Music Pedagogy Commons^™

2015-2016 Master Class - Elmar Oliveira (Violin), Elmar Oliveira, Sheng Yuan Kuan, Carina Inoue, Natalia Hidalgo, Yvonne Lee, Karolina Kukolova, Herongjia Han, Leonardo Pineda

Master Classes

No abstract provided.

Vibrato Rate In Female Opera Singers And Female Sertanejo Singers, Melissa Mccann

Showcase of Graduate Student Scholarship and Creative Activities

The aim of this study was to compare female vibrato rates in two styles of singing, western classical and sertanejo. This study was conducted in order to determine if different technical approaches yield a different mean vibrato rate in female singers. Examples were taken from well-known, operatic sopranos and popular female sertanejo singers. The program Vocevista was used to gain quantitative data on the singers’ vibrato rates and vibrato extent. A purpose of this study is to determine if the findings of similar mean vibrato rate for tenors singing in operatic and sertanejo genres, also hold true for female vocalists …

2015-2016 Master Class - Nadine Asin (Flute), Nadin Asin, Alla Sorokoleova, Anastasia Tonina, Jared Harrison, Scott Kemsley

Master Classes

No abstract provided.

Whitefield's Music: Moorfields Tabernacle, The Divine Musical Miscellany (1754), And The Fashioning Of Early Evangelical Sacred Song, Stephen A. Marini

Yale Journal of Music & Religion

Evangelical hymnody was the most significant form of popular sacred song in eighteenth-century Anglo-America. John and Charles Wesley built their Methodist movement on it, but little is known about the music of their great collaborator and eventual rival, George Whitefield (1714-1770). The essential sources of Whitefield's music are the development of ritual song at his Moorfields Tabernacle in London, his Collection of Hymns for Social Worship (1753) prepared for that congregation, and a little-known tunebook called The Divine Musical Miscellany (1754) that contains the first and definitive repertory of music known to be sung at Moorfields. This essay recovers Whitefield's …

2015-2016 Master Class And Mini-Recital - Benjamin Warsaw (Piano), Benjamin Warsaw, Chen Liang, Sohyun Park, Erin David

Master Classes

No abstract provided.

2015-2016 Master Class - Penderecki String Quartet, Penderecki String Quartet, Jeremy Bell, Katie Schlaikjer, Jerzy Kapłanek, Christine Vlajk, Yalyen Savignon, Roberto Henriquez, Clarissa Viera, Evan Musgrave, Hikari Nakamura, Tinca Belinski, Axel Rojas, Alfonso Hernandez, Camille Ripple

Master Classes

The Penderecki String Quartet Performance (February 27, 2016) - Program

2015-2016 Master Class - Penderecki String Quartet, Penderecki String Quartet, Jeremy Bell, Katie Schlaikjer, Jerzy Kapłanek, Christine Vlajk, Katherine Baloff, Natalia Hidalgo, Hao Chang, Elizabeth Lee, Yvonne Lee, Sheng Yuan Kuan

Master Classes

The Penderecki String Quartet Performance (February 27, 2016) - Program

2015-2016 Master Class - Elmar Oliveira (Violin), Elmar Oliveira, Julia Jakkel, Sheng Yuan Kuan, Xiaonan Huang, Erin David, Sohyun Park, Tinca Belinski, Marija Trajkovska

Master Classes

No abstract provided.

From The Margins: The Underrepresentation Of Black And Latino Students/Teachers In Music Education, Lisa C. Delorenzo, Marissa Silverman

John J. Cali School of Music Scholarship and Creative Works

There is an alarming gap between rising numbers of minority students and a shrinking minority teaching force. The purpose of this research was to explore the question: Why are so few students of color preparing to teach music in the public schools? Black and Latino music students and teachers who graduated from urban high schools in northern New Jersey were interviewed about their race/ethnic related experiences in college along with their ideas about the scarcity of music students of color in music teacher education. Data, presented in narrative form, indicated a complex web of factors that discourage high school students …

