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4am 4pm 6am 8pm, Huy Nguyen 2019 Watkins College of Art and Design

4am 4pm 6am 8pm, Huy Nguyen

Fine Arts

This was a project where students had to take a walk and think about a Fluxus excursion.


You Want It, You Buy It, You Forget It, Mia Jones 2019 Watkins College of Art and Design

You Want It, You Buy It, You Forget It, Mia Jones

Fine Arts

This was part of the Walking as Thinking project. Mia chose the identity of a "protester" and asked random people in Hillsboro Village to hold individual signs or her to document.


Viktor Vasnetsov’S New Icons: From Abramtsevo To The Paris “Exposition Universelle” Of 1900, Wendy Salmond 2019 Chapman University

Viktor Vasnetsov’S New Icons: From Abramtsevo To The Paris “Exposition Universelle” Of 1900, Wendy Salmond

Art Faculty Articles and Research

This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Church of the “Savior Not Made by Hands” at Abramtsevo in 1880–81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious painting polarized elite Russian society and was …


Bookshelf 新書上架, Rachel Duffell 2019 Vocational Training Council

Bookshelf 新書上架, Rachel Duffell

AMBROSIA 客道 : The Magazine of The International Culinary Institute

Top tomes

關於吃的聖典

The creative and captivating culinary explorations put down on paper that deserve a place on your bookshelf

充滿創意、記載動人廚藝篇章的烹飪書籍絕對值得買回家細閱


Bridging The Divide Through Graphic Novels: Teaching Non-Jews’ Holocaust Narratives To Jewish Students, Matt Reingold 2019 TanenbaumCHAT

Bridging The Divide Through Graphic Novels: Teaching Non-Jews’ Holocaust Narratives To Jewish Students, Matt Reingold

SANE journal: Sequential Art Narrative in Education

The following paper considers how integrating Holocaust graphic novels that prominently feature non-Jewish characters can be effective in introducing Jewish students to new perspectives on contemporary understandings of the Holocaust. Drawing on the results of recent studies about rising anti-Semitism and Jews' concerns for their safety, feelings of insularity are understandably becoming more pervasive within the Jewish community. The author argues that in order to combat the negative aspects of this entrenchment, Jewish students need to be introduced to thoughtful and complex narratives that relate to historical anti-Semitic incidents which also model ways of building relationships between the disparate communities …


Film On Paper, Graphics On Screen, Feminism In Story: An Exegesis Of A Feminist Graphic Novel Project, Jingwei Xu 2019 Unitec Institute of Technology

Film On Paper, Graphics On Screen, Feminism In Story: An Exegesis Of A Feminist Graphic Novel Project, Jingwei Xu

SANE journal: Sequential Art Narrative in Education

This research is the second stage of my entire graphic novel practice looking at a feminist topic – women’s awakening from marriage. In this phase, the study carries out the practical process of the creative work, involving a graphic novel (body), an opening title (hook) and a package of visual communication design (promotion), in order to convey my feminist claim that women’s real emancipation depends on whether they can rouse their subject awareness and break through the chain of marriage. Based on this practice-led research, my personal knowledge is generated, including the value of combining graphic novels and title sequences, …


Statement Of Creative Practice: Creative Making And Vr Literature, Mez Breeze 2019 XR Artists Collective

Statement Of Creative Practice: Creative Making And Vr Literature, Mez Breeze

Journal of Creative Writing Studies

Editor's Note
Mez Breeze authored her artist’s statement in virtual reality. You can view Mez’s artist’s statement even without a VR headset. Just click this link: https://bit.ly/2Kov372
You’ll need this password to access it: XR_PlayG

Abstract
Constructing creative writing in XR (aka Extended Reality: an umbrella term that covers Augmented Reality, Virtual Reality, Mixed Reality, and a fourth category called Synthetic Reality), and VR in particular, is an exciting and recent phenomenon in the Electronic Literature field. This proposed Statement of Creative Practice will examine the scope and reach of XR artforms while focusing in particular on the subset of …


