2019 Forces,
2019
Collin College
Bad Flood, Good Colors,
2019
Collin College
Conversation?,
2019
Collin College
African Affinity Mask,
2019
Humboldt State University
Pottery Lecture And Demonstration - Print On Clay,
2019
Governors State University
Pottery Lecture And Demonstration - Print On Clay, Jason Bige Burnett
Grant Supported Events
Visiting artist, Jason Bige Burnett, potter and author, offering a Lecture and Demonstration on Printing on Clay.
March 7th
Lecture: 3-4:30PM
F1622
Demonstration: 12-2PM, 6-9PM
Ceramics Studio E1526
Sponsored by Art Forum and a GSU Intellectual Life Grant
Constraint And Control,
2019
CUNY Hunter College
Constraint And Control, Patricia Ayres
Theses and Dissertations
I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.
Generative Movements, Cabbage Juice, & Habitats Of Selfhood,
2019
CUNY Hunter College
Generative Movements, Cabbage Juice, & Habitats Of Selfhood, Jason Michael Rondinelli
Theses and Dissertations
The content of this essay is a reflection on my practice as an artist. A summary of text includes an analysis of my attraction to certain materials such as drywall, cabbage juice and coconut oil, all materials are the extensions of my memory, intention and pleasure. From warm memories of bathhouses and the flesh of others to managing illness at home, my artwork distills a lived experience into material reality. These materials take the shape of sculptural networks that serve as biographical biomes. The architectural and organic components of the work are sourced from my own experience and the surreal …
Contemplative Interiors: Ceramics And Furniture,
2019
SUNY Geneseo
Contemplative Interiors: Ceramics And Furniture, Alla Myzelev, Kala Stein, James Johnson
Geneseo Authors
Exhibit Catalog for the show Contemplative Interiors exhibited at the Lockhart Gallery at SUNY Geneseo from February 6, 2019-March 15, 2019. Exhibit Curator: Alla Myzelev.
Japanese-English Translation: Kitaōji Rosanjin--A Few Words For Aspiring Potters, Or Concerning The Relation Of The Person To The Work Of Art,
2019
Binghamton University--SUNY
Japanese-English Translation: Kitaōji Rosanjin--A Few Words For Aspiring Potters, Or Concerning The Relation Of The Person To The Work Of Art, Christopher Southward
Comparative Literature Faculty and Student Scholarship
Translation of 「陶芸家を志す者のために:芸術における人と作品の関係について」、北大路魯山人著—a speech delivered by Japanese potter, painter, lacquer artist, and restaurateur Kitaōji Rosanjin at Alfred State University, NY in April 1954. Part of a noncommissioned work in progress: Kitaōji Rosanjin: Reflections on Pottery, Travel, and Culinary Life All rights reserved, Christopher Southward (2019). Source, Aozora Bunko (a digital archive of Japanese-language literary work in the public domain): General website: https://www.aozora.gr.jp/ Current text: https://www.aozora.gr.jp/cards/001403/files/55081_54778.html
Dress Up,
2019
CUNY Hunter College
Dress Up, Ye'ela B. Wilschanski
Theses and Dissertations
Dress Up (Performance, 40 minutes) is a dress that functions as a floor, blanket, tablecloth, book and walls. It tells a visual story about domestic care giving rituals, referencing different times and places.
The Alchemical Vessel,
2019
University of Connecticut
The Alchemical Vessel, River Soma
MFA Statements
My work comes from a place of deep feeling on a bodily level. Amidst the decorative play, there is a sense of the primitive and primordial, and also a certain humanity and clumsiness through struggle. Through the hermetic tradition I relate the alchemical vessel and its symbolic process of interior development to my artistic practice. Focusing in mixed media sculpture, I discovered a concentrated accumulation of symbolism specific to my practice, but also the full recognition of my practice as a ritualized psychological undertaking.
