Strange Woods,
2018
Washington University in St. Louis
Strange Woods, Song Park
Graduate School of Art Theses
I am interested in searching for images of women that have not been adequately represented in visual art. As a visual artist, I am directed by my sense of sight to investigate and know something. I like to challenge myself to visualize things that do not already have a visual representation. It has been frustrating for me to create images of women, and I have experienced a deep ambivalence in response to the different images of women I have encountered. The socially and culturally constructed images of women that I have internalized and those that have developed from my own …
Misassembled Monsters,
2018
Washington University in St. Louis
Misassembled Monsters, Jenn Brown
Graduate School of Art Theses
This thesis is a narrative of personal and material history. Through my work in painting, sculpture, and installation, I seek to share my story of emotional armoring in an attempt to connect to an audience. In my work, I look to my personal memories of growing up in a small, midwestern town and armoring myself with emotional barriers against its social construct of “normalcy.” Inspired by Medieval suits of armor and the characteristics of Goth culture throughout history, I employ my work to present the stage of a theatrical battleground. Creating each of my pieces is a fight for the …
Primal Matter,
2018
Louisiana State University and Agricultural and Mechanical College
Primal Matter, Lucas Allen Bush
LSU Master's Theses
Abstract
Primal Matter is a physical representation of the intuitive process, through two and three dimensional forms. The pieces convey motion and tension while telling the story of their own creation. Working instinctively has always fascinated me, in the way of allowing our subconscious mind to make decisions in the place of preconceived planning. My work is heavily influenced by Intuition and the transformation of energy. I am constantly searching for the underlying image or object through scraps of wood and pieces of charcoal, and this body of work is the visible evidence. It explores the curiosity of our unknown …
Betwixt And Between: An Exploration Of Dream Imagery As A Means To Self-Discovery,
2018
Winthrop University
Betwixt And Between: An Exploration Of Dream Imagery As A Means To Self-Discovery, Anastasia Netrebine
Graduate Theses
This body of work is an investigation of the memories and experiences of displacement. As a foreigner, I often find myself in a strange space between the familiar and the unfamiliar. I use various three-dimensional media to explore and depict these experiences, as well as dreams and memories related to Jungian archetypes, especially as they relate to my personal history. I overlap these dreams and memories, varying the media and shifting scale, so that the line between reality and dreams gets blurred and one becomes both a viewer and a part of the installation simultaneously. Through my manipulation of different …
Things That Don't Work: An Exploration In Sculpture And Installation,
2018
Winthrop University
Things That Don't Work: An Exploration In Sculpture And Installation, Mark Tyler Frasier
Graduate Theses
This thesis statement will explore connections between my work and contemporary artists and its references to art movements including Minimalism, Dada and Surrealism, and Installation art. My thesis work explores the metaphors of current social and political constructs that seem to operate properly, but in reality, do not. My intention is to juxtapose constructed and found fragments of mixed media in such a way as to subvert their traditional associations in order to encourage viewers to question reality. My relationship to the materials and interest in the process are as important to me as the final product. No single piece …
The Detriments Of Factory Farming,
2018
East Tennessee State University
The Detriments Of Factory Farming, Carrie Williams
Undergraduate Honors Theses
This thesis discusses the detrimental effects that industrialized farming practices have on public health, animal welfare, and ecological systems and includes factual support. It also provides practical application of this information as well as possible solutions and a detailed description of a related art exhibition.
Sculpting Fantasy Realism Creatures Of The Desert,
2018
East Tennessee State University
Sculpting Fantasy Realism Creatures Of The Desert, Peter Eisenbrey
Undergraduate Honors Theses
Creature design and sculpture is about representing life with three dimensions. To begin designing a creature, the process begins by looking at real life. Studies of existing wildlife and anatomy reference provided the foundation for the creation process. The goal of this project was to study creature design and attempt creating feasible results. The background and location origin of these creatures are based on the environmental location of Arizona. The goal was creating and rendering four creatures with the attempt of achieving fantasy realism.
Progressive Commemoration: Public Statues Of Historical Women In Urban American Cities,
2018
CUNY Graduate Center
Progressive Commemoration: Public Statues Of Historical Women In Urban American Cities, Melanie D. Chin
Dissertations, Theses, and Capstone Projects
Women who made notable accomplishments are underrepresented in commemoration. Some American cities have brought women to the forefront of becoming visible through commemoration in statues. This thesis compares the commemoration of historical women in four different American cities. Stakeholders hold the key to implementing and changing public policy to increase the visibility of women and people of color in public monuments. Cities which lack representation of women and people of color may learn from and follow the efforts of a leading city to achieve lasting and effective change in representing those who historically been underrepresented.
