first documentary edition of the public records of a state or colony. Jefferson’s letter is often quoted for its rationale for documentary editing. “Time and accident,” he wrote, “are committing daily havoc on the originals deposited in our public offices. The late war has done the work of centuries in this business. The lost cannot be recovered; but let us save what remains: not by vaults and locks which fence them from the public …