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Extensions Of Usage Of A Pronoun, Louise Pound

Department of English: Faculty Publications

[This article treats briefly, in the chronology of their appearance, the substantive uses of the pronoun of the third person neuter: the English and American game usage, two American colloquial or dialectal usages, and the newest usage, emerging from Hollywood, with its adjectival and nominal derivatives.]

The English pronoun of the third person neuter, it, has established itself as a substantive in various meanings, some of which are so widely current as to augur for them considerable vitality. An enumeration of these substantive uses in American English yields the following-- approximately, I think, in the order of their appearance.

The Cat Who Went To Heaven, Elizabeth Coatsworth, Lynd Ward

Zea E-Books in American Studies

Winner of the Newbery Medal for excellence in American children's literature in 1931, this novel is the story of a struggling Japanese artist and his housekeeper who adopt a three-colored cat and how that affects their lives and fortunes. Commissioned to make a painting of the death of Buddha to be hung in the village temple, the artist imagines the various animals whose forms had been taken in the Buddha’s past lives and the generous deeds they had done, as the cat—auspiciously named “Good Fortune”—looks on with hopes to be included. Could a cat, from a species usually so proud …

Hawthorne's Life And Works Portray Him A Solitary Genius, Miss O. Ellis

Electronic Theses and Dissertations

From amid an unadorned practical industrial community, arose one of America's brightest stars whose radiance has illuminated American Literature. Nathaniel Hawthorne was bore in Salem, July 4, 1804.

A Recent Theory Of Ballad-Making, Louise Pound

Department of English: Faculty Publications

Professor Gordon Hall Gerould's article entitled "The Making of Ballads"' is an attractive essay, written in the fluent and polished manner that we are accustomed to expect from this scholar. It has charm of style, and its positions, taken as a whole, may be termed accepted positions. Because of its literary quality, because it brings together in one paper what has hithert been stressed in scattered places, and because of its appreciation of the poetical quality of those English and Scottish ballads sough out by the notable collectors of the earlier nineteenth century and made available in the volumes of …

The History Of The Evolution Of Shorthand, Selma O. Preuss

Bachelors’ Theses

One manifestation of man's superiority over the rest of the animal kingdom consists in the power of communicating thought by means of speech. At first when all mankind dwelt together, a spoken language was sufficient to meet the demands. When, however, the human race began to disperse over the earth, another means of communication was found necessary. Consequently, the art of writing was introduced, crude at first, but gaining in ease, grace, and speed through the ages, until it reached the acme of its perfection. To the literary art the whole commonwealth of other arts must bow down am resign …

Latin Has Always Held Prominence As An Educational Factor, R M

Electronic Theses and Dissertations

Rome one of the greatest powers of the ancient world has exerted important influence upon practically all modern nations. It has done much to shape the lives and customs of the people is necessary to obtain an understanding of our language, our literature, our religion our art and out government. This fact makes Latin as their language, and important topic for study by all nations in all ages.

The Etymology Of An English Expletive, Louise Pound

Department of English: Faculty Publications

Professor G. P. Krapp makes an attractive case for his derivation of darn, darned in the brief essay on this word in his recent The English Language in America. He discards the usual explanation that darn is a variant or minced form of damn, and believes that, although it now stands in intimate relation to damn, it had an independent origin. He takes as his starting point the Old English adjective dierne, 'secret,' Middle English derne, Elizabethan dern, and assumes a transition from a descriptive adjective or adverb to an imprecation. The adjective took …

The Technique Of Cervants’S “Novelas Ejemplares”, Charles Henry Siegmund

Bachelors’ Theses

This story starts out in the first paragraph with a striking description of what constitutes a gypsy. According to Cervantes’s conception, a member of this tribe is simply surrounded by all the possible circumstances, from birth to death, that will directly contribute to his thievish make-up for which he is universally known. No better definition of a gypsy could be given by any lexicographer. Putting such a descriptive definition into the mind of the reader at once, before going into the real story, is a clever literary procedure, or technique; for, in this manner, the mind is thoroughly impressed with …

The Value Of English Linguistics To The Teacher, Louise Pound

Department of English: Faculty Publications

WHAT is included in the usual course in the history of the English language? Presumably some teachers emphasize the translation of older monuments, some emphasize training in etymologies, some phonetic changes, and some changes in language structure and forms. Some offer courses in the hope of fostering a more accurate use of language, some because of the discipline ~o be gained from the study of language ID the abstract, and some in order to afford the necessary preparation for the scholar. All have in mind the development, on the part of the student, of a scientific attitude toward language. Any …

The Orion, June 1925, The Orion Editorial Staff

Ivy Leaves

The June 1925 edition of the Anderson College journal of literature, The Orion. This would be the final edition of The Orion; all of the future Anderson College literary journals would be published under a different title.

This issue of The Orion was published by the Estherian and Lantern Literary Societies.

