Italian Language and Literature Commons^™

Goethe's Die Leiden Des Jungen Werthers: An Epistolary Novel, Or A Stage Drama In Disguise?, Ilona Klein

Faculty Publications

Photography of the late 1920s generated repercussions in other fields of the arts. It sparked an interdisciplinary interest in critics who balked at viewing the frozen images as merely one moment's reality, and who wanted, instead, to recompose and integrate underlying cultural, literary, or political discourse within the photographic frame. This fertile interdisciplinary backing guaranteed an in-depth interpretative dissection of artistic expression which had not been previously possible. The small photograph, a still visual image, became connected to the larger visual images of stage sets-these, a series of visual, immobile backgrounds which framed the caracters acting within.

Machiavelli's Prince: A Renaissance Pasquinade, Nancy A. Hahn

Theses Digitization Project

No abstract provided.

Loyola University Rome Center Yearbook 1996, Loyola University Rome Center

Rome Center Yearbooks

No abstract provided.

Loyola University Rome Center Yearbook 1994-1995, Loyola University Rome Center

Rome Center Yearbooks

No abstract provided.

Proposte D'Insegnamento Per Corsi Di Civiltà Italiana A Livello Universitario Negli Stati Uniti, Ilona Klein

Faculty Publications

In an effort to initiate a dialogue on the teaching of Italian culture, the author describes her classroom experiences. She indicates which topics are successfully used in her syllabi, and defines the role of the teacher as a "cultural translator" in courses of culture and civilization.

L'Alchimie Dans Le Songe De Poliphile, Denis M. Augier

Foreign Languages Faculty Publications

No abstract provided.

Prólogo [1994], Karoline Manny

Ariel

No abstract provided.

Presenting Italian Comparative And Superlative Forms Of Adjectives To College L2 Beginners, Ilona Klein

Faculty Publications

This study treats the necessity to de-emphasize the focus on grammar teaching alone in L2, and to introduce methods which are not teacher-centered, so as to enable students to interact more among each other.

By using comparative and superlative forms of adjectives – but in reality using a sequence of teaching techniques that could be applied to other grammatical situations – this article presents the use of sea shells as a visual and tactile aid which allows students to shift their L2 efforts from an abstract notion to a concrete usage.

This study offers a tool to attempt a balance …

Loyola University Rome Center Yearbook 1993-1994, Loyola University Rome Center

Rome Center Yearbooks

No abstract provided.

Verdi’S Otello: Interrelationships Of Musical And Political Culture, Elizabeth T. Pearce

Honors Capstones

No abstract provided.

Prólogo [1993], Karoline Manny

Ariel

No abstract provided.

Loyola University Rome Center Yearbook 1992-1993, Loyola University Rome Center

Rome Center Yearbooks

No abstract provided.

Loyola University Rome Center Yearbook 1991-1992, Loyola University Rome Center

Rome Center Yearbooks

No abstract provided.

Prólogo [1992], Patricia Bolaños

Ariel

No abstract provided.

The Power Behind The Pronoun: Narrative Games In Calvino's If On A Winter's Night, A Traveler, Inge Fink

English Faculty Publications

No abstract provided.

Loyola University Rome Center Yearbook 1990-1991, Loyola University Rome Center

Rome Center Yearbooks

No abstract provided.

Dante And The Franciscan Movement, Ilona Klein

Faculty Publications

Consider what might happen if, instead of nuclear bombs and pollution, twentieth-century technology had provided us with time machines; affordable, handy appliances to be bought readily and kept in living rooms, perhaps next to the sofa. In order to travel through time, one would only need to sit back comfortably and turn the electronic control panel's time knob in the proper direction; then, push a button when the indicator reaches the year one wants to visit. . .

Prólogo [1990], Patricia Bolaños

Ariel

No abstract provided.

