Music Pedagogy Commons^™

A Unified Approach: Culturally Responsive Teaching And Afrocentricity In Music Education, James H. Lyle Jr.

Visions of Research in Music Education

I

In contemporary society, students from ethnically diverse backgrounds are frequently confronted with racial barriers and disenfranchisement even in music education. To provide these students with the best environment for learning, researchers suggest that it is imperative that educators ensure an all-inclusive and impartial education system for these learners. Students of the African diaspora and students of color frequently experience societal injustices and harm in the U.S. education system, thereby resulting in discrepancies in academic accomplishments. This literature review critically evaluates the methods, approaches, and pedagogical practices of music educators and theorists, aiming to specify how teacher training programs can …

Visualizing The Fretboard: Arpeggiated Patterns, Muscle Memory, And Neurocognitive Strategies For The 5-String Electric Bass, Matthew Alexander Woisin

Electronic Theses and Dissertations

Proficient navigation of the 5-string electric bass requires a comprehensive mastery of various techniques and a solid understanding of music theory. This includes a detailed grasp of arpeggios, chord extensions, and the development of deeply ingrained muscle memory for precise execution. This thesis introduces a structured methodology that refines existing fretboard visualization techniques and applies a unique manner of fretboard mapping, offering a more precise framework for comprehending and unlocking the full range of the instrument. By drawing insights from music theory, music education, cognitive science, neuroscience, and technology this approach is achieved by synthesizing research on visual pattern recognition, …

The Application Of Syncopated Rhythms In The Development Of Sight-Reading Skills For Non-Keyboard Music Majors, Ronald David Rodriguez Herrera

LSU Doctoral Dissertations

This study investigates the impact of integrating syncopated rhythms into the group piano curriculum for undergraduate music students with varied levels of piano proficiency. Participants (N=76) enrolled in Group Piano II and IV were assigned control and experimental groups across multiple class sections. Three research questions guided the study: (1) How does the introduction of syncopated rhythm patterns affect group piano students’ sight-reading performance? (2) How does consistent practice of syncopated rhythms influence students' ability to sustain a steady pulse? (3) Do students consider exposure to syncopated rhythms a valuable component in their future careers as music educators …

A Content Analysis Of Graduate Degrees In Music Education In Nasm Accredited Institutions, Karen Koner

Visions of Research in Music Education

The purpose of this study was to examine graduate degree programs in music education in NASM accredited institutions with the specific areas of degree and institution information, admissions, and curricula. For this content analysis, I collected data through the websites of NASM accredited institutions that offered graduate degrees in music education, including master’s degrees (N = 203) and doctoral degrees (n = 53). The institution and degree information for these graduate degree programs included types of degrees offered, format of degrees (e.g., summers only, distance learning), location where the programs were located, and Carnegie Classifications (American Council on Education, 2023). …

Expanding "Standards" Through Embracing Diversity: The Clarinet Quintets Of Samuel Coleridge-Taylor, Joyce Solomon Moorman, And James Lee Iii, Lauren Miller

Dissertations

Diversity in music education has been a long-standing discussion amongst educators. This document advocates for the recognition and acceptance of the intrinsic and extrinsic values of diverse peoples and their musical contributions while creating tolerance and respect. The focus lies with three composers, two African American and one African English, in service of promoting inclusion for composers of minority groups within the clarinet repertoire.

The goal is to expand standard clarinet repertoire, with “standard” defined as compositions considered important in building a well-rounded clarinetist in America, to include works such as Samuel Coleridge-Taylor’s Quintet for Clarinet and Strings in F-sharp …

Sequencing Orchestral Repertoire For Collegiate Orchestras: Addressing The Educational Needs Of Students In Various Stages Of Development, Cheuk Nok Francis Ku

LSU Doctoral Dissertations

Sequencing is a fundamental aspect of music education, not only in individual instrumental teaching but also in large-ensemble instruction. Collegiate orchestras, like other educational ensembles, experience turnover of students each academic year, and face unique challenges in repertoire selection due to the diverse skill levels and experience of their members. This document presents a case study of the LSU Symphony Orchestra program spanning from 2021 to 2024, and complements a performance featuring works by Amy Beach, Ludwig van Beethoven, Joseph Haydn, and José Pablo Moncayo. The document also delved into the study of performance practice during the Classical period and …

Purpose Makes Practice: Testing The Efficacy Of A Proposed Framework For Teaching Self-Regulation Skills In The Violin Lesson, Hannah Kabrick

