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Henri Mattise's "The Red Studio": Art As Real/The World As Illusion, Alyssa Johnson 2010 Providence College

Henri Mattise's "The Red Studio": Art As Real/The World As Illusion, Alyssa Johnson

Art & Art History Student Scholarship

No abstract provided.


The Robert Giard Foundation Fellows Enlighten Our World, Carl Sylvestre 2010 City University of New York (CUNY)

The Robert Giard Foundation Fellows Enlighten Our World, Carl Sylvestre

Center for LGBTQ Studies (CLAGS)

This spring, the Robert Giard Foundation's partnership with CLAGS completed the first of what is anticipated to be an annual event in both organizations' calendars.


Fall 2010, Valparaiso University 2010 Valparaiso University

Fall 2010, Valparaiso University

The Lighter, 1958-Last Year

No abstract provided.


The Cypress Trees In "The Starry Night": A Symbolic Self-Portrait Of Vincent Van Gogh, Jessica Caldarone 2010 Providence College

The Cypress Trees In "The Starry Night": A Symbolic Self-Portrait Of Vincent Van Gogh, Jessica Caldarone

Art & Art History Student Scholarship

No abstract provided.


“Where Do We Come From? What Are We? Where Are We Going?”: Freud And The Unconscious Of Paul Gauguin, Lauren Cavalli 2010 Providence College

“Where Do We Come From? What Are We? Where Are We Going?”: Freud And The Unconscious Of Paul Gauguin, Lauren Cavalli

Art & Art History Student Scholarship

No abstract provided.


Design For Dementia, Gregor Timlin 2010 Technological University Dublin

Design For Dementia, Gregor Timlin

Books/Book chapters

This book describes a two-year collaborative research project between the Helen Hamlyn Centre at the Royal College of Art and Bupa. It explores how better product and environment design can improve quality of life for care home residents with dementia. The design ideas developed are a practical response to the challenge of congnitive decline and can be retrofitted to existing care homes as well as applied to new developments.


With Lovers As Her Muse: How Men Influenced The Designs Of Coco Chanel, Sara Spirito 2010 Providence College

With Lovers As Her Muse: How Men Influenced The Designs Of Coco Chanel, Sara Spirito

Art & Art History Student Scholarship

No abstract provided.


Paradigmatic Portraits From Weimar Germany: Martha Dix, Sylvia Von Harden, And Anita Berber According To Otto Dix, Althea Ruoppo 2010 Providence College

Paradigmatic Portraits From Weimar Germany: Martha Dix, Sylvia Von Harden, And Anita Berber According To Otto Dix, Althea Ruoppo

Art & Art History Student Scholarship

No abstract provided.


Textile Society Of America Newsletter 22:3 — Fall 2010, Textile Society of America 2010 Textile Society of America

Textile Society Of America Newsletter 22:3 — Fall 2010, Textile Society Of America

Textile Society of America: Newsletters

Reflections of a Symposium Co-Chair [Textiles and Settlement: From Plains Space to Cyber Space, 12th Biennial Symposium, Lincoln, Nebraska, October 6–9, 2010]
From the President
TSA News
TSA Member News
In Memoriam: Elayne Zorn, 1952–2010
Symposium Exhibition: Binary Fiction: Digital Weaving 2010
Conference Reviews
Exhibition Reviews
Book Reviews
Featured Collection [Bowes Museum, Barnard Castle, Durham, England]
Collection News
Textile Community News
Publication News
Calendar-Conferences & Symposia, Exhibitions, Lectures
Call for Papers


Where Book Art And Technology Mingle, Peter D. Verheyen, Richard Minsky 2010 Syracuse University

Where Book Art And Technology Mingle, Peter D. Verheyen, Richard Minsky

Librarian Publications

Interview of Peter D. Verheyen by Richard Minsky. Peter Verheyen, conservator, bookbinder, and creator of the Books Arts Web, discusses the current state of book arts. Although he creates impeccable fine bindings that have won international awards, Peter Verheyen's huge contribution to the field of book art has little to do with making or conserving physical books. His magum opus is the Book Arts Web (philobiblon.com), the main location on the Internet for book art information and resources, from online exhibitions to tutorials, opportunities, blogs, and reference materials.


Collision, Judith Tannenbaum 2010 Rhode Island School of Design

Collision, Judith Tannenbaum

Journals

Exhibition Notes, Number 37, 2010. Collision is an experiment in exhibition-making. It began when painter Jackie Saccoccio invited a group of artists (seventeen, including herself) to contribute works of their own choosing to a show in which paintings, sculptures, photographs, drawings, prints, videos, and various hybrid forms would literally collide: butting up against each other, overlapping, and even altering one another in an improvisatory fashion. Depending on their placement in the gallery as determined by the individual artists, the works could become entirely subsumed in the larger communal cacophony.

Most often group exhibitions in museums are conceived and organized by …


Painting With A Purpose, Keri Suarez, Brian Manley 2010 Andrews University

Painting With A Purpose, Keri Suarez, Brian Manley

Lake Union Herald

No abstract provided.


