Other Music Commons^™

Contents Page, Tos Mahoney

Sound Scripts

No abstract provided.

Student Perceptions And Attitudes Regarding The Diversity Of Music In Their High School Band Classroom, Nathan Westlund

EWU Masters Thesis Collection

"Though much research has been published on the benefits, importance, and teacher perceptions of multicultural music education, fewer investigations have examined student perceptions and attitudes on this topic. Most notably, the author perceived a lack of such research at the high school level. The purpose of this study was to investigate student perception of and attitudes toward the diversity of music in high school band programs. This qualitative investigation involves a case study approach, using interview technique. It seeks to answer the following questions: (a) what are high school band students' perceptions of diversity in their school band curriculum, and …

Afroreggae And Grupo Cultural Afro Reggae: A Study Of The Early Years, Sarah S. Ohmer

Publications and Research

The following study of AfroReggae and Grupo Cultural Afro Reggae (GCAR) calls attention to Brazilian presence and community organizing in the field of Hip Hop studies with a long memory framework: placing AfroReggae and GCAR in a long history of Africana resistance through music in Latin America. !990s GCAR group arises when reggae and Hip Hop music had become new global forms of solidarity among urban marginalized youths worldwide, making use of old and new strategies of social healing (Fernandes 2011). A close look at lyrics from the Hip Hop fusion band and the associated nonprofit organization shape the concepts …

“Where Words Fail, Music Speaks”: The Experience Of Adapting Literature To Music, Laney J. Fowle

UReCA: The NCHC Journal of Undergraduate Research and Creative Activity

Adaptation is a relatively new yet growing academic field consisting mainly of research on the modification of book into film. This study endeavors to expand the discourse on adaptation to the modal transformation of literary works to music. By using this specific adaptive type to examine the process and functionality of adapted works, I was able to address several key aspects of modern adaptation, including the hot-button issue of fidelity to an established source text, the role of adaptor as co-author, and the ability of solitary artistic modes to augment each other when combined. The resulting personal attempts at adaptation …

Transgender And Black, Looking For An Audience, Brian C. Josephs

Capstones

Commodore Barry Park is an unappealing mid- sized space on most days. It sits next to Farragut Projects, tucked a few blocks away from Fort Greene Park andits neighboring brownstones. But today is Aug. 22, Day 1 of the Afropunk Music Festival. It’s 5 p.m — the hundreds of attendees gathered under the hot sun press against the barricade separating them from the empty main stage. No one wants to miss a moment of Ms. Lauryn Hill, who’s scheduled as the next performer. But Ms. Lauryn Hill isn’t the performer who gets on stage next. Transgender activist Cherno Biko leads …

Counter Culture: A Brief Oral/Visual History Of Independent Record Shops, Lee Ann Fullington

Publications and Research

Independent record shops have long been focal points of local music communities. As online music becomes the new normal, the role of these shops is changing. Though many shops have disappeared, others continue to flourish as they have evolved to meet the tastes and demands of collectors, crate diggers, producers, and fans who prefer LPs to MP3s.

Drawing on original ethnographic research conducted in the early 2000s in the US and the UK, this presentation discusses the role and significance of independent record shops in various music scenes. Based on interviews with owners, staff, and customers, this talk is a …

Elliott Carter’S March: An Applicable Analysis, Troy W. Palmer

Mahurin Honors College Capstone Experience/Thesis Projects

This thesis, in summation, can be divided into two parts. The first half focuses on the story of Eight Pieces for Four Timpani, composed by Elliott Carter and published in 1968. Both its compositional and performance history are addressed. The compositional history starts with the writing of the first version of Carter’s music, Six Pieces for Kettledrums, written in 1950; next, the revision process is addressed, including the actual revisions seen in March. The performance history consists of a study done to determine which piece from the Eight Pieces is the most performed piece; to the author’s …

Instrumental Chamber Music: Woodwinds And Brass, Chapman Brass Ensemble, Chapman Woodwind Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Keyboard Collaborative Arts Studio Recital, Varsénik Aslanyan, Rachel Danielson, Evangeline Jodjana, Esther Kim, Yi-Jiao Tian, Elliott Wulff, Tony Baek, Hannah Kidwell, Kimberly Levin, Cynthia Navarette, Kathryn Rock, Andrew Schmitt, Chloé Tardif

Printed Performance Programs (PDF Format)

No abstract provided.

Student Pianists In Recital, Brian Clemens, Alexandra Jones, Tyler Johnson, Dahee Jung, Stephanie Caress, Sophia Bui, Ashley Shahbazi, Janice Park, Cole Jackson, Anzhela Kushnirenko, Olivia Gerns, Ariel Chien, Andrew Siles, Michael Seaman, Janice Park

Printed Performance Programs (PDF Format)

No abstract provided.

