Ceramic Vessel: All Blue Binary,
2018
Bridgewater State University
Ceramic Vessel: All Blue Binary, Brenda Roveda
The Graduate Review
No abstract provided.
Ceramic Vessel: Color Binary,
2018
Bridgewater State University
Ceramic Vessel: Connected Ii,
2018
Bridgewater State University
Business Plan Project,
2018
Sotheby's Institute of Art
Business Plan Project, Hejun Xu
MA Projects
The business plan is to build an online trade platform dedicated only to selling ceramic art and design in China, our mission is to provide high quality and modern design of ceramic art to middle - and upper - middle class of the country, and is to also reinvigorate the country’s tradition and culture of aesthetic object appreciating
The Rococo Revival In Contemporary Porcelain,
2018
Sotheby's Institute of Art
The Rococo Revival In Contemporary Porcelain, Ariel Senackerib
MA Theses
The contemporary design market has seen a resurgence of the rococo style. Porcelain has become a popular medium, and artists and designers have been revisiting the possibilities of it by returning to the motifs and symbols of the mid eighteenthcentury. While there is a wealth of existing literature on porcelain manufactories, including Meissen, Sèvres and others, the rococo style is often overlooked in literature for its cultural and theoretical value. The rococo has been given little consideration by art historians, because of its excessive luxury and cultural appropriation. However, many contemporary artists and designers have found new inspiration in the …
Irrational Aggregates,
2018
Georgia Southern University
Irrational Aggregates, Courtney N. Ryan
College of Graduate Studies: Theses & Dissertations
This thesis paper examines the work included in my Master of Fine Arts thesis exhibition entitled Irrational Aggregates. The goal of this work is to facilitate a dialogue between our natural environment and the excessive consumer-based environments in which we live. Combining a variety of ceramic techniques including hand building, wheel throwing, and casting these sculptures appear to be grown from, and even taken over by nature itself.
Often drawing inspiration from my personal narrative, that of consistent upheaval, relocation, and adjustment to new places, my work can appear both grounded and in a state of motion. I believe …
Strange Rarities,
2018
University of Montana, Missoula
Strange Rarities, Cori Crumrine
Graduate Student Theses, Dissertations, & Professional Papers
‘Strange Rarities’ is a compelling and odd coupling of words, and similar to this body of work, this phrase both masks and reveals its references. ‘Strange’ defines something unfamiliar or extraordinary; ‘Rarity’ describes something that is uncommon, or the quality of being rare. Paired together, a ‘strange rarity’ refers to an object, a feeling, or a something, which discourages familiarity and excites wonder and awe.
Line Dance,
2018
Governors State University
Line Dance, Jessica Peterson
Art Theses
Artist Statement:
My work is based on of every day meandering lines I create while allowing my mind to wander. I draw lines on tightly thrown forms made on the wheel. The lines on my pots range from lines found in abstractions of nature from veins on leaves to wood grains on table tops. Each piece is thrown on the wheel and then receives attention during glazing. With my work I create pieces which can be displayed on the wall and functions on the table as well. The decorative imagery captures what happens when I am practicing automatic drawing on …
Fruitcake,
2018
Minnesota State University, Mankato
Fruitcake, Joshua Schutz
All Graduate Theses, Dissertations, and Other Capstone Projects
I explore figurative ceramics in relationship to gesture and sexual identity. The surfaces reference art history, decorative arts, and popular culture. The quasi-functional components of the work are inspired by my personal relationship with domestic objects and space. But also from the results of capitalism, which has created a materialistic, consumer-based society with heteronormative ideals. I respond to this heteronormativity by utilizing humor as a strategy to discuss subversive topics while simultaneously drawing in the viewer. I intend for the viewer to reflect on the purpose and narrative behind such flamboyant objects.
Misfits,
2018
Minnesota State University, Mankato
Misfits, Hanna Newman
All Graduate Theses, Dissertations, and Other Capstone Projects
My figurative ceramic sculptures are comprised of deconstructed, fragmented and simplified renderings of the human form. Within these sculptures I integrate materials such as human hair, fabric, wood and plaster cast body parts to mimic limbs and body mass, creating diversity in the tactile surface quality. The pastel tones, bright colors and additions of hair further obscures the realistic appearance of these beings. Clay's malleability fuels my intuitive creative process and allows me to replicate the human form in ranges from anatomical accuracy to biomorphic abstraction.
I am inspired by the relationship between interiority and exteriority, between the mind and …
Impulsion,
2018
University of Mississippi
Impulsion, Nicholas Meyer
Electronic Theses and Dissertations
The nut, bolt, and thread are symbols of order in my work. They represent a memory trace of my time growing up in Iowa and my connection to working on the family farm. These objects have the potential to exhibit elements of both simplicity and complexity, expressed through patterns and harmony, and the repetition of form, line, color, space, presentation, and ultimately, their relation to you the viewer. With this body of work, I intend to create metaphors relating to connections people have to one another, as individuals, society and ultimately as a reflection of self. The act of grouping, …
Polyanthroponemia: A Pursuit Of Mystery,
2018
VCU Craft & Material Studies
Polyanthroponemia: A Pursuit Of Mystery, Magdolene Dykstra
Theses and Dissertations
I wish I could believe in something. Having grown up in a religious household, I have continually teetered between faith and doubt. Landscapes seen and unseen are my last source of awe; here my doubt is suspended – for a moment. Using unfired clay, I create alternate landscapes inspired by sublime philosophy. The sublime experience is born in a sense of amazement linked to fear of something beyond our understanding or control. The amazing intricacy of microbiology, a whole universe existing alongside and inside us, fascinates me. The abundance of unfamiliar life in my work triggers a cautious curiosity. My …
Deboer's "Visual Arts In The Worshiping Church" (Book Review),
2017
Alberta Bible College
Deboer's "Visual Arts In The Worshiping Church" (Book Review), Darcy Gullacher
The Christian Librarian
No abstract provided.
