Art and Design Commons^™

Interview With Chris Cone, Portland Fashion Week, 2011 (Audio), Chris Cone

All Sustainability History Project Oral Histories

Interview of Chris Cone by Daniel Grey on February 22nd, 2011.

The interview index is available for download.

Bousman, Louise Tate, 1906-1979 (Sc 99), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "additional files" below) for Manuscripts Small Collection 99. Paper, 1935 (41 p.), entitled "Handwoven Textiles," written by Louise Tate Bousman, Louisville, Kentucky, which is a summary of material gathered for a textile show held at the Kentucky Library & Museum in Bowling Green, Kentucky. There are photos and samples included and the the paper is indexed. Also letters of Miss Bousman, 1935, 1945, news clipping and printed item related to weaving.

Wronski, Genevieve Elissa, B. 1980 (Fa 556), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text (click on "Additional Files" below) for Folklife Archives Project 556.  Ethnography project focused on three tattoo artists and their art in Glasgow, Kentucky.  Focuses on skills, training, procedures, machinery, aesthetics, and artist inspiration.  Also provides a brief history of tattooing.  Project was completed for a folk studies class at Western Kentucky University.

Pink Jacket 2011, Students Of Risd, Risd Archives

All Student Newspapers

Pink Jacket was a single issue student publication published in 2011 in both print and online formats. It features MFA student musings, artwork, and creative writing.

Fisher, Lucas Samuel, B. 1987 (Fa 554), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text (click on "Additional Files" below) for Folklife Archives Project 554. Project consists of an ehtnographic study conducted by Luke Fisher with Tom Blumenberg, an artist who creates solid wood and segmented wooden bowls in Hiseville, Kentucky. This project was completed for a folk studies class at Western Kentucky University.

Jones, Latasha, B. 1985 (Fa 540), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text (Click on "Additional File" below) for Folklife Archives Project 540. Project in which Latasha Jones records information about a "Reaper" tattoo that her cousin, Christopher Lee Bragg, had tattooed on his left side. She discusses the views of her family about tattoos and/or marking the body and her personal desire to get a tattoo. This project was a requirement for a folk studies class at Western Kentucky University. Includes an illustration of the "Reaper" tattoo.

Krause & Spellmann: Scenes From Lost America, Jo Neace Krause, Charles Spellman, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2011 Kentucky Folk Art Center exhibition catalog of artists Jo Neace Krause and Charles Spellman.

Robert Morgan: The Age Of Discovery, Robert Morgan, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2011 Kentucky Folk Art Center exhibition catalog of artist Robert Morgan.

Beyond The Battlefield, Gary A. Seymour

Electronic Theses and Dissertations

I am exhibiting several drawings, paintings, and sculptures representing a visual record of my creative research into, and my handling of, snails. Although I depict snails and their environment in a loose representational style, I have begun to incorporate digital drawing to enhance my art in a mixed media approach. I have created illustrative images of a forest floor as I imagine it would look to a snail in a giant, menacing world. Close-up images of grass become unusual jungle scenes, and my once tiny snails achieve a measure of control in this fanciful world. The inspiration for my art …

Naked Women The Unity In Dialectic Forces, Nargges S. Albekord

Electronic Theses and Dissertations

This study investigates my art works, their context, content, and the process by which they were produced. The first part of the study addresses my background ideas and philosophies, their impact on my works, and the environmental and psychological context which made those ideas relevant to my paintings. I am not concerned with answering the usual questions, What is art? and Who is an artist? My intention is to find out who I choose to be and what I choose to do. The second part investigates the form and design of the art works– from the materials used to make …

In And Out Of The Sculptural Body, Leda Cempellin

School of Design Faculty Publications

No abstract provided.

Cover And Table Of Contents, Expanding Minds And Promoting Tolerance, Northern Iowa Today, Winter 2011

Art on Campus Documents

Various articles on art at the University of Northern Iowa (also formerly known as Iowa State Teachers College).

The Gallery 2011, Alex Gencarelli, Eddie Eifert, Mark Angelow, Brian Anderson, Stephanie Francis, Don Macavoy, Jeremy Tamburello, Yvonne Marki, Lauren Slocum, Elaina Unger, Justin Spinozzi, Jaclyn Roth, Chris Hrycenko, Timothy Polagye

The Gallery

This is a digital copy of the print content produced by the Gallery 2011 team. The Gallery 2011 consists of a box containing a leaflet, four books, and a USB drive. The leaflet lists the works contained on the USB drive in the areas of Time Based Media and Web Design, and provides credits for the Gallery design production team. Content from the USB drive is not included.

The four books contain the artistic works of students in the following genres: Core Studio/Painting, Graphic Design/Illustration, Photography/Printmaking, and Jewelry & Metals/Three Dimensional. Files for individual sections may be viewed on the …

The Feathered Hand: Installation, Drawings, Prints By Alison Derby Hildreth, University Of New England Art Gallery

Exhibition Catalogues

The Feathered Hand: Installation, Drawings, Prints is the catalogue from the University of New England Art Gallery’s January 5 –April 3, 2011 exhibition of work by Alison Hildreth.

Hildreth described the work as: “… an installation and a group of drawings and prints that I have been working on over the past 2 years. The drawings and prints I think of as walks through a changing landscape of associative ideas; each carries something from the previous image but moves on to a new interpretation. They continue end to end: divided cities, natural and manmade terrains, maps of investigations inspired as …

Parnassus 2011

Parnassus

The 2011 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Inscape 2011, Morehead State University

Inscape: Art & Literary Magazine Archive

The 2011 edition of the Inscape: Literary and Art Magazine.

A Lexicon Of Drawing Problems And Solutions, Johannes H. Von Gumppenberg

Johannes von Gumppenberg Books

Not so much a "how-to" on drawing, this book of unique art plates adds new insights to modern concepts of composition and design. Its beautiful presentation seeks to please the art collector as well as the student.

A single theme, whose nuggets are scattered throughout, unifies these varied and original drawings done over a period of ten years: Understanding fundamentals enables the modern artist to present "all things in all ways," making the most of both observation and inventiveness.

This volume consists only of images. While including "teaching text" handwritten into the illustrations, at the same time the artist crafted …

Making Visual Noise, Deborah Starr Leitch

Electronic Theses and Dissertations

Focusing on the combination of multi-cultural and historical influences from my personal life experiences, my creations of odd juxtapositions of space, complex pattern and new iconography in my paintings, reveal more than merely a representational image to a viewer. Although my subjects may vary from the anonymous to media celebrity, it is their relationship to me that influences the creation of my static animation and visual noise.

Annual Report Of The Risd Fleet Library 2010-2011, Fleet Library, Carol Terry

Annual Reports

No abstract provided.

Plating In Stained Glass: Experience The Beauty, Robert N. Oddy

School of Information Studies - Faculty Scholarship

“Plating” is a piece of stained glass jargon. It refers to the practice of using more than one layer of glass in the construction of a panel. The layers are not fused together. They are simply stacked up, one on top of another and joined by soldering foil or came. I would like to spend a little time on the reasons for using this plating technique. In a future article I may say more about the techniques themselves, but the why’s are more important than the how’s.