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Dit Graduate Exhibition Show Of The School Of Art, Design And Printing 2010, Dublin Institute Of Technology

DIT Publications

Exhibition committee staff Kieran Corcoran Peter Jones Paul White Robert Tully Neville Knott John Short Brenda Dermody Clare Bell Brenda Duggan Annette Buckley Pat Muldowny Joe Hanly Exhibition commitee student representatives Lucy Clarke Margaret Flynn Kate Geoghegan Gavin Gogarty Fiona O'Keeffe Cian McKenna Becky O'Hara Catalogue concept and design Paul Woods - www.paultheillustrator.com Maeve Keane - www.andstudio.ie Photography by Gillian Buckley. Typeset in DIN 9pt and 24pt. Printed on 140gsm Revive 50/50 by Future Print, Dublin. DIT Graduate Exhibition 2010

The Only Way Out Is Through, Lia Halloran

Art Faculty Creative Works – Exhibitions

"DCKT Contemporary is pleased to present LIA HALLORAN’s third New York solo exhibition. The exhibition includes new paintings of crystal caves and personified icebergs, along with ink on vellum works. HALLORAN uses science and the natural world to map out physical and psychological spaces in her painting and addresses time in ways that stretch our notions of perception."

This exhibition can also be viewed on DCKT's website.

Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography, Wendy Salmond

Art Faculty Books and Book Chapters

Wendy Salmond's foreword to Irina Yazykova's Hidden and Triumphant: The Underground Struggle to Russian Iconography, in which Yazykova discusses how the art of icon painting survived during years of Russian Communism and is now poised to launch a new era that reflects modern experience.

How America Discovered Russian Icons: The Soviet Loan Exhibition Of 1930-32, Wendy Salmond

Art Faculty Books and Book Chapters

On 14 October 1930, the first exhibition of Russian icons ever to take place in the United States opened at the Museum of Fine Arts in Boston. Over the next nineteen months it traveled to nine venues across the country, introducing the American public to a form of medieval painting virtually unknown outside Russia. Billed as the "Union of Soviet Socialist Republics Loan Exhibition," its avowed goal was to share with the outside world the full story of Russian icon painting's evolution from the twelfth to the nineteenth centuries, thereby adding a vital missing chapter to the history of medieval …

Baciccio's Beata Ludovica Albertoni Distributing Alms, Karen J. Lloyd

Art Faculty Articles and Research

This article focuses on the artistic relationship between Baciccio and Gian Lorenzo Bernini.

Windhorse, Sara W. Tower

The Mercury

No abstract provided.

Paul, Rachel E. Rakoff

The Mercury

No abstract provided.

Capricorn, Kristine M. Kopia

The Mercury

No abstract provided.

Stories Of Nepal, Sara W. Tower

The Mercury

No abstract provided.

The Everyday In America, Janet Bruhn

Theses and Dissertations

Abstract: My vanilla, Grade A, white bread, run-of-the-mill, middle-of-the-road, threadbare, well-worn, moth-eaten, potato sack, butterscotch, grass stained America: Mundane American life is an existence clinging to the ordinary, where a quilt of mass- mediated preferences and ingrained traditions define many people, specifically from north to south and east to west. Yet, the tastes and dialects of people within the mundane are complex. Ideological preferences are rooted in immigrant history and political persuasion. Various modes of realism have been used by American painters such as The Ash Can School, Regionalists of the 1930’s, and Pop Art. The notion of the real …

The Construction Of Locative Situations: Locative Media And The Situationist International, Recuperation Or Redux?, Conor Mcgarrigle

Articles

A trend exists within locative media art of invoking the practices of the Situationist International (SI) as an art historical and theoretical background to contemporary practices. It is claimed that locative media seeks to re-enchant urban space though the application of locative technologies to develop novel and experimental methods for navigating, exploring and experiencing the city. To this end, SI concepts such as psychogeography and the techniques of detournement and the de ́rive (drift) have exerted considerable influence on locative media practices, but questions arise as to whether this constitutes a valid contemporary appropriation or a recuperative co-option, serving to …

Sae Magazine : The Magazine Of Sae Institute And Sae Alumni Association 2010|1, Sae Institute

SAE Magazine (2007-2011)

No abstract provided.

Danielle Jweid Artist Statement, Danielle Jweid

OUR Journal: ODU Undergraduate Research Journal

No abstract provided.

The Portrayal Of Dr. M In Lat's "Dr.Who?!, Nor Amriah Abdul Rahman

Student Works (2010-2019)

Abstract not available

Sae Magazine : The Magazine Of Sae Institute And Sae Alumni Association 2010|2, Sae Institute

SAE Magazine (2007-2011)

No abstract provided.

Designing An Attraction: A Hans On Approach To Themed Entertainment And Attraction Design, Matthew Estevez

Whittier Scholars Program

My senior project is a combination of my skills that I acquired in Art, Literature, Theatre. The Project uses these skills in oder to create a theme park attraction from the beginning for the final floor plans and rendering. A large portion of the project is the renderings. These rednerins will be made with water color as the primary medium. The purpose of this project is to illustrate how the difference disciplines come together to create an attraction for a theme park. It is also intended to be a hands on approach at creating a theme park attraction. Using the …

Extra Ordinary, Lana Waldrep

Theses and Dissertations

The title of this thesis Extra Ordinary is intentionally ambiguous. Depending on how you read it, it can refer to either the very ordinary or to that which is outside of the ordinary.The works described within these pages functions similarly. From person to person and with time they move from the ordinary to beyond and back again. How can something be both mysterious and understood at the same time? How can I as a painter create a space where diametrically opposed forces can coexist and what is the effect of viewing such an object? This thesis addresses these issues with …

Altered Interactions, Kristen Rego

Theses and Dissertations

Surrounding materials, signage, and detritus on the daily path offer plenty to look at, if not too much. The eye seeks comfort in its passive vision by ignoring its peripheries. Identification of my personal vision reveals itself through the manipulation of ignored material. I consider hand-made vs. machine made, singular vs. the multiple particularly in plastics, packaging and other utilitarian objects. Industrial processes influence my one-person operation. Understanding the way objects are made allows for an opportunity to connect with them. I’m already surrounded by them, the least I can do is get to know them better.

The Adventures Of A Young Artist, And The Promise Of The Digital Culture In Art, Jonathan Marshall

Theses and Dissertations

An analysis and explanation of my reasons for working in video, painting and drawing, and sculpture, considering the technological developments of the past decade; the possibility to use the internet as a distribution tool for works of art, and to shift the decision-making balance of the art-world; the ways that this approach is a democratic format for output in the arts and within communities of artists; an explanation of my studio practice while a graduate student at Virginia Commonwealth University.

Dreamfall: The Fleeting-Ness Of Memory, Hon Chen

Theses and Dissertations

My work seeks to simulate the impermanence of memory, through the creation of structures and images that translate the mind’s formless but living past into physical material and sensation. The need to search for the missing six years of my childhood memories in Thailand has been the driving force behind the works, along with the lingering emotions of emptiness and unfulfillment. I create multimedia installations with materials, such as plaster, pvc panels, acrylic, polycrylic and dura-lar, to structurally realize a subject as intangible and elusive as memory. Issues of duality, identity, impermanence and memory are underlying themes for my thesis …