Italian Language and Literature Commons^™

Twitteratura: Digital Social Reading And Active Reception Of Literary Texts In The Context Of Italian Contemporary Literature, Iuri Moscardi

Dissertations, Theses, and Capstone Projects

This dissertation explores Digital Social Reading (DSR) as a novel mode of literary engagement, focusing on the Italian project Twitteratura, a series of social reading experiments conducted on Twitter (2012–2016) and later on the Betwyll app. The research situates Twitteratura within the intersection of Reader-Response Theory, Digital Humanities, Reception Studies, and Sociology of Literature, demonstrating how digital environments reshape the act of reading and interpretation. Through detailed analyses of four DSR projects centered on major twentieth-century Italian authors—Cesare Pavese, Pier Paolo Pasolini, Italo Calvino, and Natalia Ginzburg—this dissertation argues that Twitteratura provides a concrete, data-rich demonstration of Wolfgang Iser’s reader-response …

Beyond The Veil Of Modernity: René Guénon, Prophet Of The Metapolitical Imaginary, Frederic Colier

Dissertations, Theses, and Capstone Projects

Heralded by some as one of the greatest intellectuals of the 20th century, French metaphysician René Guénon (1886-1951) is also the controversial father of Primordial Tradition, a metaphysics designed to remedy the decline of Western civilization. Guénon viewed the West in the grip of a prolonged cycle of degeneration. He sought to implement a pseudo-authoritarian spiritual reset that required a total rejection of its Western intellectual heritage and an embrace of Eastern doctrines.

Focusing on his landmark book The Crisis of the Modern World (1927), the dissertation examines how Guénon implemented his controversial reset. After outlining the religious, cultural, and …

The Desire Of Strict Souls: The Poetry, Criticism, And Letters Of Paul Valéry And Wallace Stevens, Michael Healy

Dissertations, Theses, and Capstone Projects

This dissertation compares the poetic, critical, and epistolary oeuvres of Paul Valéry and Wallace Stevens and the influence of the former on the latter. Valéry famously advocated for the pursuit of “poésie pure” (“pure poetry”) and influenced Stevens especially in this way, though both of them concluded it was not achievable. I establish an approximation of a critical framework based on the work of the following critics and scholars: Wendy Lesser, Wendy Steiner, Anthony Cuda, Michael Clune, Paul Bové, and Liesl Olson. Harold Bloom’s passionate advocacy and deep, sustained engagement with Stevens and his work strongly influenced my choice to …

Singing Petrarch In The Cinquecento: Embodied Reading And The Italian Madrigal, Thomas A. Hedrick Iii

Dissertations, Theses, and Capstone Projects

This dissertation examines how composers of sixteenth-century Italian madrigals highlighted poetic line rhythm, repeated vowel sounds (or assonance), and word repetition in figures of speech—all elements of the verse that have been previously overlooked by scholars, who have traditionally focused on musical depictions of the text’s semantics. The analysis in chapters 2, 3, and 4 shows that composers used a consistent set of techniques from the madrigals of Arcadelt to those of Monteverdi, and musical examples draw from large collection of madrigals on Petrarch sonnets. The analytical methodology is built on the premise that Cinquecento encounters with poetry can be …

Dante’S Volgare And The Pastoral Presence: An Analysis Of The Concept Of Language In The Divina Commedia, Paola M. Rodriguez

Dissertations, Theses, and Capstone Projects

Dante’s conception of the Italian vernacular, the “volgare illustre”, is a central concern of his work and one which catalyses and nurtures, both overtly and covertly, his creation of the Commedia. Although Dante positions himself in his writings as the continual defender and most prolific poet of the vernacular, isolating a specific linguistic use and structure, a coherent definition of what vernacular Dante privileges or what appropriate usage he adheres to, is a difficult and often confusing task. The existence of two eclogues, the only works by Dante to have been written after the majority of the Commedia had been …

Discourse Analysis Of Ethnonyms For Black Italians On Youtube, Kaithlyn Massiah

Dissertations, Theses, and Capstone Projects

There have been various studies on the intersection of race and national identity for the African diaspora, but there has not been many on how language is used to evoke a stance on identity. This project focuses on the how ethnonyms, or names given to an ethnic group, are assigned to Black Italians in online discourse on YouTube. In this research, comments were analyzed from two YouTube videos that comprise of Black Italians who discuss their identity and the ethnonyms they prefer. ZERO is the first Netflix Italian series that centers the Black Italian experience. In the videos “Black [Italian] …