Advancing Art Education: Development Of An Innovative Series Of K-12 Encaustic Curriculum Modules, Christina Chin 2019 Western Michigan University

Advancing Art Education: Development Of An Innovative Series Of K-12 Encaustic Curriculum Modules, Christina Chin

Instructional Development Grants

Research and development of a series of K-12 encaustic (painting in hot wax) curriculum modules, inclusive of art historical and practical techniqueoriented lesson


Encaustic Mixed Media & Collage Workshop Peninsula School Of Art, Christina Chin 2019 Western Michigan University

Encaustic Mixed Media & Collage Workshop Peninsula School Of Art, Christina Chin

Instructional Development Grants

Instructional Development Opportunity

Encaustic Mixed Media & Collage Workshop taught at the Peninsula School of Art

Short Term Objectives

To complete a component of a larger sabbatical research project, by extending my compendium of encaustic process and technique understandings, specifically: –To learn how to build out in relief (extending out into three-dimensional space) with encaustics.


An Alternative Visual Narrative: Latoya Ruby Frazier's The Notion Of Family, Madison Schultz 2019 James Madison University

An Alternative Visual Narrative: Latoya Ruby Frazier's The Notion Of Family, Madison Schultz

James Madison Undergraduate Research Journal (JMURJ)

LaToya Ruby Frazier’s body of photographic work titled The Notion of Family (2003-2014) explores the toll the steel industry in Braddock, Pennsylvania, took on the black community there. The history of black Braddock is riddled with social, political, racial, economic and environmental hardship spurred on by the steel industry. Frazier intimately chronicles the lives of three generations of women—herself, her mother, and her grandmother—and their place in that history. The alternative visual narrative that Frazier creates commands viewers’ attention in telling a story that has been largely ignored by the American public. This essay contrasts Frazier’s work with that of …


Something Rotten! Set Design Plan, Front Elevation, Renée Surprenant Fitzgerald 2019 Providence College

Something Rotten! Set Design Plan, Front Elevation, Renée Surprenant Fitzgerald

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Something Rotten! set design plan, front elevation by Renée Surprenant Fitzgerald, Set Designer

September 18, 2019


It’S Not Trash, It’S Art, Kathleen Kile 2019 Pitzer College

It’S Not Trash, It’S Art, Kathleen Kile

EnviroLab Asia

Stepping off the plane in Hue, Vietnam took my breath away. I was slammed with heat and extreme humidity that is common for mid-May. I stood at the bottom of the jetway, trying to adjust not only to my new environment, but to the fact I took this leap of faith and traveled half way around the world to teach children with intellectual disabilities about art made from trash. Little did I know that that step would have such a huge impact on my life and further strengthen my core values.


Thomas, Patricia Lee (Fa 1330), Manuscripts & Folklife Archives 2019 Western Kentucky University

Thomas, Patricia Lee (Fa 1330), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archive Project 1330. Short narrative paper titled “An Allen County Tombstone Maker” written by Patricia Thomas for a folk studies class at Western Kentucky University. Includes biography of tombstone maker William Chase Bonner of Halfway, Kentucky. Also includes photographs of several tombstones crafted by Mr. Bonner for family members. Mr. Bonner was Thomas’ great-grandfather.


Like Night And Day: Pavel Florenskiĭ, Igor’ Grabar’, And The Fate Of Icons In The 1920s, Wendy Salmond 2019 Chapman University

Like Night And Day: Pavel Florenskiĭ, Igor’ Grabar’, And The Fate Of Icons In The 1920s, Wendy Salmond

Art Faculty Books and Book Chapters

"The preservation of medieval icons in the early years of Soviet power is deservedly considered one of the cultural triumphs of that iconoclastic period, when the very future of icons hung precariously in the balance. The nationalization of church property, the dissolution or destruction of so many monasteries and churches, and the pervasive mood of iconoclasm that followed the Bolshevik Revolution placed Russia’s most important icons in a precarious position. Their survival depended on the efforts of a small group of scholars and restorers operating under the aegis of NARKOMPROS’s museum and conservation wing (Glazmuseĭ in its various iterations; later …


