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36,597 full-text articles. Page 1292 of 1339.

The Nature Drawings Of Peter Karklins, Sean Kirkland, Louise Lincoln, Malek Moazzam-Doulat, Jonathan Lahey Dronsfield, Peter Trawny, Paul B. Jaskot, Elizabeth Rottenberg, William McNeill, Pascale-Anne Brault, Dolores Wilber, H. Peter Steeves, Ryan Feigenbaum, Andrew J. Mitchell, Karmen MacKendrick, Michael Naas, Liam Heneghan, Ashby Kinch, David Farrell Krell 2012 DePaul University

The Nature Drawings Of Peter Karklins, Sean Kirkland, Louise Lincoln, Malek Moazzam-Doulat, Jonathan Lahey Dronsfield, Peter Trawny, Paul B. Jaskot, Elizabeth Rottenberg, William Mcneill, Pascale-Anne Brault, Dolores Wilber, H. Peter Steeves, Ryan Feigenbaum, Andrew J. Mitchell, Karmen Mackendrick, Michael Naas, Liam Heneghan, Ashby Kinch, David Farrell Krell

DePaul Art Museum Publications

No abstract provided.


Robert Kingsley: A Retrospective (1976 - 2012), Robert Kingsley, Catherine Fruhan 2012 DePauw University

Robert Kingsley: A Retrospective (1976 - 2012), Robert Kingsley, Catherine Fruhan

Galleries at Peeler Exhibition & Program Publications

Robert Kingsley: A Retrospective (1976-2012). Catherine Fruhan, Professor of Art and Art History, DePauw University


Adenine Uracil Guanine: An Exploration Of Certainty In Science, Alicia M. Hendrix 2012 Scripps College

Adenine Uracil Guanine: An Exploration Of Certainty In Science, Alicia M. Hendrix

Scripps Senior Theses

Collaboration and communication between conventionally diverse fields can allow for deeper understanding and clearer analysis of the concepts within each. Two fields traditionally seen as dichotomous are those of art and science. Historically they approach problems in opposite ways. However, I would argue that they in fact investigate very similar questions, hoping to discover the ways that the world works. It makes sense, then, that historically these fields have sometimes been able to interact. Artists have engaged with science by creating work through scientific processes including crossbreeding flowers, genetically modifying organisms, and sequencing nucleotides. Others have referenced scientific ideas, like …


Question 1: Google And Pac-Man; Question 2: Magnetic Levitation, Larry Weinstein 2012 Old Dominion University

Question 1: Google And Pac-Man; Question 2: Magnetic Levitation, Larry Weinstein

Physics Faculty Publications

On the 30th anniversary of the introduction of the video game Pac-Man, Google created a miniature version of the game and placed it as its logo on its home page. How much total time was wasted in the United States playing this game?

(Thanks to Daniel Drill of Old Dominion University for suggesting the question.)

Animal tissue is diamagnetic. How large a magnetic field gradient is needed to levitate frogs or people?


Come To The Table, A. Greer Morgan 2012 The College of Wooster

Come To The Table, A. Greer Morgan

Senior Independent Study Theses

Why can our favorite practical objects not also be individually created, and for that matter, even designed as works of art? I believe there is value in creating items for daily life, paying them as much attention as any artwork. This begs several questions: Where is the intersection between art and life? When does life become art, and when is art life? I have addressed these questions with my Senior I.S. project, using interdependent sculptures made from ceramics and bread to urge contemplation about the mediums themselves, as well as by offering hospitality and encouraging community through the physical act …


Terrain, Rebecca Newhouse 2012 The College of Wooster

Terrain, Rebecca Newhouse

Senior Independent Study Theses

This thesis explores the complexity of human involvement with the gigantism of nature. I studied this experience by creating my own natural panoramas, to intensify the human interaction by enabling the viewer to see a vast space in a small, concentrated form. Reversing the scale from massive to miniscule is the center of my thesis; what is it about the all-encompassing scenery of towering mountains, or long green fields that makes them so visually and conceptually powerful? Using plaster and plywood, I explored this reaction by recreating familiar geological features, such as cave dwellings, cliffs, mountains and fields. Soon the …


