2nd Funk Symposium: Selected Proceedings, 2021,
2022
University of Dayton
2nd Funk Symposium: Selected Proceedings, 2021, Sharon Davis Gratto
Content Presented at the First and Second Dayton Funk Symposia
This is a printed proceedings of symposium presentations by authors who elected to submit them. They are available free for download, but printed volumes are available for $6 plus tax and shipping.
Danger: Wolf Crossing! Meantone Tuning And Froberger’S Keyboard Music,
2022
CUNY Queens College
Danger: Wolf Crossing! Meantone Tuning And Froberger’S Keyboard Music, Stephen T. Ai
Student Theses
This thesis is an exploration of how tuning practices can influence compositional practice, focusing on the way temperament can provide new insights to a close reading of keyboard music by Johann Jakob Froberger (1616–67), a transitional figure between a predominantly meantone-oriented musical environment of the 17th century and the well temperament of the 18th century. Many scholars have pointed to Froberger’s characteristic chromaticism and experimentation with novel keys as indicative of his desire to compose beyond the restrictions of meantone tuning and towards well temperament. In an effort to move away from this oft-cited teleological narrative from unequal to equal, …
Betrayed By The Bibliographic Record: How Catalogs Construct Authorship And Constrain Their Own Authority,
2022
Illinois State University
Betrayed By The Bibliographic Record: How Catalogs Construct Authorship And Constrain Their Own Authority, Rachel E. Scott
Faculty and Staff Publications – Milner Library
This cautionary tale outlines how a librarian with an understanding of and respect for cataloging processes was the perfect candidate to be duped by a false attribution in a bibliographic record. In the process of compiling a list of compositions attributed to Alma Mahler for my dissertation, I encountered a handful of works not yet addressed in the scholarship on her compositional work. Despite numerous red flags, and much to my detriment, I invested a great deal in one of these unqualified and unsubstantiated attributions that turned out to be false. In the wake of this false attribution, I have …
The Feminine Harp As Feminist Tool: Early Professional Footing For Women In Mid-Twentieth-Century America,
2022
The Graduate Center, City University of New York
The Feminine Harp As Feminist Tool: Early Professional Footing For Women In Mid-Twentieth-Century America, Chelsea Lane
Dissertations, Theses, and Capstone Projects
In 1930s North America, women—for the first time—were accorded permanent principal positions in significant American orchestras. Edna Phillips, Alice Chalifoux, and Sylvia Meyer, all students of the legendary harp pedagogue Carlos Salzedo, have been celebrated as pioneers for the prestigious employment they obtained in the Philadelphia Orchestra, Cleveland Orchestra, and National Symphony Orchestra, respectively, between 1930 and 1933. Despite the impressiveness of these accomplishments, however, the narrative of their “firstness” is not wholly accurate. In actuality, female harpists have occupied orchestral posts as acting principals, substitutes, and second harpists since the very inception of orchestras. The cause for their early …
Negative Dialectics In Elliott Carter: Toward An Adornian Aesthetics Of Carter's Music,
2022
The Graduate Center, City University of New York
Negative Dialectics In Elliott Carter: Toward An Adornian Aesthetics Of Carter's Music, Gregory J. Menillo
Dissertations, Theses, and Capstone Projects
This dissertation is an attempt to lay the groundwork for an Adornian aesthetics of Elliott Carter’s music. The first chapter suggests that Theodor W. Adorno’s negative dialectics is the most appropriate paradigm for understanding the material antagonisms that characterize Carter’s music over a quasi-Hegelian “unity of opposites” as suggested in the Carter scholarship. Chapter Two demonstrates this through an Adornian reading of key aspects of the first movement of Carter’s 1948 Sonata for Cello and Piano, the watershed work for Carter’s mature style. The third chapter addresses the issue of musical time in Carter from a philosophical perspective; it discusses …
Community Bands: Creating A More Accessible Community Band Experience Through The Use Of Multi-Level Repertoire,
2022
Pittsburg State University
Community Bands: Creating A More Accessible Community Band Experience Through The Use Of Multi-Level Repertoire, Cooper Neil
Electronic Theses & Dissertations
This thesis hypothesizes that the use of multi-level repertoire in community bands will allow ensembles to more directly cater to their community member’s musical expectations while respecting the issue of time commitment for others. In this way, a community ensemble can become more accessible and, ideally, lead to a more diverse and representative group. Creating a volunteer community ensemble that accounts for musician’s available time, skill level, and desire for appropriate level of challenge is what this document seeks to address.
