Music Education Commons^™

How Rhythm Affects Prosody, Mckenzie Ward

Departmental Honors & Graduate Capstone Projects

Music interventions and how they benefit reading fluency have been researched, but there is more to be done in discovering the benefits of rhythm and prosody. This quantitative research study looked at how rhythm-based interventions affect student prosody in a second-grade classroom. Data were gathered from a music experience survey, a prosody pre-assessment, and a prosody post-assessment. The music intervention in this study involved three rhythm-based interventions called “DeeDee games.” This research analyzed and compared the growth between the prosody pre-and post-assessments and the results between students with musical backgrounds and students without musical backgrounds. This study found insufficient evidence …

Candace Mcmurray Senior Jazz Voice Recital, Candace Mcmurray

Honors Theses

This senior jazz voice recital is aimed to convey the artistry that has blossomed from studying jazz music as a vocalist. The repertoire included in this recital spans music written as early as 1923 and as late as 2017 encompassing a wide variety of jazz styles to reflect all the different jazz eras as well as how other genres in those times have influenced those compositions. The recital includes ten songs with a variety of instrumentation that are aligned with the jazz idiom. Some songs include a typical jazz combo of voice, piano, guitar, bass, and drums while others also …

Use Of Rhythm Video Games As A Tool For Rhythmic Listening In Elementary School Music Students, Jennifer Webber

LSU Master's Theses

This posttest-only control group study sought to examine how rhythm video games, through the use of the rhythm game Rhythm Heaven, affect the rhythmic skills of elementary music students, in order to determine if rhythm video games are acceptable supplementary materials for aiding beginning music students in learning rhythm. Research questions were 1) Are participants who receive the rhythm game treatment able to reproduce rhythms more accurately than participants who do not do not receive the treatment? 2) Can participants who play a rhythm game more accurately imitate longer rhythms than those who do not play a rhythm game? 3) …

A Performance Practice Guide For :Only.Just.Almost.Never For Solo Vibraphone By Jay Alan Yim, Dustin Ray Haigler

LSU Doctoral Dissertations

Abstract

Currently, there exists little scholarship on Dr. Jay Alan Yim’s percussion music, and none exists for :only.just.almost.never for solo vibraphone. Establishing a performance practice guide will allow future percussionists a glimpse into the compositional process of Yim and allow them to expand their repertoire to include this challenging music. The purpose of this project is to create a comprehensive performance practice guide for :only.just.almost.never for solo vibraphone by Jay Alan Yim.

Resources Required

This project relies mainly on the score of :only.just.almost.never for solo vibraphone. I have also conducted multiple interviews with Yim regarding his compositional process, sketches, and …

Teachers' And Students' Perceptions Of Goal Orientation Theory In Secondary Instrumental Music Classrooms: A Case Study, Carlye Mcgregor

LSU Master's Theses

Goal orientation theory (Ames, 1992; Blumenfeld, 1992) is a cognitive theory that identifies how goals affect motivation in students. The benefits of mastery goal orientation — aspects of instruction which support the connection between effort and achievement — on student motivation and participation have been well-documented. Researchers (Ames & Archer, 1988; Patrick, et al., 2001) found students can pick up on goal cues and identify traits of each theory apparent in their classroom. Teachers communicate their values through goal structures, and student motivation can be improved by consistent goal structures, or negatively affected by misaligned goal structures (Ames & Archer, …

A Synthesis Of Contemporary Music Composition Pedagogy Practices For The Undergraduate And Graduate Level Sequences, And An Exploration Of Time, Sound, And Space: An Aleatoric Event Score In Collaboration With The Lsu Museum Of Art, Jeremi Wayne Edwards

LSU Doctoral Dissertations

This dissertation consists of two parts. The first part consists of a synthesis of contemporary music composition pedagogy practices for the undergraduate and graduate level sequences. A conversation of the study of music composition pedagogy is used to investigate current pedagogical practices in music composition and present those findings as a resource guide for new and future teachers. The second part presents an Exploration of Time, Sound, and Space, an Aleatoric Event Score Collaboration with the LSU Museum of Art. This event score is a product of the development of this dissertation commenced with a straightforward question; can we experience/consume …

A Course To Prepare Undergraduate Music Education Students For Teaching Autism Spectrum Disorder, Amanda Lynn Whitmer

