Los Ritmos Latinoamericanos Como Estrategia De Resistencia En La Ópera La Ruta De Su Evasión (2017) De Abya Yala Y Carlos Castro, 2019 West Virginia University
Los Ritmos Latinoamericanos Como Estrategia De Resistencia En La Ópera La Ruta De Su Evasión (2017) De Abya Yala Y Carlos Castro, Pamela Zamora Quesada
Graduate Theses, Dissertations, and Problem Reports
In this Master’s thesis I examine the most recent Costa Rican opera The Path of Avoidance (2017), produced by the Cultural Association for Performing Arts Abya Yala, directed by Roxana Ávila and composed by Carlos Castro, based on the homonymous novel of Yolanda Oreamuno (1948).Through a semiotic analysis, I will discuss how the innovative manner of incorporating Latin American rhythms such as salsa, bolero, vals criollo, bossa nova and tango is a musical strategy which promotes a problematization of the gender dominant discourse and patriarchal context. Simultaneously, these rhythms offer a way of resistance on the direct or psychological violence …
A Compendium Of Opera In Spain And Latin America, 2019 West Virginia University
A Compendium Of Opera In Spain And Latin America, Michelle S. Smith
Graduate Theses, Dissertations, and Problem Reports
Spain and Latin America have a rich operatic tradition, however this opulent body of operatic work is mostly overlooked or ignored in mainstream histories of opera. This document focuses on opera in Spain and the Spanish-speaking countries of Latin America. Opera was both composed and performed in Spain and Latin America, and both regions demonstrate the development of national opera traditions. Spanish drama was closely linked to the beginnings of national opera, and Italian influence is evident in opera compositions from both regions. The output of national operas varies by country, with Spain, Mexico, and Argentina claiming the majority of …
The "Organ-Accompanied Solo Motet" In In La Maîtrise, 1857–1861, 2019 West Virginia University
The "Organ-Accompanied Solo Motet" In In La Maîtrise, 1857–1861, John David O'Donnell
Graduate Theses, Dissertations, and Problem Reports
In his work, Motets for One Voice by Franck, Gounod, and Saint-Saëns, Richard Benefield began the scholarly study of a unique body of repertoire, the organ-accompanied solo motet repertoire of nineteenth century France. While Benefield chose to restrict his project to the work of only three major composers, he indicated other collections of Latin texted solo motets, one of which was the solo motets published in the Parisian church music journal La Maîtrise,between 1857–1861. These songs are examined in terms of historical context, musical features, and possible contemporary uses.
As France recovered from the ravages of the Revolution, …
Discovering The "Finnish Chopin"—Selim Palmgren's 24 Preludes, Op. 17, And Tres Piezas Para Piano, Op. 54, 2019 West Virginia University
Discovering The "Finnish Chopin"—Selim Palmgren's 24 Preludes, Op. 17, And Tres Piezas Para Piano, Op. 54, Sijia Wang
Graduate Theses, Dissertations, and Problem Reports
Selim Palmgren (1878-1951) is one of the most significant musical figures in Finland. Unlike Jean Sibelius, who is undoubtedly the greatest Finnish symphonic composer of his time, Palmgren’s concentration is more on smaller-scale character pieces. His contribution to the piano and vocal repertoires earned him the reputation of being the “Chopin of the North” and also the “Schumann of the North.” Palmgren was not only prolific, having written over 300 piano works and 200 vocal pieces, but also versatile, frequently blending within his works various nationalistic, impressionistic, and other musical styles and elements within his works.
This paper is focused …
Rock Hill Music Club Records - Accession 100, 2019 Winthrop University
Rock Hill Music Club Records - Accession 100, Music Club, Rock Hill
Manuscript Collection
The Rock Hill Music Club Records consist of minutes, correspondence, yearbooks, historical sketches, programs of the meetings, minute books, newspaper clippings, membership records, and two scrapbooks relating to the activities and history of the club. The club was organized in 1914. The records date from 1941 to 1977.
Mccandless.Jpg, 2018 Appalachian State University
Catalog Of Current Compositions, 2018 Cleveland State University
Catalog Of Current Compositions, Dan Rager
Dan Rager
Symphonic Fantasia, By Henry Hadley, 2018 The University of Akron
Symphonic Fantasia, By Henry Hadley, David Procházka
David Procházka
No abstract provided.
Le Pavillon D’Armide, By Nikolai Tcherepnin, 2018 The University of Akron
Le Pavillon D’Armide, By Nikolai Tcherepnin, David Procházka
David Procházka
No abstract provided.
