Making Visible: More Of The Picture,
2018
Lesley University
Making Visible: More Of The Picture, Sarah Slavick
Lesley University Community of Scholars Day
In Linda Nochlin’s essay “Why Have There Been No Great Women Artists?, “ she demonstrates how, for centuries, institutional and societal structures had made it “impossible for women to achieve artistic excellence, or success, on the same footing as men, no matter what the potency of their so-called talent, or genius.” As the Guerilla Girls noted, only 1 woman had a solo museum show in NY in 1985, and, in 2015, 30 years later, it wasn’t much better with 1 at the Guggenheim, Met and Whitney, and 2 at MOMA. On International Women’s Day, March 1, 2017, I began a …
Trisha,
2018
Collin College
The Chinese Ghostbuster,
2018
Collin College
2018 Forces,
2018
Collin College
Menshen: Qong Qin (Left) And Chigong Yu (Right),
2018
Collin College
Menshen: Qong Qin (Left) And Chigong Yu (Right), Peizhao Li
Forces
No abstract provided.
Fun In The Botanical Garden,
2018
Collin College
Introduction,
2018
Collin College
Katie,
2018
Collin College
Zooairyland- Xinjie Yin Mfa Thesis Show,
2018
Claremont Graduate University
Zooairyland- Xinjie Yin Mfa Thesis Show, Xinjie Yin
CGU MFA Theses
During the process of discovering myself in my art world, I have determined to use cuteness as a way to express my worldview, values, and experiences. Cuteness is my own philosophy and language in the interpersonal communication. I intend to make cuteness meaningful to me as well as to the rest of the world. I believe cuteness contains a power to bring people back to their original simplicity regardless of their age, it is the idea of innocence. Cuteness is like a shield for me to protect myself from the tough, scary and crazy reality; and it is a positive …
Ode To The Sea: Art From Guantanamo,
2018
John Jay College, City University of New York
Ode To The Sea: Art From Guantanamo, Erin L. Thompson, Charles Shields, Paige Laino
Publications and Research
Exhibition catalogue for “Ode to the Sea: Art from Guantánamo” (October 16, 2017-January 26, 2018, President's Gallery, John Jay College of Criminal Justice, New York). Detainees at the United States military prison camp known as Guantánamo Bay have made art from the time they arrived. The exhibit displays some of these evocative works, made by eight men: four who have since been cleared and released from Guantánamo, and four who remain there. They paint the sea again and again although they cannot reach it. The catalog includes contributions by Trevor Paglen, Solmaz Sharif, Natasha Trethewey, Jericho Brown, and current and …
Henry Setter: An Artist's Meditation On Song Of Songs,
2018
University of Dayton
Henry Setter: An Artist's Meditation On Song Of Songs, University Of Dayton. Marian Library, Johann G. Roten
Marian Library Art Exhibit Guides
Exhibit guide written by Father Johann Roten, S.M., about the works of Henry Setter.
Living Tradition: Contemporary Ethiopian Christian Art From The Sobania Collection,
2018
Hope College
Living Tradition: Contemporary Ethiopian Christian Art From The Sobania Collection, Neal Sobania, Charles Mason, Nina Kay, Andie Near, Raymond Silverman, Tom Wagner
Kruizenga Art Museum Exhibition Catalogs
Produced by Storming the Castle Pictures for the Kruizenga Art Museum as a catalog for the exhibition “Living Tradition: Contemporary Ethiopian Contemporary Art from the Sobania Collection,” September 21 – December 15, 2018. Photography by the Kruizenga Art Museum, Neal Sobania, Raymond Silverman and Tom Wagner. Design by Tom Wagner.
Kruizenga Art Museum Online Collection - Exhibition Gallery
The Pond,
2018
Virginia Commonwealth University
The Pond, Jordan Loeppky-Kolesnik
Theses and Dissertations
A collection of creative texts written concurrently with the creation of the artist’s thesis exhibition. A range of written forms coexist - poetry, prose, and dialogue - to open up the narrative and emotional space of the visual work. The text emerges from the point-of-view of different voices, describing experiences and body states that hinge upon the physical and conceptual space of the pond. Amphibiousness offers a gateway to a state of becoming and transformation. Some of the following texts appear in video works by the artist.
