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Transgender And Black, Looking For An Audience, Brian C. Josephs 2015 CUNY Graduate School of Journalism

Transgender And Black, Looking For An Audience, Brian C. Josephs

Capstones

Commodore Barry Park is an unappealing mid- sized space on most days. It sits next to Farragut Projects, tucked a few blocks away from Fort Greene Park andits neighboring brownstones. But today is Aug. 22, Day 1 of the Afropunk Music Festival. It’s 5 p.m — the hundreds of attendees gathered under the hot sun press against the barricade separating them from the empty main stage. No one wants to miss a moment of Ms. Lauryn Hill, who’s scheduled as the next performer. But Ms. Lauryn Hill isn’t the performer who gets on stage next. Transgender activist Cherno Biko leads …


Counter Culture: A Brief Oral/Visual History Of Independent Record Shops, Lee Ann Fullington 2015 CUNY Brooklyn College

Counter Culture: A Brief Oral/Visual History Of Independent Record Shops, Lee Ann Fullington

Publications and Research

Independent record shops have long been focal points of local music communities. As online music becomes the new normal, the role of these shops is changing. Though many shops have disappeared, others continue to flourish as they have evolved to meet the tastes and demands of collectors, crate diggers, producers, and fans who prefer LPs to MP3s.

Drawing on original ethnographic research conducted in the early 2000s in the US and the UK, this presentation discusses the role and significance of independent record shops in various music scenes. Based on interviews with owners, staff, and customers, this talk is a …


Elliott Carter’S March: An Applicable Analysis, Troy W. Palmer 2015 Western Kentucky University

Elliott Carter’S March: An Applicable Analysis, Troy W. Palmer

Mahurin Honors College Capstone Experience/Thesis Projects

This thesis, in summation, can be divided into two parts. The first half focuses on the story of Eight Pieces for Four Timpani, composed by Elliott Carter and published in 1968. Both its compositional and performance history are addressed. The compositional history starts with the writing of the first version of Carter’s music, Six Pieces for Kettledrums, written in 1950; next, the revision process is addressed, including the actual revisions seen in March. The performance history consists of a study done to determine which piece from the Eight Pieces is the most performed piece; to the author’s …


Instrumental Chamber Music: Woodwinds And Brass, Chapman Brass Ensemble, Chapman Woodwind Ensemble 2015 Chapman University

Instrumental Chamber Music: Woodwinds And Brass, Chapman Brass Ensemble, Chapman Woodwind Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.


Keyboard Collaborative Arts Studio Recital, Varsénik Aslanyan, Rachel Danielson, Evangeline Jodjana, Esther Kim, Yi-Jiao Tian, Elliott Wulff, Tony Baek, Hannah Kidwell, Kimberly Levin, Cynthia Navarette, Kathryn Rock, Andrew Schmitt, Chloé Tardif 2015 Chapman University

Keyboard Collaborative Arts Studio Recital, Varsénik Aslanyan, Rachel Danielson, Evangeline Jodjana, Esther Kim, Yi-Jiao Tian, Elliott Wulff, Tony Baek, Hannah Kidwell, Kimberly Levin, Cynthia Navarette, Kathryn Rock, Andrew Schmitt, Chloé Tardif

Printed Performance Programs (PDF Format)

No abstract provided.


Student Pianists In Recital, Brian Clemens, Alexandra Jones, Tyler Johnson, Dahee Jung, Stephanie Caress, Sophia Bui, Ashley Shahbazi, Janice Park, Cole Jackson, Anzhela Kushnirenko, Olivia Gerns, Ariel Chien, Andrew Siles, Michael Seaman, Janice Park 2015 Chapman University

Student Pianists In Recital, Brian Clemens, Alexandra Jones, Tyler Johnson, Dahee Jung, Stephanie Caress, Sophia Bui, Ashley Shahbazi, Janice Park, Cole Jackson, Anzhela Kushnirenko, Olivia Gerns, Ariel Chien, Andrew Siles, Michael Seaman, Janice Park

Printed Performance Programs (PDF Format)

No abstract provided.


