Entire DC Network | Open Access Articles | Digital Commons Network™

Cross-Jurisdiction Unitization Agreements: A Legal Solution To The Issue Of Cross- Jurisdiction Petroleum Reserves Between Iran And Iraq, Nawzad Mirali Yasin

Oil and Gas, Natural Resources, and Energy Journal

No abstract provided.

Go to article

Editor's Introduction & Front Pages, Piper Hampton

Oil and Gas, Natural Resources, and Energy Journal

No abstract provided.

Go to article

Method And System For Selecting The Payment Credentials Based On Rewards During Transaction Processing, Deepak Tomar Mr

Defensive Publications Series

The present invention provides a method and system that can provide best cashback reward by dynamically selecting the payment credentials based on the highest reward cashback percentage offered. In an embodiment, the present invention provides the backdoor updates (105) of the categories and the percentage offered by the issuer on a particular card during a transaction.

Go to article

Network Status Management And Networkless Logging, Theodore Obbard, David Phillips, Bhawana Sharma

Defensive Publications Series

This disclosure describes techniques of networkless logging of client application events when the client device does not have an internet connection. Networkless logging as described herein is request-agnostic, stores requests locally (e.g., on device memory or disk), and, if a network connection is presently unavailable, sends out the requests at a later time when the network connection becomes available. This disclosure also describes a network status manager that can accurately and reliably obtain the state of the network (connected or disconnected) by sending fast, lightweight requests to a remote endpoint that is geographically close to the user.

Go to article

Changes And Established Rules: The Relationship Between Collected Ci-Poetry Of Wan Shu And His Rules Of Ci-Poetry, Yanpeng Wang

Theoretical Studies in Literature and Art

Wan Shu’s writings of ci-poetry use various tunes, styles, and rhythms, aiming to pursue changes, while his theoretical work Rules of Ci-poetry emphasizes standardization, trying to explore established rules of the style, rhyme, and syntax in ci-poetry. Between his creation and theory there is thus an obvious contradiction, which can be explained, on the one hand, by the anxiety of influence derived from his compilation of Rules of Ci-poetry, and on the other, by his distinct creative personality and experience as an aide of generals. As a result, Wan Shu made efforts to subvert the tradition in the style of …

Go to article

Interpreting “Que” In Du Fu’S “Qiang Village”, Ren’Er Huang, Chao Tong

Theoretical Studies in Literature and Art

There are numerous interpretations of the word “却/que” in the following stanza of Du Fu’s poem, “Qiang Village”: “My darling child clutches my knee; dreading that I will leave again (Jiaoer bu lixi, Weiwo fu quequ).” However, barely any accurate explanations were given in classical annotations. The controversy over the ways in which the word should be annotated has continued in contemporary scholarship for over 60 years, contributing another case to the list of scholarly debates in history. Despite such research that comprehensively delineates and reviews these debates, including several voluminous publications of annotations to Du Fu’s poetry in recent …

Go to article

The Pioneering Efforts Of Wu Weiye’S Ci-Poetry And The Founding Of Scholars’ Ci-Poetry In The Qing Dynasty, Guoan Chen

Theoretical Studies in Literature and Art

Wu Weiye’s (1609-1671) ci-poetry, distinctively characterized by directly inheriting the style of ci-poetry from the Song dynasty rather than the Ming dynasty, brought about a number of developments to ci-poetry. These mainly included the mature awareness ci-poetry style, the refinement of eroticism, the drive behind alluding to classics and history, the sentiments behind his identification as a leftover subject from the previous dynasty, the intermingling of different genres, and the enhancement of narrative function of ci-poetry. These were also important elements in scholars’ ci-poetry, which made Wu Weiye with his ci-poetry the foundation for scholars’ ci-poetry in the Qing dynasty. …

Go to article

The Creation Of New Tunes For Ci-Poetry In The Qing Dynasty And Their Dual Forms Of Music And Text, Shen Liu, Xianyi Sha

Theoretical Studies in Literature and Art

Despite the loss of tunes to ci-poetry during the Qing Dynasty, poets still composed a large number of new ci-poems, and ci-poetry in Chinese classical poetry has been considered as lyrics to music in contrast to regulated poems. Based on the ci poetry of the Tang and Song Dynasties, Qing-dynasty poets developed two main methods to compose the new tunes for ci-poems, which were “tuning on the consideration of tones of every word” and “blending tunes to create a new tune.” These two methods enabled the poets to compose lyrics before revising the melodies. Thus, the poets in the Qing …