The Gĩkũyũ Mũtũrĩrũ: Preserving A Piece Of Kenya's Agrarian Past Through Flute Music, Jennifer Larue

Masters Theses

The Agĩkũyũ people of Kenya are one of the largest people groups in Kenya. However, systematic repression of Gĩkũyũ culture led to many traditional elements being forgotten, put aside, if not lost completely. The mũtũrĩrũ, a bark flute used when herding and in certain ritual dances, was one such element. The mũtũrĩrũ was initially a temporary instrument, which evolved into more permanent bamboo versions. These may have between two and six finger holes. Another version, called a "spider web mũtũrĩrũ" has no finger holes but has a paper membrane over one end to create a buzzing timbre effect. Research was …

2015-2016 Master Class - Margarita Shevchenko (Piano), Margarita Shevchenko, Chen Liang, Hikari Nakamura, Axel Rojas, Carina Inoue, Yu Lu

Master Classes

No abstract provided.

2015-2016 Master Class - Agustin Anievas (Piano), Agustin Anievas, Alfonso Hernandez, Matthew Calderon, Jiaxian Li, Olga Kim, Chance Israel

Master Classes

No abstract provided.

Bass Line Movable Do Modulation Paradigms, Jay Smith

Journal of Music Theory Pedagogy

Bass-Line Movable Do Modulation Paradigms are designed to help aural skills students internalize common modulation patterns. The worksheet uses movable-do modulation, meaning students change “do” to reflect the solfège of the new key at an appropriate pivot point. Students should sing the top line in the original key, repeat the pitch on the solfège syllable of the new key where it aligns with the lower line (the pivot point), and continue in the new key to the end. The instructor may wish to accompany students with an appropriate chord progression, providing musical context to the bass lines. The worksheet also …

The Chromatic Singalong Project: Pop/Rock As A Framework For Sight-Singing Fluency, Jena Root

Journal of Music Theory Pedagogy

Successful sight-singing results from the ear, voice, and mind working in synchrony, and at its best translates to real-time musical understanding and facility on the student's primary instrument. Finding a pedagogical model for this level of musical fluency can be elusive: while the metronome is a time-honored practice tool, its relentless click lacks an external musical context that can lead students into a perpetual trap: Start, stumble, count off, start again, etc.

The Chromatic Singalong is a transcription/composition/sight-singing project designed to help students build fluency in singing and understanding music in real time. It is a capstone to the third …

A Grading Catalogue Of Selected Works For Solo Trombone And Piano, Brent Michael Mead

Honors Program Theses

The current status of graded repertoire lists for trombonists is almost nonexistent. Selecting works for students can be difficult especially when you are unfamiliar with the large body of solo literature. I created a list of solo trombone works all graded with the same system in which students and teachers could utilize when selecting new pieces of music to perform. Teachers could more readily find new pieces for their students to study by using this grading scale. It can be difficult for trombone teachers to find easier solo literature for students because of the fact that most works that are …

The Art And Science Of Becoming A Successful Studio Teacher, Teresa A. Bellamy

Williams Honors College, Honors Research Projects

For most professional musicians, it is important to possess the skills necessary to be a studio teacher. While it is crucial to be confident in the actual pedagogical technique required of an instrumental teacher, it is imperative that music teachers also have a thorough knowledge of proper business and marketing tools. In this project, a close examination of the methods used to acquire and use such skills has been made. The research for this project was done in the form of interviews. Four professional music teachers were interviewed on the above topics.

Recommendations For Vocal Pedagogy Curriculum Based On A Survey Of Singers’ Knowledge And Research In Vocal Hygiene, Diana Lindsey Vetter

Theses and Dissertations--Music

Professional voice users such as singers and teachers are at high risk for vocal injury. A literature review was conducted to understand the prevalence of voice problems and the effectiveness of vocal hygiene education. The findings of the review suggested that in order to reduce the impact of voice disorders, it is imperative that the education of singers and teachers include how the voice functions and how to best take care of it.