Masters Theses

In the field of music education, Autism Spectrum Disorder has become an area of importance requiring more thought and intentionality from teachers than normal lesson planning expectations. Because music educator programs only offer courses that cover the whole spectrum of special needs and do not focus on autism specifically, music educators are finding themselves unprepared to create music lessons that can accommodate learners with such a unique spectrum of learning abilities. Many college curriculums offer special needs courses that focus on all aspects of special education that can be found in music education but very rarely for autism as a …

Music Is The Intervention: The Intersections Of Music As A Therapeutic Activity In At-Risk Youth, Gladys H. Gonzalez Landaverde

Senior Honors Theses

Across the United States, public schools face many discrepancies in the quality and caliber of education that a student can expect to receive. While schools try to address the vast needs of students, many children and adolescents are unfortunately faced with choosing between prioritizing their education and the circumstances faced outside of the school day. The discrepancies in schooling range from the quality in the commonly accepted core curriculum like English and mathematics to the opportunities offered outside of traditional academia like music. Unfortunately, at-risk students are unlikely to have access to music education in the same ease as their …

Embodied Cognition In The Music Theory And Aural Skills Classrooms, Leslie Thompson

Electronic Theses and Dissertations

Applying concepts of embodied cognition positively impacts pedagogy in the theory and aural skills classrooms. This thesis defines a holistic view of the student and identifies how classroom instruction from that perspective can benefit student learning as well as overall well-being. The opening chapters provide a brief scientific background and connect concepts of embodied cognition with specific music theory and aural skills examples from an interview. A select survey of the music theory pedagogy literature also illustrates principles of embodied cognition. Based on this background, the final chapter presents new sample lesson plans and discusses how to adapt to student …

Social Music Interactions And Vocal Music Improvisations In A Serve And Return Music Community, Kathleen Kaye Arrasmith

Theses and Dissertations

In this study, I examined how kindergarten students and a music teacher engaged in social music interactions and displayed music characteristics during harmonic improvisation activities. The purpose of this study was (a) to describe social music interactions between kindergarten students and a music teacher and (b) to categorize and to describe kindergarten students’ and a music teacher’s vocal music improvisations during harmonic improvisation activities. The guiding research questions were (a) RQ1: How did kindergarten students and a music teacher engage in social music interactions during harmonic improvisation activities?, (b) RQ2a: What music characteristics did kindergarten students and a music teacher …

Examining Sixth-Grade Students’ Music Agency Through Rhythm Composition, Robert Zagaroli Spearman

Theses and Dissertations

Music agency refers to ones ability to have control over their musical actions and musical ideas. With the intent of examining music agency, the purpose of this action research study was to observe and investigate my sixth-grade students’ rhythm composition processes. The guiding research questions, regarding their music composition processes, were: (a) What did students think about making choices, and (b) How do students describe making choices?

I utilized purposive sampling that comprised the 2021-2022 St. Peter’s Catholic Elementary School sixth-grade students. I led my students through music composition activities in the role of their teacher during nine 45-minute classes. …

Concept Album, Apryl Berney

Assignment Prompts

Context: I designed several assignments to accompany the March 1st symposium “Listen Differently: Black Feminism, Music, and Popular Culture.” My first assignment is a Concept Album – it allows students to be creative yet also analyze and interpret the musical catalogs and existing work of women of color in popular music. My hope with this assignment is that by studying the music of women of color, students will better understand Dr. Tricia Rose’s analysis in her book Hip Hop Wars: What We Talk About When We Talk About Hip Hop.

Inclusion Initiative Composition, Thomas Langan

Assignment Prompts

You will compose a short piece that is inspired by your vision of a more inclusive and just future, or illuminates a path that will lead there. This will be a multi-track, multi-instrument composition using MIDI, synthesis, audio, and sampling using the DAW of your choosing. The composition must use processing and effects and be mixed for balance, stereo spread, and depth. Projects must include source material, original synth patches, sampler instruments, and originally recorded audio tracks.

Anys D’Aprenentatge: Solfeig, Teoria, Harmonia I Contrapunt (¿I Si Tot Hagués Estat Un Malson Racista?), Antoni Pizà

Publications and Research

Quan en els anys setanta jo començava a aprendre música, se solia donar molta importància al solfeig. Era un sistema antinatural i possiblement antipedagògic perquè la lectura cantada de notes solia precedir l’experiència de la música. És a dir, en certa manera és com si els infants abans de parlar, aprenguessin a llegir.