An Exploration Of The Prairie Through Ceramic Art,
2019
University of Minnesota - Morris
An Exploration Of The Prairie Through Ceramic Art, Erin Wilaby
Honors Capstone Projects
The prairie is an underappreciated ecosystem. This is evident comparing the amount of US protected land: according to the 2018 Land Areas Report, there are 50 times more acres of National Forest as National Grassland. To change this unappreciation, I endeavor in this project to aid people in seeing the prairie as a complex, beautiful, and interesting ecosystem. My method is to present scientific knowledge about the prairie through the medium of ceramic art. Specifically, the project explores relationships between biotic (living) and abiotic (non-living) factors in the ecosystem. The ceramic works entail a large amount of functional pottery with …
Caddo Contemporary: Present And Relevant, A Collaboration To Highlight The Caddo Nation,
2019
Stephen F Austin State University
Caddo Contemporary: Present And Relevant, A Collaboration To Highlight The Caddo Nation, John Handley
Faculty Publications
In collaboration with the Caddo Mounds Historic Site in Alto, TX (CMSHS), Stephen F. Austin State University presented the exhibition “Caddo Contemporary: Present and Relevant,” January 24 – March 24, 2019 at the Ed and Gwen Cole Art Center @ The Old Opera House. The exhibition highlighted the work of seven living Caddo Nation artisans: Wayne Earles, Chad Earles, Chase Earles, Raven Halfmoon, Yonavea Hawkins, Jeri Redcorn, and Thompson Williams. The exhibition was important for two specific reasons: It was the first exhibition that highlighted the work of living Caddo artists working in traditional and/or adapted art forms. And, it …
Deities And Devotion In Mongolian Buddhist Art,
2019
Hope College
Deities And Devotion In Mongolian Buddhist Art, Charles Mason, Andie Near, Tom Wagner
Kruizenga Art Museum Exhibition Catalogs
Design by Tom Wagner. Produced by Storming the Castle Pictures (StCP) as a catalog for the Kruizenga Art Museum exhibition “Deities and Devotion in Mongolian Buddhist Art,” August 30 – December 14, 2019.
The What If Collection,
2019
Virginia Commonwealth University
The What If Collection, Aisha J. Daniels
Theses and Dissertations
The What If Collection is a visual narrative that confronts white supremacy, the social, economic, and political ideology used to subjugate black civilization via colonial rule and enslavement in history and via structural racism today. Many white people have been socialized into a racial illiteracy that fosters white supremacy. This racial illiteracy fails to realize and understand the destructive effects of Western dominance on the rest of the world, particularly on past and present Africa and her diaspora. In response, utilizing discursive design, the collection constructs a counter-story that depicts a shift in the power structure in which the white …
A Sacred Gift: Rebalancing Our Relationship With Water,
2019
Virginia Commonwealth University
A Sacred Gift: Rebalancing Our Relationship With Water, Noora Naser Melhim
Theses and Dissertations
In the Middle East, and specifically Qatar, water has significant cultural history and preciousness as a commodity. Today, the rapid economic development has resulted in a disconnection from the past leading to subconscious overconsumption of water.
This thesis investigates water from the context of cultural relevance, by examining systems of distribution before and after the discovery of oil. It reinterprets the materiality of the traditional ceramic vessels used to contain and preserve water with the intention of using the natural properties of clay, such as cooling and filtering, to produce new artifacts. The intent of this research is to critically …
Ceramic Architectural Models From The Madaba Plains Region: A Selected Art Historical Analysis,
2019
Andrews University
Ceramic Architectural Models From The Madaba Plains Region: A Selected Art Historical Analysis, Stefanie P. Elkins
Dissertations
Problem
Architectural models can be described as small, ceramic, house-shaped structures that come in an often bewildering array of shapes and sizes. They appear all over the ancient Near East, and although evidence shows that they were created as early as the Neolithic period, they seem to have peaked in popularity and proliferation during the Iron Age. A few studies and several typologies have been offered over the years, but none have addressed iconography or artistic motifs as well as shape. Furthermore, no in-depth typology of architectural models within the country of Jordan has been offered. This dissertation explores the …
A Spectacle And Nothing Strange,
2019
Virginia Commonwealth University
A Spectacle And Nothing Strange, Taylor Z. King
Theses and Dissertations
Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …
Narratives Of Place: Reasons To Look Up,
2019
University of Montana
Narratives Of Place: Reasons To Look Up, Dean Justice Leeper
Graduate Student Theses, Dissertations, & Professional Papers
No abstract provided.
Generic Of,
2019
Virginia Commonwealth University
Generic Of, Nicole Levaque
Theses and Dissertations
generic of is a creative text paralleling the creation of my thesis exhibition. I use fragmented layers of narrative, description and prose in the same way each handbuilt ceramic is fired multiple times, allowing the glazes to build upon themselves. This is a close study of the still life, the intimacy of consuming, and how trauma is passed through the gut.