The purpose of this study was to discover what students on a collegiate level know about vocal anatomy, physiology, and vocal hygiene issues. It was hypothesized that …

The Do/Ti Handouts, Daniel B. Stevens

Journal of Music Theory Pedagogy

"The Do/Ti Test handouts were developed to enable students to identify harmonic function quickly and accurately. These handouts equip students with a visual representation of a powerful, time-tested strategy for harmonic dictation: the guide-tone method, first described by Rahn and McKay in 1988. Building on and extending the guide-tone method, the Do/Ti Test can be applied to diatonic harmonies, applied chords, chromatic predominants, sequences, and modulation.

This accompanying document contains the following:

The Do/Ti Test Handouts: An Introduction

Explanations for each handout.

Handout 1: The Do/Ti Test: Major-mode Version

Handout 2: The Do/Ti/Te Test: Minor-mode Version

Handout 3: Extending the …

Volume 30, Various Authors

Journal of Music Theory Pedagogy

No abstract provided.

Simple And Compound Time Signatures Re-Examined, Paula Telesco

Journal of Music Theory Pedagogy

This handout was created for music minors and non-music majors, most of whom enter my class with some music background. They typically have some understanding of simple meters like 2/4, 3/4, and 4/4. Compound Time is typically a difficult concept to teach, so this handout treats compound meter a bit more in-depth than some textbooks. This handout would be appropriate for not only music minors and non-music majors, but also remedial music theory classes for music majors or even Music Theory 1 classes. I believe it could also be used in high school AP classes. There are three worksheets that …

Understanding Dotted And Undotted Notes, Paula Telesco

Journal of Music Theory Pedagogy

College and high school music students (whether majors or non-majors) likely know something already about note and rest values, what note gets the beat in some particular meter, and differences between undotted and dotted notes, but they often still have difficulty understanding them, dotted notes in particular. This handout will review this material and introduce an additional way to think about note values, setting the stage for additional approaches to meter, as rhythm and meter can often be difficult concepts to master.

Beyond “Three Blind Mice”: An Exemplar For “Day 1” Of Schenkerian Analysis, Andrew Aziz

Journal of Music Theory Pedagogy

This document provides a lesson plan and examples for Day 1 of a Schenkerian analysis course. Beginning with tonic prolongation paradigms that provide the structure of a hypothetical soprano-bass framework, the lesson unlocks a hidden Beethoven masterpiece lurking within the counterpoint. The plan also highlights how many melodic notes are "higher" than the soprano as well as how the theory incorporates the notion of tonal hierarchy.

Twenty Questions: An Introduction To Counterpoint, Linear Analysis, And Dissonance Treatment, Daniel B. Stevens

Journal of Music Theory Pedagogy

"Twenty Questions" is a pedagogical resource focused on linear and dissonance-treatment analysis in common-practice music of the 18th and 19th centuries. This resource is designed to be utilized at the advanced high school and collegiate levels. It includes an explanation of contrapuntal analysis in a user-friendly Q&A format, a one-page summary sheet, four sample analyses with commentary, and four assignments with answer keys and extensive commentary for instructors. "Twenty Questions" was first developed as an explanatory guide for analyzing and interpreting Bach's Prelude in C major (WTC, book I). This piece, and the commentary that accompanies it, serves as a …

Music For Brass Quintet With Orchestral Accompaniment: Commissioned Works, The Annapolis Brass Quintet, And A Survey Of Literature For Brass Quintet And Orchestra, Stacy L. Simpson

Theses and Dissertations--Music

Today’s leading brass chamber ensemble is the brass quintet, whose inception was relatively late compared to the string quartet or woodwind quintet. The first modern brass quintet formed in the 1950s, while the first string quartet can be traced to the 17th century. Compositions for woodwind quintet were written as early as 1811 during the Classical Period.