Go to article

The Development Of Yanzhi,Yuanqing, Wendaoguan: The Essence Of Literature According To Dugu Ji, Liang Su, And Quan Deyu, Qinghai Liu

Theoretical Studies in Literature and Art

In the mid-Tang dynasty, the theory of yuanqing (conveying emotions) was popular again, due to the further development of jintishi (regulated verse), especially the qiliangti (a popular style of poetry in the Qi and Liang dynasties). As authors of ancient-style prose, Dugu Ji and Liang Su advocated that the essence of literature was yanzhi (expressing aspiration). In Dugu’s opinion, aspiration expressed in literature should embody the Confucian morality. In the same vein, Liang “prioritized morality over literature”. Both, however, also followed the tradition of yuanqing in the Six dynasties, while developing the traditional ideas of yanzhi and bixing (metonymy and …

Go to article

Poetry Under Imperial Order And Seven-Character Metrical Poetry In The Early Tang Dynasty, Shun Liu

Theoretical Studies in Literature and Art

Linguistic conditions and the refinement of language style are the prerequisite and facilitator for the popularity of specific poetry styles in Chinese classical poetry. The formation of four-character sentence was the linguistic prerequisite for seven-character poetry, and was also the fundamental reason for the decline of four-character poetry relying on “two-two” rhythm. The improvement of seven-character style resulted from imperial order was an important impetus for the rapid development of seven-character poetry. The grammatical reason behind the parallel between seven-character poetry and five-character poetry highlighted their difference, making seven-character lines more suitable to write about scenery, emotion and argument because …

Go to article

On Theatricality, Ke Shi

Theoretical Studies in Literature and Art

The concept of theatricality is one of the core notions of theatre studies and the theory of arts. It has been discussed and debated for a long time in Chinese and Western contexts. Drawing on the works of Wang Yuli and others, this article examines the evolution of this concept in the Western context, especially in the second half of the twentieth century. This article provides a comparative review of the definitions of theatricality from different perspectives by Josette Féral, Ragnhild Tronstad, Samuel Weber, etc., which are important but less introduced in Chinese. The most pivotal issue in the concept …

Go to article

From Semiotics To Phenomenology: The Establishment Of The Basic Research Methodologies In Euro-American Performance Analysis, Wei Feng

Theoretical Studies in Literature and Art

Semiotics and phenomenology play fundamental roles in Euro-American performance research. The former, which began in the early twentieth century after the rise of avant-garde theatre, focuses on the production of meaning and has constantly responded to shifting theatre practices. Around the 1990s, the semiotic approach became less useful for the analysis of contemporary theatre and performance art that deemphasize or defy signification. As a complement to semiotics, phenomenology was introduced to performance analysis. It suspends the conceptual system on which semiotics is based and highlights the first-person experience, the flow of affect, and thingness in the theatre. Both methodologies take …

Go to article

Practicing A Community: Collectives Of Western Avant-Garde Theatre And Its Performative Turn, Ziwen Gao

Theoretical Studies in Literature and Art

The collectives of Western avant-garde theatre were an attempt to practice an ideal community. By borrowing from Antonin Artaud’s innovative ideas of theatre, they employed a ritualistic presentation to alter the traditional performer-spectator relationship and further to construct a new community involving both parties. Members of the collectives used collective improvisations during their rehearsals and creations, aiming at eliminating hierarchical relationship as well as building an artist community of equality and freedom. The collectives contributed to what Erika Fisher-Lichte referred to as the “performative turn” of theatre arts. The new form of theatre represented by “performance art” is more focused …

Go to article

Comparative Studies Of Literature And Dance: An Interdisciplinary Approach, Huafei Chen, Mingwen Xiao

Theoretical Studies in Literature and Art

Comparative literature has been constantly drawing inspirations from other disciplines to revitalize itself. This article proposes a comparative study of the two seemingly different but affinitive disciplines — literature and dance — in the interdisciplinary context. By analyzing the reasons why comparative studies of literature and dance have been neglected by the academia, this article investigates the possibility of such kinds of comparisons, and provide four approaches: firstly, to compare literary works and their dance adaptations; secondly, to unravel the textual functions of dance elements in portraying characters, creating plots, and developing themes; thirdly, to investigate dance’s engagement with literary …