Prodigies On Youtube: Finding The Genuine Artist In Youth, Priscilla Peraza

Student Scholar Symposium Abstracts and Posters

There seem to be more child prodigies today than ever before. This growth can be attributed to the way society contributes to and facilitates young talent. For instance, shows such as “America’s Got Talent”, “American Idol”, and “The X Factor” cultivate the younger generation to desire fame. Though these children are exceptionally talented, they are also discovered and forgotten at such a rapid pace as well, no doubt due to the amount of social medial accessible in the 21st century. YouTube has become a part of the easily accessible social media trend and is often used as a common source …

Grappling With Inclusion: Ethnocultural Diversity And Socio-Musical Experiences In Common Thread Community Chorus Of Toronto, Deanna Yerichuk

Music Faculty Publications

This pilot research study explored ethnocultural backgrounds of choristers and their socio-musical experiences participating in Common Thread Community Chorus of Toronto, a community choir that actively pursues cultural inclusion through policies of musical and financial accessibility, as well as choosing repertoire of diverse cultures. A survey of choristers investigated how Common Thread members’ ethnocultural backgrounds informed their perceptions of their musical and social experiences and of the choir’s cultural diversity, working from the assumption that all people have ethnocultural backgrounds. Research findings reveal complex and diverse cultures when singers reflect on their own experiences, but choristers tended to reduce cultural …

The History Of The Guitar, Júlio Ribeiro Alves

Music Faculty Research

Conceived as instructional material for the guitar students at Marshall University (or anyone interested in the subject), it presents the historical process of the guitar in a clear and attainable fashion. Several topics related to the guitar will be discussed in detail throughout the book: the postulates associated with its origins, its evolution through the centuries, its repertoire, composers, performers, techniques, etc., culminating with the achievement of the privileged status of a respected concert instrument which it currently possesses.

Dual-Interval Spaces: Interrelations Between Interval Classes 1 And 5, Local Pitch Centers And Form In Dmitri Shostakovich's Piano Sonata No. 1, Op. 12, Tae Young Hong

Master's Theses

Dmitri Shostakovich’s Piano Sonata No. 1, written in 1926, is one of his most complex and lengthy works for piano. In contrast to the conservative style used in his critically-acclaimed Symphony No. 1, Op. 10, composed a year earlier, the sonata employs a highly modernistic idiom which predominated the composer’s output in the late 1920’s. The musical surface of the sonata was crafted by an extensive use of interval classes 1 and 5 which serve as the primary means of structuring pitch material.

This paper examines the surface combinations of two interval classes as well as their interaction with …

The Man Behind The Music: Beethoven’S Critical Early Years, Dominique Lopiccolo

The Kabod

The early years of Ludwig van Beethoven’s life are not usually emphasized as much as his later days writing symphonies, but they were critical in his development towards musical virtuosity. In fact, it was those years growing up under an unstable household with an alcoholic musician for a father that led Beethoven to form his characteristically dynamic mannerisms, which, in turn, revolutionized his musical career. His early years can be traced according to the various developments made in his musical education. Initially taught by his tyrannical father, Ludwig underwent physical abuse in order to learn correct fingerings and scales. Although …

In Concert: The Chapman Orchestra And Chapman University Wind Symphony, Chapman Orchestra, Chapman University Wind Symphony

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman Percussion Ensemble, Chapman Percussion Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

An Academic Festival Overture, Chapman Orchestra, Chapman Wind Symphony

Printed Performance Programs (PDF Format)

No abstract provided.

Jazz And Puerto Rican Traditional Music: A New Generation Of Musical Exploration, Pedro Lavezzari

Masters Theses

Many musical styles around the world have been born from struggle and search for cultural identity. The same idea applies to Jazz and the Afro-Caribbean music created within the African diaspora and influenced by Latin and European styles in the United States. More recently, the meaning of diaspora has been used to refer to a group of people and some aspects of their culture (Rivera 2010, 104). For older and newer generations of Puerto Rican musicians two traditions have intersected to create a modern form of expression that reaffirms Puerto Rico’s musical creativity and contemporary tendency. In 1989 Warren Pinckney …

Report On Ams, Kenneth M. Cotich, Holly Gardinier

Faculty Papers and Conference Presentations with CGU Graduate Co-authors

This presentation summarizes and evaluates the American Musicological Society's website as a reference tool for music scholars. Evaluation methods used come from Laurie Sampsel (2012) and Holly Gardinier (2015).