The Dinner: An Opera In One Act.,
2020
University of Louisville
The Dinner: An Opera In One Act., Rachael Smith
Electronic Theses and Dissertations
After getting engaged Kate decides to invite her estranged mother over to come out as queer. As Kate attempts to appease her mother, who fervently disagrees with her lifestyle, choices, and sexuality, the dinner starts over, progressively becoming stranger until Kate must finally confront their relationship.
Master's Recital: Isaac Schwartz,
2020
University of Northern Iowa
Master's Recital: Isaac Schwartz, Isaac Schwartz
Dissertations and Theses @ UNI
The purpose of this recital is to partially fulfill the requirements for the Master of Music degree in Jazz Pedagogy, and to display musical proficiency on drum set, bass guitar, and piano. Isaac Schwartz scheduled his graduate jazz recital for April 8, 2020, at 7:30pm. Due to COVID-19 quarantine regulations, he met the alternative requirements provided by his graduate committee instead of presenting a live recital.
With seven pieces on the recital program, the recitalist will play three on drum set, and two each on piano and bass. This shows a diverse set of skills on all three instruments while …
Sacred Song Sisters: Choral And Solo Vocal Church Music By Women Composers For The Lenten Revised Common Lectionary,
2020
University of Nevada, Las Vegas
Sacred Song Sisters: Choral And Solo Vocal Church Music By Women Composers For The Lenten Revised Common Lectionary, Lisa Elliott
UNLV Theses, Dissertations, Professional Papers, and Capstones
This document explores sacred music by women composers for the Revised Common Lectionary (RCL) of the Catholic and Christian churches. The study researches exclusively choral and vocal solo music by women composers for the church season of Lent. Other primary limitations include music in English, and music from the nineteenth century to the present. The main question answered in this document is: what sacred music has been published by women composers that may be programmed in church services?
This question is answered in the included appendices. These appendices list the music by women composers appropriate for the specific RCL readings …
Concertante For Sho And Jazz Orchestra,
2020
University of Nebraska-Lincoln
Concertante For Sho And Jazz Orchestra, Susumu Watanabe
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
“Concertante for Sho and Jazz Orchestra” is a multi-movement concert piece designed to exhibit both the virtuosity of sho and its orchestral color and dynamism. There are three independent movements, each of which has multiple sections which are subdivided by the alternation of tempo, mood and musical context. The title “Concertante” simply implies a style of composition reflecting a brilliant and virtuosic display of instrumental dexterity and musicality for the solo sho part, and also the various individual instruments and instrumental sections in the 16-piece jazz orchestra.
Sho is a wind instrument which is almost exclusively used for Gagaku, Japanese …
Composition Portfolio,
2020
University of New Mexico - Main Campus
Composition Portfolio, Levi Raleigh Brown
Music ETDs
The four pieces selected for this portfolio represent a variety of interests and pursuits over two years at UNM. Together they are unified through their attention to the universality of the daily human experience, particularly as it contrasts to human desire for control through constructed means such as art, although each approaches this relationship in a distinct way. Musically, these ideas are explored with a sense of spontaneity, drawing from a variety of musical styles, and experimenting with concepts of texture and form, with special attention to elements of live performance.
Included pieces are A Moment of Some Complexity, …
Rained In: An Original Musical,
2020
Belmont University
Rained In: An Original Musical, Naomi Krizner
Honors Scholars Collaborative Projects
This musical confronts the perception of mental illness in an allegorical story that recounts an encounter between Tate, an estranged man inhabiting a cave who is taunted by two demons, and Emsley, a young girl brimming with innocence and curiosity.
Lucky Dragon No. 5 - A New Music Drama,
2020
Otterbein University
Lucky Dragon No. 5 - A New Music Drama, Spencer Stern
Undergraduate Distinction Papers
I was commissioned in the summer of 2018 by the singer and librettist Daniel Neer to collaborate on a piece entitled Lucky Dragon No. 5. It was to be roughly an hour long, and was scored for baritone voice and percussion quartet.
Red Note New Music Festival Composition Competition Announcement, 2020,
2020
Illinois State University
Red Note New Music Festival Composition Competition Announcement, 2020, School Of Music, Carl Schimmel, Roy Magnuson
Red Note New Music Festival
The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.
We Met At The Edge,
2020
University of Nebraska-Lincoln
We Met At The Edge, Eric M. Howell
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
‘We Met at the Edge’ is a collaboration between composer Eric Howell and visual artist Marcela Rodriguez based on a reimagining of the Major Arcana of the Tarot cards. Each card is presented with all new modern interpretations of the original art as well as approximately one minute of music that reflects its unique meanings. Additionally, each card is capable of being looped on itself to create the illusion of being a seamless moment in time, while simultaneously being able to elide into the next card in the sequence. ‘We Met at the Edge’ is meant to be listened to …
Working With Metal: The Stylistic Characteristics Of The Swedish Band Meshuggah And An Original Composition Inspired By Their Work,
2020
Stephen F. Austin State University
Working With Metal: The Stylistic Characteristics Of The Swedish Band Meshuggah And An Original Composition Inspired By Their Work, Adam J. Benefield
Electronic Theses and Dissertations
I have long been fascinated by music that is created through the amalgamation of more than one style of music. As a composer, this has led to me exploring paths that combine elements of contemporary, classical, jazz, world, film, and video game music. In this thesis I explore elements of progressive metal band Meshuggah. More specifically I examine their use of polymeter, polyrhythm, and other rhythmic devices used in six of their songs. I then demonstrate how I applied those same components to an original composition, Armageddon, scored for flute, Bb clarinet, C trumpet, trombone, percussion, piano, violin, viola, cello, …
Red Note New Music Festival Poster, 2020,
2020
Illinois State University
Red Note New Music Festival Poster, 2020, Carl Schimmel, Roy Magnuson
Red Note New Music Festival
The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.
