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Bread+Butter, Minali Chatani, Fleet Library, Special Collections, Jan Baker 2012 Rhode Island School of Design

Bread+Butter, Minali Chatani, Fleet Library, Special Collections, Jan Baker

Food

This book was completed for Jan Baker's artists' book class, Printed Books.


Travel Photographie 2006-2012, Franziska Stetter, Fleet Library, Special Collections, Jan Baker 2012 Rhode Island School of Design

Travel Photographie 2006-2012, Franziska Stetter, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.


Theme And Permutation, Marlene MacCallum, Special Collections, Fleet Library 2012 Rhode Island School of Design

Theme And Permutation, Marlene Maccallum, Special Collections, Fleet Library

Artists' Books

24 unnumbered pages : illustrations. Limited edition of 100 copies, signed and numbered by the artist. Cover title. "The images were printed on the Heidelberg GTO offset lithographic press at Columbia College Chicago Center for Book and Paper Art by Clifton Meador with the assistance of Marlene MacCallum, Hannah King and Kate Morgan. The text was printed by Marlene on a Canon digital inkjet printer at the sillis lab in Corner Brook, NL. The book was bound by Marlene with assistance from Megan Musseau ... research team consists of Marlene MacCallum, Clifton Meador, Pierre LeBlanc and David Morrish"--Colophon. "[O]ne of …


Material Meaning, Anne Jordan 2012 Virginia Commonwealth University

Material Meaning, Anne Jordan

Theses and Dissertations

The synthesis of old and new, analog and digital, and hand- and computer-based methods provides designers with an opportunity to work beyond the constraints of the computer and take advantage of the aesthetic effects that actual materials bring to visual communication. Designers who choose to actively participate in their process – bringing the aesthetic effects of working materially into the realm of the digital – will likely learn to reject an approach that relies too heavily on passive digital tools. Active participation in the design process can extend our creative vocabulary and humanize visual communication.


Palpung Parkhang, Clifton Meador, Special Collections, Fleet Library 2012 Rhode Island School of Design

Palpung Parkhang, Clifton Meador, Special Collections, Fleet Library

Artists' Books

[22], 7 pages : chiefly illustrations (some color), map. Printed and produced at the Center for Book and Paper, Columbia College, Chicago. 1 hand sewn binding (two signatures) and 1 stapled fold (notes section); paper cover. "This collection of black and white and color photographs were taken in the Palpung Monastery in Palpung Parkhang, Tibet. Each spread consists of one numbered photograph. Each number matches a note in the back of the book which details the artist's experience while walking through the monastery: what he sees, what enlivens his senses, and more concrete facts about the people and what they …


Handicraft Revolution: Ukrainian Avant-Garde Embroidery And Meaning Of History, Alla Myzelev 2012 SUNY Geneseo

Handicraft Revolution: Ukrainian Avant-Garde Embroidery And Meaning Of History, Alla Myzelev

Art History

No abstract provided.


Critical Making | Making Critical: Risd Strategic Plan 2012-2017, Office of Integrated Planning, RISD President 2012 Rhode Island School of Design

Critical Making | Making Critical: Risd Strategic Plan 2012-2017, Office Of Integrated Planning, Risd President

Strategic Plan

No abstract provided.


Through Process, Mitchell Goldstein 2012 Virginia Commonwealth University

Through Process, Mitchell Goldstein

Theses and Dissertations

At the core of any designer’s activity is the process they engage with to create design. Process is not only a way to get from an idea to a completed work, it is also what determines our attitude towards design. This is the place where both the design and the designer are created. The gray area between nothing and something is where we go to discover design, and in turn to discover who we are and what matters to us. In this thesis I am investigating the nebulous place between ideas and things, thoughts and artifacts, and being just a …


Elevating The Everyday: Designed Objects As Companions, Cassie Hester 2012 Virginia Commonwealth University

Elevating The Everyday: Designed Objects As Companions, Cassie Hester

Theses and Dissertations

From fleeting interactions to long affairs, our relationships with things are diverse and complex. Like people, designed objects and environments are close companions in our lives. The way we understand and engage with artifacts is parallel to the way we interpret and interact with each other. A constant source of comfort and delight, frustration and anxiety, their personalities inform our everyday dialogues and experiences. Designed artifacts assume engaging and pleasurable personalities when they transcend materials, challenge perceptions, and garner active, reflective interactions. Through the investigation of familiar materials such as concrete, crayons, paper, sequins, and thread in unfamiliar formats and …


In Memory Of Professor David Lee Craven, 2012 University of New Mexico

In Memory Of Professor David Lee Craven

Hemisphere: Visual Cultures of the Americas

No abstract provided.