Go to article

The Myth Of The Concept Of Parallel Studies In Comparative Literature, Mengze Yao

Theoretical Studies in Literature and Art

For most Chinese comparatists, parallel studies is a methodology put forward by the allegedly American School in the mid-20th century, which compares literary phenomena of little factual connection. However, this is a misunderstanding that originated in Taiwan and found its way to the mainland. The term “parallel studies” was coined by comparatists in Taiwan in the 1970s, which has never been accepted by representative American comparatists and their practice has not supported the theorization. The claim of parallel studies, on the one hand, is an oversimplification and misunderstanding of the methodology practiced by American comparatists, and on the other hand, …

Go to article

Why Would A Thousand Readers Understand Shakespeare In A Thousand Ways?: The Signifying Logic Of A Text From The Perspective Of Hermeneutic Openness, Mingdong Gu

Theoretical Studies in Literature and Art

Why would a thousand readers yield a thousand versions of Shakespeare’s Hamlet in their understandings? This question touches upon a core issue in modern literary theory: Is a text an enclosed space of unity, harmony, and at most a balance of opposites, which allows only for nuanced and coherent exegeses, or an open space of different views, voices, values, attitudes, and ideologies, which invites different and conflicting interpretations? Formalism and structuralism believe that a literary work is an autotelic, free-standing, self-contained enclosure of self-sufficient meanings. Contrary to this conviction, post-structuralist theorists have argued that a literary text is essentially an …

Go to article

“Homegrown” Practices And Discursive : Revisiting The Debates On Foreign Literature Research In The 1990s, Xinyuan Du

Theoretical Studies in Literature and Art

The debates on foreign literature research in the early 1990s have formed an assumption of binary opposition between the “homegrown” and the “foreign”. Chinese scholars realized that Western issues cannot be taken as self-evident. However, when highlighting the transformation of Western theoretical paradigms from the local perspective, they tend to overprioritize the homegrown experience as the focal point to construct a form of discourse that in fact becomes a copy of the Western narrative of identity. This article takes the logical contradiction inherent in the debates as the point of departure, conducts a critical interpretation of them, and proposes a …

Go to article

Allusivity Or Explicit-Implicit Comparison: A Critical Review Of The Tradition Of François Jullien’S Indirect Writing, Xiangyan Jiang

Theoretical Studies in Literature and Art

François Jullien suggests that the tradition of indirect writing (l’écriture indirecte) exists both in China and the West. In China, the tradition of Bi-Xing (explicit comparison and implicit comparision) originated from The Book of Songs forms the indirect way of expressing emotion in poetry. Such way of expression combined with other original categories of Chinese poetics contributes to the “alterity” of the Chinese literary tradition by creating an “allusivity” in the text. Its Western counterpart is found in symbolism, which nevertheless showcases the heterogeneity between traditional Chinese and Western poetics. Chinese lexical equivalent to “indirect writing” is wanyan (indirect words), …

Go to article

Little Nightmare In A Vast Cosmos: Dark Ecology And The Poetics Of Nightmare In Videogames, Yuhui Jiang

Theoretical Studies in Literature and Art

The ecology of games is a new and crucial trend in recent theory on videogames. As a branch of media ecology, it not only reflects the two related aspects of the “apparent” and the “latent”, but also implies a deep concern with the underlying gray and dark dimensions. However, in the early studies of the ecology of videogames represented by Ian Bogost, the emphasis on subjectivity is overshadowed by a return to operation system and its materiality. Therefore, this article uses Timothy Morton’s landmark contribution to dark ecology to reflect on the two related points of subjectivity and experience. It …

Go to article

Critical Climate Change: A Theoretical Perspective For The Construction Of World Literary History, Yuan Yuan

Theoretical Studies in Literature and Art

Since the beginning of the new millennium, there has been a blossoming of research on literary representations of climate change in Western scholarship. Critics have analyzed the narrative innovations and thematic strategies of climate fiction and climate poetry in four aspects, namely, philosophy, history, affect, and politics. They have established six major theoretical routes: climate deconstructionism, climate historicism, holistic climate criticism, climate cognition and affect criticism, climate justice criticism, and empirical climate criticism. Critics generally situate humans and nonhumans in a shared process of planetary development. Their major purpose is to observe the interrelationship between climate (change) and the production/transmission …

