Bread+Butter,
2012
Rhode Island School of Design
Bread+Butter, Minali Chatani, Fleet Library, Special Collections, Jan Baker
Food
This book was completed for Jan Baker's artists' book class, Printed Books.
Travel Photographie 2006-2012,
2012
Rhode Island School of Design
Travel Photographie 2006-2012, Franziska Stetter, Fleet Library, Special Collections, Jan Baker
Stories
This book was completed for Jan Baker's artists' book class.
Theme And Permutation,
2012
Rhode Island School of Design
Theme And Permutation, Marlene Maccallum, Special Collections, Fleet Library
Artists' Books
24 unnumbered pages : illustrations. Limited edition of 100 copies, signed and numbered by the artist. Cover title. "The images were printed on the Heidelberg GTO offset lithographic press at Columbia College Chicago Center for Book and Paper Art by Clifton Meador with the assistance of Marlene MacCallum, Hannah King and Kate Morgan. The text was printed by Marlene on a Canon digital inkjet printer at the sillis lab in Corner Brook, NL. The book was bound by Marlene with assistance from Megan Musseau ... research team consists of Marlene MacCallum, Clifton Meador, Pierre LeBlanc and David Morrish"--Colophon. "[O]ne of …
Palpung Parkhang,
2012
Rhode Island School of Design
Palpung Parkhang, Clifton Meador, Special Collections, Fleet Library
Artists' Books
[22], 7 pages : chiefly illustrations (some color), map. Printed and produced at the Center for Book and Paper, Columbia College, Chicago. 1 hand sewn binding (two signatures) and 1 stapled fold (notes section); paper cover. "This collection of black and white and color photographs were taken in the Palpung Monastery in Palpung Parkhang, Tibet. Each spread consists of one numbered photograph. Each number matches a note in the back of the book which details the artist's experience while walking through the monastery: what he sees, what enlivens his senses, and more concrete facts about the people and what they …
Handicraft Revolution: Ukrainian Avant-Garde Embroidery And Meaning Of History,
2012
SUNY Geneseo
Handicraft Revolution: Ukrainian Avant-Garde Embroidery And Meaning Of History, Alla Myzelev
Art History
No abstract provided.
Russian Art In The Second Half Of The Twentieth Century,
2012
University of Nevada, Las Vegas
Russian Art In The Second Half Of The Twentieth Century, Ekaterina Dyogot
Russian Culture
This essay concerns Russian art in the second half of the twentieth century, yet any such description requires constant reference to the Russian avant-garde and the Soviet art system. The country's isolation made Soviet art such a specific, aesthetic, and particularly institutional phenomenon that it becomes critical to any understanding of art in the post-Stalinist period.
Volume 04,
2012
Longwood University
Volume 04, Matt Szemborski, Phillip Van Ness, Sarah Croughwell, Sarah Mayfield, Alyssa Strackbein, Marley Kimmel, Stephanie Skipp, Jamie Yurasits, Katherine Taggart, Alex Leonhart, Kristen Rawls, Andrew Armes, Amanda Haymens, Allison Paqlowski, Erica May, Stephanie Lane, Luke Acree, Cassandra L. Wilson, Stephanie Pishock, Erica Hopson, K. Juston Osborne, Katheryn Grayson, Kyle Fowlkes, Jessica Cox, Kaity Byrum, John-Harwood Scott, Ashley Johnson, Samantha Hockman, Emily Staskiel, Nancy Macdonald, R. Kruger Bressin, Benjamin P. Bilodeau, Andrea Irby, Kristin Macquarrie, Sarah Bietsch, Elizabeth Bednar
Incite: The Journal of Undergraduate Scholarship
Please note that part of pages 92-95 are redacted, in the digital copy, due to a misprint of the original printed article.
Introduction from Dean Dr. Charles Ross
The Internal Other: Transculturation and Postcolonial Magical Realism in Rushdie’s Midnight’s Children by Matt Szemborski
Photography by Phillip Van Ness
Photography “Waterfall” by Sarah Croughwell
Romancing the Bite: Statistical Analysis of Young Adult Vampire Novels by Sarah Mayfield
Photography by Alyssa Strackbein
Photography by Marley Kimmel
Wine and Society in the Viceroyalty of Peru by Stephanie Skipp
Analysis of Claud Monet’s Impression, Sunrise by Jamie Yurasits
Exploring Meaning: The Lindisfarne Gospels by …
"Tuxedo" Phase Box (3 Variants),
2012
Syracuse University
"Tuxedo" Phase Box (3 Variants), David J. Stokoe, Department Of Preservation And Conservation
Librarian Publications
These diagrams depict 3 variants of the "tuxedo-style phase box,"a simple, low-cost, enclosure made from 20pt acid-free folder stock. It is designed to protect brittle, deteriorated, "low priority" items.
Critical Making | Making Critical: Risd Strategic Plan 2012-2017,
2012
Rhode Island School of Design
Critical Making | Making Critical: Risd Strategic Plan 2012-2017, Office Of Integrated Planning, Risd President
Strategic Plan
No abstract provided.
