Music Education Commons^™

“If It Fits Into Their Culture, Then They Will Have A Connection”: Experiences Of Two Latina Students In A Select High School Choir, Joshua Palkki

Research & Issues in Music Education

In the United States, Latino/a students are underrepresented in secondary school music programs (Elpus & Abril, 2011). By understanding the needs of Latino/a students, music educators can create programs that will better serve this student population. This intrinsic case study chronicles the experiences of Cassandra and Elena, two students enrolled in a high school choir in a mid-sized Midwestern community. The main research questions were: (a) Which lived experiences of these Latino/a students play a role in school choral music, and (b) Which elements of culturally relevant pedagogy have played a role in choral music education of these two students? …

Something’S Happening Here: Popular Music Education In The United States, Bryan Powell, Andrew Krikun, Joseph Michael Pignato

John J. Cali School of Music Scholarship and Creative Works

Although the number of opportunities to learn popular music in the United States continues to grow, popular music education (PME) programs remain exceptional at primary, secondary, and tertiary levels of institutionalized music education. This article provides insight into the unique characteristics of a number of PME initiatives currently operating in the United States. A historical background is established to provide context regarding the history of PME in the United States. Additionally, a focus on an expanding landscape for American PME is included, as is an examination of six specific initiatives that are particularly noteworthy. This review of popular music programs, …

Mued 397b/D: Practicum (Music Teaching Field Experience)—A Peer Review Of Teaching Project Inquiry Portfolio, Dale Bazan

UNL Faculty Course Portfolios

This course is taken during the spring semester of the junior year in the Bachelor of Music Education degree. The field experience places students inside schools weekday mornings over 5 weeks following Spring Break, and following core music education methods courses in instrumental and choral teaching (i.e., Instrumental Methods MUED 345 and Choral Methods MUED 346). The UNL undergraduate bulletin describes this course as simply, “Supervised teaching experiences in school.” Students are placed in school settings in the discipline opposite their applied instrument. Specifically, vocal applied students are placed in instrumental settings, and instrumental applied students are placed in vocal …

Claude Debussy’S Children’S Corner – A Pedagogical Guide, Nolan O. Pribnow

Undergraduate Research Journal

A student learning Debussy’s Children’s Corner must be properly trained to handle a wide range of physical and musical demands. An experienced teacher, who is able to analyze and anticipate musical and technical challenges, demonstrate specific musical passages, and develop an organized plan of sequential learning steps, will successfully guide the student-learning process. As a teaching guide, this project addressed each piece individually, highlighting various technical and musical challenges, followed by pedagogical recommendations for addressing these challenges.

Addressing The Critical Shortage Of Latinos In Music Education: Pre-Service Latino Music Education Student Perspectives On Recruitment And Retention Strategies, Eben-Ezer Arias-Garcia, Dean Gronemeier

McNair Poster Presentations

My research focus is on 1st and 2nd generation Latino music education students and their paths to becoming music educators in the United States. Latino students are an under researched portion of music education in the American population, but represent the fastest growing ethnic group in America. During my preliminary research I found that there is a critical shortage of Latino music educators. Through an instrumental case study with critical-case sampling, done through interviews and a questionnaire taken by several pre-service Latino music education majors at a southwest university, I found that the most important factor for recruiting future music …

Effects Of Criteria-Referenced Formative Assessment On Achievement In Music, Christopher Valle

Legacy Theses & Dissertations (2009 - 2024)

The purpose of this study was to investigate the effects of criteria-referenced formative assessment on music achievement. Archival data from 1,173 students who participated in the first two years of the Arts Achieve project were used to examine the overall and school level effects of criteria-referenced formative assessment on music achievement, as well as its effect on content knowledge, listening, and performance achievement tasks. The relationships between sources of feedback from formative assessment – self, peer, teacher – and music achievement were also investigated. Unbiased causal treatment effects were derived after employing propensity score analysis to minimize selection bias and …

Music And Memory: A History Of Depauw University School Of Music Using Bifurcated History And Personal Interviews, Rachel Robin 15

Honor Scholar Theses

No abstract provided.

