Music Pedagogy Commons^™

Psappha By Iannis Xenakis: Developing Multiple Percussion Literacy, Owen Phillip Rockwell

Dissertations

Psappha by Iannis Xenakis was written for a solo percussionist in 1975, and since then has been performed almost exclusively by elite musicians. The work suffers from broad neglect by students and professionals alike, because the structure and notation are difficult to access. Through Psappha, Xenakis created an alternative approach to serialist and chance compositional techniques that enabled him to communicate what he believed was rhythm in its purest form. The notation is unconventional and challenges the performer to approach Psappha in a similar manner. The main thrust of this project was to re-imagine the work in a more …

2014-2015 Master Class - Jonathan Coo (Piano), Jonathan Coo, Hsin Hui Liu, Vladislav Kosminov, Anastasiya Timofeeva, Wynton Grant, Yordan Tenev, Sean Colbert, Trace Johnson, Hikari Nakamura

Master Classes

No abstract provided.

A Choral Conducting Portfolio, Sydney J. Sewell

Honors College Theses

This project is a cumulative portfolio of my work as a conductor during the past two years of undergraduate study. It is designed to prepare me for both graduate school auditions and the graduate level work-load. I have evaluated myself as a conductor, filmed videos of myself conducting rehearsals and performances, attended conducting master classes and completed a comprehensive analysis of choral works that I have studied or conducted. I have also included evaluations by mentors or professors administered throughout the course of the project. The project demonstrates by its very nature my growth as a conductor over the course …

The Budding Musician: A Method For Developing Cognitive And Physical Proficiency At The Piano, Lauren M. Hartburg

Senior Honors Theses

A comprehensive piano curriculum involves physical performance development alongside musicianship training. This thesis will discuss the decline in music literacy alongside research supporting the benefits of a creative, holistic, flexible music education program. These items will then be applied to developing an elementary piano curriculum. A four-volume piano method emphasizing theory and musicianship in the context of performance literature is outlined and level one is presented in detail.

The Pedagogical Applications Of Associating Color With Music In Entry Level Undergraduate Aural Skills, Chris Keelan

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This thesis explores the possible effects, pedagogical applications, and benefits of pairing color with certain musical elements in undergraduate aural skills courses. The aural skills exercises primarily used in this paper are melodic and harmonic dictations but the overall theory could be applied to any exercise used in aural skills courses. An extensive review of the history and uses of color in music, as well as the invention of the color organ and the resulting artistic movements that placed color and music into the same medium are presented along with their potential uses in aural skills. Our perceptions of and …

Composer Mentors: A Model For Community Engagement, Service Learning, & Learning By Teaching, Kyle Gullings

Faculty Posters

This poster was presented during the UT Tyler Teaching Symposium in 2015, and awarded first place.

Sonatas, Rondos, And Cupcakes: The Efficacy Of Collaborative And Creative Project Formats In Undergraduate Music Theory Courses, Kyle Gullings

Faculty Posters

This poster was presented during the UT Tyler Teaching Symposium in 2015, and awarded first place.

2014-2015 Master Class - Elmar Oliveira (Violin), Elmar Oliveira, Sheng Yuan Kuan, Chen Liang, Kristen Seto, Wynton Grant, Cassidy Moore, Junheng Chen, Anna Tsukervanik

Master Classes

No abstract provided.

2014-2015 Master Class - Boris Slutsky (Piano), Boris Slutsky, Vladislav Kosminov, Sheng Yuan Kuan, Chen Liang, Hsin Hui Liu, Matthew Calderon

Master Classes

No abstract provided.

2014-2015 Master Class - Boris Slutsky (Piano), Boris Slutsky, Chance Israel, Munkhshur Enkhbold, Franz Felkl, Felicia Besan, Roberto Henriquez, Isac Ryu, Akmal Irmatov, Tatiana Lokhina, Aneliya Novikova

Master Classes

Boris Slutsky Performance (March 14, 2015) - Program

Sonatas, Rondos, And Cupcakes: The Efficacy Of Collaborative Learning In Undergraduate Music Theory Courses, Kyle Gullings

Music Faculty Publications and Presentations

This paper examines the efficacy of collaborative and creative learning models in undergraduate music theory courses, using as comparative case studies group projects I assigned in three consecutive Form and Analysis classes from 2011 through 2014. I make the case that creative group projects, when executed correctly, have a net benefit for students, and that we as educators should make more effective use of them in our courses.

