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Lighting Two Worlds As One: A Variation Of Moises Kaufman's "33 Variations", Diana Renee Kaiser 2013 University of Arkansas, Fayetteville

Lighting Two Worlds As One: A Variation Of Moises Kaufman's "33 Variations", Diana Renee Kaiser

Graduate Theses and Dissertations

In partial fulfillment of a Master of Fine Arts degree, this thesis will document the lighting design process for Moises Kaufman's 33 Variations, performed at the University of Arkansas in October, 2012. The paper will illustrate the collaborative approach taken by the design team in developing this production. Also this paper will discuss the close work and collaboration between the light and sound designs, and specifically, the choices made in the technical rehearsals.

This paper will attempt to answer the question: How do you bridge the gap between time and space making one cohesive world, provide various locations, and support …


Staging An Epic Journey: Developing The Set Design For Naomi Iizuka's Anon(Ymous), Ashleigh Louise Burns 2013 University of Arkansas, Fayetteville

Staging An Epic Journey: Developing The Set Design For Naomi Iizuka's Anon(Ymous), Ashleigh Louise Burns

Graduate Theses and Dissertations

In partial fulfillment of a Master of Fine Arts degree, this thesis paper will document the scenic design process of Naomi Iizuka's Anon(ymous), performed at the University of Arkansas in February, 2012. This paper will illustrate the approach taken by the designers and discuss the collaborative efforts of the design team and company of actors. The construction process and discoveries and decisions made during technical rehearsals will also be included.

This paper will attempt to answer the question: How do you stage the iconic and beloved story of The Odyssey with limited time, budget and skill? I will begin with …


An Exploration Of Moises Kaufman's 33 Variations Through Scenic Design, Ashley De Lys Harman 2013 University of Arkansas, Fayetteville

An Exploration Of Moises Kaufman's 33 Variations Through Scenic Design, Ashley De Lys Harman

Graduate Theses and Dissertations

In partial fulfillment of a Master of Fine Arts degree, this thesis paper will document the scenic design process of Moises Kaufman's 33 Variations, performed at the University of Arkansas in September of 2012. This paper will map the collaborative journey taken by the design team, highlighting the dialogue between the scenic designer and director. It will also touch upon the construction and rehearsal process and how both contributed to the final design.

This thesis will attempt to answer the question: How do you create a fluid and evocative space for two separate, yet coexisting time periods joined through …


Shimmers Of Truth In The Art Of Theatre, Natasha M. Goetz 2013 Liberty Univeristy Honors Program

Shimmers Of Truth In The Art Of Theatre, Natasha M. Goetz

Senior Honors Theses

Many Christians have noted Romans 1:20’s statement that God is reflected in His creation. As a theater student, I have found this to be true even in how theatrical artists actually execute their craft. Thus, for my senior honors thesis I have decided to further study this connection between the Lord and theater, for which I expect to find more of what I have already found in parallels between the Christian walk and theater arts. For the completion of this thesis, research for theatrical content will include acting and design, and research for biblical content will include the Bible and …


The Fight Master, Spring 2013, Vol. 35 Issue 1, The Society of American Fight Directors 2013 Marshall University

The Fight Master, Spring 2013, Vol. 35 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


Grandma’S Dictionary, Leiquan Jeremiah 2013 Johnson & Wales University - Providence

Grandma’S Dictionary, Leiquan Jeremiah

Academic Symposium of Undergraduate Scholarship

Act 1:

We are introduced to the Baileys who live in a modest neighborhood in Gary, Indiana. The family has lived in the same house for generations.

Grandma Athena is the family glue and holds true to her role. She serves as a mediator and voice of reason for family and friends.

Cecile is the main voice of the play who finds herself learning about different people and their lives by being at the right place at the right time. Besides her bold listening in, she loves to tell people’s stories.

Susie-Ann is Cecile’s long-time, childhood friend. Susie-Ann lives in …


The Art Of Adaptation, Katharine E. Jordan 2013 University of New Hampshire - Main Campus

The Art Of Adaptation, Katharine E. Jordan

Honors Theses and Capstones

My honors thesis The Art of Adaptation discusses the process of adapting old stories and theatrical pieces for modern audiences through the exploration of various adaptations (theatrical, operatic, dance and film) of Euripides' Medea. It also touches on my own short, modern, adaptation; FURY: A Rock Musical Inspired by Medea. All of this research was important in making the performance aspect of my capstone the best it could be.