Red Note New Music Festival Program, 2020,
2020
Illinois State University
Red Note New Music Festival Program, 2020, Carl Schimmel, Roy Magnuson
Red Note New Music Festival
The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.
Felice Bryant And Country Music Songwriting In The 1950s,
2020
Bridgewater State University
Felice Bryant And Country Music Songwriting In The 1950s, Paula Bishop
Bridgewater Review
No abstract provided.
String Quartet No. 1 "Lanterns",
2020
Louisiana State University and Agricultural and Mechanical College
String Quartet No. 1 "Lanterns", Austin A. Franklin
LSU Master's Theses
String Quartet No. 1 “Lanterns” was inspired by a poem written by the American poet, novelist,
and short story writer Stephen Crane entitled “Each Small Gleam was a Voice”. In my
interpretation, this poem creates a world in which sight and sound are intrinsically linked,
connected by our inability to perceive either independently from the other. Throughout the
poem, Crane continuously creates a world in which sounds are only capable of being described
through the use of color. One line in particular, “Little songs of carmine, violet, green, gold.”, is
repeated several times throughout the poem. In “Lanterns” each of …
A Conductor's Guide To Amass By Jocelyn Hagen,
2020
Louisiana State University and Agricultural and Mechanical College
A Conductor's Guide To Amass By Jocelyn Hagen, Matthew J. Myers
LSU Doctoral Dissertations
Contemporary American composer Jocelyn Hagen grew up in Valley City, North Dakota, where she found an early love for singing, playing instruments, and composing. After completing degrees at St. Olaf College and the University of Minnesota, Hagen began a career as a full-time composer. Her appointment as Composer-in-Residence for The Singers led to her first major multimovement work, amass (2011).
Though Hagen planned to write a traditional setting of the Catholic Mass, she struggled to accept the text of the “Credo” as the only path to salvation. Thus, she substituted spiritual poems from a variety of faith traditions to create …
Symphony No.2 And The Text Setting Of Henry Purcell's Dido And Aeneas,
2020
Louisiana State University and Agricultural and Mechanical College
Symphony No.2 And The Text Setting Of Henry Purcell's Dido And Aeneas, Sungho Kim
LSU Doctoral Dissertations
This work is conceived as a unit that has two parts. Part one is an original composition, Symphony No. 2. This piece is scored for symphony orchestra and it is a sequel of the composer’s master thesis, a symphonic poem titled Moonlight Sprite, which describes the various landscapes of imaginary sprites in nature. The compositional techniques include whole tone scale, octatonic scale, pentatonic scale, atonality, bitonality, polytonality, tone clusters, and minimalism. The piece’s orchestration style and techniques are mainly influenced by Stravinsky, Bartok, Schoenberg, Webern, Penderecki, Charles Ives, and Dinos Constantinides.
Part two is an analysis of the text …
Finding Music In Chaos: Designing And Composing With Virtual Instruments Inspired By Chaotic Equations,
2020
Louisiana State University
Finding Music In Chaos: Designing And Composing With Virtual Instruments Inspired By Chaotic Equations, Landon P. Viator
LSU Doctoral Dissertations
Using chaos theory to design novel audio synthesis engines has been explored little in computer music. This could be because of the difficulty of obtaining harmonic tones or the likelihood of chaos-based synthesis engines to explode, which then requires re-instantiating of the engine to proceed with sound production. This process is not desirable when composing because of the time wasted fixing the synthesis engine instead of the composer being able to focus completely on the creative aspects of composition. One way to remedy these issues is to connect chaotic equations to individual parts of the synthesis engine instead of relying …
Orpheus In Cyberspace: Sonata For Solo Viola,
2020
Southern Methodist University
Orpheus In Cyberspace: Sonata For Solo Viola, Anthony Elia
Bridwell Library Research
Orpheus in Cyberspace is a seven movement sonata for solo viola based on the Orpheus myth, but with a twist toward the modern, technological, and cyber-frenetic world in which we live.
Dynamic Procedural Music Generation From Npc Attributes,
2020
California Polytechnic State University, San Luis Obispo
Dynamic Procedural Music Generation From Npc Attributes, Megan E. Washburn
Master's Theses
Procedural content generation for video games (PCGG) has seen a steep increase in the past decade, aiming to foster emergent gameplay as well as to address the challenge of producing large amounts of engaging content quickly. Most work in PCGG has been focused on generating art and assets such as levels, textures, and models, or on narrative design to generate storylines and progression paths. Given the difficulty of generating harmonically pleasing and interesting music, procedural music generation for games (PMGG) has not seen as much attention during this time.
Music in video games is essential for establishing developers' intended mood …
Zhao Xiaosheng And His Original Piano Solo Works,
2020
Universiti Malaya
Zhao Xiaosheng And His Original Piano Solo Works, Ke Xue
Student Works (2020-2029)
As an influential composer in contemporary Chinese piano development, Zhao Xiaosheng has made outstanding contributions through his piano compositions, including original piano solos, transcriptions, etudes, concertos, and impromptus. His six original piano solos illustrate the development of his compositional career, which coincided with the development of Chinese new music from the period of the Cultural Revolution to the Reform and Opening-up. Therefore, in the context of Chinese new music, this research attempts to study Zhao Xiaosheng’s contributions by looking into his six original piano solo works, namely Textile Worker (纺织工人) (1974), Fisherman’s Song (渔歌) (1975), Ballade in D♭ Major (D♭大调叙事曲) …