The Animated Cinema Of Bruno Bozzetto, Emilia Gambardella

Dissertations, Theses, and Capstone Projects

The principal aim of this dissertation is to insert Italian animator Bruno Bozzetto into the established narrative of Italian cinema. Although in American and British Film Studies animation has enthusiastically been at the center of many important conversations for the last thirty years, animation has received scant attention within Italian Studies. As such, in the dissertation I discuss a selection of Bozzetto’s animations in relation and comparison to live-action Italian films of the same decades which have been discussed and written about extensively. My dissertation fills this gap in Italian cinema scholarship by drawing on interdisciplinary sources to locate Bozzetto …

Failure To Mourn: Challenges To The Work Of Mourning In Twentieth-Century Italian Literature, Mattia Mossali

Dissertations, Theses, and Capstone Projects

This project brings together, in a novel combination and through a comparative and transnational perspective, three Italian authors from the Twentieth century who around the same years have produced texts in an effort to verbalize the pain caused by the loss of a loved one: Gina Lagorio (1922-2005), Lalla Romano (1906-2001), and Pier Vittorio Tondelli (1955-1991). Through a variety of literary forms, from fictional self-representations in “autobiographical” novels to the desire for authenticity that characterizes so-called grief memoirs, each of them confronts the challenge of how to write about the deeply painful experience of mourning. After witnessing death, they look …

The Redemption Of History: Poetics And Politics In The Modern Epic, Giacomo R. Bianchino

Dissertations, Theses, and Capstone Projects

This dissertation, “The Redemption of History: Poetics and Politics in the Modern Epic.” provides a materialist theory of the modern epic, focusing on the way that the poets deployed this form towards political ends. Building on theories of the epic going back to the German Romantics, it argues that the modern form is predicated on the idea that it has departed from the conditions that made the ancient form possible. It examines the way that writers in the late nineteenth and early twentieth century developed the idea that the immediacy of the social “totality” expressed by the ancient epopee was …

Germanic Latin Lyric Diction: Regional Variations In Germany, Switzerland, And Austria, James A. Worley

Dissertations, Theses, and Capstone Projects

In this dissertation, I discuss the various regional Latin lyric diction practices in Germany, Switzerland, and Austria and the extent to which Germanic Latin diction (also termed German Latin diction), Italianate Latin diction, and Roman Latin diction are performed beginning circa 1950 until 2022. I argue that Germanic Latin lyric diction is not standardized throughout Germany, Switzerland, and Austria. First, I explore Roman and Italianate lyric diction practices compared across various sources in order to distinguish between Latin pronunciation choices, then I discuss trends in Germanic Latin lyric diction “rules.” Extensive tables in appendices A (Roman Latin) and B (Germanic …

Female Spaces And Exceptional Women Under Fascism: Anna Banti’S Early Writings (1930s–1940s), Matilde Fogliani

Dissertations, Theses, and Capstone Projects

This dissertation looks at the early literary production of Anna Banti during 1930’s and 1940’s in newspapers and magazines. Female Spaces and Exceptional Women Under Fascism studies how Banti was able to publish and portray women who did not always comply with fascist propaganda’s standards, despite the harsh censorship. Banti employed dissimulation using umorismo, in order to avoid the censorship. Many scholars attributed the use of irony to Banti’s early writings to ridicule her female characters. She instead used umorismo because it leads the readership to an initial amusement but later to a reflection on women’s conditions. This research …

The Important Role And Contradictions Of Italian Women Image In Fashion, Magazines And Cinema During The Fascist Period, Lu M. Gomezdelatorre

Dissertations, Theses, and Capstone Projects

This paper discusses the tools of propaganda used by the fascist regime in fashion and cinema, and it focuses on the sets of opposing images used within these tools, and how they contributed to shaping the identities of Italian women during the time of the fascism in Italy. Moreover, this thesis attempts to demonstrate that fashion and films that aligned with the values of the regime and were seen as models of the fascist culture were also full of contradictions. Therefore, instead of unifying the nation, increasing national pride, and eliminating social gaps, they engulfed the regime in a series …

Virility And Defeat: Masculinities In Italy Between Fascism And The Sexual Revolution, Davide Giuseppe Colasanto

