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Finding Music In Chaos: Designing And Composing With Virtual Instruments Inspired By Chaotic Equations, Landon P. Viator 2020 Louisiana State University

Finding Music In Chaos: Designing And Composing With Virtual Instruments Inspired By Chaotic Equations, Landon P. Viator

LSU Doctoral Dissertations

Using chaos theory to design novel audio synthesis engines has been explored little in computer music. This could be because of the difficulty of obtaining harmonic tones or the likelihood of chaos-based synthesis engines to explode, which then requires re-instantiating of the engine to proceed with sound production. This process is not desirable when composing because of the time wasted fixing the synthesis engine instead of the composer being able to focus completely on the creative aspects of composition. One way to remedy these issues is to connect chaotic equations to individual parts of the synthesis engine instead of relying …


Orpheus In Cyberspace: Sonata For Solo Viola, Anthony Elia 2020 Southern Methodist University

Orpheus In Cyberspace: Sonata For Solo Viola, Anthony Elia

Bridwell Library Research

Orpheus in Cyberspace is a seven movement sonata for solo viola based on the Orpheus myth, but with a twist toward the modern, technological, and cyber-frenetic world in which we live.


Dynamic Procedural Music Generation From Npc Attributes, Megan E. Washburn 2020 California Polytechnic State University, San Luis Obispo

Dynamic Procedural Music Generation From Npc Attributes, Megan E. Washburn

Master's Theses

Procedural content generation for video games (PCGG) has seen a steep increase in the past decade, aiming to foster emergent gameplay as well as to address the challenge of producing large amounts of engaging content quickly. Most work in PCGG has been focused on generating art and assets such as levels, textures, and models, or on narrative design to generate storylines and progression paths. Given the difficulty of generating harmonically pleasing and interesting music, procedural music generation for games (PMGG) has not seen as much attention during this time.

Music in video games is essential for establishing developers' intended mood …


Zhao Xiaosheng And His Original Piano Solo Works, Ke Xue 2020 Universiti Malaya

Zhao Xiaosheng And His Original Piano Solo Works, Ke Xue

Student Works (2020-2029)

As an influential composer in contemporary Chinese piano development, Zhao Xiaosheng has made outstanding contributions through his piano compositions, including original piano solos, transcriptions, etudes, concertos, and impromptus. His six original piano solos illustrate the development of his compositional career, which coincided with the development of Chinese new music from the period of the Cultural Revolution to the Reform and Opening-up. Therefore, in the context of Chinese new music, this research attempts to study Zhao Xiaosheng’s contributions by looking into his six original piano solo works, namely Textile Worker (纺织工人) (1974), Fisherman’s Song (渔歌) (1975), Ballade in D♭ Major (D♭大调叙事曲) …


Concerto For Violin And Orchestra And "Nevertheless, She Composed: A Contemporary Survey Of Women Composers Of The Twenty-First Century", Elizabeth Anne Knox 2020 Louisiana State University

Concerto For Violin And Orchestra And "Nevertheless, She Composed: A Contemporary Survey Of Women Composers Of The Twenty-First Century", Elizabeth Anne Knox

LSU Doctoral Dissertations

This dissertation consists of two parts: the first part includes an original composition titled, “Concerto for Violin and Orchestra.” This twenty-minute work is composed for traditional orchestral instrumentation and solo violin. Motivic variation is the primary focus of this piece with a goal to show evidence of a thorough understanding and use of this technique. In music composition, variation is a technique achieved by restating musical material in an altered form. Schoenberg describes a motive as, “a unit which contains one or more features of interval and rhythm [whose] presence is maintained in constant use throughout a piece.” Therefore, motivic …


Kazan Suite: For Solo 'Cello, Anthony Elia 2020 Southern Methodist University

Kazan Suite: For Solo 'Cello, Anthony Elia

Bridwell Library Research

The Kazan Suite is a ten-movement suite for solo 'cello written by the composer in honor of his hosts during a planned trip to Kazan, Tatarstan, Russian Federation. The trip had been planned for March 2020, but was interrupted due to the global pandemic. Yet, the work was completed ahead of the visit. The work reflects natural and humanistic ideals (Ancestors, Rivers, History, Meditations, the City, Folklore, the Imagination, Community, Mysticism, Nature).


Tillit Sydney Teddlie Papers, 1885-1987, Tillit Sydney Teddlie 2020 Abilene Christian University

Tillit Sydney Teddlie Papers, 1885-1987, Tillit Sydney Teddlie

Center for Restoration Studies Archives, Manuscripts and Personal Papers Finding Aids

Finding aid for the Tillit Sidney Teddlie Papers, 1885-1987.


