Symbolism, Sensuality, And The Space In-Between: Contextualizing The Queer Expression Of Mikhail Kuzmin In Russia’S Fin De Siècle, 2025 University of Tennessee, Knoxville
Symbolism, Sensuality, And The Space In-Between: Contextualizing The Queer Expression Of Mikhail Kuzmin In Russia’S Fin De Siècle, Avery Elizabeth Noe
Chancellor’s Honors Program Projects
No abstract provided.
Review Of The Tragic Odes Of Jerry Garcia And The Grateful Dead: Mystery Dances In The Magic Theater, By Brent Wood, Routledge, 2020, 2024 Boston University
Review Of The Tragic Odes Of Jerry Garcia And The Grateful Dead: Mystery Dances In The Magic Theater, By Brent Wood, Routledge, 2020, Christopher K. Coffman
Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy
Review of The Tragic Odes of Jerry Garcia and the Grateful Dead: Mystery Dances in the Magic Theater, by Brent Wood, Routledge, 2020.
Reassessing Haydn’S Sacred Music: Abstracts Of Published Conference Papers, 2024 Rochester Institute of Technology
Reassessing Haydn’S Sacred Music: Abstracts Of Published Conference Papers, Michael E. Ruhling
HAYDN: Online Journal of the Haydn Society of North America
No abstract provided.
Mater Dolorum Settings By Georg Reutter The Younger And Gregor Werner, As Reflected In Music By Joseph Haydn, 2024 University of Memphis
Mater Dolorum Settings By Georg Reutter The Younger And Gregor Werner, As Reflected In Music By Joseph Haydn, Janet K. Page
HAYDN: Online Journal of the Haydn Society of North America
Mater dolorum, a text by Heinrich Rademin (1674–1731), is a German-language oratorio intended for performance before a model of the Holy Sepulcher on Good Friday. Such works, amalgamating court sepolcro and popular traditions, were performed in churches throughout Central Europe during Holy Week. Mater dolorum, one of the most popular texts, was set by three of Haydn’s older contemporaries: Georg Reutter Jr. (1726), Gregor Werner (ca. 1733), and Georg Christoph Wagenseil (ca. 1739). In this essay, I consider how these settings, and the attitudes displayed in them, intersected with Haydn’s world and could have influenced him, especially in his …
A “Rosary” Symphony? The Impact Of Haydn’S Religious Faith On His Symphonies, 2024 Berklee College of Music
A “Rosary” Symphony? The Impact Of Haydn’S Religious Faith On His Symphonies, Henry Stratmann
HAYDN: Online Journal of the Haydn Society of North America
Despite expressing a strong religious faith throughout his life, Haydn’s secular music far outnumbers his sacred works. Certain symphonies, however, include either allusions to religious themes or project what can be interpreted as a devotional mood. Specifically, some unusually long symphonic slow movements during Haydn’s “Sturm und Drang” period may be orchestral depictions of a meditative, contemplative, prayerful state of mind. They likely reflect the particular practices of Roman Catholic belief and worship that were a pervasive part of the culture in which Haydn lived his entire life and also part of his personal belief system. The Adagio assai of …
The Context And Early Reception Of Haydn’S Stabat Mater, 2024 Berklee College of Music
The Context And Early Reception Of Haydn’S Stabat Mater, Dexter Edge
HAYDN: Online Journal of the Haydn Society of North America
Haydn spent his formative musical years in Vienna, a city with a strong Marian cult that was expressed musically through such works in German as Heinrich Rademin’s Mater dolorum (set by Werner, Reutter the Younger, and Wagenseil), and by innumerable settings of the Latin sequence Stabat mater. In Vienna, musical settings of the Stabat mater were traditionally performed not only on the feast of Septem Dolorum B. V. M., but also on Saturdays in Lent and during Holy Week. In fact, we now know that Haydn sang a cappella settings of the Stabat mater by Palestrina and Reutter …
German Poetry In Musical Motion, 2024 Cedarville University
German Poetry In Musical Motion, Caden J. Lantz
Musical Offerings
The musical era of Romanticism leaped forward from the individuality of Beethoven and developed composers that were unafraid of expressing their passions through their music. The leading figures of Romanticism, like Schubert and Liszt, no longer saw themselves as servants of their audiences but instead made it their goal to show what they loved in their music. Even despite the stark individualism that was prevalent in this era, there was a shared passion many composers had that was able to unify them, a love for poetry. By studying emotive vocal genres like the German Lied as well as the influences …
The Tradition Of Illusion: Guitar Arrangement As A Post-Canonical Patchwork, 2024 Royal Academy of Music
The Tradition Of Illusion: Guitar Arrangement As A Post-Canonical Patchwork, Katalin Koltai
Soundboard Scholar
