Ceramic Arts Commons^™

A Timeless Ritual, Luke Thomas Doyle

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written thesis is the supporting documentation for A Timeless Ritual, my Master of Fine Arts thesis exhibition. The exhibition seeks to define my expression of aesthetics through utilitarian vessels to create a sense of nostalgia with the user my mimicking industrial objects.

The research pertaining to my thesis explores the interactions between object and user. A patina layered over time evokes a sense of age, weathered memories of a time once lived. I look for these subtle nuances in form. Borrowing an aesthetic from manufactured products and reviving it in a domestic space is where my pots takes life. …

Essence, Fatimah Ali Alhazmy

Master's Theses or Doctor of Nursing Practice

Essence

Essence is in the artist's soul, where visions of flowers are transformed into reality through ceramics. The natural beauty of the Arabian jasmine flowers and their distinctive fragrance were very impactful for me at an early age.These flowers fill the air in and around each house. This is what has inspired my current work.These specific flowers were chosen for their harmonious colors, soft curves, and symmetrical formsthat resemble the shape of a woman's body.I create thrown vessels and sculpt forms, then individually attach delicate, handmade flowers to each of the forms. Typically, I work with high-fire porcelain paper clay …

Islamic Ceramics, Indelible Creations: Assessing And Preserving The Scripps Collection, Josephine Ren

Scripps Senior Theses

This research project examines and documents the collection of Islamic ceramics at Scripps College from an art conservation standpoint. The main objectives were to establish provenance for these objects, assess their current conditions, propose recommendations for future preservation, and discuss the importance of preventive conservation and general collections care methods. Based on my survey and research, I demonstrated which objects in particular should be prioritized due to their states of conservation and significant educational value. Such objects raise further points of departure regarding authenticity and conservation ethics.

Narratives Of Place: Reasons To Look Up, Dean Justice Leeper, Dean J. Leeper

Graduate Student Theses, Dissertations, & Professional Papers

Narratives of Place: Reasons to Look Up, is and exploration and reflection of Dean Leeper's personal interaction and relationship to the landscape of Missoula Montana, while as a graduate student at the University of Montana. This paper explores his thoughts, definitions, influences, reflections and descriptions of his most recent work created for his Masters of Fine Art Thesis Exhibition. Leeper presents his work and ideas as a small part of a lager ongoing dialog of how humans understand ideas of place as they relate to finding a sense of self identity.

Stacked Vases, Robert M. Simoneau

The Anthology

No abstract provided.

Three Teapots, Carsyn Osiecki

The Anthology

No abstract provided.

Bulbous Vase, Eva Gordon

The Anthology

No abstract provided.

Ceramic Work 2, Charles A. Waddell

The Anthology

No abstract provided.

Grace Sheese On A Career In Art And Her Exhibit, Red Thread, Laura Kennedy

Interviews for WGLT

No abstract provided.

Modern Arts And Pueblo Traditions In Santa Fe, 1909–1931, Elizabeth S. Hawley

Dissertations, Theses, and Capstone Projects

This dissertation examines art produced in and around Santa Fe, New Mexico during the early twentieth century, putting the works of Pueblo artists who lived in the area into dialogue with the works of Anglo-American modernists who traveled there. I take as case studies three artists whose practices are linked by both circumstance and agenda: Maria Martinez, a famed Pueblo potter; John Sloan, a leading member of The Eight and the Ashcan School; and Tonita Peña, a Pueblo watercolor painter. Weaving together Anglo-American and American Indian art history – which are too often bifurcated into separate accounts, omitting rich histories …

Castles In The Sky, Iva Milovanović

Masters Theses

I was born and raised in the city of Belgrade. From the 1950’s till the beginning of 1990’s it was the capital city of the Socialist Federal Republic of Yugoslavia. From the 1950’s until the 1980’s Yugoslavia experienced a financial and thus architectural boom. The president Josip Broz Tito financed construction of WWII Memorials to demonstrate the strength of the socialist republic throughout the Balkans. These giant memorials, along with most of the architecture of Belgrade from that time, were built in brutalist style. Brutalism signified power, progress and a forward moving country.