Exploring Environmental Issues Using Eco Art, Mahbubur Meenar, Ted Howell 2019 Rowan University

Exploring Environmental Issues Using Eco Art, Mahbubur Meenar, Ted Howell

Open Educational Resources

Ecological and environmental art, or “Eco Art,” describes works of art that engage issues related to the environment, ecology, and/or sustainability. Broadly, Eco Art serves as a compelling means of conceiving humanity’s relationship to the natural world. In part because ecological topics such as climate change, extinction, and pollution are dominated by scientific discourse, Eco Art offers new pathways for artistic expression and for understanding ecological issues. In the words of art writer Linda Weintraub, Eco Art “stands out from the din of environmental warnings, policies, and campaigns because its content is enriched by artistic imagination and its strategies are …


Art Is I, Science Is We, Imani Beverly, Bryan Briones, Ronald E. Mickens 2019 Atlanta University Center Robert W. Woodruff Library

Art Is I, Science Is We, Imani Beverly, Bryan Briones, Ronald E. Mickens

Georgia Journal of Science

The expression of the title has been used for some time to produce a concise summary of the major distinction between “art” and “science.” Our goal is to give a fuller and deeper understanding of this statement by discussing its meaning and interpretation within the context of a precise definition of science. We conclude that “Art is I, science is we,” captures accurately the fundamental difference between these two disciplines.


Portland Symphony Orchestra: Pso Explorers Program Evaluation, Susy Hawes, Sarah Goan, Emilie Swenson MSW 2019 University of Southern Maine, Cutler Institute

Portland Symphony Orchestra: Pso Explorers Program Evaluation, Susy Hawes, Sarah Goan, Emilie Swenson Msw

Publications

In 2012, after a strategic planning process and community needs assessment, the Portland Symphony Orchestra (PSO) identified several ways the arts could better serve the community. One result was the creation of PSO Explorers, an arts integration program that brings symphony musicians into kindergarten through third grade classrooms at Portland’s Howard C. Reiche Community School and Longfellow Elementary School. The program uses music to support and enrich students’ learning in literacy, math, science, and social-emotional development by connecting musical activities with classroom lessons. PSO Explorers also helps teachers by providing ideas and skills for using the arts in their daily …


Getting Located: Queer Semiotics In Dress, Callen Zimmerman 2019 CUNY Graduate Center

Getting Located: Queer Semiotics In Dress, Callen Zimmerman

Dissertations, Theses, and Capstone Projects

The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what …


Arts Et Métiers Photo-Graphiques: The Quest For Identity In French Photography Between The Two World Wars, Yusuke Isotani 2019 CUNY Graduate Center

Arts Et Métiers Photo-Graphiques: The Quest For Identity In French Photography Between The Two World Wars, Yusuke Isotani

Dissertations, Theses, and Capstone Projects

This dissertation examines the evolution of photography in France between the two World Wars by analyzing the seminal graphic art magazine Arts et métiers graphiques (1927-1939). This bi-monthly periodical was founded by Charles Peignot (1897-1983), the artistic director of the largest manufacturer of typefaces in interwar France, Deberny et Peignot. Arts et métiers graphiques has been recognized in previous literature as one of the principal vehicles for the modernization of photography in France, primarily because it functioned as an essential conduit for the radical practices developed outside the country. The interwar period is regarded as the watershed in the history …


Weaving Modern Forms: Fiber Design In The United States, 1939–1959, Sarah Mills 2019 CUNY Graduate Center

Weaving Modern Forms: Fiber Design In The United States, 1939–1959, Sarah Mills

Dissertations, Theses, and Capstone Projects

This dissertation traces the emergence and development of modern weaving in the United States. In a series of case studies, it follows the paths of three weavers: Anni Albers, Marianne Strengell and Dorothy Liebes, who make inroads in the field of American textile design from the late 1930s to the late 1950s through their teaching, writing and weaving practices. In the 1930s, these women, alongside other professional weavers in the United States, retooled hand weaving in a practice of prototype designing for power loom (machine) production. In adapting their skills to the design of machine-loomed textiles, their artistic agency expands. …


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