Music Education Commons^™

Mentorship In Music Education: Youth Chorale As An Incubator For Young Conductors, Ming Luke

Visions of Research in Music Education

Straddling the role of conductor-teacher can be a daunting task for young artists. Providing space to hone both musical and pedagogical skills can lead to transformative moments for young conductor- teachers. As someone who experienced this complementary space first-hand, I can attest to the sustainable effects on one’s teaching and artistry. Moreover, coupled with the potential for merging the development of musical and pedagogical skills is the need for mentorship and modeling. In this article, I outline the ways in which a community youth chorale, the Westminster Conservatory Chorale, served as an incubator for young artists to practice balancing conducting …

Learning To Drive, Daniel Abrahams

Visions of Research in Music Education

Parents serve in many roles, one of which is a mentor. At an early age, I accompanied my father to school and helped sort paperwork, observed choir rehearsals, attended concerts, and watched him mentor undergraduate and graduate students. Unbeknownst to me, I entered into an apprenticeship in the music education community. The present text reflects on how Frank Abrahams transformed my identity as a music educator through mentorship and our collaborative nature outside our father-son relationship. His actions personify not only those of a dad but those of a critical pedagogue. Furthermore, his actions created transformative spaces for me to …

Honor Their World: Advocacy In The Work Of Frank Abrahams, Ryan John

Visions of Research in Music Education

Frank Abrahams’s career in music education has been marked by a theme of advocacy for others. This article examines three areas of advocacy apparent in his work and publications: advocacy for students, advocacy for teachers, and advocacy for people historically marginalized in American society. Through books, articles, research, book chapters, music series, and his actions, Frank Abrahams has advocated for stakeholders in education and in society through music education for decades in his roles as a teacher, administrator, and author.

Quite Frankly: Learning From The Pedagogical Art Of Joyful Disgruntlement, Gareth Dylan Smith

Visions of Research in Music Education

In this article, I describe professional encounters with Frank Abrahams, personally and through Abrahams’ writing. The paper includes reflection on Abrahams’ tireless work in testing and pressing the boundaries of normative, small-c conservative music teaching and learning traditions, in Abrahams’ beloved Westminster Choir College and beyond. I recall watching Abrahams teach, both in formal classroom contexts and in other areas of working with students and peers, such as co-authored publications and conference presentations. I recount my role as an unwitting mentee in Abrahams’ careful modeling of critical pedagogical approaches within and without the classroom. Drawing on personal anecdotes and several …

Editorial Volume 40: Frankly Speaking, Cara Faith Bernard

Visions of Research in Music Education

No abstract provided.

On Becoming Pedagogical: Encounters, Challenges And Freirean Criticalities In The Key Of F, Patrick Schmidt

Visions of Research in Music Education

What does it mean to be a pedagogue? To become part and contributor to pedagogical processes? In this article I look back at the work Frank Abrahams developed around the legacy of Brazilian educator Paulo Freire and its efforts fomenting conditions for critical pedagogies to flourish. Following Freire’s interest in connecting reality and theory, I construct a narrative from the word (Freire’s, Abrahams’ and mine) onto the world, highlighting in particular, the impact conceptual framing can have on programmatic development. As I see it, and experienced first-hand, the focus and nature of Abrahams’ work has always been pedagogical, highly conscious …

Hybrid Teaching For Music Information Literacy, Taylor Greene

Library Presentations, Posters, and Audiovisual Materials

The Music Information Literacy course taught by the Performing Arts Librarian at Chapman University’s Hall-Musco Conservatory of Music has evolved in its format and pedagogical approach over the period of 8 years. In this talk, I discuss this evolution from its inception into its present version; a hybrid of online asynchronous learning modules and in-person instruction and activities. This presentation is an update to a previous talk (2016) and poster (2018) at Music Library Association Annual Meetings, both of which focused on specific aspects of the Music Information Literacy course. I discuss the benefits that became evident during the online …

Instrumental Music Education In Rural North Carolina: A Descriptive Study, Melody Causby, Catheryn Shaw Foster

Faculty Publications

The purpose of this study was to investigate secondary instrumental music education in rural North Carolina. This descriptive study investigated the experiences, attitudes, beliefs, and perceptions that rural instrumental music educators (n = 55) held about their schools, students, and communities. Furthermore, the researchers examined how participants defined success for their programs, what challenges and rewards they experienced in their positions, and what skills they considered most important for themselves as teachers.