Faculty Perception Of Department Chairs' Leadership Style And Perceived Effects On Music Faculty's Self-Reported Productivity, Jessie Lee Primer

Electronic Theses and Dissertations

The purpose of this study was to examine the perceived effectiveness of the leadership styles of music department chairs and the responses to the leadership styles by faculty. This study specifically investigated the leadership styles of music department chairs serving in public higher education institutions with NASM accredited music units in the states of Arkansas and Mississippi. The study examined the perceived types of leadership styles used by music department chairs and their relationship with music faculties' self-reported productivity as seen by faculty members within the department. The need for this study is to assist universities in recruiting and developing …

Observation And Analysis Of Undergraduate Applied Piano Lessons And Individual Practice Sessions, Fen-Fang Chen

Electronic Theses and Dissertations

The purpose of this study was to identify what practice strategies were presented by piano teachers in applied lessons and how their students practiced in subsequent practice sessions. Moreover, the study also attempted to identity what practice strategies and applications were associated with the students' performance improvement. Five university piano professors participated in this study. Each participant professor recruited two piano-major (BA, BM, BME) undergraduate students from his or her piano studio, with one student in the first or second year of college (as the lower-level), and the other one in the third or fourth year (as the upper-level). A …

An Analysis Of Student Teachers’ Instruction In A Beginning Band Setting, Eric C. Bonds

Electronic Theses and Dissertations

This study investigated the teaching behaviors of student teachers in a beginning band setting and identified their instructional targets to compare the data between the participants from two different conditions, the on-podium condition and the off-podium condition. Previous research of expert and experienced teachers in a beginning band setting suggests those teachers were mobile during instruction, were proactive in managing transition periods, remained off the podium for greater durations while providing instruction, used modeling frequently, and provided specific directives toward goal attainment. The purpose of this investigation was to determine whether student teachers more closely exhibit the instructional strategies of …

Honors Project, Bethany R. Sims

A with Honors Projects

In this presentation the student summarizes and reflects upon her experiences teaching, performing, and conducting two pieces of music with two choral groups from Parkland College's Chamber Music Choir.

An Investigation Of The Effectiveness Of Cooperative Learning As A Rehearsal Technique For Improving High School Band Performance, Karen R. Compton

Theses and Dissertations--Music

The purpose of the present study was to investigate the effectiveness of cooperative learning as a rehearsal technique on high school full-band performance compared to traditional rehearsal methods. Two intact high school bands from the same Kentucky Music Educators Association District participated in the study. One band served as the treatment group using cooperative learning rehearsal techniques and the other group served as the control group using traditional rehearsal methods in a quasi-experimental non-equivalent control group design.

The study spanned six weeks in which both schools prepared the same performance piece, Variants by Jack Bullock. The groups were pre-tested using …

A Comprehensive Method For Tuning And Pedaling Timpani, Brandon M. Arvay

Theses and Dissertations--Music

Method books are an integral part of the percussion pedagogy. Because of the vast number of instruments a modern percussionist is expected to play, they often look for progressive, concise, and effective resources that can make learning such a variety of instruments more efficient. Instructional books currently exist for many areas of percussion performance, including snare drum, mallet percussion, timpani, World music, accessories, and marching percussion. Included in these books are information and procedures on music reading, rhythm studies, listening skills, part preparation, and technical approach. Focusing on timpani methods specifically, many of these books include tuning and pedaling exercises …

The Historical Impact Of Philosophical Naturalism On American Aesthetic Education: Bennett Reimer’S Philosophy Of Music Education As Aesthetic Education, Jeremy Edwin Scarbrough