This paper proposes an underpinning terminology for scholarly discussions of contemporary arrangement practices in the field of classical guitar performance. The introduction provides some historical foundations for the topic, aiming to present the roots of different approaches and methods in the work of important guitar arrangers. The paper continues by contextualizing arrangement processes within linguistics and language philosophy, discussing the topic of translation, and giving an overview of relevant terminologies. The centre of the paper is the theoretical investigation of arrangement and the identification of translating acts related to musical space, instrumental choreography, texture, timbre, or a combination of those, …
Benefit Concerts: Truly For The Benefit Of The Cause?, 2024 Nova Southeastern University
Benefit Concerts: Truly For The Benefit Of The Cause?, Emma C. Gardner
Mako: NSU Undergraduate Student Journal
Benefit concerts have been used as a fundraising method for urgent issues for centuries, beginning in 1749 with concerts put on by George Handel. The first modern benefit concert was the Concert for Bangladesh in 1971, which proved that these concerts could raise large amounts of money for their cause. Live Aid was put on by Bob Geldof in 1985 Live Aid in response to the famine in Ethiopia. The Freddie Mercury Tribute Concert for AIDS Awareness in 1992 was staged following Freddie Mercury’s death and worked to raise money for awareness and a cure for HIV/AIDS. The Concert for …
Timbres Oubliés: The Forgotten Sounds Of Loeffler's Octet, 2024 The Graduate Center, City University of New York
Timbres Oubliés: The Forgotten Sounds Of Loeffler's Octet, Graeme Steele Johnson
Dissertations, Theses, and Capstone Projects
Modern musicians play a lot of old music and a lot of new music, but not so much “new old music.” This study—with its accompanying critical edition score, world-premiere recording and first present-day performances—represents, at long last, the deliverance of one such work from the ashes of history to the ears of the present: Charles Martin Loeffler’s forgotten Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass, a piece that was left unpublished, unrecorded and unheard since 1897.
This paper documents my efforts to finally reintroduce the Octet to the repertoire. By cross-referencing the autograph manuscript score …
Musical Semiotics In Kate Soper’S Ipsa Dixit (2010–2016), 2024 The Graduate Center, City University of New York
Musical Semiotics In Kate Soper’S Ipsa Dixit (2010–2016), Scott A. Miller
Dissertations, Theses, and Capstone Projects
This dissertation analyzes the six parts of Kate Soper’s Ipsa Dixit (2010–2016). While individual parts have received some music theoretical attention, this is the first analysis of the entire Pulitzer Prize-nominated work. Ambiguity and contingency are major themes of Ipsa Dixit, and by treating each part independently and in combination, I hope to honor Ipsa’s contingent status as a unified work comprised of six complete works. Soper’s libretto unifies an assemblage of texts with adaptations of Aristotle to investigate the intersections of language and music with authority, veracity, and (un)intelligibility.
I theorize that Soper’s “philosophy-opera” dramatizes the formation of …
Singing Petrarch In The Cinquecento: Embodied Reading And The Italian Madrigal, 2024 The Graduate Center, City University of New York
Singing Petrarch In The Cinquecento: Embodied Reading And The Italian Madrigal, Thomas A. Hedrick Iii
Dissertations, Theses, and Capstone Projects
This dissertation examines how composers of sixteenth-century Italian madrigals highlighted poetic line rhythm, repeated vowel sounds (or assonance), and word repetition in figures of speech—all elements of the verse that have been previously overlooked by scholars, who have traditionally focused on musical depictions of the text’s semantics. The analysis in chapters 2, 3, and 4 shows that composers used a consistent set of techniques from the madrigals of Arcadelt to those of Monteverdi, and musical examples draw from large collection of madrigals on Petrarch sonnets. The analytical methodology is built on the premise that Cinquecento encounters with poetry can be …
Kajian Konseptual Silabel Ritme Gandang Minangkabau, 2024 Universitas Pendidikan Indonesia
Kajian Konseptual Silabel Ritme Gandang Minangkabau, Aryuda Fakhleri Fallen, Yudi Sukmayadi, Tati Narawati
Paradigma: Jurnal Kajian Budaya
This article tryes to initiate the concept of Minangkabau rhythm syllables, which is a method in music learning related to audiation in rhythm learning, the urgency in this study explores the basic elements of the audiation system that can be applied to music learning related to rhythm syllables based on local approaches, taking into account previous concepts that have been popular in recent schools. In West Sumatra, the concepts of syllable rhythm such as Zoltan Kodaly, Kannokol, American Style Syllables, and Edwin Gordon are not so popular, but environments such as schools and art studios have their own ways of …