Results indicate that although rural music educators find the musical aspects of their positions rewarding, they believe that their nonmusical skills related to teaching, such as developing …

Qui Té Por Dels ‘Rosalía Studies’? Guia De Perplexos, Antoni Pizà

Publications and Research

Molt a principis dels anys noranta del segle XX, quan jo començava a veure la possibilitat de doctorar-me, la musicologia era, si se’m permet una caricatura, una disciplina de capellans i arxivers. A l’Estat Espanyol, per exemple, la carrera oficial encara no existia, si bé hi havia estudis i tesis a algunes escoles de doctorat de filologia o història de l’art. El mot «musicologia», de fet, ni tan sols era acceptat o pràcticament acabava d’entrar en alguns diccionaris prescriptius. Sense estudis reglats, els aspirants a musicòlegs emulaven la feina, la metodologia i les temàtiques dels seus mestres.

A Geographical Analysis Of Canadian Students Taking Independent Music Lessons: The Rural Experience, Ross M. Purves, Rena Upitis

The Rural Educator

The engagement of students taking private music lessons is affected by a range of factors, one of which is the geographic location of the student’s family. This is a geographical analysis of 6,500 questionnaire responses completed by Canadian music teachers, students, and parents, including 819 responses (12.6%) from participants living in ‘rural’ areas, as defined by Statistics Canada. Participants’ home locations were categorized on a five-point ordinal scale from ‘rural’ to ‘very large urban population center’, data-matched with further geospatial data relating to deprivation and road distances, and assessed for strength and direction of association with questionnaire items. Results revealed …

Principal Decision-Making And Perception Of Fine Arts Programing In Curricular Design, Osvaldo Altamirano

Electronic Theses and Dissertations

This qualitative study included an exploration of the concept of perception affecting decision- making in curriculum design and the support of school administrators toward fine art programs in West Texas School Regions 18 and 19. Research shows that the fine arts provide students the social and creative skills to become productive citizens. However, research shows that in the current realm of urban and rural public school curricula, the fine arts exist at either a limited capacity or are nonexistent. This dissertation included an attempt to answer how a school leader's fine arts perception affects a principal's ability to support, build, …

Making Music Theory Fun, Jordan E. Montana Richards

Masters Theses

This curriculum project will attempt to demonstrate how having fun can facilitate learning music theory. Furthermore, in this project, I also propose that using games, songs, mnemonic devices, and other types of wordplay and edutainment (the marriage of education and entertainment) can combat summer learning loss and other learning gaps or school breaks, in addition to inspiring the motivation, interest, and desire within students to learn. My curriculum project will also claim that by having fun and enjoying their learning, students will be more likely to improve and develop their musicianship skills. Within this curriculum project, I will attempt to …

Haydn’S Schemata And Hexachords: Two Analytical Case Studies, Gilad Rabinovitch

HAYDN: Online Journal of the Haydn Society of North America

Two analytical case studies, from Haydn’s minuet al roverso (from the Symphony Hob. I: 47) and the opening movement of the String Quartet Op. 50, no. 6, show the interaction of galant schemata (Gjerdingen 2007) and the hexachordal solmization of the solfeggio tradition (Baragwanath 2020). Haydn plays upon conventional galant schemata—presumably elements of style shared by listeners who are closely familiar with the idiom (even if they do not have explicit schema labels); he also plays upon a more esoteric element of his own training and that of many other musicians in the period: hexachordal solmization. By considering both schemata …

Songs Of Travel: An Analytical Study Of Ralph Williams’ Compositional Styles, Jonathan Jacobs Lawton

