Productive Misreading In Intermedia Art: Four Approaches By A Musician,
2020
Texas A&M University
Productive Misreading In Intermedia Art: Four Approaches By A Musician, Jeff Morris, Elisabeth Blair
Electronic Literature Organization Conference 2020
This discussion examines the evolution and lessons of four artistic performance works that engage with text and imagery with the mindset of a composer, rather than as an author or visual artist. The works involve computer music, improvisation, video art, generative art techniques, and challenging aesthetics. An analytical discussion reveals that different forms and mechanisms of reading are manifest in the artworks, and reflections upon these elucidate the intermedial nature of reading and the productive, expressive potential of interfering with these processes.
Analysis Of The Preludium Of The Rosary Sonata No. 1 In D Minor For Violin And Basso Continuo The Annunciation By H. I. F. Von Biber: An Angelic Dialogue,
2020
Western University
Analysis Of The Preludium Of The Rosary Sonata No. 1 In D Minor For Violin And Basso Continuo The Annunciation By H. I. F. Von Biber: An Angelic Dialogue, Frangel Lopez Cesena
Music Research and Composition Works
When I was preparing my final undergraduate recital at the Escuela Superior de Música del Instituto Nacional de Bellas Artes in la Ciudad de México I was asked to add a baroque piece to my repertoire. My violin teacher, Maestro Cuauhtémoc Rivera Guzmán suggested that I look at the work of a unique Bohemian- Austrian composer, Biber. I started my research and found the Rosary Sonatas. They captured my attention not because of their rare tuning, beautiful copper engravings of the original, and unique copy of the manuscript, but for their representational clarity, something I noticed and experienced upon first …
Prescribed Freedom, Proscribed Freedom: Compositional And Improvisational Balances In Jazz,
2020
Western Michigan University
Prescribed Freedom, Proscribed Freedom: Compositional And Improvisational Balances In Jazz, Andrew W. Saliba
Masters Theses
Jazz is a recent and flexible art form, rooted in the twin musical strains of occidental canon and folkloric African-American music. From its genesis, jazz musicians have had the difficult task of reconciling these seemingly opposite musical parents while simultaneously building a new musical canon that respects and upholds its past, even as it celebrates new individual voices. Like any multifaceted challenge this balancing of elements has not always gone smoothly, and attempts to codify the delineation and categorization of jazz remain controversial even now. There is additional challenge in defining the nature of “free” improvised music. While free music …
Regina Caeli,
2020
Southern Methodist University
Regina Caeli, Anthony Elia
Bridwell Library Research
Regina Caeli is one choral piece of the planned 12-part "Marian Cycle" based on some twelve Latin (and other) texts about the Virgin Mary. The Stabat Mater was completed in 2013 and published at Columbia University Academic Commons. The planned works include the following, but may have others added later: 1) Stabat Mater, 2) Ave Regina Caelorum, 3) Alma Redemptoris Mater, 4) Ave Maris Stella, 5) Angelus, 6) Flos Carmeli, 7) Ave Maria, 8) Magnificat, 9) Memorare, 10) Regina Caeli/Coeli, 11) Salve Regina, 12) Sub Tuum Praesidum.
Nossa Senhora De Fátima,
2020
Southern Methodist University
Nossa Senhora De Fátima, Anthony Elia
Bridwell Library Research
Nossa Senhora de Fátima is one choral piece of the planned 12-part "Marian Cycle" based on some twelve Latin (and other) texts about the Virgin Mary. The work is written for three voices--reflecting the children who witnessed the Fatima vision in Portugal. Likewise, the language of the text is in Portuguese, rather than Latin. The planned works include the following, but may have others added later--such as the present work: 1) Stabat Mater, 2) Ave Regina Caelorum, 3) Alma Redemptoris Mater, 4) Ave Maris Stella, 5) Angelus, 6) Flos Carmeli, 7) Ave Maria, 8) Magnificat, 9) Memorare, 10) Regina Caeli/Coeli, …
Ave, Regina Caelorum,
2020
Southern Methodist University
Ave, Regina Caelorum, Anthony Elia
Bridwell Library Research
Ave, Regina Caelorum is one choral piece of the planned 12-part "Marian Cycle" based on some twelve Latin (and other) texts about the Virgin Mary. The composer began the piece "Ave, Regina Caelorum" in 2013 but only finished it in 2020. The Stabat Mater was completed in 2013 and published at Columbia University Academic Commons. The planned works include the following, but may have others added later: 1) Stabat Mater, 2) Ave Regina Caelorum, 3) Alma Redemptoris Mater, 4) Ave Maris Stella, 5) Angelus, 6) Flos Carmeli, 7) Ave Maria, 8) Magnificat, 9) Memorare, 10) Regina Caeli/Coeli, 11) Salve Regina, …
The Seven Valleys For Orchestra And A Study Of Music Composition Pedagogy,