"If The Gyil Has Died, Dagara Itself Has Died": On The Relationship Of Dagara Music, Food, And Costume, 2024 Duquesne University
"If The Gyil Has Died, Dagara Itself Has Died": On The Relationship Of Dagara Music, Food, And Costume, Gordon Cortney
Honors College Undergraduate Theses
The Dagara people, located primarily in the Upper West region of Ghana, take pride in their careful preservation of traditional customs, amidst years of brutal colonization and ethnocide. Previous ethnomusicological research has recognized the gyil, a Ghanaian xylophone, as the focal point of Dagara society, noting how it interacts with and is inherent in all aspects of their culture. Recent developments to the gyil’s design, practice, and performance have created concern for a lost or dying culture among the Dagara. If the gyil is experiencing change, then so too is the rest of Dagara culture. In June and July 2022, …
Dowlandia: Leafing Through Grapes’S New Research Guide, 2024 University of Denver
Dowlandia: Leafing Through Grapes’S New Research Guide, Katharyn R. Benessa
Soundboard Scholar
A review of K. Dawn Grapes, John Dowland: A Research and Information Guide,(New York: Routledge, 2020)
“And The People Sang In All The Ways Of The City:” A Speculative Ethnomusicology Of Gondor, 2024 Fairfield University
“And The People Sang In All The Ways Of The City:” A Speculative Ethnomusicology Of Gondor, Kelsey A. Fuller-Shafer
Journal of Tolkien Research
The music of Gondor is one of the more elusive musical traditions in Middle-earth, described only briefly throughout the text of The Lord of the Rings, and thus often neglected in scholarship on music in the works of J.R.R. Tolkien. However, an ethnomusicological line of inquiry brings to the fore questions of performance, perception, and meaning that contribute to our interpretations of the many levels of symbolic transformation seen in Gondor at the beginning of the Fourth Age. The evidence of both musical activity and silence in Gondor mirrors conclusions that have been documented in real-world ethnomusicological studies in …
New Light On Sagrini, 2024 University of Denver
New Light On Sagrini, Richard M. Long
Soundboard Scholar
Reviews of a new biography of Luigi Sagrini (1809–1874) and a volume of his guitar works:
Bernard Lewis and Robert Coldwell, In Search of Luigi Sagrini (DGA, 2021)
Robert Coldwell, ed., The Music of Luigi Sagrini (DGA, 2021)
A Friendship Of Two Prima Donnas: The Letters Of Adelina Patti To Giulia Valda, 2024 Louisiana State University and Agricultural and Mechanical College
A Friendship Of Two Prima Donnas: The Letters Of Adelina Patti To Giulia Valda, Jacquelyn Ancelet
LSU Master's Theses
Of the many prima donnas of the nineteenth century, Adelina Patti (1843–1919) stands out as one of the most successful, with a fifty-year international concertizing career. Biographers across multiple languages have covered her career in great depth, but devote little attention to her close friendships. Herman Klein (in The Reign of Patti [1920]) and John Cone (in Adelina Patti: Queen of Hearts [1993]), for instance, claim that Patti was known by many, but understood by few. One who does seem to have understood her and developed a close relationship with her was Giulia Valda (1850–1925), herself a professional singer, if …
The Guitar Music Collection Of Justin Holland, 2024 Digital Guitar Archive
The Guitar Music Collection Of Justin Holland, Robert Coldwell
Soundboard Scholar
Although much information is available about Holland's biography and compositions, little research has been done on how he acquired his deep knowledge of the guitar and how he may have interacted with other guitarists of his day.
Some years after Justin Holland's death in 1887, his son, Justin Minor Holland, claimed to have "one of the most elaborate libraries of guitar music, mostly of old masters." This collection could give more insight into the activities of guitar music collectors and guitarists in the United States of the 19th century. After much research, seven bound volumes of guitar music have been …
Singer’S Guide To Hak Jun Yoon’S Selected Art Songs, 2024 University of Nebraska-Lincoln
Singer’S Guide To Hak Jun Yoon’S Selected Art Songs, Sunmin Cha
Dissertations and Doctoral Documents from University of Nebraska-Lincoln, 2023–
Composer Hak Jun Yoon is at the forefront of popularizing Korean art songs through the combination of artistry and mass appeal, positioning him as one of the representative composers of contemporary Korea. Recently, Yoon’s songs gained significant popularity after being featured on the Korean vocal competition TV program “Phantom Singer,” playing a major role in sparking public interest in Korean art songs in general. This document aims to widen that circle to more classical singers by analyzing poetic and musical elements in four of Yoon’s representative songs: “On the Way to You,” “A Flower Blooms Alone,” “Lingering Scent,” and “The …