Musical Source Separation: An Introduction, 2018 Munster Technological University
Musical Source Separation: An Introduction, Estefania Cano
Publications
No abstract provided.
String Quartet In Three Movements, 2018 University of New Orleans
String Quartet In Three Movements, William R. Malchow
University of New Orleans Theses and Dissertations
No abstract provided.
Isu Civic Chorale: Annual Christmas Concert, December 18, 2018, 2018 Illinois State University
Isu Civic Chorale: Annual Christmas Concert, December 18, 2018, Illinois State University School Of Music
School of Music Programs
Governor Fifer Room
McLean County Museum of History
December 18, 2018
Tuesday
7:00 p.m.
Featured Facsimile: Two Arrangements For Five-Course Guitar From La Muse Lyrique (1787), The First By Trille Labarre, 2018 University of Denver
Featured Facsimile: Two Arrangements For Five-Course Guitar From La Muse Lyrique (1787), The First By Trille Labarre, Barthélemy Trille Labarre
Soundboard Scholar
No abstract provided.
A.V.O Boyz: The Rise Of Afrobeats Through Dance, 2018 City University of New York (CUNY)
A.V.O Boyz: The Rise Of Afrobeats Through Dance, Oumou Fofana
Capstones
Afrobeats music has been number one if the African continent for nearly a decade and it is now attacking the international market, thanks to support from major American superstars and the killer dance moves created by African dancers. http://www.oumoufofana.com/capstone/
Dating Trille Labarre’S Nouvelle Méthode: Caught Between Printing And Publishing?, 2018 University of Denver
Dating Trille Labarre’S Nouvelle Méthode: Caught Between Printing And Publishing?, Kenneth Sparr
Soundboard Scholar
When was Trille Labarre’s noteworthy five-course guitar method engraved and printed? And when was it actually published—sold to the public? Could years have elapsed between the two activities? This essay reviews the various methods used to date undated printed music of that era in the hopes of achieving some clarity. The first technique involves looking for personal names, like dedicatees, engravers, and publishers. The latter approaches are more analytical.
Musical Introductions To Cavalleria Rusticana: Giuseppe Perrotta's "Bozzetto Sinfonico" And Pietro Mascagni's "Preludio", 2018 Louisiana State University and Agricultural and Mechanical College
Musical Introductions To Cavalleria Rusticana: Giuseppe Perrotta's "Bozzetto Sinfonico" And Pietro Mascagni's "Preludio", Ronaldo Augusto Teles Dos Santos
LSU Doctoral Dissertations
Giovanni Verga’s Cavalleria rusticana has inspired a variety of musical works, among them Giuseppe Perrotta’s “Bozzetto sinfonico” (an overture to Verga’s play), and Pietro Mascagni’s Cavalleria rusticana (a one-act opera based on a libretto by Giovanni Targioni-Tozzetti and Guido Menasci). Each composition represents a genre on which scholarship is scarce: late nineteenth-century incidental music and the late nineteenth-century operatic prelude. Considering both Perrotta’s “Bozzetto sinfonico” and Mascagni’s “Preludio” as musical introductions to stage works, this study undertakes a complete hermeneutic analysis of both works (chapters 2 and 3). The analysis of Perrotta’s “Bozzetto sinfonico” is guided by a letter in …
Un Angelo Senza Paradiso, By Nicoletta Confalone, 2018 University of Denver
Un Angelo Senza Paradiso, By Nicoletta Confalone, Richard M. Long
Soundboard Scholar
A review of Nicoletta Confalone, Un angelo senza paradiso: La chitarra alla ricerca di Schubert (Bologna: Ut Orpheus, 2017).
Soundboard Scholar No. 4: Editor's Letter, 2018 University of Denver
Soundboard Scholar No. 4: Editor's Letter, Thomas Heck
Soundboard Scholar
An introduction to the contents of this issue.
Alfabeto Falso (Vallerotondo, I Bassifondi), 2018 University of Denver
Alfabeto Falso (Vallerotondo, I Bassifondi), Ellwood Colahan
Soundboard Scholar
A review of Alfabeto falso, with Simone Vallerotondo (Baroque guitar) and I Bassifondi (Arcana A435, 2017), compact disc.
François Campion: Music For Baroque Guitar (Hofstötte), 2018 University of Denver
François Campion: Music For Baroque Guitar (Hofstötte), Ellwood Colahan
Soundboard Scholar
A review of François Campion: Music for Baroque Guitar, with Bernhard Hofstötter (Brilliant Classics 95275, 2017), compact disc.