The Kraze For "K", Louise Pound

Department of English: Faculty Publications

As illustrated by the Klassy Klown and the Kute Kid, the present slump toward alliteration is mostly confined to the letter "k," and the hunting of it appears most prominently in the language of advertising. For "k" in poetry there was Coleridge's (one is tempted to write Koleridge's) "Kubla Khan," and one recalls Walt Whitman's picturesque respellings "Kanada" and "Kanadian." But love of "k" plays little part in comtemporary verse, although it appears abundantly elsewhere. Its rise in favor seems to be bound up with the late agitation for simplified spelling, or the oncoming tide of interest in phonetics. Simplified …

The Orion, Christmas 1924, The Orion Editorial Staff

Ivy Leaves

The Christmas 1924 edition of the Anderson College journal of literature, The Orion.

This issue of The Orion was published by the Estherian and Lantern Literary Societies.

Xx. The Term "Communal", Louise Pound

Department of English: Faculty Publications

I. The Doctrine of Communal Origins

The period following the French Revolution was deeply interested in "the people" as a mass conception, in all that belonged to them and all that they created. It was in this period that theorists on the origin of law, customs, religion, language, literature--particularly the folk-song and the folk-tale--liked to advocate the doctrine of spontaneous, unconscious growth "from the heart of the people," as the phrase went. Such conceptions of origin had their critics from the first; but they remained more or less orthodox throughout the nineteenth century, and they still have foothold in both …

The Power To Appeal To The Emotions, Joseph E. Skwerski

Bachelors’ Theses

In this thesis, we shall attempt to show, that the power to appeal to the emotions gives a book permanent interest and consequently literary quality. From the very outset of our discussion, we shall deal entirely with ·the emotions in general and the elements involved in emotion. After this consideration we shall spend some time upon the literary emotions and their appeal, the sense to beauty, the power to appeal to the emotions as exhibited in the works of Poe and Pope, and gradually arise to the proof, that the power to appeal to the emotions gives a book permanent …

The Orion, Fall 1923, Estherian Literary Society, Lanier Literary Society

Ivy Leaves

The Fall 1923 edition of the Anderson College journal of literature, The Orion.

This issue was published by the Estherian and Lantern Literary Societies. The individual members of the editorial staff for this issue are not clearly named.

The Orion, Volume 7, Issue 5, The Orion Editorial Staff

Ivy Leaves

The April 1923 edition of the Anderson College journal of literature, The Orion.

The names of the known editors for this issue of The Orion were Gladys Atkinson, Virginia Cowherd, Alice Pope Harris, Lula Lee Leathers, Bessie V. Jones, Lydia Burriss, Martha White, May Bell Barnhill, Bonte Phillips, Kathleen Foster, Marjorie England, Caroline Parnell, Bobbie Phillips, Malvina Hopper, and Babbie Sullivan

The Orion, Volume 7, Issue 4, Lanier Literary Society, The Orion Editorial Staff

Ivy Leaves

The March 1923 edition of the Anderson College journal of literature, The Orion.

The names of the known editors for the Lantern Literary Society's issue of The Orion were Gladys Atkinson, Virginia Cowherd, Alice Pope Harris, Lula Lee Leathers, Bessie V. Jones, Lydia Burriss, Martha White, May Bell Barnhill, Bonte Phillips, Kathleen Foster, Marjorie England, Caroline Parnell, Bobbie Phillips, Malvina Hopper, and Babbie Sullivan.

The Orion, Volume 7, Issue 3, The Orion Editorial Staff

Ivy Leaves

The February 1923 edition of the Anderson College journal of literature, The Orion.

The names of the known editors for the Estherian Literary Society's issue of The Orion were Gladys Atkinson, Virginia Cowherd, Alice Pope Harris, Lula Lee Leathers, Bessie V. Jones, Lydia Burriss, Martha White, May Bell Barnhill, Bonte Phillips, Kathleen Foster, Marjorie England, Caroline Parnell, Bobbie Phillips, Malvina Hopper, and Babbie Sullivan.

The Orion, Volume 7, Issue 2, The Orion Editorial Staff

Ivy Leaves

The Christmas 1922 edition of the Anderson College journal of literature, The Orion.

The names of the known editors for this issue of The Orion were Gladys Atkinson, Virginia Cowherd, Alice Pope Harris, Lula Lee Leathers, Bessie V. Jones, Lydia Burriss, Martha White, May Bell Barnhill, Bonte Phillips, Kathleen Foster, Marjorie England, Caroline Parnell, Bobbie Phillips, Malvina Hopper, and Babbie Sullivan.

The Orion, Volume 7, Issue 1, The Orion Editorial Staff

Ivy Leaves

The Thanksgiving 1922 edition of the Anderson College journal of literature, The Orion.