Electronic Theses and Dissertations

Philosophical naturalism is the view that all of reality reduces to natural explanation. The resulting so-called fact-value split biases language against universal, objective values—where empirical observation is said to determine truth, while values are reduced to private emoting or socio-cultural human construction. This research questioned the definition of aesthetic value as determined by the music education as aesthetic education (MEAE) movement in the United States, and the justification of aesthetic education as a universally applicable and comprehensive approach to a course in general music/music appreciation. As the MEAE movement seems to have been largely defined by Bennett Reimer, his philosophy …

Opera Education In The Upper Elementary Music Classroom, Carmen Louise Taylor

Electronic Theses and Dissertations

Adults are increasingly becoming uninvolved with the arts and it is therefore important to cultivate a new audience, beginning with a well-rounded musical education for elementary-age children. Opera can easily be implemented as a part of a well-rounded musical education and can be taught in conjunction with multiple subjects. Anecdotal evidence suggests that children are exposed to negative stereotypes about opera without receiving proper education on the subject and are thus more likely to not be interested in opera as they grow older. A short survey was sent to fourth and fifth grade music teachers around the state of Mississippi …

An Historical Study Of The Contributions Of Jane Frazee To Music Education In The United States, Erica Kupinski

Electronic Theses and Dissertations

Abstract: this study documents Jane Frazee's career as a teacher, an administrator, and an author. The aim is to survey her contributions to music education and Orff Schulwerk in the United States from 1960 to 2015. The methodology includes email correspondences with Frazee, as well as interviews and email correspondences with her former students and colleagues. Relevant books, journal articles, master's theses, and dissertations were also reviewed. Jane Frazee is an American Orff teacher, author, and a pioneer member and past-president of the American Orff Schulwerk Association (AOSA). She has taught music to both children and adults using the Orff …

Teachers’ Observations Of 2-Year-Old Children’S Musical Vocalizations Elicited By Purposeful Silence Techniques, Kathryn Ward Reardon

Theses and Dissertations

With the intent of improving early childhood music development understanding, the purpose of this research was to examine young children’s music vocalizations. The guiding research question was: When a music teacher implemented purposeful silences while performing a song and a rhythm chant, what techniques encouraged vocalizations made by 2-year-old children as observed by music teachers and classroom teachers? I implemented a qualitative design utilizing participant observation techniques to investigate the research purpose and question of this study. Four teachers served as a panel of experts to provide observational data. I video recorded myself teaching music activities from Music Play (Valerio, …

Makerspace: The Future Of Music, Anthony L. Paganelli

Faculty/Staff Personal Papers

Presentation regarding the use of Makerspace in creating and sharing music.

Students’ Attitudes Towards Individual Musical Instrument Courses In Music Education Graduate Programs In Turkey, Gülten Cüceoğlu Önder

Australian Journal of Teacher Education

The Individual Musical Instrument course is a compulsory part of the curriculum, in the Music Education Departments of universities in Turkey. The main purpose of the course is to ensure that each student is able to play a musical instrument and, use the instrument once they become music teachers. This study aims to determine the attitudes of students enrolled in the Music Education Department towards the course within the program. Participants included 334 students studying Music Education at four different Universities in Turkey. The study adopted the “Attitudes towards Individual Musical Instrument Course Scale” (Topoğlu & Erden,2012). No statistically significant …

New Mexico Musician Vol 62 No 2 (Winter 2014)

New Mexico Musician

CONTENTS

DEPARTMENTS

President’s Report 2

Office Notes 6

From the Editor's Desk 10

Vice Presidents’ Reports

Band 13

Orchestra 16

General Music 17

Choral 20

Guitar 21

Collegiate 24

ORGANIZATIONAL MATTERS

NM Jazz Educators Article 29

Mentor Article 30

University News 31

NMMEA All-State Conductors 35

NMMEA All-State Honor Groups 40

NMMEA All-State Clinicians 49

NMMEA Music Industry Council Members 49

Advertisers 50