The Order Of Santo Stefano In The Levant: An Unpublished Account Of A Voyage In 1627, Ilona Klein, Christopher Kleinhenz

Faculty Publications

On 12 April 1627 a fleet of six galleys belonging to the Order of Santo Stefano set sail from Livorno on their expedition "contro il comune nemico"–the Turks. This journey would take them along the western and southern coast of Italy, through the Ionian Sea to the Peloponnese and across the Aegean Sea to the Dardanelles. Along the way the sailors encountered many vessels, both friend and foe, heard reports of sea battles and movements of ships in those waters, and listened to an account of a miracle wrought by the Virgin Mary. After having engaged in two fierce skirmishes …

Primo Levi: The Drowned, The Saved, And The "Grey Zone", Ilona Klein

Faculty Publications

Primo Levi has been well known in Italy for many years. Even though his first book Se questo è un uomo–published in English as Survival in Auschwitz–did not sell well when first published by De Silva in 1947 (2,500 copies published, of which 600 remained unsold and were eventually destroyed by the 1966 flood in Florence), it was accepted unanimously in Italy as a literary masterpiece and a great witness to history when Einaudi republished the volume in 1956. From that moment on, Italian readers and critics have acknowledged the literary beauty and importance of Levi's writings. He …

"Official Science Often Lacks Humility": Humor, Science, And Technology In Levi's Storie Naturali, Ilona Klein

Faculty Publications

Primo Levi's third book, written under the pseudonym of "Damiano Malabaila," was published for the first time in the fall of 1966 by Einaudi. Storie naturali is a collection of fifteen short stories which represent the beginning of a new Cours in the author's narrative. After the autobiographical Survival in Auschwitz of 1947 and his second book of 1963 The Reawakening–both dealing with the Holocaust and its aftermath–Storie Naturali ("Natural Stories," not yet published in English) represented such a break in the literary patter established by Levi up to that point, that the author decided to use a …

For A More Accurate Reading Of Goethe's "Classiker Und Romantiker In Italien . . ", Ilona Klein

Faculty Publications

The second volume of Uber Künst und AltertJmm, published in 1820, contained an article by Goethe, the first part of which he had already written two years earlier, entitled "Classiker und Romantiker in Italien, sich heftig bekämpfend" (classicists and romantics in Italy fighting intensely). This report was meant to be a description of the Italian literary scene.during the second decade of the nineteenth century.

Loyola University Rome Center Yearbook 1989-1990, Loyola University Rome Center

Rome Center Yearbooks

No abstract provided.

Front Matter, Benita J. Clarke

Ariel

No abstract provided.

José Asunción Silva Y Su "Nocturne Iii", Agnes T. Meers

Ariel

No abstract provided.

Loyola University Rome Center Yearbook 1988-1989, Loyola University Rome Center

Rome Center Yearbooks

No abstract provided.

Tommaso Campanella's La Città Del Sole: Topography And Astrology, Ilona Klein

Faculty Publications

At the beginning of the seventeenth century the Dominican friar from Calabria, fra' Tommaso Campanella, had already solidified his anti-Aristotelian theories, had been persecuted and arrested, and was simulating madness in order to save his life while incarcerated in Naples. When Campanella conceived La Città del Sole under these circumstances in 1602, he was interpreting Telesio's naturalistic philosophy in a metaphysical manner, and was expressing in nuce the fundamental theories he would amplify two years later in Del Senso delle Cose e delle Magie.

Loyola University Rome Center Yearbook 1987-1988, Loyola University Rome Center

Rome Center Yearbooks

No abstract provided.

Language, The Other And God: On Italo Calvino's Last Novels, Richard Grigg

Philosophy, Theology and Religious Studies Faculty Publications

To the extent that Italo Calvino's novels point us toward a God beyond the God who died with the advent of modern nihilism, they are an important resource for constructing just that kind of notion of the divine that is required by the contemporary cultural situation: a notion that is an alternative to both theism and atheism. While theism cannot withstand the corrosive forces integral to the modern world view, atheism makes the fatal mistake of supposing that there is no longer any dimension of ultimacy available to contemporary persons. The God we have been led to by Calvino's last …

Loyola University Rome Center Yearbook 25th Anniversary 1962 -1987, Loyola University Rome Center

Rome Center Yearbooks

No abstract provided.