Mahurin Honors College Capstone Experience/Thesis Projects

Development of self-regulatory (SR) skills in musicians is crucial for the self- examination necessary for successful practice. Teaching methods that facilitate SR skills can help musicians become independent in the practice room. The first aim of this study was to design a framework for teaching that includes a five-step thinking-action sequence that will allow participants to evaluate their own playing during practice and equips them to enact necessary changes to their technique to bring their playing closer to a more proficient result. The second aim of this study was to use microanalysis with a cross-case comparative design to test the …

Facilitating Children’S Musical Development, Andrew Aprile

Open Educational Resources

In this course, early childhood teacher candidates will explore significant issues and current research regarding the musical development of young children, as related to emotional, cognitive and physical musical growth. Observations of natural music-making behaviors, interactive music making experiences, as well as integrative pedagogy focused on children’s engagement with music and movement will be salient to teacher candidates’ learning process.

Preservice And Beginning Teachers’ Perceptions Of Healthy Musicianship, Carla Salas-Ruiz, Ann Marie Stanley, Joshua Burgos

Visions of Research in Music Education

Research on instrumental music majors is an important subset of performance injury literature (Barton, et al., 2008, Brandfonbrener, 2009). Musculoskeletal problems, physical and mental stress, and performance anxiety are common (Bernhard, 2005, 2020; Guptil, et al., 2005; Steinmetz, et al., 2012). Consequently, “healthy musicianship” (Taylor, 2016) is a growing area of interest within schools of music. Preservice music teachers need tools to maintain mental and physical wellness. They also need to learn to guide future students in healthy practices. Understanding how preservice teachers acquire pedagogical content knowledge in healthy musicianship is important: their approach to musical performance issues will influence …

A History Of Educational Concerts Of The Pittsburgh Symphony Orchestra, Sean Radermacher

Theses and Dissertations--Music

This project illuminates the history of educational concerts of the Pittsburgh Symphony Orchestra (PSO) and reveals a legacy of performances for young audiences, today’s educational innovations, and the orchestra’s evolving mission to serve young people. Concerts for young people are an important facet of the history of American orchestras. Today, these concerts and other educational programs are essential to increase the accessibility of orchestral music.

The PSO’s history highlights the close relationship of American orchestras with an educational mission from their early years to the present. After an overview of the origins of permanent orchestras and the national context of …

Creative Practice For Classical String Players With Live Looping, Caleb Yang

Student Theses

In recent years, string pedagogy discussions have highlighted the greater need for creative practice as classical string players. Since the second half of the nineteenth century, string methods have shifted towards a limited scope of improvisatory techniques, parallelling the decline of improvisation in Western classical music performance practices. This thesis explores live looping as a practice tool to facilitate learning concepts and help string players develop musicianship skills including improvisation, participate in non-classical genres, and explore their creative voices. Examining the results of string educators that incorporate live looping into their own teaching reveals the tool’s effectiveness in bridging curricula …

Fostering Music Performers In The 21st Century: A Contemporary Professional Perspective Toward A New Curricular Agenda For Graduate Study In Music, Andre Januario

Graduate Theses, Dissertations, and Problem Reports (ETD)

What if the core curriculum for graduate students in music performance were designed to prepare students to succeed in the world of the Fourth Industrial Revolution?

This dissertation offers a hypothetical answer: a structured and systematic academic curricular framework for music graduate students of performance of concert music (especially those in terminal degrees, such as doctoral students), along with music instructors, professional music performers, school administrators, and college professors, seeking to prepare such students for achieving and maintaining a music career more in keeping with the current work environment, especially those skills demanded by the Fourth Industrial Revolution and the …

The Challenge Of Just-In-Time Teaching (Jitt): A Case Study In Music Education Pedagogy, Nicholas Batcher

Q2S Enhancing Pedagogy

It is nine o’clock in the morning in my “Intro to Music Education” classroom. The students enter the class room and begin to almost immediately begin debating important current trends in music education. Topics range from making sure music classrooms utilize a diverse range of repertoire (music) and literature; to LGBTQ+ students in the classroom; to teaching music to students with special needs; to the efficient use of technology in the music classroom. This is not your typical “sage from the stage” lecture. These students are actively participating and engaged from the moment class begins, and as the class continues, …

An Appraisal Of The Evolution Of Western Art Music In Nigeria, Agatha Onyinye Holland

Graduate Theses, Dissertations, and Problem Reports (ETD)

Nigeria has greatly evolved as an intercultural society given her history of colonization, the influence of foreign religion (Christianity and Islam, primarily) and the impact of globalization. Africa had her socio-cultural practices and art idioms before these foreign influences. For instance, music existed in everyday Africa as part of culture, religion, vocation, and drama. However, music never existed as an entity on its own. The culture of stage performers and audience never existed. This status quo changed with the introduction of Western art music through Christianity and education by the missionaries; since then, music assumed a bi-cultural status. This research …