Buckberry, Ray B., Jr., B. 1934 - Collector (Mss 685), Manuscripts & Folklife Archives 2020 Western Kentucky University

Buckberry, Ray B., Jr., B. 1934 - Collector (Mss 685), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 685. Research material collected by Ray B. Buckberry, Jr. related to Ernest Hogan, an African American musician from Bowling Green, Kentucky, who is sometimes credited as one of the pioneers of ragtime music. He composed and wrote lyrics for numerous musical pieces for minstrel shows and published sheet music.


Two Cello Works Of Pēteris Vasks: Structure, Symbolism, And Identity, Caroline Bean Stute 2020 CUNY Graduate Center

Two Cello Works Of Pēteris Vasks: Structure, Symbolism, And Identity, Caroline Bean Stute

Dissertations, Theses, and Capstone Projects

This dissertation presents analyses of two compositions for cello by Latvian composer Pēteris Vasks: Grāmata Čellam (1978), for solo cello, and Concerto No. 2, “Klātbūtne” (“Presence,” 2011–2012), for cello and string orchestra. It acquaints readers with defining elements of Vasks’s musical language and relates his music to the concurrent stylistic classifications of Baltic Minimalism and Neoromanticism. The paper also discusses the significance of Vasks’s national identity in his creative process and provides historical context on Latvia.


2019-2020 New Music Festival, Christopher Theofanids, Lisa Leonard 2020 Lynn University

2019-2020 New Music Festival, Christopher Theofanids, Lisa Leonard

New Music Festival

Fourteenth Annual New Music Festival

  • Christopher Theofanidis, Composer-in-Residence
  • Lisa Leonard, Director

Sunday, January 12, 2020 at 4:00 PM

  • Faculty Favorites

Monday, January 13, 2020 at 7:30 PM

  • Spotlight I: Young Composers

Tuesday, January 14, 2020 at 7:30 PM

  • Spotlight II: Bassoon Chamber Music Composition Competition

Wednesday, January 15, 2020 at 7:30 PM

  • Spotlight III: The Art of Theofanidis


Grayscale Portfolio, Brandon D. Chambers 2020 Eastern Washington University

Grayscale Portfolio, Brandon D. Chambers

2020 Symposium Creative Works

This collection is intended to evoke the sensory details that are intensified by grayscale photography. Although photography is a visual arts medium, it possesses the potential to engage the viewers’ auditory, tactical, and olfactory senses. The color symbolism theory argues that through natural association and psychological symbolism, colors have specific connotations and therefore, elicit certain emotions. If this is, in fact, the case, what then can be gained from an image that is void of color? I feel that color often distracts the viewer from the intimate details of the images and prevents them from fully immersing themselves in the …


Cf Album, Transcriptions, And Analyses, Collin Felter 2020 Belmont University

Cf Album, Transcriptions, And Analyses, Collin Felter

Honors Scholars Collaborative Projects

CF is an album of Collin Felter original compositions with a focus on creating a more approachable form of jazz harmony. To further the accessibility of the music, Felter has transcribed and analyzed his compositions for the listeners to theoretically understand what they are aurally experiencing. Included is the transcriptions/analysis document along with a link to the recordings of the album (can be found on all music streaming platforms).


Out Of The Froth Of The Sea, Rebekah Henry 2020 West Chester University

Out Of The Froth Of The Sea, Rebekah Henry

West Chester University Master’s Theses

From our earliest stories and songs, we have acknowledged water as the nourishment of life. It surrounds us in our oceans and atmosphere, and carries us to new adventures. This piece bookends physical descriptions of water and how we use it in our daily lives with the spiritual: water’s role in our myths and religions as a reflection of our humanity, our relationship to the divine, and our salvation. The libretto draws on a wide variety of sources, ranging from the ancient to the modern and crossing boundaries of religion and culture. Similarly, the music is inspired by a diverse …


Bonny And Read: A Musical Of Love And Pirates, Jared Scheetz 2020 West Chester University

Bonny And Read: A Musical Of Love And Pirates, Jared Scheetz

West Chester University Master’s Theses

A musical based on the lives of Anne Bonny and Mary Read, two women that grew up in the early 18th century. Anne was born in Ireland to a father that dressed her as a boy in an attempt to provide her with more opportunities in life. Mary was born in England to a mother that passed her off as her dead son to receive inheritance money from her deceased husband’s mother. This musical begins when the two girls come of age and continue to use their ability to pass as men in order to better their position in the …


Sovereign, Christian Johnson 2020 West Chester University

Sovereign, Christian Johnson

West Chester University Master’s Theses

Sovereign is a musical retelling of the Revelation of Jesus Christ, the last book of the Bible. This Scripture describes the end times, the temptations of Satan and his followers, the destruction of the world, the pouring out of God’s wrath on unbelievers and the presence of God’s grace within this wrath, the second coming of Jesus Christ, the battle of Armageddon, and the eternal kingdom to come. The musical work is directly inspired by the text and attempts to represent the events that are foretold.