Through Process,
2012
Virginia Commonwealth University
Through Process, Mitchell Goldstein
Theses and Dissertations
At the core of any designer’s activity is the process they engage with to create design. Process is not only a way to get from an idea to a completed work, it is also what determines our attitude towards design. This is the place where both the design and the designer are created. The gray area between nothing and something is where we go to discover design, and in turn to discover who we are and what matters to us. In this thesis I am investigating the nebulous place between ideas and things, thoughts and artifacts, and being just a …
Elevating The Everyday: Designed Objects As Companions,
2012
Virginia Commonwealth University
Elevating The Everyday: Designed Objects As Companions, Cassie Hester
Theses and Dissertations
From fleeting interactions to long affairs, our relationships with things are diverse and complex. Like people, designed objects and environments are close companions in our lives. The way we understand and engage with artifacts is parallel to the way we interpret and interact with each other. A constant source of comfort and delight, frustration and anxiety, their personalities inform our everyday dialogues and experiences. Designed artifacts assume engaging and pleasurable personalities when they transcend materials, challenge perceptions, and garner active, reflective interactions. Through the investigation of familiar materials such as concrete, crayons, paper, sequins, and thread in unfamiliar formats and …
In Memory Of Professor David Lee Craven,
2012
University of New Mexico
In Memory Of Professor David Lee Craven
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Lunar Calculations,
2012
Rhode Island School of Design
Lunar Calculations, Katherine Venturelli, Special Collections, Fleet Library
Artists' Books
3 folded sheets. Publication information from Vamp & Tramp Booksellers website. Variable edition of 5. "Three Turkish map folds. A three-dimensional celestial map intaglio printed on white Lenox print papers. Bound in black linen book cloth over boards. Embossed circle on boards. Cord loop on each board to facilitate hanging"--Vamp & Tramp Booksellers website (accessed November 8, 2016). "Lunar Calculations is a book which opens up into a three-dimensional celestial map. My etched imagery printed on the interiors and exteriors of the pop out pages are lunar phases and mathematical symbols which are archetypal symbols that I have utilized in …
This Is An Emergency! : A Reproductive Rights + Gender Justice Portfolio,
2012
Rhode Island School of Design
This Is An Emergency! : A Reproductive Rights + Gender Justice Portfolio, Meredith Stern, Judy Kashoff, Special Collections, Fleet Library
Artists' Books
1 portfolio : illustrations (chiefly color) ; 47 cm. Colophon page title. This portfolio contains a hand sewn 'zine' with text by Meredith Stern and Judy Kashoff, a colophon page, and a collection of 17 prints. Horizonal and vertical red bands surround the colophon, text, and 17 prints. "Seventeen artists created a print for this project. Third Termite Press in Pittsburgh printed the colophon and Ladyfingers Letterpress printed the covers. The participants are: several members of the Justseeds Cooperative including: Melanie Cervantes, Thea Gahr, Bec Young, Favianna Rodriguez, Mary Tremonte, Molly Fair, and myself (Meredith Stern). Also participating are: Ian …
The Historian : A Novel,
2012
Rhode Island School of Design
The Historian : A Novel, Elizabeth Kostova, Special Collections, Fleet Library
Artists' Books
1 book object. Altered book by unknown book artist. After page [iix] the remainder of the text is cut-out. A 19.5 x 9.5 window has been carved into the text block. A text message which begins, "My dear and unfortunate sucessor: ..." is printed on various raised lines of text which read from top to bottom. Original book was published: New York : Little, Brown and Company, 2005. Map on lining-paper. Gift of Jan Baker. Curated title for Fleet Library Special Collections exhibition Stacked & Altered, summer 2022.
Dual/Duel,
2012
Rhode Island School of Design
Dual/Duel, François Deschamps, Special Collections, Fleet Library
Artists' Books
1 volume (unpaged) : color illustrations, portraits. Cover title. Portraits of Mali portrait studio photographers, with a portrait of Deschamps by the Mali photographer on the facing page. Perfect bound. Gift of Jan Baker.
Peeping Tom,
2012
Rhode Island School of Design
Peeping Tom, Radha Pandey, Eric Gjerde, Special Collections, Fleet Library
Artists' Books
1 sheet : illustrations. Title from enclosure cover. 1 sheet (40 x 14 cm) folded twice to (14 x 14 cm) in folded paper cover. "Origami tessallation designed by Eric Gjerde ; printed, illustrated & executed by Radha Pandey, fall 2012." "To fully enjoy this act of voyeurism, push each square up from its sides and pinch in the white corners."--Colophon slip laid in. Artist's Book Fund.
Specimens,
2012
Rhode Island School of Design
Specimens, Lauren Faulkenberry, Special Collections, Fleet Library
Artists' Books
1 drop spine box, four interior parts. Numbered edition of 50. Each of the four parts unfold to 15 x 30.5 cm. Each printed on one side with color illustrations and printed text. Housed in a cloth-covered drop-spine box (16.5 x 9 cm.) with two compartments, one section holds the folded texts, the other houses an origami butterfly which is pinned to the box.
Teaching Children How To Like Balanced Meals,
2012
Minnesota State University, Mankato
Teaching Children How To Like Balanced Meals, Harumi Norasakkunkit
All Graduate Theses, Dissertations, and Other Capstone Projects
Growing up in Japan, balanced meals were always provided at home, at schools and even at restaurants. Unfortunately, children are not going to choose balanced meals from the start, so this habit has to be instilled by parents and by the educational system until it eventually becomes a personal preference for children. If children are simply given the choice to eat whatever they want from the beginning, it is unlikely that this preference will ever be developed. The emphasis of nurturing the habit of eating balanced meals, rather than just eating preferred foods, is what is particular about Japanese parenting. …
Dotphotozine Issue 2, 2012,
2012
California State University, San Bernardino
Dotphotozine Issue 2, 2012, Students Of The Csusb Art Department, Thomas Mcgovern
Dotphotozine
No abstract provided.