However, when I was born a new …

Ouroboros, Christopher Dove Drury

Masters Theses

Art is communication.

Objects are for making and giving.

Life is to be loved with others.

I work directly and swiftly with material to mark time and labor.

This is a pathway to resolve suffering, to be present.

On The Edge Of Being, Zoe Gross

Masters Theses

On the Edge of Being represents a focused exploration of clay, craft, femininity, fragility, and self-care. The title is hopeful. It represents a certain radical gentleness with myself and with my work. It reminds me that as hard as I try, there is always room to grow and improve. It is also a bit of a joke with myself; I am rarely satisfied.

I began this body of work as a way of rejoicing in the tamped down impulses of my early artistic career. I wanted to infuse my work with magic: color, texture, pattern, flowers, frills, lace, kitsch and …

Very-Asian Variation, Nicholas Oh

Masters Theses

Nicholas Oh is a Korean American Artist currently working in Providence.

Oh graduated from San Francisco State University and he is currently a graduate student at Rhode Island School of Design.

He focuses on creating clay sculpture and mixed media installation that deals with race and identity as a Korean American in America.

Oh has done residencies at Shigaraki Ceramic Cultural Park, Japan and Anderson Ranch Arts Center, Colorado and has shown at Mills College Art Museum in California, Milwaukee Art Institute in Wisconsin, American Museum of Ceramic Art and Pence Gallery in California.

Home Is, Jodie Masterman

LSU Master's Theses

As an exploration of family and personal history, Home is. aims not only to chronicle my own experiences and memories, but to touch upon the innumerable definitions of the word “home”. The objects are rooted in personal reflection, but each one refers to an aspect of play, identity, love, loss, or regret, inherent within any family. Although they do serve as a blueprint of my life, they are meant to stand as moments shared by all.

Dearest, Grace Tessein

LSU Master's Theses

Dearest is the examination of what remains of a person, looking to the objects they cherished most while contemplating the inevitability of their certain absence. The work questions the futility of preservation in the measure of time, the failure of memories held in fragile containers, and the decay of the physical body. The materials that compose Dearest are chosen for their innate longevity and their ability to evoke remembrance.

Layered Histories, Interpretive Desires, Rachelle Dang

Theses and Dissertations

I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.

Unmaking As Making, Viola Bordon

Bachelor of Fine Arts Senior Papers

Artist Viola Bordon examines the processes of touch, unmaking, and materially dictated aesthetics regarding her studio practice. The philosophical ideas of absence are used to establish a purpose for undoing, which is then explored as a learning process. This process is complicated by the sense of touch, resulting in formal aesthetics that are materially inspired.

Ice Cream, Richard Frank Peterson

Graduate Theses and Dissertations

Ice Cream is a series of 2D and 3D depictions of lawn ornaments, Charlie Brown, and novelty ice cream bars, which question how White America is indoctrinated through seemingly innocuous images and objects. The exhibition unveils the white supremacy fostered within the American way of life and articulates an environment where Americans act in racist ways when they believe they are acting morally. The research found within Ice Cream attempts to dismantle the foundation these justifications are built upon. This honesty, coupled with acknowledging that these historic traditions are rooted in racial constructs, will result in a double consciousness and …

Anticipation Of Subsequent Days, Christopher Watt

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

This thesis exhibition is a presentation of my research into historic and autoethnographic analyses of social, material, and technical practices that support the production of atmospheric-fired stoneware and porcelain vessels. My work examines contemporary ceramic processes of wood-firing, salt-glazing and wood ash glazes and how they continue craft practices of historic traditions.

By critically examining the ceramic studio as a ground for material and ethnographic research, I aim to better understand the social conditions that support and produce atmospheric-fired ceramic practices in the 21st century, as well as how and why we continue to create such pots. My practice-based research …