The Origins Of Western Music And Its Influence On Modern Popular Music: Teaching Music Through A Musical Exploration Of Seven Countries, Johanna Katelyn Hatt

Masters Theses

The topics of music history and music appreciation cover a wide range of composers and musical contributions that at times, can be overwhelming to a student who does not have any musical knowledge. Through limiting the music appreciation course to the discussion of composers’ works from various countries, students are able to learn about the important contributions those composers and countries had to music, including modern popular music. This topic will bring value to the field of music education as it offers an alternative approach to the traditional method of teaching a music history course. With this holistic approach to …

Art As A Mediating Tool: Children And Learning In A Music And Arts-Based After School Program, Claudia Saldana

Open Access Theses & Dissertations

This study explores the experiences of primarily Latina/o children with learning music in a Music and Arts-Based Program (MABP) the context of a low-income neighborhood on the U.S- Mexico border. This year-long ethnographic study was conducted in an after-school art program in the Rio Grande Elementary School, in a low-income neighborhood located within one-mile of the U.S.-Mexico border. The purpose of the study is to understand how music and art can be used as a mediating tool for children to construct social and cognitive learning within a culturally diverse community, thus, enhancing the social environment in which they interact. The …

Mindfulness And Musicians: An Overview, Stephen Dubetz

Honors Projects

This overview of mindfulness begins with a basic history of the practice and filters chronologically to the application of mindfulness in the lives of modern musicians. From its origins in ancient India to its acceptance into Western culture and its eventual use in clinical, professional, and educational settings, this paper touches briefly on the story of mindfulness as it developed through time. The main questions addressed within are: What is mindfulness? Where does it come from? What use does it have? What fields of Western professional culture have adopted it so far and to what extent? and How can it …

A Content Analysis Of Beginning Guitar, Electric Bass, And String Bass Method Books, Michele Berlin

Masters Theses

Guitar instruction is an integral part of 21st-century best music education practices. This quantitative study compares six beginning guitar method books to beginning electric bass and string bass books. The books in the sample are Essential Elements for Guitar by Will Schmid and Bob Morris, Mel Bay's Modern Guitar Method Grade 1 Expanded Edition, Alfred's Basic Guitar Method by Morty Manus and Ron Manus, FJH Young Beginner Guitar Method Lesson Book 1, Belwin 21st Century Guitar Method 1 (2nd edition) by Aaron Stang, and KJOS Guitar Sessions Book 1: A Comprehensive Method for Individual or Group Study by Kevin Daley. …

Elementary Music Teachers' Perceptions Of The Effect Of Budget Reductions On Music Education, Jimmy Michel

Walden Dissertations and Doctoral Studies

Since 2007, many U.S. music education programs have been negatively affected by budget reductions at the local, state, and national levels. Although researchers have studied the effect of budget reductions on music education, they have not widely examined the perspectives of teachers who have experienced these reductions. The purpose of this study was to explore elementary music teachers' personal and professional experiences with budget reductions, and the perceptions of how their programs, students, schools, and communities have been affected by the budget reductions. The philosophies of Kodaly and Richards served as a conceptual framework for this qualitative case study. The …

The Suzuki Method: Influences Of Shinichi Suzuki On Japanese Music Education, Moriah L. Richards

Senior Honors Theses

This thesis will study the history of Japanese music education philosophies and pedagogy techniques. Specific focus has been given to the music education methods and philosophies of renowned Japanese music educator, Shinichi Suzuki. Suzuki’s views on the learning processes of children have greatly impacted the field of music education. Suzuki held the belief that the language acquisition process and the learning processes of children were intricately connected. He spent years applying his research to the field of music education. His resulting pedagogy techniques are now known as the Suzuki Method. The Suzuki Method, which has been adapted in various ways …

Music Education For Future "Mathews": Down Syndrome In General Music Education, Amber Alicia Colberg

Theses and Dissertations

This paper will begin with the history of special education and how legislation has shaped its implementation in the school system. The definitions and types of Down syndrome will then be discussed. Next, modifications for individuals with Down syndrome in the regular classroom and music classroom will be examined. Additionally, music therapy strategies will be included as it relates to music education. The paper will conclude with a description of curriculum adaptations for individuals with Down syndrome in the general music classroom. Following the paper, practical applications of research strategies are provided through four lesson plans. The purpose of this …

