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The Decagonal Tomb Tower At Maragha And Its Architectural Context: Lines Of Mathematical Thought, Carol Bier 2012 Graduate Theological Union

The Decagonal Tomb Tower At Maragha And Its Architectural Context: Lines Of Mathematical Thought, Carol Bier

Textile Research Works

Of several brick tomb towers constructed at Maragha in western Iran before the Mongol conquests, one in particular, Gonbad-e Qabud (593 H. / 1196-97 C.E.), has generated significant recent attention for its unique patterns with pentagons and decagons. Gonbad-e Qabud is also unusual in having a decagonal plan. While both plan and decoration distinguish it from earlier and later towers at Maragha and elsewhere on the Iranian plateau, the ornamental patterns follow a long line of experimentation with geometric expressions that grace many pre-Mongol buildings in Iran. This article examines in particular the overlapping polygons and radial symmetries of the …


Risd Fact Book 2012, Institutional Research 2012 Rhode Island School of Design

Risd Fact Book 2012, Institutional Research

RISD Fact Books

The Office of Institutional Research is pleased to present the Rhode Island School of Design Fact Book, 2012; a paperless, accessible, consistent source of information about the RISD community, its resources, and its operations. It is a summary of institutional data gathered from many areas of the College, compiled to capture the 2012 Fiscal and Academic Year. Where appropriate, multiple years of data are provided for historical perspective. While not all-encompassing, the Fact Book does provide pertinent facts and figures and is made available as reference to administrators, faculty, staff, and students.


Declan Clarke’S Fantasies, Tim Stott 2012 Technological University Dublin

Declan Clarke’S Fantasies, Tim Stott

Articles

No abstract provided.


Tadpoles, Caterpillars, And Mermaids: Piero Di Cosimo's Poetic Nature, Giancarlo Fiorenza 2012 California Polytechnic State University - San Luis Obispo

Tadpoles, Caterpillars, And Mermaids: Piero Di Cosimo's Poetic Nature, Giancarlo Fiorenza

Art and Design

No abstract provided.


Zamora Discusses Secrets Of Graphic Designers, Aldemaro Romero Jr. 2012 CUNY Bernard M Baruch College

Zamora Discusses Secrets Of Graphic Designers, Aldemaro Romero Jr.

Publications and Research

No abstract provided.


Technofile: Viscosity, Tina M. Gebhart 2012 Gettysburg College

Technofile: Viscosity, Tina M. Gebhart

Art and Art History Faculty Publications

The article focuses on the effect the viscosity of a glaze or slip has on a piece of pottery. The article explains the term and provides tests that can be performed to determine the viscosity of a substance. It goes on to describe how one can manipulate the viscosity of a glaze or slip through the addition of water or other aids and includes step-by-step instructions for making a slip.


Ua68/5/2 Potter College Of Arts & Letters Art Administration, WKU Archives 2012 Western Kentucky University

Ua68/5/2 Potter College Of Arts & Letters Art Administration, Wku Archives

WKU Archives Collection Inventories

Administrative records created by the Art Department.


Ua64/3 College Of Education & Behavioral Sciences Industrial Education & Technology, WKU Archives 2012 Western Kentucky University

Ua64/3 College Of Education & Behavioral Sciences Industrial Education & Technology, Wku Archives

WKU Archives Collection Inventories

Records created by and about the departments of Manual Training, Industrial Arts and Industrial Education and Technology.

Series 1. Administrative
Series 2. Self-Studies
Series 3. Curriculum
Series 4. Publications
Series 5. Student Organizations


Creating Knowledge, Volume 5, 2012, 2012 DePaul University

Creating Knowledge, Volume 5, 2012

Creating Knowledge

It is my great pleasure to introduce the fifth volume of the College of Liberal Arts and Social Sciences’ Creating Knowledge, our undergraduate student scholarship and research journal. First published in 2008, the journal is the outcome of an initiative to enhance and enrich the academic quality of the student experience within the college. Through this publication, the college seeks to encourage students to become actively engaged in creating scholarship and research and give them a venue for the publication of their essays. This fifth volume, like the ones that preceded it, gives considerable testimony to the creativity, hard work …


The Arts As A Social Cause, Felicia Low 2012 Singapore Management University

The Arts As A Social Cause, Felicia Low

Social Space

The arts may be quietly making waves, says Felicia Low, but much more can be done to support the movement and effect real change.