Sheridan's Promising Tale Is Half Told, Ian Kilroy 2013 Technological University Dublin

Sheridan's Promising Tale Is Half Told, Ian Kilroy

Articles

Review of 'Break a Leg', the memoir by Irish theatre artist Peter Sheridan. First published in the Sunday Business Post Magazine.


Suzan-Lori Parks: Essays On The Plays And Other Works Edited By Philip C. Kolin (Review), Jocelyn Buckner 2013 Chapman University

Suzan-Lori Parks: Essays On The Plays And Other Works Edited By Philip C. Kolin (Review), Jocelyn Buckner

Theatre Faculty Articles and Research

The anthology Suzan-Lori Parks: Essays on the Plays and Other Works offers new perspectives to the growing body of scholarship about Parks’s artistic achievements. The text features a contextualizing preface and twelve new essays about her plays, novel, and screenplays. It also contains two new interviews, one with Parks herself and another with her longtime friend and collaborator, director Liz Diamond, as well as a timeline featuring major productions of her works from her first play reading in 1984, to projects anticipated for future production on stage and screen. While Parks’s works, and works on Parks are widely anthologized in …


The Making Of Disgrace Kelly: Dragging The Diva Through Cabarets, Pubs And Into The Recital Hall, Caitlin Cassidy 2013 Edith Cowan University

The Making Of Disgrace Kelly: Dragging The Diva Through Cabarets, Pubs And Into The Recital Hall, Caitlin Cassidy

Theses: Doctorates and Masters

This research project investigates the synthesis of cabaret and recital performance as a way to re-invigorate the recital as a performance platform. As a curious classical singer with a passion for cabaret, I have explored cabaret in my own creative practice as a classically trained opera singer through the employment of practice-led research methodologies. This project includes research manifested in rehearsals, performance and exegetical writing, including a unique self-reflexive voice in the writing style, to encompass a practice-led research methodology. The culmination of these approaches was a final performance program entitled Diva Bites the Dust. A study of the diva …


The Spirit Of The Spitfire: Creating The Role Of Nancy Shedman In Romulus Linney's "Holy Ghosts", Caleigh M. Keith 2012 University of New Orleans

The Spirit Of The Spitfire: Creating The Role Of Nancy Shedman In Romulus Linney's "Holy Ghosts", Caleigh M. Keith

LSU New Orleans Theses and Dissertations

This thesis explains the acting method used by Caleigh Keith while portraying the role of Nancy Shedman in Romulus Linney’s Holy Ghosts. Included are chapters of historical research, character analysis, and a production report, which includes a scored script, rehearsal and performance journal, and a self-evaluation of the actor’s work. Holy Ghosts was produced by Theater UNO at the University of New Orleans in the Robert E. Nims Thrust Theater of the Performing Arts Center. It opened Tuesday, February seventh, and ran through Sunday, February twelfth, two thousand and twelve. Evening performances were at seven-thirty and Sunday’s matinee was …


"The Adding Machine": A Director's Notebook, Esteban Arévalo Ibáñez 2012 University of Arkansas, Fayetteville

"The Adding Machine": A Director's Notebook, Esteban Arévalo Ibáñez

Graduate Theses and Dissertations

The following thesis is a compilation and analysis of my experiences during the process of directing The Adding Machine by Elmer Rice, from its conception in the director's imagination, to the collaboration with the design team and the actors. It begins with research and the director's approach to the play. Then a description of the process follows, starting with the design meetings and auditions, and going through rehearsals, performances, and evaluations of the show by faculty and peers. This description is accompanied by a journal that contains the director's thoughts and reactions to discoveries and challenges that came up during …


Infusing Technology Into The Performing Arts At Cal Poly, Tyler Whipple 2012 California Polytechnic State University - San Luis Obispo

Infusing Technology Into The Performing Arts At Cal Poly, Tyler Whipple

Liberal Arts and Engineering Studies

No abstract provided.


