Bbt Side Mold Assy,
2022
East Tennessee State University
Bbt Side Mold Assy, Bill Hemphill
STEM Guitar Project’s BBT Acoustic Kit
This electronic document file set covers the design and fabrication information of the ETSU Guitar Building Project’s BBT (OM-sized) Side Mold Assy for use with the STEM Guitar Project’s standard acoustic guitar kit. The extended 'as built' data set contains an overview file and companion video, the 'parent' CADD drawing, CADD data for laser etching and cutting a drill &/or layout template, CADD drawings in AutoCAD .DWG and .DXF R12 formats of the centerline tool paths for creating the mold assembly pieces on an AXYZ CNC router, and support documentation for CAM applications including router bit specifications, feeds, speed, multi-pass …
Unstumm | Augmented Voyage: A Platform For Telematic Live Performances In Augmented Reality,
2022
Columbia University, University of Music and Performing Arts Munich
Unstumm | Augmented Voyage: A Platform For Telematic Live Performances In Augmented Reality, Unstumm Unstumm, Nicola Hein, Claudia Schmitz, Sven Hahne Hahne
Journal of Network Music and Arts
UnStumm | Augmented Voyage is curated and developed by time-based media artist Claudia Schmitz and sound artist and guitarist Nicola L. Hein. It was programmed and developed by software engineer Sven Hahne. UnStumm | Augmented Voyage is also a mobile app and server infrastructure that serves as the artistic vehicle to realize telematic live performances with artists from around the globe. It consists of video art, music, and dance in augmented reality. Through the use of our software, the audience is able to view the video streams by video artists as 3D video sculptures and listen to the audio streams …
“Dancedemic” In A Pandemic: A New Networked Reality,
2022
MIT, RISEBA University Latvia, ThoughtWorks Arts
“Dancedemic” In A Pandemic: A New Networked Reality, Ellen Pearlman
Journal of Network Music and Arts
The Covid-19 pandemic of 2020 forced large parts of the globe and entire industries to shut down. Network connectivity became a necessary lifeline deploying a host of technologies that, while once considered experimental, were to be adopted as a vital part of just-in-time solutions-based practices. This report examines the implementation of one of these topologies in the form of an artist-built, artist-owned global network in the hopes that other small-sized organizations can benefit from these ad hoc, but successful solutions.
A Spectrum Of Online Rehearsal Applications: A Potential Means For Cultural Connection,
2022
Indiana University–Purdue University Indianapolis
A Spectrum Of Online Rehearsal Applications: A Potential Means For Cultural Connection, Dana Kemack Goot, W. Scott Deal
Journal of Network Music and Arts
The current array of telematic music applications offers exceptional opportunities to transcend distance and enable networking between various cultures and communities. As a means to achieve this, network music applications require assessment through their previous implementations, installation requirements, cost, hardware requirements, and usability in order to assess their potential and to decipher improvements needed as a means of cultural connectivity. An early precursor of telematic music was an innovative concert by Paul Robeson in 1957, which circumvented political restrictions and enabled activism as it occurred, despite the U.S. State Department’s revocation of Robeson’s passport due to his left-wing tendencies and …
Telematic Immersion: Performance, Technology, And Audiovisual Work In Virtual Studies (2020) By Paulo C. Chagas,
2022
University of São Paulo
Telematic Immersion: Performance, Technology, And Audiovisual Work In Virtual Studies (2020) By Paulo C. Chagas, Cássia Carrascoza Bomfim
Journal of Network Music and Arts
This article discusses the concept of telematic immersion developed in partnership with composer Paulo C. Chagas. Focusing on Chagas’s work Virtual Studies (2020) for flute, live electronics, and 3D video, we reflect on different aspects of artistic creativity in the telematic environment including the use of audio and video technology and the multiple connections between musicians and apparatuses. The article discusses how the parameters of chamber music in the physical environment, such as the uniqueness of the live performance, the corporality of sound, and the visual and choreographic dimension of the performance are being transformed through the virtual setting of …
Sonic Proximities: Locating Oneself And The Others Within A “Migratory Journey”,
2022
University of Oslo
Sonic Proximities: Locating Oneself And The Others Within A “Migratory Journey”, Ximena Alarcon Diaz
Journal of Network Music and Arts
The INTIMAL App© is a mobile application that synchronously senses people’s walking rhythms in distant locations and then rhythmically sonifies these with the user’s chosen audio frequencies. Taken altogether, the perception of breathing and walking rhythms across space and time creates an embodied telepresence. At the level of content, the app has provided first-hand narrative accounts about the migration experiences of Colombian women living in Europe. These stories are meant to elicit a response from the listener, allowing for a path to be built out of new relationships that emerge between voices and sound frequencies. In the context of the …
Editorial,
2022
Stony Brook University
Danger: Wolf Crossing! Meantone Tuning And Froberger’S Keyboard Music,
2022
CUNY Queens College
Danger: Wolf Crossing! Meantone Tuning And Froberger’S Keyboard Music, Stephen T. Ai
Student Theses
This thesis is an exploration of how tuning practices can influence compositional practice, focusing on the way temperament can provide new insights to a close reading of keyboard music by Johann Jakob Froberger (1616–67), a transitional figure between a predominantly meantone-oriented musical environment of the 17th century and the well temperament of the 18th century. Many scholars have pointed to Froberger’s characteristic chromaticism and experimentation with novel keys as indicative of his desire to compose beyond the restrictions of meantone tuning and towards well temperament. In an effort to move away from this oft-cited teleological narrative from unequal to equal, …
Lliçons Magistrals,
2022
CUNY Graduate Center
Lliçons Magistrals, Antoni Pizà
Publications and Research
No seria pianista. Jo no arribaria mai a ser pianista. L’epifania va començar a cristal·litzar poc després d’haver arribat a Salzburg el 1982 amb intencions d’estudiar-hi piano. Com el narrador de la novel·la de Thomas Bernhard Der Untergeher (si es vol, el fracassat o el mediocre), jo havia quedat psicològicament gelat per la presència d’alguns dels millors pianistes del món. En poc temps, i sense capacitat de digerir-ho —tenia vint anys escassos—, havia vist i sentit en viu Alfred Brendel, Maurizio Pollini, Claudio Arrau i Bruno Leonardo Gelber, entre altres.