The Us’S Economic Promises Are Over: An Interview With Miguel Luciano,
2018
Manhattan College
The Us’S Economic Promises Are Over: An Interview With Miguel Luciano, Marisa Lerer, Conor Mcgarrigle
Articles
Hurricane Maria struck Puerto Rico in September 2017. The island was left without electricity and clean water for months. However, the natural disaster was not the only cause of this lasting devastation. The financial fall-out from predatory loans, which led to Puerto Rico’s inability to invest funds in its own infrastructure, caused an enduring humanitarian disaster. Artist Miguel Luciano (b. 1972) in this interview discusses his work in relation to the 2017 Puerto Rican debt crisis and the legacy of the over 100-year span of Puerto Rico’s colonial status as a US territory, which gives the US disproportionate control over …
Insurgent Finances: An Interview With Gabriela Ceja And Fran Ilich,
2018
Manhattan College
Insurgent Finances: An Interview With Gabriela Ceja And Fran Ilich, Marisa Lerer, Conor Mcgarrigle
Articles
When the financial crisis of 2008 exposed the opaque workings of global financial markets, it led to calls for alternate economic models to replace the excesses of contemporary capitalism. A decade on, it can seem that those calls went unheeded. However, in the collaborative social practice of Fran Ilich and Gabriela Ceja, sustainable alternatives modeled on ancient modes of exchange are being developed with projects that are deeply embedded in economic practice; whether that is running a functioning microbank complete with complex financial instruments in Spacebank or serving Zapatista coffee from Chiapas, Mexico in the Diego de la Vega Coffee …
How To Be The Perfect Asian Wife!,
2018
Macalester College
How To Be The Perfect Asian Wife!, Sophia Hill
Art and Art History Honors Projects
“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.
In Between,
2018
University of Nebraska-Lincoln
In Between, Wansoo Kim
School of Art, Art History, and Design: Theses and Student Creative Work
In my eyes, the world is composed of both revealed things and hidden things. I interpret my surroundings based on this idea, seeking to realize my ignorance and awareness. With this in mind, I create objects in which dichotomous ideas are present, and use their physically revealed and hidden aspects in order to represent the greater human struggle to see and understand what is hidden from us.
The notion of inside and outside is one of my particular subjects. Upon observing an object or a structure, we see only its external reality. I aim to present the unobservable, often presenting …
A Synthesis Of Structures,
2018
University of Nebraska-Lincoln
A Synthesis Of Structures, Patrick Kingshill
School of Art, Art History, and Design: Theses and Student Creative Work
I create compositional structures based on a curated catalog of physical and visual relationships that I have cultivated from my daily life. These compositions are intuitive expressions related to my fascination with the many facets of the built and designed world. My arrangements are curious and intriguing and they unify the expansive diversity of my formal inquiries into a cohesive visual and contemplative experience.
Ceramic and wood are my primary mediums. My interest in woodworking is both aesthetically motivated and nostalgic. I was born in a region of northern California that is historically known for its native giant sequoia and …
|You| |Me|,
2018
University of North Florida
|You| |Me|, Sheila Goloborotko
Showcase of Faculty Scholarly & Creative Activity
|you| |me| Series of cast iron sculptures, prints and embossment.
Making Visible: More Of The Picture,
2018
Lesley University
Making Visible: More Of The Picture, Sarah Slavick
Lesley University Community of Scholars Day
In Linda Nochlin’s essay “Why Have There Been No Great Women Artists?, “ she demonstrates how, for centuries, institutional and societal structures had made it “impossible for women to achieve artistic excellence, or success, on the same footing as men, no matter what the potency of their so-called talent, or genius.” As the Guerilla Girls noted, only 1 woman had a solo museum show in NY in 1985, and, in 2015, 30 years later, it wasn’t much better with 1 at the Guggenheim, Met and Whitney, and 2 at MOMA. On International Women’s Day, March 1, 2017, I began a …
Trisha,
2018
Collin College
The Chinese Ghostbuster,
2018
Collin College
2018 Forces,
2018
Collin College
Menshen: Qong Qin (Left) And Chigong Yu (Right),
2018
Collin College
Menshen: Qong Qin (Left) And Chigong Yu (Right), Peizhao Li
Forces
No abstract provided.
Fun In The Botanical Garden,
2018
Collin College