Blanket Statements, Issue 101, Fall 2010, 2010 University of Nebraska - Lincoln

Blanket Statements, Issue 101, Fall 2010

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 101, Fall 2010


Did You Make That? : Wood Carving, Apprenticeships, And Collective Art In Senegal, Christina Schueler 2010 SIT Study Abroad

Did You Make That? : Wood Carving, Apprenticeships, And Collective Art In Senegal, Christina Schueler

Independent Study Project (ISP) Collection

Defining the term “artist” in one’s own culture is challenging and can be even more difficult in a foreign culture. In Senegal, the practice of wood sculpture can be both artistic and practical. Because of this, Senegalese artists who work with wood sculpture end up asserting their identity as artists through their collective actions. In this study, I follow the life and craft of a Senegalese wood sculptor, Serigne Mor Gueye, by making my own sculptures and listening to his anecdotes about life as an artist in hopes of discovering how the Senegalese define such ambiguous terms, “art” and “artist”.


Terence Hannum: New Rites, Terrence Hannum 2010 DePauw University

Terence Hannum: New Rites, Terrence Hannum

Galleries at Peeler Exhibition & Program Publications

Terence Hannum: New Rites at The Galleries at The Peeler at DePauw University. September 22 - December 10, 2010


Heresy And Error, Eric Marshall White PhD, Rebecca Howdeshell 2010 Southern Methodist University

Heresy And Error, Eric Marshall White Phd, Rebecca Howdeshell

Bridwell Library Publications

From its inception the early Christian Church sought to suppress books believed to contain heretical or erroneous teachings. With the development of the printing press during the latter half of the fifteenth century, Christian authorities in Europe became increasingly aware of the need to control the mass production of unfamiliar and potentially unacceptable texts. Initially, censorship of the press was enforced locally. However, with the spread of the Protestant Reformation, the Catholic Church required a more centralized and organized approach. Thus, the Council of Trent (1545–1563) ratified the Index librorum prohibitorum(“Index of Prohibited Books”), which listed individual banned titles …


Virtual Teaching, John O'Connor 2010 Technological University Dublin

Virtual Teaching, John O'Connor

Academic Articles

The potential of online virtual environments, such as Second Life for delivering remote learning continues to be debated by academics. It would appear to offer particular opportunities to support remote learning in art & design, where there is a particular requirement for live visual interaction. The School of Art, Design & Printing at the Technological University Dublin (DIT) received funding to develop a module for undergraduate students to test this theory. A five-credit module (under the European Credit Transfer System) received formal approval from the Institute in 2008 and was delivered as a pilot to academic staff interested in exploring …


Tension And Critical Thinking In Art, Marnie A. Jain 2010 University of Massachusetts Boston

Tension And Critical Thinking In Art, Marnie A. Jain

Critical and Creative Thinking Capstones Collection

This paper is a discussion about the existence, purpose, and use of tension in works of art. It does not take the form of standard papers, but is written as an interview where I am both the interviewer and interviewee. As the interviewee I am an artist and researcher of this topic. As the interviewer, I challenge myself to support my assertions with examples, and I try and catch myself in contradictions, and ask for clarifications. Similar to conversations we have in the classrooms of the Critical and Creative Thinking Graduate Program, the discussion in this paper does not cease …


A Descriptive Study Of A Building-Based Team Problem-Solving Process, Alexander B. Brewer 2010 Indiana State University

A Descriptive Study Of A Building-Based Team Problem-Solving Process, Alexander B. Brewer

All-Inclusive List of Electronic Theses and Dissertations

The purpose of this study was to empirically evaluate Building-Based Teams for General Education Intervention or BBT for GEI. BBT for GEI is a team problem-solving process designed to assist schools in conducting research-based interventions in the general education setting. Problem-solving teams are part of general education and provide support to students with academic or behavioral concerns by creating individualized interventions that teachers can use in the classroom. Historically, problem-solving teams’ two primary goals were to reduce referrals to special education and improve student performance on academic or behavioral concerns. This study examined the effectiveness of BBT for GEI by …


Examining Validity Characteristics Of The Mmpi-2 Psy-5 Psychoticism Scale, Enrique G. Covarrubias 2010 Indiana State University

Examining Validity Characteristics Of The Mmpi-2 Psy-5 Psychoticism Scale, Enrique G. Covarrubias

All-Inclusive List of Electronic Theses and Dissertations

The purpose of this study is to firmly establish the facet scales of the Personality Psychopathology Five (PSY-5) Psychoticism scale of the Minnesota Multiphasic Personality Inventory-Second Edition (MMPI-2). Arnau, Handel, and Archer (2005) recently developed facet scales for the MMPI-2 PSY-5 scales using principal component analyses. The results of this study and the original published study were compared to determine if similar facet scales are found for the MMPI-2 PSY-5 Psychoticism scale. Participants were drawn from three different samples: the MMPI-2 normative sample, an inpatient sample from a mid-Atlantic region, and a college sample from a Midwestern university. Item-level principal …


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