Go to article

Dialectics Of The Avant-Garde And The Regressive: Adorno On Primitivism In Modern Art, Zhijing Wu

Theoretical Studies in Literature and Art

While Picasso and Stravinsky are renowned in their respective fields for their primitivism, Adorno’s evaluation of them seems to be in sharp contrast, with one being endorsed and the other repudiated. His criticism of Stravinsky, in particular, has been under attack as well. It is thus necessary to explore the dialectical reasoning and critical engagement underlying Adorno’s antithetical judgement as well as its justification. Based on the dialectic of enlightenment, Adorno regards Picasso’s primitivism as a strong return of the ugly in modern art, which can be traced to the primitive fear. It is also regarded as a critique of …

Go to article

Spirit Resonance And Empathy: A Topic In The History Of Modern Chinese And Japanese Aesthetics, Yinglong Peng

Theoretical Studies in Literature and Art

“Qiyun” (Spirit resonance) is a key concept in ancient Chinese painting theory, and empathy is an important conceptualization in Western modern aesthetics. During the Meiji and Taisho eras, Japanese scholars delved into both the eastern and western aesthetics, and tried to compare and connect “spirit resonance” and empathy. Ise Senichirō and Sono Raizô were among the first to attempt to find the similarities and dissimilarities respectively, while Kinbara Seigo and Oonishi Yoshinori further elaborated on this issue. The approach of Japanese scholars inserted deep impact upon Chinese scholars studying in Japan. They generally followed Japanese approach, and among them, Teng …

Go to article

On Dark Ecology And Its Aesthetic Dimension, Jin Zhang

Theoretical Studies in Literature and Art

Since the beginning of the twenty-first century, dark ecology has emerged out of context of global warming and anthropocentrism of deep ecology. It draws up the idea of object-oriented ontology, outlines the new pattern of future coexistence, and highlights the aesthetic dimension of ecology. Ontologically, dark ecology connects causality with aesthetic dimension through the tension between the “withdrawn” and the “present” of “hyperobjects”. Epistemologically, it considers the “world” as an aesthetic effect and traces it back to the rise of agrilogistics in Mesopotamia. Methodologically, it explores the abyss between the thing-in-itself and its sensory appearance with the artistic methods of …

Go to article

An Interpretation Of Shenyun(Spirit And Charm): Qian Zhongshu’S Theory On “Clarity And Profundity” From The Perspective Of Geographical Context Of Modern Interpretation Of Classics, Zhongyi Xia

Theoretical Studies in Literature and Art

Wang Shizhen was famous in the history of criticism for the term shenyun. Later, this term was interpreted in Casual Remarks from North of the Pond as “poetry is valued for its clarity and profundity”, which was further clarified by Qian Zhongshu. Based on shenyun, Qian Zhongshu reconstructed the theory -- “poetry is valued for its clarity and profundity” -- on three levels: the source (Xie He’s Record of Appreciating Ancient Paintings), the turning point (using the southern painting theory to “discuss poetry through painting”), and the mechanism (Fan Wen’s “aftertaste is charm”). All of Qian’s source materials are taken …

Go to article

Thoughts On Chinese Aesthetics Of Vitality, Xuan Wu, Tiantian Cai, Shu Yan

Theoretical Studies in Literature and Art

Vitality defends life feeling, will and emotional differences, and guarantees cultural creativity. Chinese aesthetics of vitality aims to transform traditional Chinese and western life aesthetics for the purpose of life from the history and reality that vitality has been despised and rejected by Confucianism and Taoism. First, from the Sui and Tang dynasties onwards, the relationship between the strength of individual life and that of the state was put forward in the history of Han Chinese, who were invaded outside and enslaved inside. Individuals could not defend their will and emotional dignity, and lost their fighting strength. The second part …

Go to article

On Schelling's Ontological Aesthetics, Fanren Zeng, Qun Reng

Theoretical Studies in Literature and Art

Schelling is one of the four masters of German classical aesthetics. He was not only a transitional figure from Kant to Hegel, but also departed from the continental tradition of rational determinism to embark on ontology. For the first time, he proposed the concept of ontological “philosophy of art,” and constructed art under the principle of the “philosophy of identity.” His research focused on the ontological philosophy of mythology, which regarded myth as the absolute poetry. His Philosophy of Art creates a sublime view of tragedy, which regards the spiritual sublimation resulting from the tragic protagonist’s voluntary punishment as the …