Dissertations, Theses, and Capstone Projects

This is the history of how masculinity evolved in a postfascist western European country. Militaristic virility was a core tenet of fascist Italy. World War Two weakened it profoundly, as men’s and women’s conceptions of their own sexual identities were fundamentally reshaped by violence and defeat. At the same time, consumer culture, exemplified by American GIs and expanding continuously through the 1950s and 1960s, encouraged the emergence of a new kind of man, only for this type, too, to be contested in turn in the wake of the New Left rebellions of 1968 and through the tumultuous 1970s. In all …

A House Of One’S Own: Challenges And Re-Definitions Of Female Subjectivity And Domestic Space In Italian Women Writers From The 1950s To The Early 2000s, Nicole Paronzini

Dissertations, Theses, and Capstone Projects

With an in-depth analysis of selected Italian novels written by female writers from the 1950s to the early 2000s, this dissertation addresses and discusses the challenging relationship between female identity and the home, perceived both as constraining space and metaphor of human interiority. The projects aim to show that these characters, as representative of the female individual, are capable to use the domestic space as a privilege universe in which re-defining themselves, modifying their own and other perception as passive objects of patriarchal society to the one of subjects in fieri.

If, on one hand, the house has been …

Maurice Scève Avant La Délie (1535–1544). Une Étude Des Genres Mineurs À L’Origine D’Une Nouvelle Esthétique Poétique, Elizaveta Lyulekina

Dissertations, Theses, and Capstone Projects

Cette thèse propose d’étudier l’influence du poète lyonnais Maurice Scève, actif entre 1535 et 1562, sur la formation de genres littéraires et le développement de la poésie française de la Renaissance. Elle explore également la contribution considérable du poète à la création de l’identité linguistique et culturelle française.

This dissertation studies the influence of the Lyonnais poet Maurice Scève, active between 1535 and 1562, on the formation of literary genres and the development of French Renaissance poetry. It also explores the poet’s considerable contribution to the creation of French linguistic and cultural identity.

Quod Inane Vocamus: Lucretius’ Void In Seventeenth-Century Italy, Carlo Bottone

Dissertations, Theses, and Capstone Projects

During the seventeenth century, the revival of atomic theories and the beginning of barometric experiments sparked a philosophical debate on the existence and the nature of void, which in turn generated new attention to the ancient disputes on void and prompted new interpretations of Lucretius’ examination of inane (De Rerum Natura, I.329-397). Commentators began to discuss the passage beyond the ancient philosophical tradition and in relation to modern ideas and recent discoveries, while Vacuists appealed to Lucretian arguments to prove or deny the existence of an absolute void interspersed among corpuscles.

My research contributes to the scholarship on …

The Surreal Voice In Milan's Itinerant Poetics: Delio Tessa To Franco Loi, Jason Collins

Dissertations, Theses, and Capstone Projects

Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. The scope of research presented in this study examines the question of dialect literature as a valid genre which bears lines of demarcation that would assign it the distinction of genre. Research reveals that in fact the simple election of a language, or dialect, does not itself constitute a genre; moreover, most dialect literature bears characteristics that would neatly place it in another genre.

To examine this verity, this research compares two dialect poets who employ Milanese as a means of transmission …

Locke’S Rebellious Progeny: Phenomenology And Ethics Of Leopardi’S A-Dialectical Materialism, Paolo Pellecchia

Dissertations, Theses, and Capstone Projects

With this study I reconstruct a genealogy of the a-dialectic materialism that defines the production of 19^th-century Italian author Giacomo Leopardi and with which he criticizes canonical metaphysical stances. In this regard, I consider John Locke as the first instance of a philosophical outlook that stands as an alternative to the anthropocentrism demanded by traditional metaphysics. By focusing on An Essay Concerning Human Understanding and its significant influence on Leopardi’s philosophical and aesthetic work, I emphasize how Locke’s system finds a synthetic formulation in the hypothesis, at the time highly contested yet groundbreaking, that matter might be endowed …

Narrating Intensity: History And Emotions In Elsa Morante, Goliarda Sapienza And Elena Ferrante, Stefania Porcelli

Dissertations, Theses, and Capstone Projects

This dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996). However, rather than remaining centered on these works’ emotive landscapes alone, I seek instead to trace the continuities that link these two “historical” novels of the past to Ferrante’s successful and more recent tetralogy. I look at the representation of emotions and at what I call “moments of intensity” – …