The first movement, “Whoever Has Ears,” depicts chapters 1-4 of the book of Revelation, …


An Exploration Of Smetana’S Z Domoviny (From My Homeland), Two Pieces For Violin And Piano, Jb 1:118, Yeseul Kim 2020 University of Kentucky

An Exploration Of Smetana’S Z Domoviny (From My Homeland), Two Pieces For Violin And Piano, Jb 1:118, Yeseul Kim

Theses and Dissertations--Music

Z domoviny (From My Homeland), by Bedřich Smetana (1824-84), is among the most colorful and effective works for violin and piano of the 19th century, and yet it is not as well-known, nor as often performed, as many other works by Antonín Dvořák, Johannes Brahms, Pablo de Sarasate, Henryk Wieniawski and their contemporaries. This document will attempt to balance the work’s place in the repertoire and provide a performer’s guide. It consists of an historical background of the composition, including a biography of Smetana; a discussion of his compositional technique and style, along with an exploration of his nationalistic …


Compositional Modeling: A Classical Imitative Pedagogy For The Modern Era, Robert Harris Jeter 2020 University of Kentucky

Compositional Modeling: A Classical Imitative Pedagogy For The Modern Era, Robert Harris Jeter

Theses and Dissertations--Music

Students of composition develop two skills simultaneously: craft and creativity. Since students are more naturally inclined to focus on one of these skills over the other, finding the proper balance is an educational challenge. An effective pedagogical system for composition cultivates both of these necessary skills.

Imitation was a preferred pedagogical approach during the Classical period. In his 1848 book School of Practical Composition, Carl Czerny instructs his readers to apply the extensive rules of composition by strictly following a compositional model. Although this methodology lost favor during the nineteenth century, the imitative techniques presented by Czerny are flexible enough …


A Performer’S Guide To Norman Bolter’S Morning Walk For Trombone And Piano, Justin Croushore 2020 University of Kentucky

A Performer’S Guide To Norman Bolter’S Morning Walk For Trombone And Piano, Justin Croushore

Theses and Dissertations--Music

For the past 45 years, Norman Bolter has been one of the most prolific and important composers, performers, and educators for the trombone. Born in Minnesota in 1955, Bolter held the position of Second Trombone of the Boston Symphony Orchestra and Principal Trombone of the Boston Pops from 1975 until 2009. He has taught at leading conservatories, universities, and festivals around the world and continues to teach as trombone faculty at the New England Conservatory and the Boston Conservatory today. His compositional output is large and wide-ranged, including works for solo trombone, trombone and piano, trombone ensemble, chamber ensemble, band, …


Engaging The Eclectic Bulgarian Soul In Viola Concerto No. 1 By Marin Goleminov (1908-2000): A Faceted Analysis With New Pedagogical Studies, Lubitza Braikova 2020 University of Kentucky

Engaging The Eclectic Bulgarian Soul In Viola Concerto No. 1 By Marin Goleminov (1908-2000): A Faceted Analysis With New Pedagogical Studies, Lubitza Braikova

Theses and Dissertations--Music

The main purpose of this monograph is to provide a faceted study of Marin Goleminov’s Concerto for Viola No.1, a work of art complexly revealing its creator’s constructive study of style – including national style. It is hoped that this will, among other things, assist in deepening relevant performances and researches.

This document examines the M. Goleminov Concerto for Viola and Orchestra no.1, 1950 (Концерт за Bиола и Oркестър Hомер 1 Марин Големинов, р.1908–п.2000). It would bring essential features of it to the attention of a broader audience, perhaps beginning with inquisitive violists. If, with the necessary selectivity, …


A Combined Language: The Application Of Poly-Stylistic Techniques To Concerto Sonata For Alto Saxophone And Piano, James Calderon 2020 Eastern Illinois University

A Combined Language: The Application Of Poly-Stylistic Techniques To Concerto Sonata For Alto Saxophone And Piano, James Calderon

Masters Theses

No abstract provided.


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