Ceramic Arts Commons^™

Small Pitcher And Tea Bowl, Samantha Oliver

The Anthology

Artwork

Medal To Art Nouveau, Nathan Dodds

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2014 Winthrop Anthology issue.

Between Material And Landscape, Martin Mcdermott

Masters Theses

Clay is a binary material. It is soft and malleable and yet becomes as hard as rock when subjected to immense heat. Its responsiveness to manipulation makes it well suited to recording touch in landscapes of surface. Its versatility makes it the ideal material for expressing other types of antipodal concepts: dark and light, banal and profound, temporary and durable. The sculptural objects in this body of work represent many of these contrasts through an investigation of various historical concepts within a broad definition of landscape art. The hollow clay “rocks” reference caves and grottos through apertures in the surface …

Empathic Exchange, Yu-Jung Kim

Masters Theses

My work explores the empathy existing between humans and animals. It is possible for humans and animals commune empathically by staring at one another. With empathy, human and animal connection can be built; comfort and healing can be found through this form of exchange. Non-verbal communication with animals may not often be thought about seriously. I aim to share the experience of empathy, comfort and power of healing through communication with animals I have felt, and to awake people with similar experiences in their memory through my works.

As a child, I thought I could not be truly understood by …

Memory: Tangible Decay & Growth, Rebecca J. Buglio

Masters Theses

What if the objects we had as children grew up with us and showed the decay, alterations, and new growth that occurred to us?

Natural sciences focus, in part, on the endless cycle of growth and decay. Through researching this topic, the question of current versus past arose to question how the mind evolves with age. As a ceramic artist, clay offers a memory through touch by taking the shape and form the creator wills it to have while still able to have movement and force of its own through the molecular makeup and processes it goes through in firings. …

Dragon Bottle, Sarah Stokes

The Anthology

Artwork

Sentiment For Evanescence, Ashley Felder

The Anthology

Artwork

Robust Bottle, Sarah Stokes

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2015 Winthrop Anthology issue.

Tableau Vivant [Living Picture], G J Christopher Drobnock

Graduate Theses and Dissertations

With an overwhelming concern for functionality, the design world and industrial production have moved far beyond the pure necessity of the handmade object. With the paper coffee cup, disposable utility is the primary goal; afterwards the service is performed and the thing is discarded. On the other hand, the clay object can be used and reused allowing a personal relationship to form between the user and the object, the maker and the user. My work is meant to reconnect us with the haptic; the tacit knowledge of the physical. I want the user to think of a place beyond the …

Snowy Sunrise, Gilbert K.D. Hu

Forces

No abstract provided.

Loving Couple, Gilbert K.D. Hu

Forces

No abstract provided.

2016 Forces, Scott Yarbrough

Forces

No abstract provided.

Pyrosynthesis, Matthew Allen Fiske

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Daily life plays an important role in what I make and why. The needs of the kitchen and home are for me, like many potters, a useful starting point for conceiving specific utilitarian forms. I make a lot of cups, bottles, and drinking vessels. Lately I’ve been interested in the idea of designing and making these vessels in sets. For me, there’s nothing better than gathering with a group of friends, eating, drinking, and using handmade ceramics. I’m motivated to make objects that enhance these experiences and enliven domestic spaces.

Lungs Of The Planet Presentation, Virginia Raguin

Documentation

This slide presentation traces the creative process of Lungs of the Planet, a tile mural depicting line drawings on individual 6 x 6 inch tiles, as well as larger color images of blossoms, fruit, and birds to symbolize the cycle of life.

The mural was created as a collaborative art project by students in the Natural World Cluster of the Monserrat First Year Program at the College of the Holy Cross. The project was led by Virginia Raguin, Distinguished Professor of Humanities at the College. Particpants included students, faculty, staff and community members.

The mural was installed on the west …

Carved Vase, Sierra Hyer

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2016 Winthrop Anthology issue.

Dedication Ceremony For Two Murals Outside Dinand, Jack Godar

Civitas Branching Documentation

Article reporting the rededication of Civitas Branching, a 5-panel mosaic depicting scenes from the College Hill neighborhood, originally installed on the College Hill Civic Association building located at 79 Kendig Street in Worcester, Massachusetts and Lungs of the Planet, a tile mural installed on the west patio Rooftop Garden of Dinand Library.

When The Wind Stops, Qwist Joseph

School of Art, Art History, and Design: Theses and Student Creative Work

The sculpture I make exemplifies my interest in objects, their creation and our tendency to covet them. Humans have developed elaborate and diverse systems to categorize and dictate the value of things. As a culture we elevate and protect Art and its display is a platform in which this object obsession is exaggerated. Through the podium of art exhibition, I explore the idea of object-ness. I question the parameters around what defines something as an object, and more specifically what’s necessary to transform that thing into Art. Further, I wonder where the line is drawn between Art and the ordinary; …