2020
Louisiana State University and Agricultural and Mechanical College
The Seven Valleys For Orchestra And A Study Of Music Composition Pedagogy, Niloufar Iravani
LSU Doctoral Dissertations
This dissertation consists of two parts. The first part consists of an original orchestral work, The Seven Valleys, featuring seven movements, each of which presents various musical elements. The piece is a symphonic poem inspired by a chapter with the same name in the celebrated masterpiece of Persian literature, The Conference of the Birds, by the 12th-century poet Farid ud-Din Attar. The second part presents a study of music composition pedagogy, investigating past and present pedagogical practices in music composition. Chapter 3 provides a conceptual and historical examination of music composition pedagogy. Chapter 4 surveys the …
Analyzing Perceptions Of Music From A Songwriting Perspective,
2020
California Polytechnic State University, San Luis Obispo
Analyzing Perceptions Of Music From A Songwriting Perspective, Jackson Stephen Reynosa
Communication Studies
This study seeks to understand listeners’ perceptions of music from a generational and songwriting approach. A total of 123 participants aged 18 and older took part in an open-ended survey design that measured their subjective music preferences. Four different sections tested participants’ music taste, music tied to generations, an original song made by the researcher, and songwriting in a holistic sense. It was found that participants exercised individualism and authenticity in their responses throughout. By using the Uses and Gratifications Theory, it is explainable that people listened and sought out music for their own unique reasons. By applying Mood Management …
Encounters: System For Creative Improvisation,
2020
CUNY Graduate Center
Encounters: System For Creative Improvisation, Drake R. Andersen
Dissertations, Theses, and Capstone Projects
Encounters is an indeterminate musical composition or, more precisely, a flexible system for creative improvisation. Performers improvise and interact with one another through four possible games whose instructions are laid out in the performance materials. This version of Encounters includes parts for flute, clarinet in B-flat, violin, viola, cello, double bass, percussion and piano, reflecting the performing forces of the premiere. However, the instrumentation is open, and any of the parts can be adapted to other instruments contingent upon the range and transposition of the particular instrument. The duration is indeterminate.
The Scream Of Nature,
2020
CUNY Hunter College
The Scream Of Nature, Noah Wood
Theses and Dissertations
The Scream of Nature is a musical composition by American composer Noah Wood (b. August 28,1997) for Pierrot ensemble consisting of: Flute, Violin, Clarinet, Cello and Piano. The composition was written in the span of approximately 5 months with preliminary sketches beginning in December of 2019. It's final details were completed on May 6, 2020.
This composition seeks to dissolve metric hierarchy prescribed by time signatures to help the performers find an intuitive pulse within the musical content on a case-by-case basis. Free time (ad lib.) sections are implemented as well, fully up to the performers interpretation as reaction to …
A Cajun Tale,
2020
University of New Orleans
A Cajun Tale, Daniel D. Schultz
LSU New Orleans Theses and Dissertations
Not required for Music Composition
“A Lot Of Stories In My Mind”: Perspectives Of Children And Elders Living With Dementia On Intergenerational Collaboration In A Participatory Music Project,
2020
James Madison University
“A Lot Of Stories In My Mind”: Perspectives Of Children And Elders Living With Dementia On Intergenerational Collaboration In A Participatory Music Project, Cameron Dusman
Masters Theses, 2020-current
Trends of music engagement include a shift towards presentational music culture, as well as inequitable access to participatory music-making for some populations. Meanwhile, trends of societal engagement include ageism and age-segregation. Especially for people living with dementia, stigma often prevents equitable access to creative participatory arts. This convergent, mixed-methods case study design explored participation in an intergenerational, participatory creative arts project. Participants included children from an elementary school and senior adults with dementia in a memory care neighborhood. The purpose was to explore the meaning of participation and interaction in the project from participants’ perspectives. Participants collaborated in eight sessions …
Air, The Contents,
2020
CUNY Hunter College
Air, The Contents, Ian C. Mcnally
Theses and Dissertations
Air, The Contents is an encapsulation of the environments of four different places in New York State. It is written for Pierrot Ensemble with a run time of around 8 minutes.