Editorial, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

No abstract provided.

2014-2015 Master Class - Claire Wachter (Piano), Claire Wachter, Matthew Calderon, Felicia Besan, Anastasiya Timofeeva, Aneliya Novikova, Jie Ren

Master Classes

No abstract provided.

2014-2015 Master Class - Louis Nagel (Piano), Louis Nagel, Heqing Huang, Vladislav Kosminov, Sheng Yuan Kuan, Hikari Nakamura, Yasa Poletaeva, Darren Matias

Master Classes

No abstract provided.

2014-2015 Master Class - Raisa Isaacs (Harpsichord), Raisa Isaacs, Jie Ren, Carina Inoue, Jihee Kim, Yu Lu, Aneliya Novikova

Master Classes

No abstract provided.

2014-2015 Lecture Recital: Fundamentals Of Baroque Phrasing And Articulation - Raisa Isaacs (Harpsichord), Raisa Isaacs

Master Classes

No abstract provided.

Aesthetic Foundations Of Music Therapy: Music And Emotion, James Hiller

Music Faculty Publications

The subject of aesthetic experience as it relates to music embodies a vast and fascinating territory of philosophical thought. Ancient philosophers to modern musicologists have engaged in scholarly debate over the topic from many perspectives (Davies, 2010; Kivy, 1989). Not surprisingly, a similar intrigue surrounds questions regarding the clinical value of aesthetic aspects of music and of music making for health, healing, and human development (Aigen, 1995, 2007).

Numerous links between aesthetic experience and therapeutic processes are found in the music therapy literature. In fact, volumes could be filled with theories and philosophical arguments for and against the meaning and/or …

Introduction And Acknowledgements, Pamela Dennis

The Etude Magazine: 1883-1957

No abstract provided.

International Perspectives In Music Therapy Education And Training: Adapting To A Changing World, Amy Clements-Cortés

Music Faculty Publications

“International perspectives in music therapy education and training: Adapting to a changing world”, is the follow-up text to the widely acclaimed Goodman, 2011 book titled: Music therapy education and training: From theory to practice. This new volume edited by Professor Karen Goodman; music therapy professor at Montclair State University, senior educator and clinician, as well as a widely published author and international lecturer, offers the academic community a current and comprehensive text that includes the perspectives on music therapy training and education from distinguished authors representing the global regions served by the World Federation of Music Therapy (WFMT).

Experiences And Perceptions Of Middle School Handbell Participants, Debbie Rohwer

Research & Issues in Music Education

The purpose of the current study was to describe the process of music learning and the perceptions of members in a school-based middle school handbell setting. The participants were 39 students and one music teacher in a middle school in Texas. The design of the current study was a case study using observation and interview data. The results highlight a successful middle school handbell ensemble setting that could be used as a model for a different form of music learning environment than the traditional options generally found in the schools. The study describes the practices and perceptions of a handbell …

“If It Fits Into Their Culture, Then They Will Have A Connection”: Experiences Of Two Latina Students In A Select High School Choir, Joshua Palkki

Research & Issues in Music Education

In the United States, Latino/a students are underrepresented in secondary school music programs (Elpus & Abril, 2011). By understanding the needs of Latino/a students, music educators can create programs that will better serve this student population. This intrinsic case study chronicles the experiences of Cassandra and Elena, two students enrolled in a high school choir in a mid-sized Midwestern community. The main research questions were: (a) Which lived experiences of these Latino/a students play a role in school choral music, and (b) Which elements of culturally relevant pedagogy have played a role in choral music education of these two students? …

Something’S Happening Here: Popular Music Education In The United States, Bryan Powell, Andrew Krikun, Joseph Michael Pignato

John J. Cali School of Music Scholarship and Creative Works

Although the number of opportunities to learn popular music in the United States continues to grow, popular music education (PME) programs remain exceptional at primary, secondary, and tertiary levels of institutionalized music education. This article provides insight into the unique characteristics of a number of PME initiatives currently operating in the United States. A historical background is established to provide context regarding the history of PME in the United States. Additionally, a focus on an expanding landscape for American PME is included, as is an examination of six specific initiatives that are particularly noteworthy. This review of popular music programs, …

Utilizing Mental Practice To Combat Performance Anxiety In Performing Musicians, Stephanie M. Quist