'Ahora Estamos Más Unidos': Claiming Resilience In The Musical And Visual Aftermath Of The El Paso Mass Shooting,
2022
University of New Mexico
'Ahora Estamos Más Unidos': Claiming Resilience In The Musical And Visual Aftermath Of The El Paso Mass Shooting, Eduardo Garcia
Music ETDs
The El Paso Wal-Mart Mass Shooting on August 3, 2019, prompted swift response from the local community to create artistic spaces of remembrance. This study examines the musical (mariachi and corrido) and visual (altares, murals, and memorials) manifestations present at makeshift and formal memorials for the victims. I analyze how members of the El Paso-Ciudad Juárez borderland situated their artistic work in the aftermath of the shooting. I argue that these artists responded to the attack with symbolic acts of resilience rooted in cultural and collective memory, embodiment of trauma, and the lived experience of corporeal …
Three Etudes For Marimba And Pandeiro: Contemporary Marimba Music As A New Setting For The Brazilian Pandeiro,
2022
The University of Southern Mississippi
Three Etudes For Marimba And Pandeiro: Contemporary Marimba Music As A New Setting For The Brazilian Pandeiro, Eduardo Marques Do Prado
Doctoral Projects
The history of frame drums and idiophones has thousands of years. The modern versions of the pandeiro and the marimba are relatively new to those families of instruments. While the marimba found its niche in contemporary music, the pandeiro has been mostly used in Brazilian traditional music. The current project brings those two instruments together, allowing the pandeiro to express its versatility. Executing the intricate rhythms, uneven patterns, and alternating time signatures from within the Three Etudes for Marimba and Pandeiro is an example of what can be done with this amazing frame drum. These three pieces provide the pandeiro …
Production As Analysis In Commercial Music Recordings,
2022
Belmont University
Production As Analysis In Commercial Music Recordings, Simeon P. Church
Composition/Recording Projects
Since the 1960s, scholarship of popular music in the fields of musicology and music theory has blossomed (Kajanová 2013). The inclusion of the social sciences and humanities in music analysis has allowed for new methodologies in commercial music analysis. Although new methodologies have been developed around popular song analysis, they are notably absent in the field of music production (Blake 2012, 1). In this thesis, I will assert that music production is an under-explored facet of commercial music that offers abundant opportunities for analysis.
Telling Stories: An Analysis Of Speech-Melody Compositions And An Original Speech-Melody Composition For Wind Ensemble,
2022
Stephen F Austin State University
Telling Stories: An Analysis Of Speech-Melody Compositions And An Original Speech-Melody Composition For Wind Ensemble, Kevin Cheek
Electronic Theses and Dissertations
This thesis explores the compositional technique of speech melody and provides a brief historical overview of speech in music. This thesis also examines recent works (2005-2014) that have sourced their melodies from the spoken word and in turn creates an original composition for wind ensemble consisting of melodies sourced from recordings of members of United States military forces speaking about their lived experiences. In conjunction with the analytical and compositional aspects of this thesis, I also conducted an interview with Dutch composer Jacob ter Veldhuis (Jacob TV). i
Enchanting Music: How English Playwrights Use Music In Renaissance Witchcraft Plays,
2022
University of New Orleans, New Orleans
Enchanting Music: How English Playwrights Use Music In Renaissance Witchcraft Plays, Alyssa Anders
University of New Orleans Theses and Dissertations
Music is an integral aspect of the Early Modern theater, but because most of this music is lost, scholars and students typically only analyze these works using literary theories. This approach does not allow for a full understanding these plays, which is especially true of witchcraft plays because witches typically utilize music for their spells. In this thesis, I am exploring the interdisciplinary connection of music and literature in the Jacobean witchcraft plays The Witch (c. 1616) by Thomas Middleton and The Tragedy of Sophonisba or The Wonder of Women (1604-1606). From my analysis of the existing music from The …
The Semiotics Of Tension In American Punk Rock,
2022
DePauw University
The Semiotics Of Tension In American Punk Rock, Christian Smith
Honor Scholar Theses
Punk rock is a musical subculture with numerous driving forces behind it. The countercultural values of the movement in addition to the demographics of its membership put it at odds against the larger parent culture of the United States. The tension that is created between the subculture and parent culture is evident through the symbolic language and imagery produced in Punk fanzines. Fanzines give a bottom-up view of the Punk rock movement in a unique way which allows for the observation of the created semiotic relationship and how it affects the daily lives of Punks living in the communities of …
Don't Lose Your Keys: Exploring The Transition From Harpsichord To Piano,
2022
California State University, Monterey Bay
Don't Lose Your Keys: Exploring The Transition From Harpsichord To Piano, Justice Post
Capstone Projects and Master's Theses
This paper explores keyboard technology in music from the Baroque era to today. Central focus is on the initial dominance of the harpsichord in Western music and how this shifted to the piano. Using this context of evolving instrumentation, the paper considers how this coincided with changing styles of music composition. Finally, the paper considers the question of how a keyboardist of today should handle music written in eras before the piano existed, and whether it is appropriate to perform harpsichord music using a modern piano.
