Digital Commons Network^™

Spring Turkey Harvest Survey Report 2024, Tennessee. Wildlife Resources Agency.

Turkey Management

No abstract provided.

Annual Wild Turkey Status Report 2024, Tennessee. Wildlife Resources Agency.

Turkey Management

No abstract provided.

Music, A Connected Art/Die Illusion Der Absoluten Musik: A Festschrift For Jürgen Thym On His 80th Birthday, Ed. Ulrich J. Blomann, David B. Levy, Ralph P. Locke, And Frieder Reininghaus. Baden-Baden: Verlag Valentin Koerner, 2023 [Review], Sarah Clemmens Waltz

Music & Musical Performance: An International Journal

No abstract provided.

Contributors To Issue 4

Music & Musical Performance: An International Journal

No abstract provided.

South End Shout: Boston’S Forgotten Music Scene In The Jazz Age, By Roger R. House. Ann Arbor: Lever Press, 2023. [Review], David Demsey

Music & Musical Performance: An International Journal

No abstract provided.

Beyond The Handsomeness: A Biography Of Thomas Schippers, By Nancy Spada. Foreword By Steven Monder. Irvine, Ca: Universal Publishers, 2023 [Review], George J. Ferencz

Music & Musical Performance: An International Journal

No abstract provided.

Berlioz In Time: From Early Recognition To Lasting Renown, By Peter Bloom. Rochester, Ny: University Of Rochester Press, 2022 [Review], Trans. Ralph P. Locke., Matthieu Cailliez

Music & Musical Performance: An International Journal

No abstract provided.

Mr Byrde Affirmes It To Be Truth, Kerry Mccarthy

Music & Musical Performance: An International Journal

This essay briefly contemplates William Byrd’s 400th anniversary.

Berlioz In Time: From Early Recognition To Lasting Renown, By Peter Bloom. Rochester, Ny: University Of Rochester Press, 2022 [Review]., Matthieu Cailliez

Music & Musical Performance: An International Journal

No abstract provided.

Im Tonfall Der Empörung: Luigi Nonos Intolleranza 1960, Max Nyffeler

Music & Musical Performance: An International Journal

Intolleranza 1960, die 1961 im Teatro La Fenice in Venedig uraufgeführte Oper von Luigi Nono, brach seinerzeit wagemutig mit traditionellen Vorstellungen von Musiktheater. Die Darstellung von körperlicher und instutioneller Gewalt gegen Menschen, die Erweiterung des Bühnenraums durch Lichtprojektionen und Lautsprecherklänge und dazu eine Musik der permanenten Unruhe und des Protestes—all das diente dem Zweck, das Publikum zu einer Parteinahme gegen Unterdrückung und Unrecht zu provozieren. Die Oper sorgte 1961 für einen Skandal, hat sich aber durchgesetzt als ein Werk, das durch Nonos Musik einem Tonfall der Empörung Ausdruck verleiht, in dem sich eine zeitlose menschliche Wahrheit artikuliert.

A Ringing Tone Of Outrage: Luigi Nono‘S Intolleranza 1960, Max Nyffeler

Music & Musical Performance: An International Journal

Luigi Nono’s opera Intolleranza 1960, premiered at the Teatro La Fenice in Venice in 1961, defiantly broke with traditional notions of opera at the time. The depiction of physical and institutional violence against people, the expansion of the stage space by slide projections, and sounds coming from loudspeakers as well as a music that expressed constant unrest and protest provoked audiences into taking a stance against oppression and injustice. The work caused a scandal at the time of the premiere, but has since established itself as an opera that articulates, through Nono’s music, a timeless human truth in a ringing …

Berlioz's Mysterious Amélie, Pascal Beyls, Peter Bloom

Music & Musical Performance: An International Journal

In September 1864, in a letter to his long-time confidante, the Princess Carolyne von Sayn-Wittgenstein, Berlioz mentioned the name of the woman with whom, as he had earlier confided to the Princess, he had conducted a brief but passionate affair: “her name was Amélie.” Until now, the Berlioz scholars have been unable properly to identify this mysterious person. From other letters and documents, including Ernest Legouvé’s Soixante ans de souvenirs, we have known the approximate dates of the beginning and ending of the relationship. But only now, on the basis of the birth and death certificates of the woman and …

Revolutionary Alchemy: Incantation And Collage As Magical Methods In Rock Of The Countercultural Era, Jay Keister