Undergraduate Theses, Professional Papers, and Capstone Artifacts

Performance anxiety is a crippling problem for many performing musicians. Success in dealing with such a problem can make or break a performance; therefore, it becomes necessary for musicians to learn ways to cope with debilitating nerves. As a performing pianist myself, I am interested in investigating ways current performance anxiety research can be best applied to ease musicians’ stage fright. As there is a gap between current academic research on this subject and pedagogical practice, many teachers lack good advice to give students suffering stage fright. My thesis paper incorporates my personal experiences in mental practice with current academic …

Claude Debussy’S Children’S Corner – A Pedagogical Guide, Nolan O. Pribnow

Undergraduate Research Journal

A student learning Debussy’s Children’s Corner must be properly trained to handle a wide range of physical and musical demands. An experienced teacher, who is able to analyze and anticipate musical and technical challenges, demonstrate specific musical passages, and develop an organized plan of sequential learning steps, will successfully guide the student-learning process. As a teaching guide, this project addressed each piece individually, highlighting various technical and musical challenges, followed by pedagogical recommendations for addressing these challenges.

Mued 397b/D: Practicum (Music Teaching Field Experience)—A Peer Review Of Teaching Project Inquiry Portfolio, Dale Bazan

UNL Faculty Course Portfolios

This course is taken during the spring semester of the junior year in the Bachelor of Music Education degree. The field experience places students inside schools weekday mornings over 5 weeks following Spring Break, and following core music education methods courses in instrumental and choral teaching (i.e., Instrumental Methods MUED 345 and Choral Methods MUED 346). The UNL undergraduate bulletin describes this course as simply, “Supervised teaching experiences in school.” Students are placed in school settings in the discipline opposite their applied instrument. Specifically, vocal applied students are placed in instrumental settings, and instrumental applied students are placed in vocal …

Volume 29, Various Authors

Journal of Music Theory Pedagogy

No abstract provided.

A Comprehensive Method For Tuning And Pedaling Timpani, Brandon M. Arvay

Theses and Dissertations--Music

Method books are an integral part of the percussion pedagogy. Because of the vast number of instruments a modern percussionist is expected to play, they often look for progressive, concise, and effective resources that can make learning such a variety of instruments more efficient. Instructional books currently exist for many areas of percussion performance, including snare drum, mallet percussion, timpani, World music, accessories, and marching percussion. Included in these books are information and procedures on music reading, rhythm studies, listening skills, part preparation, and technical approach. Focusing on timpani methods specifically, many of these books include tuning and pedaling exercises …

Overcoming Initial Hurdles: Strategies For Developing A University Free Improvisation Ensemble, Rui Li

Theses and Dissertations--Music

New free improvisers may come across six major problems as they learn to improvise: imbalance between technique and music, incorrect perception of limitation, imbalance between rationality and emotion, lack of enthusiasm, inability to view criticism as a source of creativity, and misunderstanding of mistakes and risks. In this thesis, I propose a set of effective pedagogical tools as possible solutions for students and groups interested in exploring the beauty of free improvisation.

An Exploration Of The French And American Schools Of Classical Saxophone, Sarah E. Miracle

Williams Honors College, Honors Research Projects

This project is an exploration of the relatively short history of the classical saxophone genre. It will focus mainly on the styles created by Marcel Mule, the second professor of saxophone at the Paris Conservatory, and Larry Teal, the first full-time professor of saxophone in America. Mule and Teal’s contrasting ideas of playing and teaching created distinct French and American schools of classical saxophone playing. This project explores the similarities and differences between these two schools of thought, and places them each in historical and cultural contexts. In addition, it traces the subsequent lineage of prominent saxophone performers and pedagogues, …

Understanding And Implementing Extended Saxophone Techniques, Tyler R. Bokman

Williams Honors College, Honors Research Projects

Contemporary classical music often pushes the boundaries of how instruments should be played and what kinds of sounds they should produce. A great deal of contemporary music requires the player to utilize playing techniques that may seem very strange and difficult to those who are unfamiliar with them. These unusual practices, known as extended techniques, can include playing in extreme ranges, manipulating pitches in particular ways, and applying abnormal articulations. While once seen as a sort of novelty, these extended techniques are becoming increasingly essential to the contemporary musician. This is especially true of the saxophonist.

While nearly every other …