Interdisciplinary Arts and Media Commons^™

The Global On Display? Art, Circulation, And The Institutional Framing Of Practices, Florian Rosinski

Artl@s Bulletin

Abstract: This article examines how the notion of “circulation” structures institutional discourse in contemporary art exhibitions focused on digital photography. Drawing on curatorial texts, mediation materials, and interviews from four shows, it uses discourse analysis to show how circulation operates as both a symbolic framework and an organizational logic. While it helps articulate tensions in the global art field, it also neutralizes critique by reaffirming artistic centrality and marginalizing audiences. The study questions whether circulation illuminates or obscures the very power relations it names.

Résumé: Cet article interroge le rôle structurant de la notion de « circulation » dans les …

I Know You Are Watching, Camilo Salas Kusulas

Theses and Dissertations

I Know You Are Watching is a short documentary film that examines the evolving history and scope of mass surveillance, and how to resist it. The film introduces two local New York City artists, Bill Brown from the Surveillance Camera Players, and Sam Lavigne, who misuse technologies designed to watch us, exposing these systems and fighting back through digital art and performance.

Blending interviews, observational footage, personal narration, archival images, and news clips from different eras, the film interrogates the mechanisms of control, and positions art as a method of both understanding and talking back to surveillance.

The Room That Remembers: A Sanctuary Built From Silence, Kayla Brown

Graduate Theses/Dissertations

This installation is a process-based paper artwork that seeks to protect, enlighten, and discover what healing can be in silence. Through the creation of immersive art objects and experiences, I seek understanding and resolutions for my lived experiences. I utilize the physicality of paper in conjunction with the fragility of topic to enhance the meaning behind my material choices. I transform the idea of a traumatic room into an activated space of healing: one that rest, time, and momentary silence exist as choice rather than by force.

Corpus Meum, Mea Electio, Kara L. Coonrod

Graduate Theses/Dissertations

The right to bodily autonomy and reproductive freedom is something I hold very close to my heart. Women who did not wish to embrace motherhood, or who grew beyond the walls of the hearth and home, have been far more often persecuted than praised. Over the past two years, I have created artwork borrowing the visual and material language of the Catholic church (along with personally relevant folklore) to elevate my freedom of choice and bodily autonomy in the face of religiously driven political oppression. Using a less frequently referenced organ from my reproductive system to represent my struggle against …

Character Kinetics: An Interactive, Immersive Installation On The Mindfulness Of Asemic Writing, Danielle S. Desmarteau

Scripps Senior Theses

Character kinetics is an installation art piece that explores how writing asemically (without language) can ease the body and mind into the present moment, allowing one to focus on the material and movement of mark-making. Throughout the semester, I held workshops where participants were invited to scribble it out, to express their thoughts and surroundings without needing to make sense in the context of language. The resulting pieces were transformed into sculptural paper forms suspended in air, creating an interactive three-dimensional space inviting viewers to analyze the infinite possibility of interpretation within asemic symbolism.

The Collapse Of The New Tendencies: How Did A Movement That Never Existed Cease To Exist, Tonka Protega

MA Theses

This thesis examines the short lifespan of the New  Tendencies. Although the  New Tendencies have gained renewed recognition over the last couple of years, there is still limited research on their final phase. To address this topic, I analyzed the narrative history of the  New Tendencies  , alongside the essays published in the exhibition catalogues. Additionally, I considered the historical and political situation in Croatia during this period, which influenced the manifestations. Ultimately, this thesis argues for the non-existence of the  New Tendencies  as a movement in the history of art and identifies the key reasons that led to its …

The Critique Repository Volume 1, Sandrine Schaefer, Egypt Anderson, Taylor Houston, Chris Mayer, Gabriella Seebode

Visual Arts

This workbook is for students, faculty, and practitioners of all kinds. It is designed to playfully and insightfully strengthen your skills in giving and receiving feedback. It’s also a call to action: to examine how our personal biases, cultural frameworks, and institutional structures shape the ways we respond to creative work. Throughout the pages that follow, you’ll find exercises intended to deepen your critique practice.

The Critique Repository: Volume 1 emerges from the collaborative work of students and faculty in the Patterns and Feedback: Trauma-Informed Critique research group through the Center for Collaborative Research, Edwards College of Humanities and Fine …

Transversal Storytelling | Wintersession 2026 Syllabus, Patrick Buhr, Movement Lab

Course Materials

What does "story" mean? How can stories help us understand what appears profoundly different from us? How might seemingly unrelated elements converge in poetic resonance?

A “transversal line” cuts across worlds — moving through unexpected spaces, ideas, people, and moments. In this course, we explore how such crossings can inspire new forms of expanded storytelling and technique, looking at vivid examples from animation, film, coding, and performance. The students will choose contrasting elements (stories / characters / places) from their personal experience and together explore artistic ways of creating meaningful transitions and intersections.

The class will culminate in the development …

Transversal Movement Framework, Patrick Buhr, Movement Lab

Personal Work

"Every type of art can be understood as performance, and every performance involves movement. Every movement has a mover, and every mover relies on something through which to move…." – Patrick Buhr

Art Heals Chicago: Murals On The South Side Of Xicágo, Brenda Rodriguez

Pomona Senior Theses

Mural making as a collective art form is a tool for healing, resistance, and cultural pride in Black and Brown communities. With my focus being on Mexican American communities on the South Side of Chicago, specifically Pilsen. I make ties to indigenous motifs and the history of Mexican Muralism to show how it has evolved and how murals in the 1960s and 70s were used for healing from violence and the revolution. Murals that include images that reference the Mesoamerican past and preconquest life are a powerful way of reclaiming one’s identity and asserting one's indigeneity in the present and …