Nausea,
2020
Southern Methodist University
Nausea, Jacob Dickerson
Music Theses and Dissertations
The popular novel Nausea, by Jean-Paul Sartre, tells the story of a fictional adventurer, Antoine Roquentin, and his struggle to understand the surrounding world. This novel illustrates the basics of Sartre’s existentialism. Sartre introduced the concept of “bad faith,” by which he meant the delusion that things in our lives must always be as they are. “Bad faith” and freedom are the core of Sartre’s message. Sartre shares the deep irony that we are “condemned to freedom” and implores us to understand responsibility in a more meaningful way. His philosophy forces us to own up to what we have …
Creativity And The Evolution Of Musical Ideas: Putting The Creative Principles Of Austin Kleon To Work,
2020
Stephen F. Austin State University
Creativity And The Evolution Of Musical Ideas: Putting The Creative Principles Of Austin Kleon To Work, Dustin Schulze
Electronic Theses and Dissertations
All composers internalize the musical ideas of other composers and infuse them into their own original work. But the fear of being labeled “derivative” causes most composers to shy away from talking about these influences openly and directly. In Austin Kleon’s book, Steal Like an Artist, he faces the issues of influence and imitation in a deliberately self-aware fashion. The principal objective of this thesis will be to internalize the musical ideas of other composers and infuse them into an original musical work of my own, entitled Kyros. By articulating the exact way in which I am using the work …
Folk Music Of Atlantis: An Exploration Of Water As A Sound Source In Music,
2020
Stephen F. Austin State University
Folk Music Of Atlantis: An Exploration Of Water As A Sound Source In Music, Lucy Jackson
Electronic Theses and Dissertations
Folk Music of Atlantis is a programmatic composition for water instruments and orchestra depicting the mythical city of Atlantis. I have researched water’s musical properties: its pitch bending, its ability to create sound through motion, and its percussive effects on various materials. Drawing upon my research, I have invented a collection of water-based instruments that take advantage of these properties. Folk Music of Atlantis demonstrates their potential, combining them with both the traditional orchestra and the innovations in water music of past composers.
The written portion of the thesis includes a historical overview of water as a musical sound source, …
The Making Of When We Say Goodnight,
2020
University of Mississippi
The Making Of When We Say Goodnight, Andrew Newman
Honors Theses
The following thesis documents the writing and recording of When We Say Goodnight, an album by Lo Noom. The author discusses the various influences that led to the development of the album’s concept. The album is meant to explore the feelings the author associates with summer nights in Mississippi. He attempts to create a world in which the songs and feelings live. He discusses the album’s song development and various recording processes. As he brings the album to completion, a struggle emerges between the author’s desire to please his audience and his desire to create for his own personal enjoyment. …
A Survey Of Modern Companion Pieces Outlining Specific Compositional Similarities Between Ralph Vaughan Williams' Dona Nobis Pacem And Mack Wilberg's Requiem Aeternam And Let Peace Then Still The Strife,
2020
The University of Southern Mississippi
A Survey Of Modern Companion Pieces Outlining Specific Compositional Similarities Between Ralph Vaughan Williams' Dona Nobis Pacem And Mack Wilberg's Requiem Aeternam And Let Peace Then Still The Strife, Joel Dunlap
Dissertations
Companion compositions can best be described as musical works composed to specifically coordinate in conjunction with a preexisting musical work. For the sole purpose and intention of complementing or coalescing with another work, the two companion compositions could share similar subject matter, choral/vocal or orchestral themes, and motifs, length, text treatment, context. Evidence in this survey will expound upon various examples of companion compositions from prominent modern-day composers.
The primary objective of this research is to study specific compositional characteristics, correlations, and relationships between Mack Wilberg’s two original compositions – Requiem aeternam and Let peace then still the strife with …
Negative Harmony: The Shadow Of Harmonic Polarity On Contemporary Composition Techniques,
2020
Belmont University
Negative Harmony: The Shadow Of Harmonic Polarity On Contemporary Composition Techniques, Debora Haller
Composition/Recording Projects
If we are to blame any composer for the puzzling question ‘What is Negative Harmony?’ that caused a worldwide itch on the creative minds of many young composers in this century, it would be Jacob Collier, who introduced the world with prodigious, colorful harmonies upon releasing his first album “In My Room” in 2016. Provided with brief answers during interviews with June Lee that explained the concept of tones and chords being mirrored on an axis center in the opposite direction, the surface of Negative Harmony was exposed but led to even more confusion. Prompted by even more questions, the …
A Violist In Nashville: The Viola’S Role In The Nashville Recording Industry,
2020
Belmont University
A Violist In Nashville: The Viola’S Role In The Nashville Recording Industry, Patrick Monnius
Composition/Recording Projects
The viola, the violins larger and often overlooked sibling, is not the instrument people would typically think of when they think of Nashville. That honor would most likely go to either the fiddle or acoustic guitar. But present day Nashville is home to much more than the Country music that originally gave the city its' famous moniker Music City. The recording scene now encompasses almost every genre of popular music imaginable as well as a large amount of video game, television, and movie recording. Through this project, I attempted to explore the multitude of ways in which viola can be …
