The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show",
2016
University of Southern Mississippi
The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin
Master's Theses
Wilfred Owen is widely recognized to be the greatest English “trench poet” of the First World War. His posthumously published war poems sculpt a nightmarish vision of trench warfare, one which enables Western audiences to consider the suffering of the English soldiers and the brutality of modern warfare nearly a century after the armistice. However, critical readings of Owen’s canonized corpus, including “The Show” (1917, 1918), only focus on their hellish imagery. I will add to these readings by demonstrating that “The Show” is primarily concerned with the limitations of lyric poetry, the monumentality of poetic composition, and the difficulties …
Exhibition And Travel In Korea,
2016
Western Kentucky University
Exhibition And Travel In Korea, David Marquez
Grant Reports
The objectives of my exhibition, reception and visit to Korea were met with success. My work was packed and shipped out to Korea by Western Kentucky University. Over a half ton of art work was sent to Korea. The work arrived in South Korea and was delivered on time, May 25, to allow for installation at the Gail Art Museum, Gyeonggi-Do. During the exhibition local art patrons and students from area schools attended the exhibition. The exhibition ran from May 27 through June 26.
Pathfinder,
2016
Governors State University
Pathfinder, Geoffrey Bates
Nathan Manilow Sculpture Park Documents and Videos
A digital publication for the benefit of Nathan Manilow Sculpture Park Pathfinders
Ablution Of The Self,
2016
Winthrop University
Albedo Detail,
2016
Winthrop University
Untitled,
2016
Winthrop University
Should,
2016
Winthrop University
Full Issue,
2016
Winthrop University
Full Issue, The Anthology
The Anthology
This is the entirety of the 2013 Winthrop Anthology issue.
Framed,
2016
Winthrop University
Inhale,
2016
Winthrop University
Sobek, God Of The Nile,
2016
Winthrop University
Tea For Who (Stills),
2016
Winthrop University
Full Issue,
2016
Winthrop University
Full Issue, The Anthology
The Anthology
This is the entirety of the 2014 Winthrop Anthology issue.
Classics And Rockefeller Center: John D. Rockefeller Jr. And The Use Of Classicism In Public Space,
2016
Graduate Center, City University of New York
Classics And Rockefeller Center: John D. Rockefeller Jr. And The Use Of Classicism In Public Space, Jared A. Simard
Dissertations, Theses, and Capstone Projects
This dissertation situates the mythologically-inspired artwork of Rockefeller Center in the classical education of its sole proprietor, John D. Rockefeller Jr. I argue that his extensive classical education at the Browning School and Brown University led to an adult interest in the Classics. Through extensive, original archival research at the Rockefeller Archive Center and the Rockefeller Center Archive Center, I demonstrate that this interest was expressed through his philanthropy of prestigious institutions such as the American Academy in Rome, the American School of Classical Studies at Athens, and the excavations of the Athenian Agora. Colonial Williamsburg and Versailles are also …
The Built Environment,
2016
California Polytechnic State University, San Luis Obispo
The Built Environment, Nicholas J. Petrarca, Aaron Boucher, Nathaniel Hall, Alejandro Lopez, Nicholas Reindel, Emily Setoudeh, Sean Westpahl, Lacy Williams
Architectural Engineering
This project was a very fast paced and high pressure design project where Architectural Engineering students and an architect worked with an noteworthy artist to design and construct a large steel sculpture made purely from recycled materials.
A 3d Modeling Perspective: The Juxtaposition Between Nature And Technology,
2016
Union College - Schenectady, NY
A 3d Modeling Perspective: The Juxtaposition Between Nature And Technology, Caroline Grace Brustowicz
Honors Theses
For my senior thesis I explore the juxtaposition between nature and technology. There is beauty in the ubiquitous contrast and coexistence between these two entities, which we encounter on a daily basis. My work has been inspired by Ernst Haeckel, a German biologist, naturalist, and artist from the early 1900’s. His artwork includes over 100 detailed drawings, prints, and multi-colored illustrations of animals and sea creatures with a focus on representing the intricate details found in nature. I’ve emulated this attention to detail within nature by modeling (using Cinema 4D software and 3D printing with a MakerBot printer) sculptures that …
Toilet Talk,
2016
CUNY Hunter College
Toilet Talk, Michael Blake
Theses and Dissertations
Toilet Talk explores both formal and autobiographical themes related to desire, sexuality, and the relationship between public and private space. My work and research aims to reposition and queer the industrial object and its promotion of hyper masculine ideals.
Kimono,
2016
Claremont Graduate University
Kimono, Elizabeth D. Hoffman
CGU MFA Theses
Globalization opens up opportunities for the international community to push for freedom of expression. It is precisely because the history of kimonos is a multi-cultural one, invented by the Chinese, then adapted and adopted by the Japanese, then altered by Western colonialists and changed as it permutated from the aristocracy to the middle class and to laborers, that I felt that it was relevant to today and the cross-cultural influences of globalization. This summer, I purchased two authentic Japanese kimonos, (one an everyday cotton one to use as a model for my drawings, and the second, an elaborate silk one …
Full Issue,
2016
Winthrop University
Full Issue, The Anthology
The Anthology
This is the entirety of the 2015 Winthrop Anthology issue.
Old Furnace Artist Residency: Art Is A Conjunction,
2016
James Madison University
Old Furnace Artist Residency: Art Is A Conjunction, Jon William Henry
Masters Theses, 2010-2019
Old furnace artist residency is an ongoing body of work that encompasses a long-term art project that relies upon social aesthetics. This project weaves together social sculpture, relational aesthetics, intervention, gesture, performance, community art, and participation art to create a praxis of social justice and art. The underlying principles of the project are rooted in feminist and queer theories of activism that focus on enacting social, political, and economic liberation. Thus, old furnace artist residency focuses on using art as a tool to weave people together.