Prodigies On Youtube: Finding The Genuine Artist In Youth, Priscilla Peraza 2015 Chapman University

Prodigies On Youtube: Finding The Genuine Artist In Youth, Priscilla Peraza

Student Scholar Symposium Abstracts and Posters

There seem to be more child prodigies today than ever before. This growth can be attributed to the way society contributes to and facilitates young talent. For instance, shows such as “America’s Got Talent”, “American Idol”, and “The X Factor” cultivate the younger generation to desire fame. Though these children are exceptionally talented, they are also discovered and forgotten at such a rapid pace as well, no doubt due to the amount of social medial accessible in the 21st century. YouTube has become a part of the easily accessible social media trend and is often used as a common source …


Grappling With Inclusion: Ethnocultural Diversity And Socio-Musical Experiences In Common Thread Community Chorus Of Toronto, Deanna Yerichuk 2015 Wilfrid Laurier University

Grappling With Inclusion: Ethnocultural Diversity And Socio-Musical Experiences In Common Thread Community Chorus Of Toronto, Deanna Yerichuk

Music Faculty Publications

This pilot research study explored ethnocultural backgrounds of choristers and their socio-musical experiences participating in Common Thread Community Chorus of Toronto, a community choir that actively pursues cultural inclusion through policies of musical and financial accessibility, as well as choosing repertoire of diverse cultures. A survey of choristers investigated how Common Thread members’ ethnocultural backgrounds informed their perceptions of their musical and social experiences and of the choir’s cultural diversity, working from the assumption that all people have ethnocultural backgrounds. Research findings reveal complex and diverse cultures when singers reflect on their own experiences, but choristers tended to reduce cultural …


The History Of The Guitar, Júlio Ribeiro Alves 2015 Marshall University

The History Of The Guitar, Júlio Ribeiro Alves

Music Faculty Research

Conceived as instructional material for the guitar students at Marshall University (or anyone interested in the subject), it presents the historical process of the guitar in a clear and attainable fashion. Several topics related to the guitar will be discussed in detail throughout the book: the postulates associated with its origins, its evolution through the centuries, its repertoire, composers, performers, techniques, etc., culminating with the achievement of the privileged status of a respected concert instrument which it currently possesses.


Dual-Interval Spaces: Interrelations Between Interval Classes 1 And 5, Local Pitch Centers And Form In Dmitri Shostakovich's Piano Sonata No. 1, Op. 12, Tae Young Hong 2015 University of Southern Mississippi

Dual-Interval Spaces: Interrelations Between Interval Classes 1 And 5, Local Pitch Centers And Form In Dmitri Shostakovich's Piano Sonata No. 1, Op. 12, Tae Young Hong

Master's Theses

Dmitri Shostakovich’s Piano Sonata No. 1, written in 1926, is one of his most complex and lengthy works for piano. In contrast to the conservative style used in his critically-acclaimed Symphony No. 1, Op. 10, composed a year earlier, the sonata employs a highly modernistic idiom which predominated the composer’s output in the late 1920’s. The musical surface of the sonata was crafted by an extensive use of interval classes 1 and 5 which serve as the primary means of structuring pitch material.

This paper examines the surface combinations of two interval classes as well as their interaction with …


The Man Behind The Music: Beethoven’S Critical Early Years, Dominique Lopiccolo 2015 Liberty University

The Man Behind The Music: Beethoven’S Critical Early Years, Dominique Lopiccolo

The Kabod

The early years of Ludwig van Beethoven’s life are not usually emphasized as much as his later days writing symphonies, but they were critical in his development towards musical virtuosity. In fact, it was those years growing up under an unstable household with an alcoholic musician for a father that led Beethoven to form his characteristically dynamic mannerisms, which, in turn, revolutionized his musical career. His early years can be traced according to the various developments made in his musical education. Initially taught by his tyrannical father, Ludwig underwent physical abuse in order to learn correct fingerings and scales. Although …


In Concert: The Chapman Orchestra And Chapman University Wind Symphony, Chapman Orchestra, Chapman University Wind Symphony 2015 Chapman University

In Concert: The Chapman Orchestra And Chapman University Wind Symphony, Chapman Orchestra, Chapman University Wind Symphony

Printed Performance Programs (PDF Format)

No abstract provided.


Chapman Percussion Ensemble, Chapman Percussion Ensemble 2015 Chapman University

Chapman Percussion Ensemble, Chapman Percussion Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.


An Academic Festival Overture, Chapman Orchestra, Chapman Wind Symphony 2015 Chapman University

An Academic Festival Overture, Chapman Orchestra, Chapman Wind Symphony

Printed Performance Programs (PDF Format)

No abstract provided.


