Other Theatre and Performance Studies Commons^™

Review: 'The Philosophical Aesthetics Of Dance: Identity, Performance, And Understanding', Aili W. Bresnahan

Philosophy Faculty Publications

Graham McFee is one of the few philosophers who can be credited with helping to pioneer and forge a path for dance as a fine art in the field of analytic aesthetics. His 1992 book, Understanding Dance, following Francis Sparshott’s 1988 book Off the Ground: First Steps to a Philosophical Consideration of the Dance, was a significant introductory step toward situating dance in a field that has traditionally focused primarily and nearly exclusively on painting, sculpture, literature, and (more recently) music.

In general dance has not been taken seriously as a legitimate art form by the philosophic academy; indeed, it …

Side Show: The Musical Direction, Morgan D. Hurd

Music

No abstract provided.

The Process Of Bringing An Original Playscript To Production--Flamingo & Decatur, Todd Taylor

Graduate Theses and Dissertations

The aim of this dissertation is to present my play, Flamingo & Decatur, to the thesis committee, to illuminate the process of writing it, and to place it within the context of the entire body of dramatic writing I've done here at the University of Arkansas.

The dissertation opens with a narrative essay that details the process of bringing Flamingo & Decatur to production. It describes the germination of the idea for the play and follows the process through the initial drafts--detailing the ways in which the script was reshaped through its various iterations. Special attention is given to the …

Diurnal And Nocturnal Avian Antipredator Behavior In Thermally Challenging Conditions, Jennie M. Carr

All-Inclusive List of Electronic Theses and Dissertations

Diurnal avian antipredator behavior has been the focus of much past research, yet the influence of the thermal environment on such behaviors is often overlooked. Far less is known about nocturnal avian antipredator behavior, including how these behaviors are influenced by challenging thermal environments. The first portion of my research focused on how the thermal environment influences the diurnal antipredator behavior of wintering birds while (i) exposed to high wind speeds, (ii) foraging in sunlit and shaded microhabitats, and (iii) when using thermoregulatory postures to conserve body heat. In addition to increasing convective heat loss, high wind speeds increase the …

Mary Zimmerman’S Candide: A Journey Of Realization, Costume Design And Production For The 2013 Regional Non-Professional Premiere At The University Of Nebraska–Lincoln, Mallory Maria Prucha

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis describes the research, Costume Design and implementation for the non-professional Regional Premiere of the musical Candide, newly adapted from Voltaire by Mary Zimmerman with music by Leonard Bernstein and additional lyrics by Richard Wilbur, Stephen Sondheim, John Latouche, Lillian Hellman, and Dorothy Parker., presented at Kimball Hall on February 21-24, 2013. Directed by Alisa Belflower, the production was a collaborative effort between the University of Nebraska-Lincoln Johnny Carson School of Theatre and Film and School of Music with Mallory Maria Prucha serving as Costume/Make-Up Designer, Michaela Lynne Stein as Scenic Designer, Clay VanWinkle as Lighting Designer and David …

Projection Based Design: A Collection Of Acquired Knowledge, Max Brown

Liberal Arts and Engineering Studies

The application of new technology in a classic medium, such as theatre, can be a strong force in creating a unique experience for both the audience and the designer. At first, introducing new media techniques may seem like a novelty and easily dismissed as a gimmick. The fact is the modern audience is more familiar with information displayed in video format and will find projected video elements implemented into the scenic design as another way to access the story the performers on stage are trying to convey. It is our duty as designers to utilize every tool at our disposal …

Lighting Two Worlds As One: A Variation Of Moises Kaufman's "33 Variations", Diana Renee Kaiser

Graduate Theses and Dissertations

In partial fulfillment of a Master of Fine Arts degree, this thesis will document the lighting design process for Moises Kaufman's 33 Variations, performed at the University of Arkansas in October, 2012. The paper will illustrate the collaborative approach taken by the design team in developing this production. Also this paper will discuss the close work and collaboration between the light and sound designs, and specifically, the choices made in the technical rehearsals.

This paper will attempt to answer the question: How do you bridge the gap between time and space making one cohesive world, provide various locations, and support …

Costume Design For Agravio, Julie Douglass

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis presents the costume design, research, and execution process for Valor, Agravio y mujer by Ana Caro, adaptation to Agravio by Ian Borden, based on an original translation by Amy Williamsen. The play was performed in the Howell Theatre of the Johnny Carson School of Theatre and Film at the University of Nebraska-Lincoln in October 2012. Agravio was directed by Ian Borden, with Costume Design by Julie Douglass, Scenic Design by Joshua Rajaee, Lighting Design by Aja Michelle Jackson, Properties by David Tousley, and Technical Direction by Erica King.

Advisor: Janice Stauffer

An Exploration Of Moises Kaufman's 33 Variations Through Scenic Design, Ashley De Lys Harman

Graduate Theses and Dissertations

In partial fulfillment of a Master of Fine Arts degree, this thesis paper will document the scenic design process of Moises Kaufman's 33 Variations, performed at the University of Arkansas in September of 2012. This paper will map the collaborative journey taken by the design team, highlighting the dialogue between the scenic designer and director. It will also touch upon the construction and rehearsal process and how both contributed to the final design.