Leading Social Design: What Does It Take?, Christian Bason 2012 Singapore Management University

Leading Social Design: What Does It Take?, Christian Bason

Social Space

Across the globe, design is increasingly seen as a discipline that is central to social innovation. However, the fruitful use of design by public and social sector organisations requires leaders who are prepared to embrace new approaches such as ethnographic research, user involvement, ideation, prototyping and experimentation. Christian Bason explores how effective design practice can help realise social innovation.


Parnassus 2012, 2012 Taylor University

Parnassus 2012

Parnassus

The 2012 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Correction: The second and third place winners in poetry were switched on printing.


The Gallery 2012, Stephanie Francis, Elizabeth Rosemiller, Yvonne Marki, Justin Spinozzi, Brian Anderson, Anthony Zukofsky, Timothy Polagye, Jessica Padilla, Elaina Unger, Megan Richards, Casey Lutz, Lisa Skala, Andrew DeMartini, Jacqueline Beck, Natasha Olivero, Susan Bowman 2012 Rowan University

The Gallery 2012, Stephanie Francis, Elizabeth Rosemiller, Yvonne Marki, Justin Spinozzi, Brian Anderson, Anthony Zukofsky, Timothy Polagye, Jessica Padilla, Elaina Unger, Megan Richards, Casey Lutz, Lisa Skala, Andrew Demartini, Jacqueline Beck, Natasha Olivero, Susan Bowman

The Gallery

This is a digital copy of the print book produced by the Gallery 2012 team. Contents: Preface p. 3, Core p. 5, Graphic Design p. 23, Illustration p. 55, Painting p. 73, Photography p. 87, Printmaking p. 105, Metals & Jewelry p. 129, Sculpture & Ceramics p.147.

Files for individual sections may be viewed on the detailed metadata page by clicking on the book title.


Fred Wilson, John Zarobell 2012 University of San Francisco

Fred Wilson, John Zarobell

Global Studies Faculty Publications

No abstract provided.


International Orange, John Zarobell 2012 University of San Francisco

International Orange, John Zarobell

Global Studies Faculty Publications

No abstract provided.


Barry Mcgee, John Zarobell 2012 University of San Francisco

Barry Mcgee, John Zarobell

Global Studies Faculty Publications

No abstract provided.


World Symbolism, John Zarobell 2012 University of San Francisco

World Symbolism, John Zarobell

Global Studies Faculty Publications

No abstract provided.


Agnes Martin, By Lynne Cooke Et Al. Dia Art Foundation: New York And Yale University Press: New Haven, 2011 (Book Review), Vittorio Colaizzi 2012 Old Dominion University

Agnes Martin, By Lynne Cooke Et Al. Dia Art Foundation: New York And Yale University Press: New Haven, 2011 (Book Review), Vittorio Colaizzi

Art Faculty Publications

[First Paragraph] The impression emerges, through reading this anthology and remembering the work, that Agnes Martin's paintings are somehow not there. Their qualities and effects are of a second order, not directly tied to their material facts, because as perceptions, they evade and exceed these facts. Although it is entirely clear of what they consist and how they were made, viewers report constant dissolution and condensation of screens, veils, or mists from the tiny elements on the surface. Emblems of the less than absolute sufficiency of empirical knowledge, they reinforce Martin's claim that "The cause of the response is not …


Childhood Structures No. 2, Shiloh Gastello 2012 University of the Pacific

Childhood Structures No. 2, Shiloh Gastello

Calliope

No abstract provided.


Jim Agard: A Retrospective, James D. Agard, Kerri R. Rosenstein 2012 Gettysburg College

Jim Agard: A Retrospective, James D. Agard, Kerri R. Rosenstein

Schmucker Art Catalogs

The subject of illusion has been at the core of Jim’s work from the get-go. So when he serendipitously met some guy one night who was toying with a bent hanger, insisting Jim entertain him by seeing if he could visually make the wire cube turn inside out, Jim was captivated. Moving from side to side, as instructed, Jim experienced the cube floating on an invisible axis. He went rampant. Up until then, his work had implied illusion rather than created actual illusion. A chance encounter and his discovery of the Necker cube propelled him into what would become the …


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