Film For Jeanette, Brice Goldberg

Theses and Dissertations

Film for Jeanette is an experimental documentary concerning grief, memory, and what remains of those who have left this physical plane. The film paints the portrait of my late sister, Jeanette Lee Goldberg, who died in a car accident when she was 19. What begins as a memorial becomes a celebration of her life and an exploration into the complexities of her character that led to her death. Jeanette’s story is told through interviews with family members, while the visuals, created with various alternative 16mm film techniques, depict my own journey through the filmmaking process. I was only 3 when …

The Demand For Attention: Notification Technology And The Restructuring Of Communication, Sabrina Feld

Scripps Senior Theses

This thesis argues that notifications are not merely features of digital devices but infrastructural forces that quietly reorganize the conditions under which communication is perceived, enacted, and understood. Drawing on Science, Technology, and Society (STS) frameworks, specifically Actor-Network Theory and Langdon Winner's concept of Forms of Life, the first chapter traces how notifications produce a Form of Life organized around continuous responsiveness, in which incoming information appears as a pending demand, silence carries new moral weight, and the capacity for self-determined availability is structurally foreclosed. Understood this way, notifications become a case study for a broader pattern in which technological …

Intersections Of Art And Medicine, Lina Adwer

EMET Projects

No abstract provided.

Creativity Through Thought Exercises: Developing A Personal Heuristic For Choreographic Decision-Making, Jalisa R. Johnson

Dance (MFA) Theses

This thesis explores the development of a personal set of heuristics, or accessible thought tools, that can be used in choreographic or creative decision-making. Through an in-depth study of the visual art of Romare Bearden paired with an evaluation of patterns of the author’s personal history, three tools or “dials” emerge: derealization, contextuality and inversion. A close study of Bearden’s work demonstrates a pattern of repurposing and distorting ideas in ways consistent with the three dials. The author found similar patterns emerge in an excavation of her personal narrative, indicative of a cyclical and prophetic re-imagining of previous life experiences. …

In Search Of The Soul Of Creativity: Authorship, Agency, And Meaning In Refractive Collaboration With Generative Ai, Fatima Nazir

Theses and Dissertations

When images can be generated in seconds, what remains uniquely human in the act of creation? In Search of the Soul of Creativity: Authorship, Agency, and Meaning in Refractive Collaboration with Generative AI investigates where authorship, agency, and meaning reside within design practices mediated by generative AI. Rather than using AI to produce predictable results, this research deliberately relinquishes control to observe how generative systems interpret language through their own learned associations. Through a practice-led investigation across four generative models within the Higgsfield platform, user prompts were progressively shortened from full sentences to single words, revealing recurring patterns and cultural …

Herp Count 2025, Camryn Gulledge

Graduate Theses/Dissertations

Herp Count 2025 is a process-based project in which I log and document every herp (reptile or amphibian) I encounter in the wild while investigating the realities of human impact on ecosystems. During 2025, I observed 1,406 individual herps, most of which appeared not in remote wilderness but in the compromised margins of human spaces. When I observe them in a littered area, I collect nearby trash and bring it back to my studio to combine it with a detailed drawing of that specific individual. In my Contact series, I use a clean-touch printmaking process that involves a stretched plastic …

From Physical Correlation To Emotional Connection: The Role Of Passive Haptics On Empathy In Virtual Reality, Jemely Robles

Dartmouth College Master’s Theses

Virtual reality is increasingly explored as a tool for cultivating empathy, and haptic feedback as a tool for enhancing immersion. This paper investigates the effects of combining the two.  Fifty-two participants experienced a custom-built VR scene in which a character was shown packing up a room. Participants were assigned to either a haptic condition, receiving passive haptic feedback corresponding to the character's actions, or a non-haptic control condition that did not receive any haptic input. Trait empathy was measured beforehand, and state empathy and engagement were measured after the experience. Thematic analysis was conducted on post-study interviews, and headset recordings …

Sensory Constellations, Madaline K. Gardner

Theses and Dissertations

This thesis situates neurodiversity within the field of fine arts by integrating disability studies, institutional critique, and material practices in painting and printmaking. Through visual analysis and studio-based research, the project examines how tactile engagement, color relationships, and repetitive mark-making can articulate embodied experiences of neurodivergence. It challenges dominant institutional frameworks that pathologize neurodivergent behaviors by reframing stimming as a generative and communicative practice. The resulting body of work includes both image-making and the creation of tactile objects designed to facilitate sensory interaction. The thesis proposes alternative ways of understanding artistic practice and accessibility within art institutions.

Between The Veins: Materializing Memory In The Age Of Digital Storage, Alice Mohammed Aslem

Theses and Dissertations

What happens to a childhood stored behind a password? This thesis began with a simple moment of scrolling through my son’s photographs on my phone. As the images multiplied, they began to lose clarity, turning into an overwhelming digital archive. This made me ask: What kind of memories am I preserving for him?

Having grown up between analog and digital worlds, Between the Veins explores how I navigate memory through material objects and digital archives. Using weaving, images are transferred onto screw pine and palm leaves. In this process, digital files of his childhood are translated into organic fibers of …

Munajat: Design As A Dialogue With The Divine, Shawky Abdalla

Theses and Dissertations

Contemporary design discourse remains grounded in functional, seemingly user-centered paradigms, often neglecting what lies beyond the tangible within a human experience. This research challenges such frameworks by positioning design as a dialogue with what exceeds the physical, moving toward the experiential, where meaning precedes and informs form. Drawing on Islamic philosophy, particularly the relationship between zahir and batin (outward form and inward meaning), the study repositions design as a medium for remembrance (dhikr) rather than mere utility.

Through a critique of modernist and postmodernist principles, the research proposes a series of objects that engage with memory, introspection, and transcendence in …