Go to article

Reconstructing The Relationship Between Poetry And Zen And Incorporating Confucianism Into Zen In The Late Ming Dynasty: Centering On Chuiwan Guangzhen, Tingfa Wang

Theoretical Studies in Literature and Art

Chuiwan Guangzhen had a clear understanding of the imitation and plagiarism in Zen in the late Ming dynasty, and put forward the theory of “using poetry to describe Zen”, that is, “the method of poetry is the method of Zen”. It was not only a development in the theory of Zen poetry, but also reflected his concern about the current situation of Zen. Chuiwan Guangzhen considered “real Zen method” as a “real poetry method”, leading Xie Zhen’s poetry method of “four interpretations” to the method of “real Zen” and incorporating the way of Zen into poetics. He believed that the …

Go to article

A Cross-Cultural Comparative Study Of The Characteristics Of Wang Wei’S “Zen-Style Poetry”: A Reading Of Wang Wei Against Matsuo Bashō And Martin Heidegger’S Poems, Lingbing Meng

Theoretical Studies in Literature and Art

This article analyzes the five-character quatrains in Wang Wei’s Collected Poetry from Wangchuan, Matsuo Bashō’s haiku, and Martin Heidegger’s poems in his later years. The paper summaries some common features of the Zen-style poetry from the perspectives of the core ideas of Zen Buddhism, Matsuo Bashō’s wabi-sabi, and Heidegger’s later comments on “the truth of existence.”. This style of poetry uses laconic diction and near plain sketch technique to present a natural scene that is instant and self-existing while the ideas of Zen Buddhism informs the poet’s direct sensory perception (pratyakṣa-pramāṇa) that does not discriminate, which aligns with Wang Fuzhi’s …

Go to article

An Analysis Of The Interpretation Process And Naming Principle On Five-Character Paralleled Metrical Poetry In Poetic Theory, Jialin Zheng

Theoretical Studies in Literature and Art

This article explores the interpretation history of five–character paralleled metrical poetry in poetic theory. In the Tang dynasty, there had almost no explicit elucidation on this style, except for Yuan Zhen who had adequately elaborated on the creative motivation, and artistic weaknesses and strengths of the style while commending Du Fu’s poems of this style to be the model for they reflected the artistic essence of expansive parallelism. Some Song-dynasty poets had some comments that influenced the theorization of five-character parallel metrical poems. In the Yuan dynasty, anthologies of Tang poetry by Li Cun and Yang Shihong paid attention to …

Go to article

The Reception And Discrimination Of Biographical Literary Style In The General Collection Of Articles In The Ming Dynasty, Pengfei Xia

Theoretical Studies in Literature and Art

The collection of articles is an important perspective to examine people's acceptance of biography literature. By examining the setting of biographical literary style in article anthologies, selection of works and stylistic discrimination, we can accurately understand biographical literary view of Ming Dynasty. Specifically, people of Ming Dynasty further clarified the rationality of the collected historical biographies, more historical accounts are considered biographies, and expanded the meaning of the biography. The selection of biographical works in Ming Dynasty is the most careful, with a large number of works, strong representative, and emphasis on literariness and morality, which can reflect the overall …

Go to article

Full-Text Articles in Entire DC Network

Cross-Jurisdiction Unitization Agreements: A Legal Solution To The Issue Of Cross- Jurisdiction Petroleum Reserves Between Iran And Iraq, Nawzad Mirali Yasin

Oil and Gas, Natural Resources, and Energy Journal

Editor's Introduction & Front Pages, Piper Hampton

Oil and Gas, Natural Resources, and Energy Journal

Method And System For Selecting The Payment Credentials Based On Rewards During Transaction Processing, Deepak Tomar Mr

Defensive Publications Series

Network Status Management And Networkless Logging, Theodore Obbard, David Phillips, Bhawana Sharma

Defensive Publications Series

Changes And Established Rules: The Relationship Between Collected Ci-Poetry Of Wan Shu And His Rules Of Ci-Poetry, Yanpeng Wang

