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Interview With Margaret Toomey, Mary Moynihan 2014 Technological University Dublin

Interview With Margaret Toomey, Mary Moynihan

Books/Book Chapters

No abstract provided.


Loving The Art In Yourself, Mary Moynihan 2014 Technological University Dublin

Loving The Art In Yourself, Mary Moynihan

Books/Book Chapters

No abstract provided.


The Tallest Tree In The Forest, Jocelyn Buckner 2014 Chapman University

The Tallest Tree In The Forest, Jocelyn Buckner

Theatre Faculty Articles and Research

"Playwright and actor Daniel Beaty’s solo performance as Paul Robeson in The Tallest Tree in the Forest, commissioned by Tectonic Theater Project and coproduced by La Jolla Playhouse and Kansas City Repertory Theatre, was a tour-de-force biographical tribute."


Spectacles Of Reform: Theater And Activism In Nineteenth-Century America By Amy E. Hughes (Review), Jocelyn Buckner 2014 Chapman University

Spectacles Of Reform: Theater And Activism In Nineteenth-Century America By Amy E. Hughes (Review), Jocelyn Buckner

Theatre Faculty Articles and Research

In Spectacles of Reform Amy Hughes advocates for “spectacle as methodology” (4), a means of interpreting spectacle in nineteenth-century melodrama, as well as a wide variety of other media, that rehearses and reforms concepts of citizenship and identity related to race, class, gender, and morality. Through this lens, Hughes seeks to answer the questions “where and how do activist spectacles appear before and beyond the theatrical encounter?” and “why is spectacle kept alive through reinvention, revision, and repetition long after the drama is over?” (5). Hughes traces her theory of the spectacular instant through three popular sensation themes of the …


Video Games: Their Effect On Society And How We Must Modernize Our Pedagogy For Students Of The Digital Age, Christopher J. Baker 2014 Virginia Commonwealth University

Video Games: Their Effect On Society And How We Must Modernize Our Pedagogy For Students Of The Digital Age, Christopher J. Baker

Theses and Dissertations

This thesis aims to explore how video games have become an extremely beneficial tool in regards to education, art, medicine, psychology, economics, and beyond. Chapter 1 focuses on how ubiquitous video games have become in America, and what makes video games such a uniquely enjoyable experience to warrant such popularity. Chapter 2 explores how video games have become instrumental in various fields. Chapter 3 discusses the role that video games now play in the world of education; specifically how we, as educators, must adapt a modern pedagogy best suited to students who have grown up with video games, which have …


A Survey Of Dramaturgical Practices In Contemporary American Theater: The Dramaturg In Process, Maggie Bell 2014 Central Washington University

A Survey Of Dramaturgical Practices In Contemporary American Theater: The Dramaturg In Process, Maggie Bell

All Master's Theses

A review of the literature on dramaturgical practices in the American theater from the past thirty years revealed a significant paucity of first-hand accounts by dramaturgs about their work and especially about the contributions dramaturgs make to the production process. In general, the literature addresses dramaturgical practices in abstract or theoretical terms, without documenting the specific contributions that dramaturgs make to the creation of productions and events as performances. This thesis documents and defines the dramaturgical process through interviews with a select sample of early career and established dramaturgs. The interviews conducted follow the narrative method of open-ended questions and …


Confronting Terezin: A Production History Of Maurice Sendak And Tony Kushner's Brundibar, Justin Almquist 2014 Central Washington University

Confronting Terezin: A Production History Of Maurice Sendak And Tony Kushner's Brundibar, Justin Almquist

All Master's Theses

Maurice Sendak and Tony Kushner adapted Hans Krasa and Adolf Hoffmeister's opera Brundibar for the English speaking stage as well as a children's book, but they struggled with the message the work should pose to audiences. During World War II, fifty-five performances of the opera were staged within Terezin, a concentration camp in Czechoslovakia. Kushner and Sendak questioned the extent to which the adaptation should memorialize its Holocaust past, or offer new political aspirations. I used archive-based research to reconstruct the development and first productions of the script, which fixated on Sendak and Kushner's competing aesthetic and political perspectives. By …


Sighting Circus: Perceptions Of Circus Phenomena Investigated Through Diverse Bodies, Katrina Lavers 2014 Edith Cowan University

Sighting Circus: Perceptions Of Circus Phenomena Investigated Through Diverse Bodies, Katrina Lavers

Theses: Doctorates and Masters

This thesis is an investigation into modern circus from its beginnings in 1768 through to present day contemporary circus arts. Eight diverse bodies in modern and contemporary circus are explored. These eight bodies act as different lenses to focus enquiry into gaps or ruptures in the grand narratives of circus, to reveal previously missing voices and histories and to set in place new approaches to perceiving circus phenomena.

