Musicology Commons^™

Foreign Songs, Occitan Voices, And The Guitar In Early Modern France (C. 1570-1650), Ana Beatriz Mujica Lafuente

Dissertations, Theses, and Capstone Projects

The cultural traditions of European nations are too often treated as independent and essential entities, obscuring the transnational and interregional exchanges that have shaped modern cultures. In musicology, recent studies have emphasized the plurality and mobility of people, cultures, and music in Europe. Yet, French songs are still largely explained within the framework of the national, generally privileging written over oral traditions, printed over manuscript music, national over regional languages, and monolingual over plurilingual practices. Through the study of songs in Italian, Spanish, Occitan, and Turkish, this dissertation challenges such preconceptions.

This study shows that secular songs in foreign and …

Cecil Taylor, 1950–1976: Theory & Practice In His Own Words, Michelle A. Yom

Dissertations, Theses, and Capstone Projects

Cecil Taylor (1929–2018) was a poet, composer, pianist, and dancer who is widely regarded as one of the founding figures of Free Jazz. Despite this historical significance, Taylor has not been a subject of substantial archival research. Some scholars have written his name into music scholarship through explicitly or implicitly reiterating the notion of “freedom” that circulated among contemporary jazz critics of the late 1950s and the 1960s. Others have focused on analyzing Taylor’s solo piano music, often reducing Taylor’s musical theories and practices into the formal structures of the music itself. To date, the scholarship has simplified Taylor’s work …

The Six-Course Guitar In Spain: Some Considerations Of Repertoire And Musical Practice, Thomas Schmitt

Soundboard Scholar

The six-course guitar is still a little-known instrument. One need only look at books on the history of music to verify that claim: there is hardly any mention of it, nor are its composers or repertoire often cited. In fact, researchers have given far more attention to other plucked-string instruments than to the six-course guitar—whether for reasons of tradition or ideology—leading to a major gap in the literature. The repertoire of the Spanish Golden Age, to take one example, has been thoroughly explored, in the domains of both vocal and instrumental music (as in the vihuela). Similarly, there is quite …

Juventino Rosas, Sobre Las Olas, And Their Place In Defining Mexican Music In The Porfirian Nineteenth Century, Catherine J. Langevin-Falcon

Theses and Dissertations

This thesis examines the life and music of Juventino Rosas (1868–1894), the Mexican composer whose most enduring work is Sobre las olas (1888), a Viennese-style waltz. I ask the question: Why was Sobre las olas so well-known and why does it remain beloved with audiences around the world, even today, while Rosas is hardly known outside his native Mexico? I considered historical, social and cultural factors, as well as musical events of the day, that may have had bearing on the question. I describe the broad outlines of Rosas's life and the challenges he faced as an indigenous person, composer …

Toward A British Guitar Canon: Ernest Shand’S Collected Works, Declan Hickey

Soundboard Scholar

A review of Guitar Music from Late Victorian England: Collected Works, by Ernest Shand, edited by Stanley Yates (Classical Guitar Study Editions, 2022), publisher's website.

A Study Of The Mikrokosmos By Bela Bartok, Carolyn M. Totaro, Cameron Thorne

SPARK Symposium Presentations

A Study of the Mikrokosmos by Bela Bartok discussing its organization, focus, and significance.

A Profile Of Jerome Robbins, Carolyn M. Totaro, Victoria Sims

SPARK Symposium Presentations

A Profile of the legendary dancer and choreographer Jerome Robbins covering his many collaborations with twentieth century composers.

A Profile Of Placido Domingo, Carolyn M. Totaro, Jadyn Case

SPARK Symposium Presentations

A Profile of Placido Domingo covering his education, operatic career, and legacy.

A Profile Of Keith Lockhart, Carolyn M. Totaro, Gavin Buhr

SPARK Symposium Presentations

A Profile of Keith Lockhart and his rise to fame as a young American conductor.

A Study Of The String Quartet By Maurice Ravel, Carolyn M. Totaro, Annie Mcmillion

SPARK Symposium Presentations

A Study of the String Quartet by Maurice Ravel discussing its innovation and significance.

A Profile Of Van Cliburn, Carolyn M. Totaro, Ava Kronenberger

SPARK Symposium Presentations

A Profile of Van Cliburn discussing his background, performing, and legacy.

A Study Of Le Tombeau Du Couperin By Maurice Ravel, Carolyn M. Totaro, Reece Logan

SPARK Symposium Presentations

A Study of Le Tombeau du Couperin by Maurice Ravel discussing its origin, orchestration, and significance.

A Study Of Also Sprach Zarathustra By Richard Strauss, Carolyn M. Totaro, Luke Stephens

SPARK Symposium Presentations

A Study of Also Sprach Zarathustra by Richard Strauss covering its inception and iconic status.

A Study Of The Opera Trouble In Tahiti By Leonard Bernstein, Carolyn M. Totaro, Skyler Orr-Depner

SPARK Symposium Presentations

A Study of the opera Trouble in Tahiti by Leonard Bernstein discussing the libretto, roles, and music.

A Study Of The Opera Tosca By Giacomo Puccini, Carolyn M. Totaro, Natalia Hernandez

SPARK Symposium Presentations

A Study of the opera Tosca by Giacomo Puccini covering its libretto, music, and significance.

Chaotic Complexity: Order And Chaos In Works Of Cage, Xenakis And Boulez, Levi Graham

Music Theses

My thesis explores specific applications of chaos theory in contemporary twentieth-century music and analyzes the relationship between order and chaos in their creation. I will do this by referencing the levels of chaos presented by Katherine Hayles and categorized by Judith Lochhead. These levels of chaos include “Expressive Chaos,” “Denotative Chaos,” and “Ontological Chaos,” which provide a framework for grouping expressions of chaos in music.  I will analyze works of John Cage, Iannis Xenakis and Pierre Boulez through the lens of these types of chaos, with a particular focus on “Ontological Chaos,” which describes chaos as both dependent on and …

A Profile Of Arnold Jacobs, Carolyn M. Totaro, Caedmon Goettel

SPARK Symposium Presentations

A Profile of Arnold Jacobs including his books and extraordinary tenure with the Chicago Symphony.

A Profile Of Vaslav Nijinsky, Carolyn M. Totaro, Megan Hoggarth

SPARK Symposium Presentations

A Profile of Vaslav Nijinsky

A Study Of Ionisation By Edgard Varese, Carolyn M. Totaro, Mason Weintz

SPARK Symposium Presentations

A Study of Ionisation by Edgard Varese discussing the instrumentation and significance.

A Study Of The Makrokosmos By George Crumb, Carolyn M. Totaro, Hampton Turner

SPARK Symposium Presentations

A Study of the Makrokosmos by George Crumb covering its inspiration, innovative composing, and significance.