The Fight Master, Fall 2012, Vol. 34 Issue 2, The Society of American Fight Directors 2012 Marshall University

The Fight Master, Fall 2012, Vol. 34 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


The Gods Come For Play: Visualizing The Divine In Balinese Theatre, Chandler Payne, John Park 2012 Pepperdine University

The Gods Come For Play: Visualizing The Divine In Balinese Theatre, Chandler Payne, John Park

Featured Research

Playwrights, practitioners, and art historians have been shocked and inspired by Balinese theatre time and time again because it reveals the extent of devotion the Balinese have for their religion. Although many researchers have investigated the functionality through the performance aspect of the play, there is a lack of published research devoted how the functionality of the ritual and play are influenced by the physical aesthetic properties of the Barong and Rangda mask. The theatrical aspects are to be considered through investigating these masks in relation to the temple space of the Taman Aran. By investigating the aesthetic properties of …


Bias In A Just World? Sexual Prejudice, Gender Self-Esteem, And Intimate Partner Violence, Crystal D. Mahoy 2012 Indiana State University

Bias In A Just World? Sexual Prejudice, Gender Self-Esteem, And Intimate Partner Violence, Crystal D. Mahoy

All-Inclusive List of Electronic Theses and Dissertations

Each year, approximately 835,000 men and 1.3 million women are victims of intimate partner violence (IPV; American Bar Association, n.d). Although the prevalence of same-sex intimate partner violence (IPV) is approximately the same as IPV in heterosexual couples (Alexander, 2002), fewer studies have examined perceptions of IPV in same-sex couples or of IPV perpetrated against heterosexual men compared to heterosexual women. In the current study, Just World Theory (Lerner & Miller, 1978) is used as a framework for understanding factors associated with perceptions of heterosexual and same-sex IPV, including sexual prejudice and gender self-esteem. Perceptions of IPV were examined in …


A Classical Journey In A Contemporary World: Directing Naomi Iizuka's Anon(Ymous), Maria Chiara Pipino 2012 University of Arkansas, Fayetteville

A Classical Journey In A Contemporary World: Directing Naomi Iizuka's Anon(Ymous), Maria Chiara Pipino

Graduate Theses and Dissertations

This thesis paper is on the directorial journey that led to the production of Anon(ymous), by Naomi Iizuka, at the University Theatre in spring 2012. The following chapters will discuss the birth and evolution of the production, the approach to the script from the director's point of view and the creative process.


Double Take Project: Using Applied Theatre For Campus Climate Change, Christina M. Cody 2012 Bucknell University

Double Take Project: Using Applied Theatre For Campus Climate Change, Christina M. Cody

Honors Theses

Despite research gathered in the Campus Climate Report, I believe that it underrepresented the student experience of the social scene. The document primarily served as an identification tool for four major problems on campus: binge drinking, sexual assault, diversity, and disengagement in the classroom. Double Take Project also identifies similar issues however, this project uses theatrical techniques to gather the anecdotal reality of the student perspective. Double Take Project expands beyond the Campus Climate Report to inspire dialogue in a variety of student-to-student interactions and, more importantly, the project seeks action and solution plans.

The social scene dominates our culture …


Jealousy, Manipulation And Murder: Designing The Costumes For William Shakespeare's Othello, Latricia Ann Reichman 2012 University of Arkansas, Fayetteville

Jealousy, Manipulation And Murder: Designing The Costumes For William Shakespeare's Othello, Latricia Ann Reichman

Graduate Theses and Dissertations

The following thesis explains the process utilized to create and implement the costume design for the production of Othello produced at the University of Arkansas University Theatre in the Spring of 2011. Throughout this thesis I will illustrate how the costumes went from initial research ideas to sketches and colored renderings and finally to finished three-dimensional costumes. The design process detailed here includes an analysis of the play, production history, research, renderings, and an evaluation of the overall process.


Copyright’S Creative Hierarchy In The Performing Arts, Michael W. Carroll 2012 American University Washington College of Law

Copyright’S Creative Hierarchy In The Performing Arts, Michael W. Carroll

Scholarly Articles in Law Reviews & Journals

Copyright law grants authors certain rights of creative control over their works. This Article argues that these rights of creative control are too strong when applied to the performing arts because they fail to take account of the mutual dependence between writers and performers to fully realize the work in performance. This failure is particularly problematic in cases in which the author of a source work, such as a play or a choreographic work, imposes content-based restrictions on how a third party may render the work in performance. This Article then explores how Congress might craft a statutory license to …


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