East, West And In-Between; Pass It On,
2017
Lingnan University
East, West And In-Between; Pass It On, Kam Fung, Sita Wong
Artists-in-Residence Programme : Exhibition Catalogues
East, West and In-Between
If art is a reflection of the creator, then Wong’s work is a visual collage of influences from East and West. She is interested in creating works where, within one piece, both cultures converse with one another not only through their traditions of material, form and craftsmanship, but also through their original cultural contexts. Her current work elaborates the local culture and craft traditions of Chinese pottery with a modernist and contemporary sense of design.
Pass It On
Clay, a material full of possibilities, is best to describe a class of uninitiated ceramics learners in the …
Indirect Measure,
2017
East Tennessee State University
Indirect Measure, Nicholas Boismenu
Electronic Theses and Dissertations
This paper is in support of my thesis exhibition “Indirect Measure” May 5th – June 3rd 2017, at the Reece Museum, located on the campus of East Tennessee State University. This document is an account of my examination into what constitutes art and the change in my perception of the utilitarian ceramic vessel during my research into the perceived difference between craft and art. Using broad definitions, I define what I believe art to be and how it is different from, and the same as craft.
Gold Nanoparticle Colorants As Traditional Ceramic Glaze Alternatives,
2017
University of Richmond
Gold Nanoparticle Colorants As Traditional Ceramic Glaze Alternatives, Raef H. Lambertson, Christie A. Lacy, Samuel D. Gillespie, Michael C. Leopold
Chemistry Faculty Publications
Historically, Roman stained glass has been a standard for high‐temperature color stability since biblical times but was not properly characterized as emission from nanoparticle plasmon resonance until the 1990s. The methods under which it was created have been lost, but some efforts have recently been made to recreate these properties using gold nanoparticle inks on glassy surfaces. This body of work employs gold nanoparticle systems ranging from 0.015% to 0.100% (wt/wt), suspended in a clear glaze body. The glazes are fired with traditional ceramic methods—in both gas reduction and electric oxidation kilns—in which nanoparticles are retained and can be imaged …
Anthropo-Scenes,
2017
California State University, San Bernardino
Anthropo-Scenes, Ibel M. Sinohuiz
Electronic Theses, Projects, and Dissertations
ARTIST
My work is a melding of mythology and personal experience. Growing up in the harsh desert of the Coachella Valley, I found refuge in music and art. My desire to become a drummer has leaded me to create a persona called Baby Lamb. Baby Lamb is a symbolic representation, as well as a physical manifestation of this desire and she is slowly evolving, eventually becoming my alter ego. Currently, the artwork that I create is a chapter in the life story of Baby Lamb.
BABY LAMB
Baby Lamb's art shows have included a collection of relics that have been …
In The Marketplace,
2017
Rhode Island School of Design
In The Marketplace, Anina Major
Masters Theses
The decision to voluntarily establish a home contrary to the location in which I was born and raised (The Bahamas) motivates me to investigate the relationship between self and place. To further explore my own migration and the emotional complexities that surface, with a desire to fabricate terms of cultural integrity and its defining influence. To express poetically the kindred ideals that resonate from home and intertwine those values to cultivate moments of reflection and acceptance. To promote encounters between past, present and future by weaving the memories of my own background and experiences, consequently unveiling a rich culture composed …
Wielding Daggers : The Female Uncanny,
2017
Rhode Island School of Design
Wielding Daggers : The Female Uncanny, Stephanie E. Hanes
Masters Theses
This thesis document is a compilation of personal essays that analyze aspects of visual culture and philosophy. I am greatly interested in how this analysis is related to women bodies; the nude in western art has a long history of being constructed for the male gaze. This significance of the identification of women with the body exposes women in our culture to learn their own particulars for self surveillance. By looking into the mirror, what is reflected back? With these essays, I am opening myself to the unknown and the unknowable, revealing the paradox of feminist and philosophical scholarship. When …
Breathe,
2017
Rhode Island School of Design
Breathe, Iggy Choi
Masters Theses
Everything around us is interesting, but we Keep so busy we miss out what is importance. When we first get a gadget we get excited for few months, but soon we lose interest and seeking for something new and cooler. We are constantly hurt, tired, stressed, overwhelmed, but we are not aware because we are so focused on the future. We need to reset to get back on our track. We need to stay aware and remember our first excitement in order to refresh our purpose and focus. Life would be better if we step back, breathe, and notice what …