Music-Play And Communication In Children With Autism And Their Families: An Ethnographic Study, Melanie Makovsky

Masters Theses

This is an ethnographic research study regarding the nature of commun-, ication, musical behavior, emotional expression, and social relationships in children with autism. Four children completed the study by participating in at least three private music-play sessions attended by the child, his or her mother, and the researcher. All music-play sessions were person-centered and child-led. A local public elementary school hosted the music-play sessions in the music classroom after school hours. In addition, the school supplied all the musical instruments used in the study. The researcher utilized the SCERTS Model assessment tool to examine each child’s abilities in socio-musical communication …

Diva Diversity: National Vocal Schools And Qualities, Emma Plotnik

Student Scholar Symposium Abstracts and Posters

Hearing the term “opera singer” for many triggers an image of a German dramatic soprano bearing viking horns and powerfully bursting into a high C. Yet, what is it that perpetuates this stereotype that German singers possess weighty instruments with dark timbres? Why are classically trained North American vocal students told by their teachers to sing lightly and delicately when performing French mélodie, and not any other genre?

Research in vocal pedagogy has demonstrated that singers from particular regions have been typified by their vocal qualities in terms of size and color. These qualities by nation mainly stem from contrasting …

Teaching Traditional Music Theory With Popular Songs: Pitch Concepts, Heather Maclachlan

Books and Book Chapters by University of Dayton Faculty

Chapter 5 in Biamonte, Nicole. 2011. Pop-Culture Pedagogy in the Music Classroom : Teaching Tools from American Idol to YouTube. Scarecrow Press.

Gen Ms 17 Miriam Andrews Papers Finding Aid, Susie R. Bock, Nicole Keeler

Search the General Manuscript Collection Finding Aids

Description:

Miriam Andrews was a Gorham Normal School music teacher from 1922 to 1960. She had attended the New England Conservatory of Music and Julliard School of Music in New York. She continued her education at Columbia University’s Teachers College where she received her Bachelors and Masters degrees. During her teaching tenure at Gorham Normal School, she directed plays, organized concerts and operettas, and in 1925 compiled a music book for the school called Songs of Gorham Normal School. The Papers consist of an audiocassette recording and transcript of a 1974 interview with her, an undated photograph, and a copy …

Brain-Based Music Appreciation For Middle School Students, Robert Fauth

All Graduate Projects

This project examined the human brain in relationship to understanding, teaching, and appreciating music. Included is a handbook that provides middle school teachers a brain based researched curriculum that emphasizes the listening aspects of music appreciation.

The Integration Of Music Education Strategies Into The Regular First Grade Elementary Classroom, Gloria Jane Frueh

All Graduate Projects

A handbook of activities for teaching music in an elementary first grade classroom was developed for use by first grade regular classroom teachers. A review of current educational research implicates music as being a valued discipline in early educational development of children. A number of public schools do not have a music specialist. If music education is to be part of the school's curriculum, it will have to be taught by the regular classroom teacher. Using the National Standards for Music Education and this handbook as a guide, teachers can address the nine music education fundamentals. Integration and assessment strategies …

A Model Music Curriculum For Elementary-Level Students In Taiwan, Mei-Fang Ho

All Graduate Projects

The purpose of this project was to develop a model music curriculum for elementary-level students in Taiwan. With the current music curriculum utilized recently in Taiwan, this project will help the elementary-level students to develop their music potentials. In addition, teachers can educate students according to their level oflearning at different periods of time. To accomplish this purpose, a review ofrelated literature was conducted. Additionally, selected materials were obtained and adapted for use.

An Integrated Curriculum For Music And Social Studies, Carol Jane Alldredge

All Graduate Projects

Music exists as a discipline that often enhances other subjects. An integrated curriculum can provide students with connections to the real world, greater depth of study, and can generate enthusiasm. Through integration, many boundaries can be crossed. The purpose of this project is to create an integrated curriculum for music and social studies for the fifth grade. The curriculum is for the period of the Renaissance and the American Revolution. Topics explored relate to the subject of integration. Guidelines from Washington State Commission on Student Learning as well as national standards for music and social studies are used as the …

The Unsure Singer In The Primary Grades, Jane Troth Jones

Graduate Student Research Papers

This paper will attempt to present a method of dealing with the unsure singer which can be used by classroom teachers or the music specialist. The various activities outlined have proven somewhat successful in correcting this problem with the singing voilces of primary children. A paper or thesis could be written on the progress of individual children. However, it will be the intent here to present ways of handling the problem so that the average classroom teacher may work with the unsure singers. Host of the ideas have been tried out successfully with first and second grade classrooms in Eugene, …