Needlepoint By Stephen Beal,
2010
Textile Society of America
Needlepoint By Stephen Beal, Concurrent Exhibitions, Gallery 9
Textile Society of America: Symposium Proceedings
A small exhibition held in conjuntion with the Textile Society of Americas 12th Biennial Symposium, From Plains Space to Cyberspace, displaying needlepoint work of the late Stephen Beal, the 2008 Lillian Elliott Awardee.
Mementos,
2010
University of Texas at Arlington
Mementos, Matthew Patterson
Art & Art History Masters of Fine Arts Theses - Archive
Written portion of creative MFA thesis published as a book. Physical copies are available for viewing in the Art & Art History Department office.
Amy Price Artist Statement,
2010
Old Dominion University
Amy Price Artist Statement, Amy Price
OUR Journal: ODU Undergraduate Research Journal
No abstract provided.
Kelly Herring Artist Statement,
2010
Old Dominion University
Kelly Herring Artist Statement, Kelly Herring
OUR Journal: ODU Undergraduate Research Journal
No abstract provided.
Kjerstin Torpmann-Hagen Artist Statement,
2010
Old Dominion University
Kjerstin Torpmann-Hagen Artist Statement, Kjerstin Torpmann-Hagen
OUR Journal: ODU Undergraduate Research Journal
No abstract provided.
Lots (Of Things), But Nothing (I Could Use),
2010
University of Texas at Arlington
Lots (Of Things), But Nothing (I Could Use), Iris Bechtol
Art & Art History Masters of Fine Arts Theses - Archive
Written portion of creative MFA thesis published as a book. Physical copies are available for viewing in the Art & Art History Department office.
Images Of Work 2007-2010,
2010
University of Texas at Arlington
Images Of Work 2007-2010, Clinton Rawls
Art & Art History Masters of Fine Arts Theses - Archive
Written portion of creative MFA thesis published as a book. Physical copies are available for viewing in the Art & Art History Department office.
Dit Graduate Exhibition Show Of The School Of Art, Design And Printing 2010,
2010
Technological University Dublin
Dit Graduate Exhibition Show Of The School Of Art, Design And Printing 2010, Dublin Institute Of Technology
DIT Publications
Exhibition committee staff Kieran Corcoran Peter Jones Paul White Robert Tully Neville Knott John Short Brenda Dermody Clare Bell Brenda Duggan Annette Buckley Pat Muldowny Joe Hanly Exhibition commitee student representatives Lucy Clarke Margaret Flynn Kate Geoghegan Gavin Gogarty Fiona O'Keeffe Cian McKenna Becky O'Hara Catalogue concept and design Paul Woods - www.paultheillustrator.com Maeve Keane - www.andstudio.ie Photography by Gillian Buckley. Typeset in DIN 9pt and 24pt. Printed on 140gsm Revive 50/50 by Future Print, Dublin. DIT Graduate Exhibition 2010
The Only Way Out Is Through,
2010
Chapman University
The Only Way Out Is Through, Lia Halloran
Art Faculty Creative Works – Exhibitions
"DCKT Contemporary is pleased to present LIA HALLORAN’s third New York solo exhibition. The exhibition includes new paintings of crystal caves and personified icebergs, along with ink on vellum works. HALLORAN uses science and the natural world to map out physical and psychological spaces in her painting and addresses time in ways that stretch our notions of perception."
This exhibition can also be viewed on DCKT's website.
Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography,
2010
Chapman University
Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography, Wendy Salmond
Art Faculty Books and Book Chapters
Wendy Salmond's foreword to Irina Yazykova's Hidden and Triumphant: The Underground Struggle to Russian Iconography, in which Yazykova discusses how the art of icon painting survived during years of Russian Communism and is now poised to launch a new era that reflects modern experience.
How America Discovered Russian Icons: The Soviet Loan Exhibition Of 1930-32,
2010
Chapman University
How America Discovered Russian Icons: The Soviet Loan Exhibition Of 1930-32, Wendy Salmond
Art Faculty Books and Book Chapters
On 14 October 1930, the first exhibition of Russian icons ever to take place in the United States opened at the Museum of Fine Arts in Boston. Over the next nineteen months it traveled to nine venues across the country, introducing the American public to a form of medieval painting virtually unknown outside Russia. Billed as the "Union of Soviet Socialist Republics Loan Exhibition," its avowed goal was to share with the outside world the full story of Russian icon painting's evolution from the twelfth to the nineteenth centuries, thereby adding a vital missing chapter to the history of medieval …
Baciccio's Beata Ludovica Albertoni Distributing Alms,
2010
Chapman University
Baciccio's Beata Ludovica Albertoni Distributing Alms, Karen J. Lloyd
Art Faculty Articles and Research
This article focuses on the artistic relationship between Baciccio and Gian Lorenzo Bernini.
Rationale For Pride Of Baghdad,
2010
University of Nebraska - Lincoln
Rationale For Pride Of Baghdad, Crag Hill Ph.D.
SANE journal: Sequential Art Narrative in Education
A rationale for teaching the graphic novel Pride of Baghdad at the secondary level.
Sequential Art, Graphic Novels, And Comics,
2010
University of Nebraska - Lincoln
Sequential Art, Graphic Novels, And Comics, Brian Kelley
SANE journal: Sequential Art Narrative in Education
The first global distribution of a paper prepared for the Science Fiction, Fantasy, and Graphic Novels Special Interest Group of the International Reading Association,the Executive Board of the New Jersey Reading Association, and the Legislative and Professional Standards Committee of the NJRA.
Review Of Teaching Graphic Novels, By Katie Monnin,
2010
University of Nebraska - Lincoln
Review Of Teaching Graphic Novels, By Katie Monnin, Susan Spangler
SANE journal: Sequential Art Narrative in Education
No abstract provided.
Rationale For Magneto: Testament,
2010
University of Nebraska - Lincoln
Rationale For Magneto: Testament, Brian Kelley
SANE journal: Sequential Art Narrative in Education
A rationale for teaching the graphic novel Magneto:Testament in secondary schools.
Comic Vision,
2010
University of Nebraska - Lincoln
Comic Vision, Gale Acuff
SANE journal: Sequential Art Narrative in Education
A narrative, rhetorical poem
The Construction Of Locative Situations: Locative Media And The Situationist International, Recuperation Or Redux?,
2010
Technological University Dublin
The Construction Of Locative Situations: Locative Media And The Situationist International, Recuperation Or Redux?, Conor Mcgarrigle
Articles
A trend exists within locative media art of invoking the practices of the Situationist International (SI) as an art historical and theoretical background to contemporary practices. It is claimed that locative media seeks to re-enchant urban space though the application of locative technologies to develop novel and experimental methods for navigating, exploring and experiencing the city. To this end, SI concepts such as psychogeography and the techniques of detournement and the de ́rive (drift) have exerted considerable influence on locative media practices, but questions arise as to whether this constitutes a valid contemporary appropriation or a recuperative co-option, serving to …
Sae Magazine : The Magazine Of Sae Institute And Sae Alumni Association 2010|1,
2010
SAE Institute Australasia
Sae Magazine : The Magazine Of Sae Institute And Sae Alumni Association 2010|1, Sae Institute
SAE Magazine (2007-2011)
No abstract provided.
Danielle Jweid Artist Statement,
2010
Old Dominion University
Danielle Jweid Artist Statement, Danielle Jweid
OUR Journal: ODU Undergraduate Research Journal
No abstract provided.