Music & Musical Performance: An International Journal

Magic held a special fascination for the post-war counterculture, a movement that valued music and art as tools of the imagination to counter what Theodore Roszak called the “technocracy” in which science was to blame for cultural disenchantment in the West. At a time when countercultural rhetoric was bolstering a newfound faith in the power of music to generate social change, rock music began to be conceived by many musicians and perceived by audiences as a kind of magic. This article considers music by the Beatles, the Doors, Pink Floyd, Frank Zappa, Captain Beefheart and others to show how musicians …

William Albright's Whistler (1834-1903): Three Nocturnes: "Why The Hell . . . Should Anyone Listen To This?!", R. Douglas Reed

Music & Musical Performance: An International Journal

The article explores William Albright's Whistler (1834-1903): Three Nocturnes (1989) through historical context, musical analysis, performance practice, and the composer's essay on the relationship between his composition and Whistler's paintings. Commentary by composer Sydney Hodkinson gives information about the 1960s new music scene in Ann Arbor (the ONCE Group, The Grate Society) composition study with Ross Lee Finney.

Water Supply Update, Jordan Clayton

Spring Runoff Conference

Snowpack and Water Supply Conditions.

>95% of the water we use in Northern Utah comes from snow. Therefore, it’s critically important to quantify how much water is stored in our snowpack.

Spring Turkey Harvest Survey Report 2023, Tennessee. Wildlife Resources Agency.

Turkey Management

No abstract provided.

Annual Wild Turkey Status Report 2023, Tennessee. Wildlife Resources Agency.

Turkey Management

No abstract provided.

Tennessee 2025 State Wildlife Action Plan: Appendix H - Comprehensive Hierarchy Of State Conservation Actions, Tennessee. Wildlife Resources Agency.

Strategic and Management Plans

No abstract provided.

Legislative Summary Panel, Brian Steed, Scott Sandall, Jill Koford, Joel Ferry

Spring Runoff Conference

Legislative updates provided at the Spring Runoff Conference 2026.

Digital Challenges Experienced By Older Adults In Hidalgo County, Migdalia (Dee) Ochoa

Staying Safe, Smart, and Well Online: Empowering Older Adults in the Digital Age

No abstract provided.

Tennessee State Wildlife Action Plan 2025, Tennessee. Wildlife Resources Agency.

Strategic and Management Plans

No abstract provided.

Water In 2026, Spencer Cox

Spring Runoff Conference

Presentation by Utah Governor Cox.

Tennessee Fishing, Hunting, & Trapping Guide 2025-2026, Tennessee. Wildlife Resources Agency.

Hunting and Fishing Regulations

No abstract provided.

2024 Tennessee Boating Incident Statistical Report, Summary Of Reportable Boating Incidents, Tennessee. Wildlife Resources Agency.

Boating Accident Statistics

No abstract provided.

2023 Tennessee Boating Incident Statistical Report, Summary Of Reportable Boating Incidents, Tennessee. Wildlife Resources Agency.

Boating Accident Statistics

No abstract provided.

Investment Intensity Rises - Profits Decrease, Anwar Shaikh Phd

Archives of Anwar Shaikh

This collection includes:

• Glick, M. (n.d.). As investment intensity rises, profitability declines [General Electric study discussing the PIMS data used to advise managers]. General Electric.

Hildegard Of Bingen: Lifeline. Angels Share Records, 2022., Mark Rimple

Music & Musical Performance: An International Journal

No abstract provided.

Contributors To Issue 3

Music & Musical Performance: An International Journal

No abstract provided.

Pedro António Avondano: Il Mondo Della Luna. Naxos 660487-88, 2021., Ralph P. Locke

Music & Musical Performance: An International Journal

The world-premiere recording of Il mondo della luna by Pedro António Avondano consists of a highly skillful and alert performance by Portuguese musicians, including singers well trained in Italian. The recitatives were rehearsed in an unusual way, with the singers first speaking the lines rather than singing them. The experiment will be judged variously by different observers. The reviewer dislikes the frequent clash in pitch between voice and instruments, especially at cadences. But others have hailed the recording unstintingly.

Liszt’S Representation Of Instrumental Sounds On The Piano: Colors In Black And White, By Hyun Joo Kim. Rochester, Ny: University Of Rochester Press And Boydell & Brewster Limited, 2019., David H. Plylar

Music & Musical Performance: An International Journal

No abstract provided.