The New York Brass Quintet, American Brass Quintet, and Annapolis Brass Quintet commissioned a large portion of the currently existing brass quintet literature. The literature grew exponentially as the brass quintet became popular in the 1960s. Also during this time, a new genre …

An Alternative Approach To The Singer's Breath: Method And Workshop, Bradley S. Williard

Theses and Dissertations--Music

This research endeavors to stretch the boundaries of vocal training, a field defined by its century-old techniques and teachings, to include the cultivation of a relationship with the breath, body, and Self. The paper reviews the contributions of Ilse Middendorf and Carl Stough’s work with the breath and body and outlines a new method, Unlock Your Breath (UYB) – Performance Breathwork, which integrates the greatest strengths of those methods. UYB Performance Breathwork teaches the singer’s breath as a way towards deeper embodiment of Self (mind-body-voice relationship), while creating a stronger breath-body-voice connection with minimum effort and maximum efficiency. This …

Master's Recital In Jazz Pedagogy: A Performance-Demonstration Of Rhythm Section Instruments, Compositions And Arrangements By Josh Hakanson, Josh Hakanson

Dissertations and Theses @ UNI

This recital is presented to demonstrate skills and competencies on the rhythm section instruments piano, bass, and drums, as well as showcase compositions and arrangements by the recitalist. The study of the rhythm section instruments has been a valuable asset to my teaching and allowed me to expand my knowledge of how these instruments are used in a functional jazz context. The study of jazz composition and arranging techniques has also supplemented my teaching skills and given me the satisfaction of both writing and performing my own works. Though this recital is not a comprehensive overview of my study at …

An Exploration Of Exposure To Music In High School Males In Appalachian Ohio, Cassandra Mcdonald

Walden Dissertations and Doctoral Studies

Even with increasing availability of alternative educational systems, individual learning plans, and vocational schools, the high school dropout rate among males is still rising. High school dropouts have a negative effect on a community because their chances of being employed and contributing to the community are reduced. The theoretical frameworks of multiple intelligences, self-efficacy, and developmental constructivism were used to conduct a hermeneutical phenomenological study of the lived experiences of a specific population of male youth in rural Ohio who decided to return to school and complete the requirements for a high school diploma or GED after being exposed to …

Impact Of A Music Program On Students' Standardized Test Scores, Joan Murray

Walden Dissertations and Doctoral Studies

Administrators at the focus school had not determined if participation in a music program has influenced students' academic achievement, thereby ushering doubt about the utility of this program. The purpose of this causal-comparative study was to determine the impact of the music program on students' English language arts (ELA) and math Measure of Academic Progress (MAP) scores. The theoretical foundation for this study was Miendlarzweska and Trost's model of musical training, which indicates the impact of musical training on academic, social, and cognitive outcomes and identifies factors that mediate that impact. Archival data were retrieved on 74 Grade 5-8 students …

H. Leslie Adams' Twenty-Six Etudes For Solo Piano: A Performance And Stylistic Analysis, Aaron Balthazar Mathews

Theses and Dissertations

H. Leslie Adams (b. 1932) is a prolific and well-respected American composer, performer, and educator. He currently works as a full-time composer and travels the country promoting his music. Past faculty appointments of H. Leslie Adams include serving as an Assistant Professor of Music at Stillman College, Florida A & M University, and the University of Kansas. Over the years, he has received numerous commissions, honors, and awards including the Composer Fellowship Award from the National Endowment for the Arts to study in Bellagio, Italy, the Yaddo Artists Colony fellowship, the Jennings Foundation, and grants from the Rockefeller Foundation and …

H. Villa-Lobos' Concerto Para Piano E Orquestra N. 4: A Stylistic Analysis, Vicente Della Tonia Junior

Theses and Dissertations

The purpose of this study was to provide a stylistic analysis of Heitor Villa- Lobos’ Concerto No. 4 for piano and orchestra through investigation of its form, thematic materials, harmony, orchestration, stylistic influences and keyboard usage. The secondary purpose of this study was to offer the historical background, including the commission of the work, its première, reception and publication, which, along with the composer’s influences, will further illustrate his style and contribution to the genre. This study helps to fill a research gap by promoting and educating performers about Villa-Lobos’ writing. The ultimate goals are to encourage informed performances of …