Theoretical Studies in Literature and Art

Interpreting “Que” In Du Fu’S “Qiang Village”, Ren’Er Huang, Chao Tong

Theoretical Studies in Literature and Art

The Pioneering Efforts Of Wu Weiye’S Ci-Poetry And The Founding Of Scholars’ Ci-Poetry In The Qing Dynasty, Guoan Chen

Theoretical Studies in Literature and Art

The Creation Of New Tunes For Ci-Poetry In The Qing Dynasty And Their Dual Forms Of Music And Text, Shen Liu, Xianyi Sha

Theoretical Studies in Literature and Art

The Development Of Yanzhi,Yuanqing, Wendaoguan: The Essence Of Literature According To Dugu Ji, Liang Su, And Quan Deyu, Qinghai Liu

Theoretical Studies in Literature and Art

Poetry Under Imperial Order And Seven-Character Metrical Poetry In The Early Tang Dynasty, Shun Liu

Theoretical Studies in Literature and Art

On Theatricality, Ke Shi

Theoretical Studies in Literature and Art

From Semiotics To Phenomenology: The Establishment Of The Basic Research Methodologies In Euro-American Performance Analysis, Wei Feng

Theoretical Studies in Literature and Art

Practicing A Community: Collectives Of Western Avant-Garde Theatre And Its Performative Turn, Ziwen Gao

Theoretical Studies in Literature and Art

Comparative Studies Of Literature And Dance: An Interdisciplinary Approach, Huafei Chen, Mingwen Xiao

Theoretical Studies in Literature and Art

The Myth Of The Concept Of Parallel Studies In Comparative Literature, Mengze Yao

Theoretical Studies in Literature and Art

Why Would A Thousand Readers Understand Shakespeare In A Thousand Ways?: The Signifying Logic Of A Text From The Perspective Of Hermeneutic Openness, Mingdong Gu

Theoretical Studies in Literature and Art

“Homegrown” Practices And Discursive : Revisiting The Debates On Foreign Literature Research In The 1990s, Xinyuan Du

Theoretical Studies in Literature and Art

Allusivity Or Explicit-Implicit Comparison: A Critical Review Of The Tradition Of François Jullien’S Indirect Writing, Xiangyan Jiang

Theoretical Studies in Literature and Art

Little Nightmare In A Vast Cosmos: Dark Ecology And The Poetics Of Nightmare In Videogames, Yuhui Jiang

Theoretical Studies in Literature and Art

Critical Climate Change: A Theoretical Perspective For The Construction Of World Literary History, Yuan Yuan

Theoretical Studies in Literature and Art

Dialectics Of The Avant-Garde And The Regressive: Adorno On Primitivism In Modern Art, Zhijing Wu

Theoretical Studies in Literature and Art

Spirit Resonance And Empathy: A Topic In The History Of Modern Chinese And Japanese Aesthetics, Yinglong Peng

Theoretical Studies in Literature and Art

On Dark Ecology And Its Aesthetic Dimension, Jin Zhang

Theoretical Studies in Literature and Art

An Interpretation Of Shenyun(Spirit And Charm): Qian Zhongshu’S Theory On “Clarity And Profundity” From The Perspective Of Geographical Context Of Modern Interpretation Of Classics, Zhongyi Xia

Theoretical Studies in Literature and Art

Thoughts On Chinese Aesthetics Of Vitality, Xuan Wu, Tiantian Cai, Shu Yan

Theoretical Studies in Literature and Art

On Schelling's Ontological Aesthetics, Fanren Zeng, Qun Reng

Theoretical Studies in Literature and Art

Reconstructing The Relationship Between Poetry And Zen And Incorporating Confucianism Into Zen In The Late Ming Dynasty: Centering On Chuiwan Guangzhen, Tingfa Wang

Theoretical Studies in Literature and Art

A Cross-Cultural Comparative Study Of The Characteristics Of Wang Wei’S “Zen-Style Poetry”: A Reading Of Wang Wei Against Matsuo Bashō And Martin Heidegger’S Poems, Lingbing Meng

Theoretical Studies in Literature and Art

An Analysis Of The Interpretation Process And Naming Principle On Five-Character Paralleled Metrical Poetry In Poetic Theory, Jialin Zheng

Theoretical Studies in Literature and Art

The Reception And Discrimination Of Biographical Literary Style In The General Collection Of Articles In The Ming Dynasty, Pengfei Xia

Theoretical Studies in Literature and Art