This thesis will attempt to answer the question: How do you create a fluid and evocative space for two separate, yet coexisting time periods joined through …

The Façade Of The Cabaret: The Costume Design Thesis Of Cabaret, Kelly Henry

Graduate Theses and Dissertations

This thesis describes the process used to create and realize the costume design for the

production of Cabaret put on at the University of Arkansas University Theatre in the spring of 2013. In this thesis I will explain how the costumes progressed from research ideas, to sketches and colored renderings, to finished stage costumes. The design process outlined in this thesis includes an analysis of the play, research, renderings, and an evaluation of the costume design process I followed.

Staging An Epic Journey: Developing The Set Design For Naomi Iizuka's Anon(Ymous), Ashleigh Louise Burns

Graduate Theses and Dissertations

In partial fulfillment of a Master of Fine Arts degree, this thesis paper will document the scenic design process of Naomi Iizuka's Anon(ymous), performed at the University of Arkansas in February, 2012. This paper will illustrate the approach taken by the designers and discuss the collaborative efforts of the design team and company of actors. The construction process and discoveries and decisions made during technical rehearsals will also be included.

This paper will attempt to answer the question: How do you stage the iconic and beloved story of The Odyssey with limited time, budget and skill? I will begin with …

Shimmers Of Truth In The Art Of Theatre, Natasha M. Goetz

Senior Honors Theses

Many Christians have noted Romans 1:20’s statement that God is reflected in His creation. As a theater student, I have found this to be true even in how theatrical artists actually execute their craft. Thus, for my senior honors thesis I have decided to further study this connection between the Lord and theater, for which I expect to find more of what I have already found in parallels between the Christian walk and theater arts. For the completion of this thesis, research for theatrical content will include acting and design, and research for biblical content will include the Bible and …

The Fight Master, Spring 2013, Vol. 35 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Grandma’S Dictionary, Leiquan Jeremiah

Academic Symposium of Undergraduate Scholarship

Act 1:

We are introduced to the Baileys who live in a modest neighborhood in Gary, Indiana. The family has lived in the same house for generations.

Grandma Athena is the family glue and holds true to her role. She serves as a mediator and voice of reason for family and friends.

Cecile is the main voice of the play who finds herself learning about different people and their lives by being at the right place at the right time. Besides her bold listening in, she loves to tell people’s stories.

Susie-Ann is Cecile’s long-time, childhood friend. Susie-Ann lives in …

The Art Of Adaptation, Katharine E. Jordan

Honors Theses and Capstones

My honors thesis The Art of Adaptation discusses the process of adapting old stories and theatrical pieces for modern audiences through the exploration of various adaptations (theatrical, operatic, dance and film) of Euripides' Medea. It also touches on my own short, modern, adaptation; FURY: A Rock Musical Inspired by Medea. All of this research was important in making the performance aspect of my capstone the best it could be.

Sheridan's Promising Tale Is Half Told, Ian Kilroy

Articles

Review of 'Break a Leg', the memoir by Irish theatre artist Peter Sheridan. First published in the Sunday Business Post Magazine.

Suzan-Lori Parks: Essays On The Plays And Other Works Edited By Philip C. Kolin (Review), Jocelyn Buckner

Theatre Faculty Articles and Research

The anthology Suzan-Lori Parks: Essays on the Plays and Other Works offers new perspectives to the growing body of scholarship about Parks’s artistic achievements. The text features a contextualizing preface and twelve new essays about her plays, novel, and screenplays. It also contains two new interviews, one with Parks herself and another with her longtime friend and collaborator, director Liz Diamond, as well as a timeline featuring major productions of her works from her first play reading in 1984, to projects anticipated for future production on stage and screen. While Parks’s works, and works on Parks are widely anthologized in …

The Making Of Disgrace Kelly: Dragging The Diva Through Cabarets, Pubs And Into The Recital Hall, Caitlin Cassidy

Theses: Doctorates and Masters

This research project investigates the synthesis of cabaret and recital performance as a way to re-invigorate the recital as a performance platform. As a curious classical singer with a passion for cabaret, I have explored cabaret in my own creative practice as a classically trained opera singer through the employment of practice-led research methodologies. This project includes research manifested in rehearsals, performance and exegetical writing, including a unique self-reflexive voice in the writing style, to encompass a practice-led research methodology. The culmination of these approaches was a final performance program entitled Diva Bites the Dust. A study of the diva …

The Spirit Of The Spitfire: Creating The Role Of Nancy Shedman In Romulus Linney's "Holy Ghosts", Caleigh M. Keith

LSU New Orleans Theses and Dissertations

This thesis explains the acting method used by Caleigh Keith while portraying the role of Nancy Shedman in Romulus Linney’s Holy Ghosts. Included are chapters of historical research, character analysis, and a production report, which includes a scored script, rehearsal and performance journal, and a self-evaluation of the actor’s work. Holy Ghosts was produced by Theater UNO at the University of New Orleans in the Robert E. Nims Thrust Theater of the Performing Arts Center. It opened Tuesday, February seventh, and ran through Sunday, February twelfth, two thousand and twelve. Evening performances were at seven-thirty and Sunday’s matinee was …

Infusing Technology Into The Performing Arts At Cal Poly, Tyler Whipple

Liberal Arts and Engineering Studies

No abstract provided.