Perceptions Of Life And Death Through The Metaphor Of Paint: Construction And Deconstruction Of Form, Nannette Cherry 2012 University of Central Florida

Perceptions Of Life And Death Through The Metaphor Of Paint: Construction And Deconstruction Of Form, Nannette Cherry

Electronic Theses and Dissertations

This paper will explore classical and contemporary methods of painting applied to the portrait. It will emphasize the metaphor of paint as flesh and the connotations of the breakdown of the painted form that stands in for flesh as it relates to our preoccupations with our own mortality. Borrowing from influences like Lucian Freud, Jenny Saville, and Francis Bacon, the artwork explores the creation of a form that is physical and confrontational, and is intended to provoke a psychological response in the viewer. This series of figuration bases its processes on traditional methods, while borrowing from modern art devices to …


Table Of Contents, 2012 University of New Mexico

Table Of Contents

Hemisphere: Visual Cultures of the Americas

No abstract provided.


Submission Information, 2012 University of New Mexico

Submission Information

Hemisphere: Visual Cultures of the Americas

No abstract provided.


Hemisphere Volume 5, 2012, Matthew Q. Breatore, Ethan Cole, Amy Hamman, Tatiana Reinoza, Ryan Henel, Annick Benavides 2012 University of New Mexico

Hemisphere Volume 5, 2012, Matthew Q. Breatore, Ethan Cole, Amy Hamman, Tatiana Reinoza, Ryan Henel, Annick Benavides

Hemisphere: Visual Cultures of the Americas

No abstract provided.


What You Could Know, Becca Wyant 2012 University of the Pacific

What You Could Know, Becca Wyant

Calliope

No abstract provided.


Mimi's Imagination, Maraiam Al-Enezi 2012 University of the Pacific

Mimi's Imagination, Maraiam Al-Enezi

Calliope

No abstract provided.


Daydreaming, Eric Koester 2012 University of the Pacific

Daydreaming, Eric Koester

Calliope

No abstract provided.


My Time, Becca Wyant 2012 University of the Pacific

My Time, Becca Wyant

Calliope

No abstract provided.


Teaching Conversations, Contemporary Art, And Figure Drawing, Mark Graham 2012 Brigham Young University - Provo

Teaching Conversations, Contemporary Art, And Figure Drawing, Mark Graham

Faculty Publications

An important problem for high school art teachers is deciding what belongs in the art curriculum. What works of art, media, or ideas will inspire their students to more fully develop their own artistic potential and critically engage with contemporary art and culture? What artifacts of art, visual culture, or material culture should be included and how can these artifacts be connected to student interests? This article will visit these questions and contextualize figure drawing within contemporary art practice and emerging discussions about art education curricula. Although new media and technologies have important and unexpected places within the art curriculum, …


Mena, Sasha Strelitz 2012 Nova Southeastern University

Mena, Sasha Strelitz

Digressions: Literary & Art Journal

No abstract provided.


Bella, Natalie Hernadez 2012 Nova Southeastern University

Bella, Natalie Hernadez

Digressions: Literary & Art Journal

No abstract provided.


Untitled, Renata Villar 2012 Nova Southeastern University

Untitled, Renata Villar

Digressions: Literary & Art Journal

No abstract provided.


Electric Justice, Joe Cirino 2012 Nova Southeastern University

Electric Justice, Joe Cirino

Digressions: Literary & Art Journal

No abstract provided.


The Collective Alphabet, Angela Lorenz, Special Collections, Fleet Library 2012 Rhode Island School of Design

The Collective Alphabet, Angela Lorenz, Special Collections, Fleet Library

Artists' Books

The Collective Alphabet was created by a class at the Scuola Internazionale di Grafica Venezia in 2012 and donated to Special Collections, Fleet Library, Rhode Island School of Design. Read more about the workshop.


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