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The Chinese Ghostbuster, Peizhao Li 2018 Collin College

The Chinese Ghostbuster, Peizhao Li

Forces

No abstract provided.


Menshen: Qong Qin (Left) And Chigong Yu (Right), Peizhao Li 2018 Collin College

Menshen: Qong Qin (Left) And Chigong Yu (Right), Peizhao Li

Forces

No abstract provided.


Fun In The Botanical Garden, Gilbert Hu 2018 Collin College

Fun In The Botanical Garden, Gilbert Hu

Forces

No abstract provided.


Introduction, Scott Yarbrough 2018 Collin College

Introduction, Scott Yarbrough

Forces

No abstract provided.


Speckled Eggs And Wooden Ashes, Kerri Mueller 2018 University of Minnesota, Morris

Speckled Eggs And Wooden Ashes, Kerri Mueller

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

The four ceramic bowls were wheel-thrown with a stoneware clay body and glazed with Ash Glaze (left) and Old China White (right).


On Pottery, Mark Terry 2018 George Fox University

On Pottery, Mark Terry

Faculty Publications-- Department of Art and Design

One of my life’s most poignant moments came during my first lesson at the potter’s wheel. I’ll never forget how my teacher laid his hands over mine and helped direct the pressure needed to guide the clay into center. That moment when the clay ‘found’ center was absolutely electric. It tickled my innermost being in much the same way as feeling the faint kick of our first child in my expectant wife’s womb. Life yet-to-be-born was announcing itself!


Line Dance, Jessica Peterson 2018 Governors State University

Line Dance, Jessica Peterson

Art Theses

Artist Statement:

My work is based on of every day meandering lines I create while allowing my mind to wander. I draw lines on tightly thrown forms made on the wheel. The lines on my pots range from lines found in abstractions of nature from veins on leaves to wood grains on table tops. Each piece is thrown on the wheel and then receives attention during glazing. With my work I create pieces which can be displayed on the wall and functions on the table as well. The decorative imagery captures what happens when I am practicing automatic drawing on …


Flora And Fauna In East Asian Art, Samantha B. Frisoli, Daniella M. Snyder, Gabriella A. Bucci, Melissa R. Casale, Keira B. Koch, Paige L. Deschapelles 2018 Gettysburg College

Flora And Fauna In East Asian Art, Samantha B. Frisoli, Daniella M. Snyder, Gabriella A. Bucci, Melissa R. Casale, Keira B. Koch, Paige L. Deschapelles

Schmucker Art Catalogs

Flora and Fauna in East Asian Art is the fourth annual exhibition curated by students enrolled in the Art History Methods course. This exhibition highlights the academic achievements of six student curators: Samantha Frisoli ’18, Daniella Snyder ’18, Gabriella Bucci ’19, Melissa Casale ’19, Keira Koch ’19, and Paige Deschapelles ’20. The selection of artworks in this exhibition considers how East Asian artists portrayed similar subjects of flora and fauna in different media including painting, prints, embroidery, jade, and porcelain. This exhibition intends to reveal the hidden meanings behind various representations of flora and fauna in East Asian art by …


2018 Mfa Thesis Exhibitions, The University of Tennessee, Knoxville, School of Art 2018 University of Tennessee, Knoxville

2018 Mfa Thesis Exhibitions, The University Of Tennessee, Knoxville, School Of Art

Ewing Gallery of Art & Architecture

MFA class of 2018: MaryAnne Carey, Cassidy Frye, Amy LeFever, Alex McKenzie, Erica Mendoza, Austin Pratt, Christian Vargas, Johanna Winters, and Tom Wixo.


Business Plan Project, Hejun Xu 2018 Sotheby's Institute of Art

Business Plan Project, Hejun Xu

MA Projects

The business plan is to build an online trade platform dedicated only to selling ceramic art and design in China, our mission is to provide high quality and modern design of ceramic art to middle - and upper - middle class of the country, and is to also reinvigorate the country’s tradition and culture of aesthetic object appreciating


Ceramic Vessel: Blue Binary 1, Brenda Roveda 2018 Bridgewater State University

Ceramic Vessel: Blue Binary 1, Brenda Roveda

The Graduate Review

No abstract provided.