Look At All Those Big Knobs! Online Audio Technology Discourse And Sexy Gear Fetishes,
2022
CUNY Graduate Center
Look At All Those Big Knobs! Online Audio Technology Discourse And Sexy Gear Fetishes, Eliot Bates, Samantha Bennett
Publications and Research
Despite a predominantly digital, 21st century music production landscape, analogue hardware professional audio technologies persist. In the discoursal throes of the leading online audio technology message forum Gearslutz, such technologies are routinely objectified, sexualized, fetishized and socialized into gear. Situated in a contemporary critical, interdisciplinary framework of fetish, masculinity and sexuality studies, this research interrogates how audio technologies manufactured and intended for music production contexts become sexy. Applying a mixed-mode methodology, including an intensive discourse, image and material-semiotic analysis of an ‘epic’ sexy gear thread, we collated extensive data about technological fetishization. Sexy gear discourse articulates themes of voyeurism, acquisition, …
"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production,
2022
CUNY Graduate Center
"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production, Daniel C. Jacobson
Dissertations, Theses, and Capstone Projects
This dissertation proposes a reevaluation of the overlooked connections between American popular music and modernist literature’s scope and formal experimentation which arose in the mid-20th century. Because Lou Reed’s ever-changing persona situates his work uncomfortably between high art and pop-culture, modernism and “post-modernity,” literature and music, and ethics and aesthetics, I intend to consider Reed as this dissertation’s empty, refracted center. One that will allow for a critique of several major intellectual movements, both inside and outside the academy, that continue to influence thinking about art, ethics, and material culture. Additionally, I hope to show that the work of a …
Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook,
2022
CUNY Graduate Center
Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames
Dissertations, Theses, and Capstone Projects
Billie Holiday was a singer, songwriter, vocalist, bandleader and composer in the fields of music, black culture and more specifically the genre of jazz. The primary focus of this study is Billie Holiday’s discography, music, and compositions as treated in relation to the black culture of production. This study will explore a secondary content analysis of Billie Holiday’s music, musicianship, musicality and compositional skills within the American jazz mainstream, broader jazz audience and world at large. This project will take an analytical look at the structure and form of the compositions of Billie Holiday. Billie Holiday is credited with composing …
Non-Tonal Pitch Hierarchies And Dramatic Narratives In Oliver Knussen’S Variations, Op. 24,
2022
CUNY Graduate Center
Non-Tonal Pitch Hierarchies And Dramatic Narratives In Oliver Knussen’S Variations, Op. 24, Joseph Prestamo
Dissertations, Theses, and Capstone Projects
Musical analysts have often commented on the lingering echoes of tonality present within the otherwise non-centered (and remarkably complex) harmonic world of Oliver Knussen’s music. Using his piece Variations, Op. 24 as a model, this project hypothesizes that the compositional techniques Knussen employs serve to create non-tonal pitch hierarchies. Although Knussen does not use functional tonal harmony in this piece, he finds a variety of ways to elevate the pitch A to a place of prominence, both on the musical surface and in the background structural operations. These techniques naturally result in pitch spaces that are rich with tonal and …
Disposizione Scenica Per L’Opera Simon Boccanegra: An Insight Into Verdi’S Sense Of Drama And A Valuable Tool For Contemporary Performance,
2022
CUNY Graduate Center
Disposizione Scenica Per L’Opera Simon Boccanegra: An Insight Into Verdi’S Sense Of Drama And A Valuable Tool For Contemporary Performance, Giordana Rubria Fiori
Dissertations, Theses, and Capstone Projects
The purpose of this dissertation is twofold: while it aims to provide a valuable tool for performers and all artists involved in a production of Simon Boccanegra, it also simultaneously explores and outlines several instances in which Verdi’s all-encompassing idea of drama shapes and directs this opera.