Misfits,
2018
Minnesota State University, Mankato
Misfits, Hanna Newman
All Graduate Theses, Dissertations, and Other Capstone Projects
My figurative ceramic sculptures are comprised of deconstructed, fragmented and simplified renderings of the human form. Within these sculptures I integrate materials such as human hair, fabric, wood and plaster cast body parts to mimic limbs and body mass, creating diversity in the tactile surface quality. The pastel tones, bright colors and additions of hair further obscures the realistic appearance of these beings. Clay's malleability fuels my intuitive creative process and allows me to replicate the human form in ranges from anatomical accuracy to biomorphic abstraction.
I am inspired by the relationship between interiority and exteriority, between the mind and …
Fruitcake,
2018
Minnesota State University, Mankato
Fruitcake, Joshua Schutz
All Graduate Theses, Dissertations, and Other Capstone Projects
I explore figurative ceramics in relationship to gesture and sexual identity. The surfaces reference art history, decorative arts, and popular culture. The quasi-functional components of the work are inspired by my personal relationship with domestic objects and space. But also from the results of capitalism, which has created a materialistic, consumer-based society with heteronormative ideals. I respond to this heteronormativity by utilizing humor as a strategy to discuss subversive topics while simultaneously drawing in the viewer. I intend for the viewer to reflect on the purpose and narrative behind such flamboyant objects.
Profile In Scale,
2018
Minnesota State University, Mankato
Profile In Scale, Jason Boldt
All Graduate Theses, Dissertations, and Other Capstone Projects
I started gaining and interest in sculpture after seeing and learning about Frank Lloyd Wright and his use of natural materials integrated into planar and linear forms. I appreciate how he creates buildings such as Fallingwater, a home built for a family, where the structure is part of nature rather than intruding in on it.
The underlying feature between all of my work is the relationship between different forms that are integrated together. My sculptures include different media, such as wood, stone, metal, and found objects. My latest projects, however, include creating maquettes, which are miniaturized versions of larger objects. …
After The Big Wind Stops I See Gentle Waves,
2018
Virginia Commonwealth University
After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee
Theses and Dissertations
This thesis covers my reflections on the inspirations and the motivations behind selected works including my candidacy exhibition; Resonance and my thesis exhibition; after the big wind stops I see gentle waves. It contains my life throughout my MFA studies and the development of my art practice. Through its story-within-a-story method of narration and my describing streams of my thoughts, I am attempting to explain the processes of my development and the discoveries I have made, the little things in my daily life, and the big turning points that inspired me. My work and this document have been strongly determined …
Of The Crickets,
2018
Virginia Commonwealth University
Of The Crickets, Kathryn Lien
Theses and Dissertations
Of the Crickets imagines the overlapping worlds of ethical ecological solutions to climate changed sustenance and the potential for collective excellence in female exclusive environments. Using garments, furniture, site-specific installation and directed performance, the project harnesses social and material sensitivity to mine solutions for idealized living.
Converging Objects Of The Universe,
2018
Virginia Commonwealth University
Converging Objects Of The Universe, Everett Hoffman
Theses and Dissertations
Reconfigured found objects shape scenes of everyday life, questioning the structural histories that go into defining an identity. Engaging in a multidisciplinary approach of making, my work reimagines the function of ornamentation and its relationship to the body. I approach new materials and found objects with the eye of a jeweler, highlighting and exploiting the subtle, and often invisible, links between material histories and their connection to identity. Material debris patinated with age like skillets, baseballs, and furniture are used to penetrate normative structures around identity, gender, and sexual desire. Using adornment as a support in my installations I propose …
My Eyes Due See,
2018
Virginia Commonwealth University
My Eyes Due See, Johannes J. Barfield
Theses and Dissertations
My Eyes Due See is a multidimensional examination of the “black experience” in America. The installation is composed of a single-channel video, a music composition that utilizes music samples and live instrumentation, and sculptures made up of car parts and broomsedge grass. Each of these elements arranged in space share a nuanced and complicated view of blackness through the lens of a black man decoding personal history and American history simultaneously. Autonomy is the overarching theme throughout the work as it pertains to race, identity, urban and rural environments, and the relationship between generational trauma and nostalgia.