Ceramic Vessel: Connected Ii, Brenda Roveda 2018 Bridgewater State University

Ceramic Vessel: Connected Ii, Brenda Roveda

The Graduate Review

No abstract provided.


On The Cover: Artist’S Statement For B-Phone, Brenda Roveda 2018 Bridgewater State University

On The Cover: Artist’S Statement For B-Phone, Brenda Roveda

The Graduate Review

No abstract provided.


Ceramic Vessel: All Blue Binary, Brenda Roveda 2018 Bridgewater State University

Ceramic Vessel: All Blue Binary, Brenda Roveda

The Graduate Review

No abstract provided.


Ceramic Vessel: Color Binary, Brenda Roveda 2018 Bridgewater State University

Ceramic Vessel: Color Binary, Brenda Roveda

The Graduate Review

No abstract provided.


From 3d To 3d, Erik O. Lozano, Lauren B. Selden, Robert Z. Selden Jr. 2018 School of Art, Stephen F. Austin State University

From 3d To 3d, Erik O. Lozano, Lauren B. Selden, Robert Z. Selden Jr.

CRHR: Archaeology

From 3D to 3D is a research project that involves traditional ceramics and technology to re-create a clay vessel at different scales and in different materials while trying to understand aesthetic and perceptions of value. With a background in Industrial Design, I have always been interested in technology and fabrication methods, three-dimensional (3D) printing being one of them. However, this often implies repetition and standardization, and as an artist I strive to create one-of-a-kind objects that include evidence associated with the making process. Part of my work is based on traditional forms that incorporate small alterations. I use one or …


Connected: An Artist’S Investigation Into Digital Communication, Brenda Roveda 2018 Bridgewater State University

Connected: An Artist’S Investigation Into Digital Communication, Brenda Roveda

Master’s Theses and Projects

The purpose of my thesis was to develop a body of utilitarian ceramic pottery, which examines the internal conflict I have with digital communication and its impact on social interactions. I draw inspiration from historic ceramic artworks for my wheel-thrown and hand-built forms. My traditionally inspired utilitarian forms are ornamented with surface decorations that represent contemporary symbols of the digital age. By doing this I intend to create artworks that allow the viewer to contemplate the evolution of human communication and their own reliance on technological devices.

My studio investigations incorporate scholarly research of historic artworks and time periods combined …


Strange Rarities, Cori Crumrine 2018 University of Montana, Missoula

Strange Rarities, Cori Crumrine

Graduate Student Theses, Dissertations, & Professional Papers

‘Strange Rarities’ is a compelling and odd coupling of words, and similar to this body of work, this phrase both masks and reveals its references. ‘Strange’ defines something unfamiliar or extraordinary; ‘Rarity’ describes something that is uncommon, or the quality of being rare. Paired together, a ‘strange rarity’ refers to an object, a feeling, or a something, which discourages familiarity and excites wonder and awe.


Xx Openings, Jackson Siegal 2018 Bard College

Xx Openings, Jackson Siegal

Senior Projects Spring 2018

XX Openings represents my dual sculpture and photography practice. The title comes from a 70’s domestic frame, with 20 openings of varying sizes for family pictures. Half of the slots were filled with stock pictures of smiling family scenes, while the others just had measurements for the openings themselves. The object struck me as alienating, and oppressive. I didn’t see any scene within those openings I felt connected to.

The frame came to symbolize varying perspectives, ways of seeing, and ways of being. As my sculpture practice has weighed more heavily on my work as a photographer, I feel tensions …


The Rococo Revival In Contemporary Porcelain, Ariel Senackerib 2018 Sotheby's Institute of Art

The Rococo Revival In Contemporary Porcelain, Ariel Senackerib

MA Theses

The contemporary design market has seen a resurgence of the rococo style. Porcelain has become a popular medium, and artists and designers have been revisiting the possibilities of it by returning to the motifs and symbols of the mid eighteenthcentury. While there is a wealth of existing literature on porcelain manufactories, including Meissen, Sèvres and others, the rococo style is often overlooked in literature for its cultural and theoretical value. The rococo has been given little consideration by art historians, because of its excessive luxury and cultural appropriation. However, many contemporary artists and designers have found new inspiration in the …


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