In The Political Body, the phenomenon of embodied protest is identified and explored in relation to contemporary circus works. The importance of the engaged spectator is identified in determining political, poetic …


The Birth Of A Playwright Through The Evolution Of The One-Act Play Stripped, Bear; The Film Stripped, Bear; And The Full-Length Play American Bear, Larry Michael Mitchell 2013 University of Arkansas, Fayetteville

The Birth Of A Playwright Through The Evolution Of The One-Act Play Stripped, Bear; The Film Stripped, Bear; And The Full-Length Play American Bear, Larry Michael Mitchell

Graduate Theses and Dissertations

The Birth of a Playwright through the Evolution of the One-act Play Stripped, Bear; the film Stripped, Bear; and the Full-Length Play American Bear follows the inception, birth, and evolution of a ten-minute, one-act, film, and full-length play: three major iterations of the same source material. Through this exploration, the reader will not only see how the work was changed through outside forces such as form and function but internal struggles within a young playwright as he struggles to find a final form for his first major work while attempting to establish himself as a playwright both within the field …


Confused Spaces: Theatricality As A Device For Defining Different Types Of Public Space, Danton Christopher Spina 2013 California Polytechnic State University, San Luis Obispo

Confused Spaces: Theatricality As A Device For Defining Different Types Of Public Space, Danton Christopher Spina

Master's Theses

Confused Spaces has come to the conclusion that theatricality can be a device for defining different types of public space. This book aims to define theatricality in architectural terms by taking principles from the disciplines of theater and urban design. It limits the scope of the definition to a specific set of elements of theatricality that include spectacle, transition, flexibility, and compactability. After attempting to define why these elements of theatricality are valid architectural concepts, the text then pushes to understand the experience that these elements can create. Through the use of historical and contemporary references, an argument for theatricality …


The Fight Master, Fall 2013, Vol. 35 Issue 2, The Society of American Fight Directors 2013 Marshall University

The Fight Master, Fall 2013, Vol. 35 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


Learning To Play - Playing To Learn, Lauren Barton 2013 University of New Hampshire - Main Campus

Learning To Play - Playing To Learn, Lauren Barton

Honors Theses and Capstones

No abstract provided.


Review: 'The Philosophical Aesthetics Of Dance: Identity, Performance, And Understanding', Aili W. Bresnahan 2013 University of Dayton

Review: 'The Philosophical Aesthetics Of Dance: Identity, Performance, And Understanding', Aili W. Bresnahan

Philosophy Faculty Publications

Graham McFee is one of the few philosophers who can be credited with helping to pioneer and forge a path for dance as a fine art in the field of analytic aesthetics. His 1992 book, Understanding Dance, following Francis Sparshott’s 1988 book Off the Ground: First Steps to a Philosophical Consideration of the Dance, was a significant introductory step toward situating dance in a field that has traditionally focused primarily and nearly exclusively on painting, sculpture, literature, and (more recently) music.

In general dance has not been taken seriously as a legitimate art form by the philosophic academy; indeed, it …


Diurnal And Nocturnal Avian Antipredator Behavior In Thermally Challenging Conditions, Jennie M. Carr 2013 Indiana State University

Diurnal And Nocturnal Avian Antipredator Behavior In Thermally Challenging Conditions, Jennie M. Carr

All-Inclusive List of Electronic Theses and Dissertations

Diurnal avian antipredator behavior has been the focus of much past research, yet the influence of the thermal environment on such behaviors is often overlooked. Far less is known about nocturnal avian antipredator behavior, including how these behaviors are influenced by challenging thermal environments. The first portion of my research focused on how the thermal environment influences the diurnal antipredator behavior of wintering birds while (i) exposed to high wind speeds, (ii) foraging in sunlit and shaded microhabitats, and (iii) when using thermoregulatory postures to conserve body heat. In addition to increasing convective heat loss, high wind speeds increase the …


Side Show: The Musical Direction, Morgan D. Hurd 2013 California Polytechnic State University - San Luis Obispo

Side Show: The Musical Direction, Morgan D. Hurd

Music

No abstract provided.