Masters Theses

Ralph Vaughan Williams is perhaps one of the most prolific and diverse composers from the British Isles to grace the world with his compositions. He was born in the middle of the English Musical Renaissance, a time of musical rejuvenation of the British Art Song that embraced the principles of the Romantic period and placed significance on the importance of national identity. Ralph Vaughan Williams was the embodiment of musical citizenship – a musical philosophy that leans heavily on national identity for inspiration of word and song. In 1901, a young Ralph Vaughan Williams began writing music for Songs of …

The Importance Of Regional Music To Music Education: The 1927 Bristol Sessions, Valerie E. Pickard

Masters Theses

It is widely accepted that the culture in which one lives is important to his/her understanding of self. Likewise, it has been shown that a working knowledge of cultural music aids in developing one’s musical identity. Although research indicates that there appears to be a gap in cultural music education, there has been little written as to how that gap can be filled, especially with respect to Appalachian cultural music. The Southern Appalachian Mountains are rich in musical diversity. In addition to the already present Native Americans, settlers came from Ireland, Germany, Africa, and other European countries and brought with …

Curriculum Development For Beginning Band: Recruitment And Retention Of Minority Students Living In Poverty, Thomas Andrew Langford

Masters Theses

Despite efforts in many schools to offer quality music education to all students, issues still prevent many minority students from participating in band programs. There are important and unique implications for minority students and students who live in poverty and their ability or desire to participate in a band program. Developing curriculum and teaching strategies to reach minority students and students living in poverty is one way to bridge the educational gap and provide an avenue for students to make a better way for themselves. The study examined existing literature to determine factors attracting or retracting this student population from …

Biblical Principles To Prevent Burn-Out For The Music Educator Based On Paul Tripp's Book, "Lead", Shannon Leigh Forester

Masters Theses

The Christian music educator and worship leader have common leadership roles where music and faith collide. Research and studies have been produced regarding the application of biblical principles to the role of the worship leader and other church leadership positions, but there is little information on how they apply to the role of the Christian music educator. This curriculum project was created to provide Christian music educators with a strong foundation for growing and maintaining spiritual wellness as they enter the field of music education and assist them in developing a plan for integrating these concepts into their everyday teaching …

Development And Pedagogy Of Vocal Jazz Ensembles According To Illinois High School Choral Directors: Perspectives, Andrew Baguisa Evangelista

Doctoral Dissertations and Projects

The purpose of this study is to explore instructional strategies and participation concerns regarding vocal jazz ensembles according to high school choral directors in Illinois who lead their schools’ vocal jazz programs. High school choir directors without jazz experience often recognize the need to expand their performance and pedagogical abilities in jazz and access to vocal jazz repertory; however, professional development opportunities in Illinois’ music education organization have yet to offer guidance. This leaves choral directors without jazz experience little insight on how to familiarize themselves with jazz styles, pertinent pedagogical ideas, and how to apply available resources towards the …

Social Emotional Learning In The Choral Classroom, Courtney A. Hulsey

Doctoral Dissertations and Projects

Middle school is a pivotal time for many students as they navigate through mental, emotional, and hormonal changes which affect various aspects of their personal and educational well-being. A teacher’s care balancing social and emotional aspects of learning can be catalyst that makes a profound difference for students. Social-emotional learning (SEL) under this title is still in its infancy as a tool for classroom engagement and management. Additionally, there is very little research in the way of SEL specific to the middle school choral classroom. The hope is that in a content analysis of the benefits of SEL through the …

Do The National Core Arts Standards (Ncas) Make A Difference In Music Education?, Jordan Mikaela Dues

Masters Theses

Fine arts advocates have pushed for arts to remain a foundation of education for decades Arguments have been made and published that participating in music courses increased scores in other subjects. A change occurred in the realm of music education when assessment-based learning and standardized curricula were introduced. The National Coalition for Core Arts Standards (NCCAS) was assembled to revise standards for the arts and create a way to assess them. The NCCAS presented the National Core Arts Standards (NCAS) in 2014 which led to its adoption in most states. There are many schools, however, that do not adhere to …