The names of the known editors for this issue of The Orion were Gladys Atkinson, Virginia Cowherd, Alice Pope Harris, Lula Lee Leathers, Bessie V. Jones, Lydia Burriss, Martha White, May Bell Barnhill, Bonte Phillips, Kathleen Foster, Marjorie England, Caroline Parnell, Bobbie Phillips, Malvina Hopper, and Babbie Sullivan.

The Orion, Volume 6, Issue 3, The Orion Editorial Staff

Ivy Leaves

The March 1922 edition of the Anderson College journal of literature, The Orion.

The names of the known editors for this issue of The Orion were Irene Biggs, Caroline Parnell, Frances Mattox, Mozelle Jones, and Mary Clement.

The Orion, Volume 6, Issue 2, The Orion Editorial Staff

Ivy Leaves

The December 1921 edition of the Anderson College journal of literature, The Orion.

The names of the known editors for this issue of The Orion were Madge E. Bradley, Kathleen Cooke, Mary Dell Stewart, Mabel Dillingham, Madeline Kelly, and Ethel Medlock.

The Orion, Volume 6, Issue 1, The Orion Editorial Staff

Ivy Leaves

The November 1921 edition of the Anderson College journal of literature, The Orion.

The names of the known editors for this issue of The Orion were Susan Creech, Hazel Murphy, Zenith Freeman, Isabel Cunningham, Mary Dell Stewart, Lula Lee Leathers, and Gena Gwin.

The "Uniformity" Of The Ballad Style, Louise Pound

Department of English: Faculty Publications

" It is a significant fact," says a well-known writer on ballads,' "that wherever found, the ballad style and manner are essentially the same." Many make the same generalization. But this is true only in the most general sense. It presupposes too great fixity ill the ballad style. The ballad is a lyric type exhibiting epic, dramatic, and choral elements; but within the type there is as great variation as within other lyric types. The ballad style is hardly more" essentially the same" than the song style in general, or the sonnet style, or the ode style. There is no …

The Orion, Volume 4, Issue 4, The Orion Editorial Staff

Ivy Leaves

The March 1920 edition of the Anderson College journal of literature, The Orion.

The names of the known editors for the Estherian Literary Society's issue of The Orion were Ruth Brownlee, Clarice Townsend, Myra Anderson, Edith Hubbard, Bernice Shields, Lucy Primrose Whyte, and Carolyn Parnell.

The English Ballads And The Church, Louise Pound

Department of English: Faculty Publications

Many origins have been suggested for the type of narrative song appearing in the English and Scottish traditional ballads: minstrel genesis, origin in the dance, improvisations of media3val peasant communes, or descent from the dance songs of primitive peoples. The hypothesis of minstrel origin was that first to be advanced and it has always retained supporters. There remains a possibility not yet brought forward which deserves to be presented for what it is worth, since the problem, though it may be insoluble, has its attraction for critic and student. We have but meager knowledge of the ballad melodies of pre-Elizabethan …

King Cnut's Song And Ballad Origins, Louise Pound

Department of English: Faculty Publications

King Cnut's song, according to Professor Gummere gives us our “first example of actual ballad structure and the ballad's metrical form, which is to be met in English records." He quotes the account from the Historia Eliensis of 1166. Cnut, with his queen Emma and divers of the great nobles, was coming by boat to Ely, and, as they neared land, the King stood up, and told his men to row slowly while he looked at the great church and listened to the song of the monks which came sweetly over the water. "Then he called all who were with …

Xvii. The Ballad And The Dance, Louise Pound

Department of English: Faculty Publications

It is the purpose of the following paper to examine the relationship of the mediceval ballad to the dance, in origin and in traditional usage. Particular reference is had to the English and Scottish ballad tvpe. In various preceding papers I have considered the theory currently accepted in America of the inseparableness of primitive dance, music, and song and have shown that primitive song is not narrative in character. I have also questioned the assumption that the ballad is the archetypal poetic form--this position should be assigned to the song, not the ballad--and the assumption of " communal " as …

Collar And Daniell's First Year Latin, Thornton Jenkins

Books & Monographs

[From the Preface]

The book that is placed in the hands of a pupil during his first year of the study of Latin should be simple and clear and interesting in its treatment of the language; it should teach with the utmost thoroughness those principles that it attempts to teach, but it should not attempt to teach to-day what may be taught more properly to-morrow; it should get the pupil into the reading of easy connected Latin as soon as possible, and for this purpose should supply a generous amount of material graded to his attainment; and it should never …

The Orion, Volume 1, Issue 5, The Orion Editorial Staff

Ivy Leaves

The fifth edition of the Anderson College journal of literature, The Orion.

The names of the known editors for this issue of The Orion were Mary Riley, Gertrude Jones, Wilma Ervin, Mary Bowie, Lura King, Emily Sullivan, Sarah Sanders, Janet Bolt, Myrtle Workman, Julia Ledbetter, Marie Nelson, Blanche Dalrymple, Myra Anderson, Catherine Sullivan, J. T. Miller, and Carol L. Sullivan.