Art and Design Commons^™

On Creativity, Kerry Meakin

Articles

A review of available literature on creativity was undertaken to determine the definition of creativity, the common traits displayed by those perceived as being creative and how those traits may possibly be nurtured. The word ‘creativity’ has been used by politicians as if it is tangible commodity that must be developed in time of economic recession. Indeed, Dublin City Enterprise Board, a local government authority are in the process of staging ‘Idea Generation’ workshops, “this workshop not only shows you what ideas are good ideas but also introduces you to the concepts of thinking laterally” (Dublin Regional Authority, 2011). The …

Artist's Statement For Church Of Totem, Totem Shriver

Exhibition Catalogs, Essays, and Related Materials

This artist's statement provides information on the exhibit Church of Totem by Totem Shriver, as well as information on its associated collaborative gatherings. Church of Totem was presented by the Linfield Gallery and the Department of Art and Visual Culture at Linfield College from February 6 through March 17, 2012.

Pilgrims Of Beauty: Art And Inspiration In 19th Century Italy, Crawford Alexander Mann Iii

Journals

Exhibition Notes, Number 38, Spring 2012. In the 19th century Italy was the most desirable destination for travelers from every corner of Europe and beyond. Thousands crossed mountains, even oceans, to go there, leaving their "barbarous” homelands to study and admire Italy’s unsurpassed aesthetic and cultural riches. A poem in the New England Magazine in 1831 described the goals and ideals of visiting Italy on a European Grand Tour, calling those who did so "pilgrims of beauty.” Like religious pilgrims of centuries past, these lovers of art participated in a ritual journey, a powerful shared experience of Italy’s magnificent landscape, …

Painting Air: Spencer Finch, Spencer Finch, Judith Tannenbaum

Journals

Exhibition Notes, Number 39, Winter 2012. Spencer Finch, an artist known internationally for artwork that captures fleeting or intangible natural phenomena and sensory experiences, received his MFA in Sculpture from RISD in 1989. In the two decades since, Finch has created drawings, watercolors, photography, and video as well as sculpture and installations—selecting mediums and methods that seem best suited to conveying his fascination with light, color, and atmosphere. His focus of attention ranges from a speck of dust seen in a shaft of light in his studio to grand glaciers in New Zealand.

As a graduate student Finch worked in …

Can Design Thinking Have A Social Life Through Networking?, Brenda Duggan

Articles

‘The design process is best described metaphorically as a system of spaces rather than a predefined series of orderly steps. The steps demarcate different sorts of related activities that together form a continuum of innovation’. (Brown, 2008, 4) This paper addresses two different spaces for examining design thinking — the design research notebook and the digital space, the topic-driven blog. The premise for this paper arises from teaching digital media on a visual communication programme. I wanted to ask the question from my perspective as an educator — if the individual research notebook is a convention or vehicle for design …

Reconsidering The Avant-Garde Through Ritual, Clodagh Emoe

Articles

This essay seeks to challenge, albeit in a modest capacity, the ostensible understanding of the avant-garde as a failed project. While acknowledging the criticisms arguing the failure of the avant-garde to motivate a new social order by leading cultural commentators, such as Raymond Williams and Peter Bürger, this essay follows critic Hal Foster’s retroactive model of art and theory to reconsider the avantgarde under conditions of enquiry that focus on the enactment of alternate modalities — this being ritual theory. A key concern of Fosters “new articulation” of the avant-garde is an understanding of the critical capacity of art by …

Buttering Up The British: Irish Exports And The Tourist Gaze, Mary Ann Bolger

Articles

This paper argues that the advertising of Irish exports in the 1960s provided for their consumers a form of ‘tourism without travel’. (1) This concept is borrowed from Mark McGovern, who uses it to describe the experience of the consumer of the ‘Irish pub experience’ in his article ‘”The cracked pint glass of the servant”: the Irish pub, Irish identity and the tourist eye’ in Michael Cronin and Barbara O’Connor (eds) Irish tourism: image, culture, and identity. Clevedon; Buffalo, N.Y.: Channel View Publications, 2003 In particular, Kerrygold butter acted as an especially authentic souvenir of Ireland because it was, as …

Word And Place In Irish Typography, Brian Dixon

Articles

Toponomic typography, or place-name typography, is not, in any sense a formal discipline. It is, however, common for typographers to find themselves setting the names of locations and settlements within a diverse range of projects. Wayfinding solutions, public transport information material and road signage are but some examples of the instances in which the designer is required to represent and visually interpret those words which mean so much to so many.

Motionless Monotony: New Nowheres In Irish Photography, Colin Graham

Articles

‘But my mind was too confused … so with a kind of madness growing upon me, I flung myself into futurity … What strange developments of humanity, what wonderful advances upon our rudimentary civilization, I thought, might not appear when I came to look into the dim elusive world that raced and fluctuated before my eyes. I saw great and splendid architecture rising about me, more massive than any buildings of our own time, and yet, it seemed, built of glimmer and mist … the earth seemed very fair. And so my mind came round to the business of stopping.’ …

Logarithmic Spirals And Projective Geometry In M.C. Escher's "Path Of Life Iii", Heidi Burgiel, Matthew Salomone

Journal of Humanistic Mathematics

M.C. Escher's use of dilation symmetry in Path of Life III gives rise to a pattern of logarithmic spirals and an oddly ambiguous sense of depth.

Diptych With Scenes Of The Nativity, The Crucifixion, And The Last Judgement, Risd Museum, Robert Brinkerhoff

Channel

This diptych was intended for private devotional viewing by privileged members of the French court and the Roman Catholic Church. Composed of four arcaded compartments once embellished with gold leaf and colored pigments, it narrates Mary’s role as mother and intercessor. The Annunciation and the Nativity of Christ at lower left face the presentation of the Infant Jesus to gift-bearing Magi. Above, Mary swoons at the Crucifixion, then reappears enthroned to be crowned by Christ. In the final panel at the upper right she kneels beside Christ on Judgment Day as souls arise from tiny sepulchers below. 1275-1325

Image From The Animated Film Passing, Eliza Fernbach

SPECS journal of art and culture

No abstract provided.

Image From The Animated Film Passing, Eliza Fernbach

SPECS journal of art and culture

No abstract provided.

Image From The Animated Film Passing, Eliza Fernbach

SPECS journal of art and culture

No abstract provided.

Image From The Animated Film Passing, Eliza Fernbach

SPECS journal of art and culture

No abstract provided.

Image From The Animated Film Passing, Eliza Fernbach

SPECS journal of art and culture

No abstract provided.

Image From The Animated Film Passing, Eliza Fernbach

SPECS journal of art and culture

No abstract provided.

Richards, Alta Beatrice (Lightfoot), 1900-1989 (Mss 381), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 381. Materials chiefly related to Allen County-native Alta Beatrice Richards’s interest in weaving, developed while working at Berea College. Includes correspondence with other weavers, weaving patterns, and weaving techniques. Also, information concerning noted Kentucky weaving authority Lou Tate of the Little Loomhouse, Louisville, Kentucky.

Exhibition Review: Contested Visions In The Spanish Colonial World, Annick Benavides

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Artist Spotlight: In Space, In Time, Ryan Henel

Hemisphere: Visual Cultures of the Americas

No abstract provided.