Music As A Representational Medium: Representation In Arnold Schoenberg's "A Survivor From Warsaw",
2022
University of Tennessee, Knoxville
Music As A Representational Medium: Representation In Arnold Schoenberg's "A Survivor From Warsaw", Lucy S. Terrell
Masters Theses
In 1976, Roger Scruton, and English conservative philosopher and writer, dubbed music a non-representation medium. This assertion has resulted in debate among many prominent scholars, and, despite numerous dissenting opinions, Scruton’s premise has persisted as an accepted premise for some scholars in Western music study. In this paper, I survey and analyze prominent writings debating the topic of music as a representational medium, compiling arguments for and against his five criteria for representational art. I then discuss Arnold Schoenberg’s A Survivor from Warsaw in its context as a piece of representational music. In Schoenberg’s work, I use twelve-tone theory, contour …
Grrrls, Grrrls, Grrrls: Incorporating Feminist Theory Into Punk Rock Composition,
2022
Belmont University
Grrrls, Grrrls, Grrrls: Incorporating Feminist Theory Into Punk Rock Composition, Bryan M. Waring
Composition/Recording Projects
This project argues that one can make rock music with anti-sexist values by incorporating feminist criticism and gendered performance into the composition of punk rock music. To test this thesis, the history of feminism and its implementation within musical discourse were examined. Using feminist music theory as a lens for observation, several songs from female artists and mix-gender bands within the punk genre were analyzed. This was done in order to find similarities in compositional practices and to explore punk rock’s symbolic representations of gender. Areas covered were the expression of jouissance by the proto-punks, the use of détournement by …
Making Russian Music: Uncovering Pyotr Tchaikovsky’S Musical Ideas Through His Letters,
2022
University of Mary Washington
Making Russian Music: Uncovering Pyotr Tchaikovsky’S Musical Ideas Through His Letters, Sydney Morrison
Student Research Submissions
Pyotr Ilyich Tchaikovsky is arguably Russia's most famous composer. Although his music is widespread, his immediate impact on Russian music in the 19th century is often overlooked or unknown by audiences. This paper examines what compositional and musical ideas Tchaikovsky used in his pieces and how he expressed them through his letters. Because of the relationships he had with his correspondents, Tchaikovsky had the means to develop and learn his unique compositional style. The most significant correspondents were his patroness Nadezhda von Meck, his brother Modest, and fellow composer Mily Balakirev. They enabled him to express and develop his musical …
The Contrabass Tuned In Fifths: Towards An Understanding Of Past And Present Applications.,
2022
The University of Western Ontario
The Contrabass Tuned In Fifths: Towards An Understanding Of Past And Present Applications., Stephen T. Bright
Electronic Thesis and Dissertation Repository
This dissertation examines the historical and contemporary practices of the contrabass tuned in fifths. Two descriptions of the tuning appear in the late eighteenth century: the three-string tuning, A2, D2, G1 (ADG), and its four-string counterpart, A2, D2, G1, C1 (ADGC). The ADG tuning was officially taught in the Conservatoire de Paris’s contrabass class from 1827 until 1832, when it was superseded by the four-string G2, D2, A1, E1 (GDAE) tuning in fourths for two major reasons: first, the additional whole-tone between open strings compelled contrabassists to shift more frequently; second the tuning’s limited depth (G1) forced contrabassists to use …
Seeing Thro The Musical Eye: Santo Daime, Fuke-Shū, 1960s Psychedelia, And The Antipodes Of Musical Experience,
2022
The University of Western Ontario
Seeing Thro The Musical Eye: Santo Daime, Fuke-Shū, 1960s Psychedelia, And The Antipodes Of Musical Experience, Forest Anthony-Muran
Electronic Thesis and Dissertation Repository
This thesis investigates the relationships between altered states of consciousness and the musical experience in religious tradition and practice. A common accompaniment to religious worship and ceremony, music is often used as a way of attempting to capture something of the ineffable and to help bring about a mystical experience. In this thesis, I make use of three contrasting case studies – the Brazilian syncretic religion Santo Daime, the historical branch of Zen Buddhism Fuke-shū, and the psychedelic rock of 1960s counterculture – to paint a portrait of the variety of ways that music has been used in different musical …
Predicting And Composing A Top Ten Billboard Hot 100 Single With Descriptive Analytics And Classification,
2022
Bowling Green State University
Predicting And Composing A Top Ten Billboard Hot 100 Single With Descriptive Analytics And Classification, Matthew Deamon
Honors Projects
In late 20th and early 21st century Western popular music, there are cyclical structures, sounds, and themes that come and go with historical trends. Not only do the production techniques utilized reflect technological advancements (the Yamaha DX7, the Roland 808, etc.), the art form reflects contemporary cultural attitudes through lyrics and stylistic choice. Through this lens, pop songs can serve as historical artifacts for their unique ability to captivate listeners based on their generally acceptable and familiar elements, both upon release and with future audiences. It raises the questions: “Can a chronological analysis of artistic choices reveal trends …
Singing For The Red, White, And Blue: Nationalism In Country Music After 9/11,
2022
Kennesaw State University
Singing For The Red, White, And Blue: Nationalism In Country Music After 9/11, Laz Divine
Symposium of Student Scholars
On September 11th, 2001, the Twin Towers of the World Trade Center and the Pentagon were struck by hijacked airplanes in a terrorist attack. The result of the attack spurred an overwhelming sense of despair and anger across the nation, leading to the resurgence of nationalist and patriotic themes in music. Since Country music serves as a tool to express unity, nostalgia, and the struggles of the working class, many turned to it to provide comfort. The theme of unity and struggle mixed with the resurrection of patriotism launched a new age in Country music with the creation of the …