Senior Recital, Saxophone, Owen Kilpatrick

Honors Theses

Postcards is a senior recital celebrating saxophone repertoire from diverse composer nationalities, including composers of Czech, French, Japanese, and German background. While this program only begins to scratch the surface of both composer and stylistic diversity present throughout the saxophone repertoire, it represents some of the most significant influences on the music available to saxophonists. Bookending the recital program are two French contest pieces, Brilliance by Ida Gotkovsky and Lamento et Rondo by Pierre Sancan. The morceaux de concours, or competition pieces, written for the Paris Conservatory are an important tradition because of the history of saxophone pedagogy in Paris. …

Strength And Vulnerability In Maurice Ravel’S Sonata For Violin And Cello And Osvaldo Golijov’S Mariel For Cello And Marimba: An Analysis Through Performance And Composition, Andrea Casarrubios

Dissertations, Theses, and Capstone Projects

In order to “stimulate more ambitious performances,” as David Lewin writes in his Studies in Music with Text, this dissertation is meant to provide new perspectives into two preexisting works, Maurice Ravel’s Sonate pour Violon et Violoncelle, and Osvaldo Golijov’s Mariel for cello and marimba, through the active making of two original compositions written for similar instrumentations, La Libertad se levantó llorando for violin and cello, and Speechless for cello and percussion. Taking Lewin’s proposition into consideration, I share performance insights and discuss how the creation of these new compositions have influenced my interpretations of the two respective …

Music Pedagogy In Venezuela’S Plains: Making Space In Alma Llanera, Elaine Sandoval

Dissertations, Theses, and Capstone Projects

This dissertation argues that the process of institutionalizing traditional música llanera (plains region music) education in Venezuela is informed by a hierarchical spatialization of the capital, Caracas, and the historically agricultural- and livestock-producing region known as the llanos, or the plains. Drawing on Lefebvre’s The Production of Space (1991), I argue that the representations of space that have defined the llanos region and música llanera often obscure the lived space of music-making and dwelling in the llanos. This dissertation is based on fieldwork in Guárico state between 2016-2018, where I observed the state-funded Alma Llanera program, which had been …

A Mentoring Network For Novice And Experienced Music Teachers: Concept, Design, Outcomes, And Recommendations, Kristina R. Weimer, Daniel J. Albert

School of Music Faculty Publications

Two university music education faculty aimed to expand mentoring beyond a one-to-one relationship to a more collaborative approach by creating a year-long online mentoring network of experienced and novice music educators. The purpose of this article is to describe the network’s structure and content, and discuss outcomes and recommendations based on participating teachers’ perspectives and experiences. Network materials promoted discussion and reflection on various music teaching and learning topics; the sharing of strategies, ideas, and resources; and mutual support and encouragement. Participants discussed topics with direct application for their classes and shared rewarding teaching moments, student successes, positive assessment outcomes, …

An Exploration Of How School Leaders Make Decisions About Music Programs In Suburban Schools, Xavier Rodriguez

Theses and Dissertations

This study was designed to investigate the decision-making processes involved with deciding the funding and framing of music programs in three suburban school districts in the New York metropolitan area. School leaders were interviewed to understand the factors associated with the decision-making process. The findings helped to understand educational leaders’ perceptions, how programs changed over time, and the different actions that were taken. Key educators and school leaders from three school districts in the suburban New York Metropolitan area were interviewed. The participants from each school district included a district school leader, a building school leader, a school finance leader, …

First-Time Attendee: How To Get The Most Out Of Being A Student At A Music Library Association Meeting, Taylor Greene, Zoua Sylvia Yang

Library Books and Book Chapters

"When you are a student in library school, the thought of attending a Music Library Association Annual Meeting can seem both daunting and logistically challenging. You might feel unsure about how to socialize with professionals, or worry that your presence will be unwelcome. You may be concerned about negotiating the time off from classes and your library job(s) and wonder if you should just avoid that hurdle altogether. On top of that, the cost of lodging and travel could be a serious strain on the student budget. While all these concerns are perfectly valid, you may find that the benefits …