Early American Bookbinding In Brigham Young University's Special Collections, Kylie Ladd 2012 Brigham Young University

Early American Bookbinding In Brigham Young University's Special Collections, Kylie Ladd

Student Works

Bookbinding is a tradition that began in America before America itself. The earliest identified binder was John Ratcliff, who came to Boston from England about 1662. In fact, bookbinding preceded printing in America – the first (anonymous) binding was completed in 1636, and the first printer didn't appear until two years after that. Save for a few major figures, most binders and the bindings they completed remain anonymous, identifiable only by the style of decoration. In this paper will attempt to study the characteristics and traditions of early 19th century publishers and book binding through a case study of a …


Lunar Calculations, Katherine Venturelli, Special Collections, Fleet Library 2012 Rhode Island School of Design

Lunar Calculations, Katherine Venturelli, Special Collections, Fleet Library

Artists' Books

3 folded sheets. Publication information from Vamp & Tramp Booksellers website. Variable edition of 5. "Three Turkish map folds. A three-dimensional celestial map intaglio printed on white Lenox print papers. Bound in black linen book cloth over boards. Embossed circle on boards. Cord loop on each board to facilitate hanging"--Vamp & Tramp Booksellers website (accessed November 8, 2016). "Lunar Calculations is a book which opens up into a three-dimensional celestial map. My etched imagery printed on the interiors and exteriors of the pop out pages are lunar phases and mathematical symbols which are archetypal symbols that I have utilized in …


This Is An Emergency! : A Reproductive Rights + Gender Justice Portfolio, Meredith Stern, Judy Kashoff, Special Collections, Fleet Library 2012 Rhode Island School of Design

This Is An Emergency! : A Reproductive Rights + Gender Justice Portfolio, Meredith Stern, Judy Kashoff, Special Collections, Fleet Library

Artists' Books

1 portfolio : illustrations (chiefly color) ; 47 cm. Colophon page title. This portfolio contains a hand sewn 'zine' with text by Meredith Stern and Judy Kashoff, a colophon page, and a collection of 17 prints. Horizonal and vertical red bands surround the colophon, text, and 17 prints. "Seventeen artists created a print for this project. Third Termite Press in Pittsburgh printed the colophon and Ladyfingers Letterpress printed the covers. The participants are: several members of the Justseeds Cooperative including: Melanie Cervantes, Thea Gahr, Bec Young, Favianna Rodriguez, Mary Tremonte, Molly Fair, and myself (Meredith Stern). Also participating are: Ian …


The Historian : A Novel, Elizabeth Kostova, Special Collections, Fleet Library 2012 Rhode Island School of Design

The Historian : A Novel, Elizabeth Kostova, Special Collections, Fleet Library

Artists' Books

1 book object. Altered book by unknown book artist. After page [iix] the remainder of the text is cut-out. A 19.5 x 9.5 window has been carved into the text block. A text message which begins, "My dear and unfortunate sucessor: ..." is printed on various raised lines of text which read from top to bottom. Original book was published: New York : Little, Brown and Company, 2005. Map on lining-paper. Gift of Jan Baker. Curated title for Fleet Library Special Collections exhibition Stacked & Altered, summer 2022.


Dual/Duel, François Deschamps, Special Collections, Fleet Library 2012 Rhode Island School of Design

Dual/Duel, François Deschamps, Special Collections, Fleet Library

Artists' Books

1 volume (unpaged) : color illustrations, portraits. Cover title. Portraits of Mali portrait studio photographers, with a portrait of Deschamps by the Mali photographer on the facing page. Perfect bound. Gift of Jan Baker.


Peeping Tom, Radha Pandey, Eric Gjerde, Special Collections, Fleet Library 2012 Rhode Island School of Design

Peeping Tom, Radha Pandey, Eric Gjerde, Special Collections, Fleet Library

Artists' Books

1 sheet : illustrations. Title from enclosure cover. 1 sheet (40 x 14 cm) folded twice to (14 x 14 cm) in folded paper cover. "Origami tessallation designed by Eric Gjerde ; printed, illustrated & executed by Radha Pandey, fall 2012." "To fully enjoy this act of voyeurism, push each square up from its sides and pinch in the white corners."--Colophon slip laid in. Artist's Book Fund.


Specimens, Lauren Faulkenberry, Special Collections, Fleet Library 2012 Rhode Island School of Design

Specimens, Lauren Faulkenberry, Special Collections, Fleet Library

Artists' Books

1 drop spine box, four interior parts. Numbered edition of 50. Each of the four parts unfold to 15 x 30.5 cm. Each printed on one side with color illustrations and printed text. Housed in a cloth-covered drop-spine box (16.5 x 9 cm.) with two compartments, one section holds the folded texts, the other houses an origami butterfly which is pinned to the box.


Teaching Children How To Like Balanced Meals, Harumi Norasakkunkit 2012 Minnesota State University, Mankato

Teaching Children How To Like Balanced Meals, Harumi Norasakkunkit

All Graduate Theses, Dissertations, and Other Capstone Projects

Growing up in Japan, balanced meals were always provided at home, at schools and even at restaurants. Unfortunately, children are not going to choose balanced meals from the start, so this habit has to be instilled by parents and by the educational system until it eventually becomes a personal preference for children. If children are simply given the choice to eat whatever they want from the beginning, it is unlikely that this preference will ever be developed. The emphasis of nurturing the habit of eating balanced meals, rather than just eating preferred foods, is what is particular about Japanese parenting. …


Dotphotozine Issue 2, 2012, Students of the CSUSB Art Department, Thomas McGovern 2012 California State University, San Bernardino

Dotphotozine Issue 2, 2012, Students Of The Csusb Art Department, Thomas Mcgovern

Dotphotozine

No abstract provided.


2012 Yearbook, RISD Archives, Center for Student Involvement (CSI) 2012 Rhode Island School of Design

2012 Yearbook, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


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