Throughout this process, the disposizione scenica to Simon Boccanegra constitutes the central document that connects the practical and the aesthetic perspective of this dissertation. Each chapter is dedicated to a different character of Simon Boccanegra, allowing the reader to follow each character on a journey through the opera as it is presented in …
Aesthetic Implications Of Using The Computer Medium In Music,
2022
Western Michigan University
Aesthetic Implications Of Using The Computer Medium In Music, Rodrigo Valente Pascale
Masters Theses
In this thesis, I reflect on the relationship between the materiality of computers and computer music. Marshall McLuhan and Friedrich Kittler had a fundamental role in unraveling how media shape discourse and influence their conveyed message and history. These were important discoveries that built the foundation for the field of Media Studies. Throughout this thesis, I will revisit reflections of researchers who contributed to this field and point out how the medium molds computer music’s history and aesthetics. After reviewing the role of the materiality of computers, I will indicate some aesthetically compelling directions of computer music, which consider features …
Harmonica Pedagogy For The Full Inclusion Instrumental Music Classroom, Expanding Opportunities For Students With Disabilities,
2022
Liberty University
Harmonica Pedagogy For The Full Inclusion Instrumental Music Classroom, Expanding Opportunities For Students With Disabilities, George Wallace Miklas
Doctoral Dissertations and Projects
The harmonica was once taught in American public schools coast to coast from the 1920s through the 1940s when imports of harmonicas were curtailed due to World War II's efforts. Since then, American public-school instrumental music curricula have long forgotten the only wind instrument that makes music when the student inhales or exhales. The harmonica provides a natural calming effect to the player and medical benefits, including being a tool for overcoming mental health issues and expressing needs and feelings without words. During the era when the harmonica was taught, pedagogy lacked uniformity. Consequently, confusion about the instrument's unique tuning …
Hong Kong Xiqu Overview 2020,
2022
Lingnan University
Hong Kong Xiqu Overview 2020, Siu Leung Li, Siu Wah Yu
香港戲曲概述
2020, Hong Kong Chinese opera’s year of mischance (for that matter, same to all performing arts and other arts fields). Since early 2020, COVID-19 quickly turned a global pandemic causing lockdowns of almost everything. A year back, 2019, Hong Kong Chinese opera enjoyed a blossoming year beginning with the January grand opening of the magnificent West Kowloon Cultural District Xiqu Centre. 2020, the industry was like being thrown into an apocalyptic dystopia of contagion. New productions, large scale shows, ritual drama performances, overseas and non-local troupes’ visits, educational and promotional activities were all drastically shrunk, rescheduled, relocated to virtual space, …
Archetype, Story, And Myth Within Bulgarian Folklore And Black American Music,
2022
Portland State University
Archetype, Story, And Myth Within Bulgarian Folklore And Black American Music, Wes C. Georgiev
University Honors Theses
The confluence of several disciplines is explored through the investigation of archetypes, stories, folklore, and myths within the realm of music composition. This research aims to draw fresh conclusions which contend with some of the meanings of being a human. All research is done in conjunction with the creation of a new body of compositions written and arranged for piano, upright bass, and drum set. The academic objective of these pieces is to combine many of the salient characteristics of Bulgarian Folk music with those of Black American music. The supporting research in this essay examines centuries of migration, conflict, …
Pop/Art: The Birth Of Underground Music And The British Art School, 1960–1980,
2022
CUNY Graduate Center
Pop/Art: The Birth Of Underground Music And The British Art School, 1960–1980, Andrew Cappetta
Dissertations, Theses, and Capstone Projects
“Pop/Art: The Birth of Underground Music and the British Art School, 1960-1980” argues that the British art school became a training ground for underground musicians in the 1960s and the 1970s because of changes in art school pedagogy and policy in the post-war period. New educational philosophies propagated during the late 1950s and 1960s, above all Basic Design and Behaviorism, redefined the artist as an intermedial experimenter, collapsed distinctions between fine art and design, and theorized the art object as a dynamic and interactive matrix between the maker and viewer. These initiatives, which evolved from art school reforms that began …
Rima,
2022
CUNY Graduate Center
Rima, Gregory J. Menillo
Dissertations, Theses, and Capstone Projects
Instrumental work for violin and piano based on a sestina by Dante Alighieri; written to commemorate the poet on the 700th anniversary of his death. Commissioned by Elena Augilar Kosta for Eriko Sato and David Oei. This piece received its premier by Curtis Macomber and Steven Beck on May 20, 2022 in Elebash Hall at the CUNY Graduate Center.