Jazz And Puerto Rican Traditional Music: A New Generation Of Musical Exploration, Pedro Lavezzari 2015 Liberty University

Jazz And Puerto Rican Traditional Music: A New Generation Of Musical Exploration, Pedro Lavezzari

Masters Theses

Many musical styles around the world have been born from struggle and search for cultural identity. The same idea applies to Jazz and the Afro-Caribbean music created within the African diaspora and influenced by Latin and European styles in the United States. More recently, the meaning of diaspora has been used to refer to a group of people and some aspects of their culture (Rivera 2010, 104). For older and newer generations of Puerto Rican musicians two traditions have intersected to create a modern form of expression that reaffirms Puerto Rico’s musical creativity and contemporary tendency. In 1989 Warren Pinckney …


Report On Ams, Kenneth M. Cotich, Holly Gardinier 2015 Claremont Graduate University

Report On Ams, Kenneth M. Cotich, Holly Gardinier

Faculty Papers and Conference Presentations with CGU Graduate Co-authors

This presentation summarizes and evaluates the American Musicological Society's website as a reference tool for music scholars. Evaluation methods used come from Laurie Sampsel (2012) and Holly Gardinier (2015).


A Musical Homiletic: Drawing On The Sonic Dimensions Of The Word And Spirit, Thomas H. Troeger 2015 Yale University

A Musical Homiletic: Drawing On The Sonic Dimensions Of The Word And Spirit, Thomas H. Troeger

Yale Journal of Music & Religion

The article begins by addressing two primary areas of concern: 1. Can music communicate meaning, and if so, how? 2. Can theological realities be expressed through music and other artistic forms whose primary medium is not language? The author then lays out a schema featuring four different aspects of developing a musical homiletic, starting with the simplest and moving to the most complex. (1) Preachers can speak in a way that captures the musicality of human conversation: its sonically engaging use of inflection, volume, pace, and timbre. (2) Preachers can interpret the theological and poetic meaning of the texts that …


The Reformation Of Preaching: Transformations Of Worship Soundscapes In Early Modern Germany And Switzerland, Barbara Pitkin 2015 Stanford University

The Reformation Of Preaching: Transformations Of Worship Soundscapes In Early Modern Germany And Switzerland, Barbara Pitkin

Yale Journal of Music & Religion

The evangelical sermon was the Protestant Reformation’s central ritual event and the catalyst for a host of other changes, ranging from the abolition of the Mass to acts of violent iconoclasm. In promoting the sermon, reformers in Germany and Switzerland were in continuity with trends in medieval preaching, but at the same time the new centrality given to the preached word fundamentally altered the worship experience, particularly the aural experience. The present investigation traces the contours of the preaching landscape in the late Middle Ages and the Renaissance, outlines the innovations in sermonizing in Reformation Switzerland and Germany, and, by …


A Jamaican Voice: The Choral Music Of Noel Dexter, Desmond A. Moulton 2015 University of Southern Mississippi

A Jamaican Voice: The Choral Music Of Noel Dexter, Desmond A. Moulton

Dissertations

As we approach the twenty-first century, the world generally is moving away from the dominance of the European aesthetic towards a world music that owes much to the musical resources of the African-American tradition. Jamaica’s social and philosophical music belong mainly to that tradition, which includes the use of rhythms, and timbral and melodic resources that exist independently of harmony. Already in this century, Jamaicans have created two totally new music - Nyabinghi, which performs a philosophical function and Reggae, which performs a social function. The choral music of Noel Dexter is important because it is uniquely Jamaican/Caribbean in its …


Metal And Gothic Literature: Examining The Darker Side Of Life (And Death), Bryan Bardine 2015 University of Dayton

Metal And Gothic Literature: Examining The Darker Side Of Life (And Death), Bryan Bardine

English Faculty Publications

This article examines the connections between Gothic literature and the lyrics in Death metal music, specifically the lyrics of Cannibal Corpse, Morbid Angel, and Deicide. The study examined the lyrics for each band’s first 3 albums and their most recent three albums, looking for Gothic characteristics. Further, the study aims to see if bands are changing their focus in terms of lyrics over the span of their careers — especially in terms of the Gothic tenets they incorporate into their songs and how they connect to traditional Gothic texts. This study continues the research begun in the article appearing in …


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