The Process Of Bringing An Original Playscript To Production--Flamingo & Decatur, Todd Taylor 2013 University of Arkansas, Fayetteville

The Process Of Bringing An Original Playscript To Production--Flamingo & Decatur, Todd Taylor

Graduate Theses and Dissertations

The aim of this dissertation is to present my play, Flamingo & Decatur, to the thesis committee, to illuminate the process of writing it, and to place it within the context of the entire body of dramatic writing I've done here at the University of Arkansas.

The dissertation opens with a narrative essay that details the process of bringing Flamingo & Decatur to production. It describes the germination of the idea for the play and follows the process through the initial drafts--detailing the ways in which the script was reshaped through its various iterations. Special attention is given to the …


Mary Zimmerman’S Candide: A Journey Of Realization, Costume Design And Production For The 2013 Regional Non-Professional Premiere At The University Of Nebraska–Lincoln, Mallory Maria Prucha 2013 University of Nebraska-Lincoln

Mary Zimmerman’S Candide: A Journey Of Realization, Costume Design And Production For The 2013 Regional Non-Professional Premiere At The University Of Nebraska–Lincoln, Mallory Maria Prucha

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis describes the research, Costume Design and implementation for the non-professional Regional Premiere of the musical Candide, newly adapted from Voltaire by Mary Zimmerman with music by Leonard Bernstein and additional lyrics by Richard Wilbur, Stephen Sondheim, John Latouche, Lillian Hellman, and Dorothy Parker., presented at Kimball Hall on February 21-24, 2013. Directed by Alisa Belflower, the production was a collaborative effort between the University of Nebraska-Lincoln Johnny Carson School of Theatre and Film and School of Music with Mallory Maria Prucha serving as Costume/Make-Up Designer, Michaela Lynne Stein as Scenic Designer, Clay VanWinkle as Lighting Designer and David …


Projection Based Design: A Collection Of Acquired Knowledge, Max Brown 2013 California Polytechnic State University - San Luis Obispo

Projection Based Design: A Collection Of Acquired Knowledge, Max Brown

Liberal Arts and Engineering Studies

The application of new technology in a classic medium, such as theatre, can be a strong force in creating a unique experience for both the audience and the designer. At first, introducing new media techniques may seem like a novelty and easily dismissed as a gimmick. The fact is the modern audience is more familiar with information displayed in video format and will find projected video elements implemented into the scenic design as another way to access the story the performers on stage are trying to convey. It is our duty as designers to utilize every tool at our disposal …


The Façade Of The Cabaret: The Costume Design Thesis Of Cabaret, Kelly Henry 2013 University of Arkansas, Fayetteville

The Façade Of The Cabaret: The Costume Design Thesis Of Cabaret, Kelly Henry

Graduate Theses and Dissertations

This thesis describes the process used to create and realize the costume design for the

production of Cabaret put on at the University of Arkansas University Theatre in the spring of 2013. In this thesis I will explain how the costumes progressed from research ideas, to sketches and colored renderings, to finished stage costumes. The design process outlined in this thesis includes an analysis of the play, research, renderings, and an evaluation of the costume design process I followed.


Costume Design For Agravio, Julie Douglass 2013 University of Nebraska-Lincoln

Costume Design For Agravio, Julie Douglass

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis presents the costume design, research, and execution process for Valor, Agravio y mujer by Ana Caro, adaptation to Agravio by Ian Borden, based on an original translation by Amy Williamsen. The play was performed in the Howell Theatre of the Johnny Carson School of Theatre and Film at the University of Nebraska-Lincoln in October 2012. Agravio was directed by Ian Borden, with Costume Design by Julie Douglass, Scenic Design by Joshua Rajaee, Lighting Design by Aja Michelle Jackson, Properties by David Tousley, and Technical Direction by Erica King.

Advisor: Janice Stauffer


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