The Ends Of Plot: Rupture And Entanglement In L’Amica Geniale, Victor X. Zarour Zarzar

Dissertations, Theses, and Capstone Projects

This dissertation employs narrative theory to contextualize Elena Ferrante’s successful saga, L’amica geniale, within the larger tapestry of European novelistic discourses. It engages with conceptions of narrative structure put forth by critics like Ortega y Gasset, Brooks, and Winnett to understand how L’amica geniale offers cutting commentary on our exegetic practices and advances a geometry of narrative entanglement. I contend that Ferrante recuperates and italicizes nineteenth-century modes of storytelling, displaying a form of epistemological tension rooted in a movement away from a belief in plot’s semantic potentialities and into the postulation of a poetics of smarginatura or rupture. I …

Unlearning Don Carlos: Historical And Fictional Elements Of Innovation In César Vichard De Saint-Réal’S 'Dom Carlos, Nouvelle Historique,' Friedrich Schiller’S 'Don Karlos, Infant Von Spanien,' And Giuseppe Verdi’S 'Don Carlos', Maria-Cristina Necula

Dissertations, Theses, and Capstone Projects

The story of the sixteenth-century Spanish prince, Don Carlos, has inspired numerous literary and musical adaptations that, despite the artistic limitations of historically-based content, reflect an astonishing scope of creative freedom. The myth created around Don Carlos originated in European consciousness as early as 1568. Various theories recorded in political reports and in historical works insinuated that the prince had been murdered while incarcerated by orders of his father, King Philip II. Simultaneously, hatred of Spain, intensified by Philip’s violent suppression of the revolt in the Netherlands, determined exiled Flemish nobles to launch an anti-Philip propaganda. The mystery of Don …

Staging English Affairs In Early Modern Italy: History, Politics, Drama, Fabio Battista

Dissertations, Theses, and Capstone Projects

This dissertation looks at the creation and dissemination of alternative versions of English history through the means of dramatic fiction, and contextualizes them in the panorama of the intellectual debates of seventeenth-century Italy. Staging English Affairs in Early Modern Italy studies the ways in which the reinvention of Tudor and Stuart affairs in dramatic literature mirrored the ambitions, fears, and fantasies of a century in disquieting transformation. This research documents how news and information from England entered the Italian states, how they were perceived, and what their repurposing can reveal about the potentialities of intercultural exchange. Anglo-inspired drama became a …

The Body And Its Signifiers: Bodily Depictions In Niccolò De’ Conti And Odorico Da Pordenone, Antonella Dalla Torre

Dissertations, Theses, and Capstone Projects

This dissertation examines textual, bodily depictions in two western European, medieval and late-medieval travel accounts, which describe the eastern travels of the Venetian merchant Niccolò de’ Conti and those of the Franciscan friar Odorico da Pordenone. My analysis show how a connection between the characterizations of the body and the process of identity definition is forged and sustained in these texts.

Through a cultural-studies perspective, my work focuses specifically on depictions of the body in Poggio Bracciolini’s account of the travels of Niccolò de’ Conti and in the text of a vernacular rendition of Odorico da Pordenone’s Relatio, the …

Magic Performances: Rituals And Practice In Italian Theatre And Culture, 1520–1650, Erika Mazzer

Dissertations, Theses, and Capstone Projects

My dissertation investigates theatrical and historical sources that deal with early modern magic, in order to re-evaluate its role in Italian society between the 16th and the mid-17th century. During this period, many were the attempts carried out by the Catholic Church to avoid the spread of heretical beliefs among people. By the middle of the 16th century, the battle against heresy focused on magic, which was considered a dangerous practice. Despite the Inquisition’s prohibition of books of magic and the condemnation of magic rituals, magic still survived in literary works, especially theatrical. Many performances brought magic on the Italian …

Ansiedades Épico-Criollas Y El Mecenazgo De Indias En El Arauco Domado De Pedro De Oña, Andrea L. Fernandez

Dissertations, Theses, and Capstone Projects

Among the characteristics of epic poetry are the topic of war, love encounters, heroism of exemplary individuals, and the narration of events contemporary to the audience to reinforce a collective historical identity. Arauco domado by Pedro de Oña, born in Angol (modern Chile), reiterates these traditional expectations with its protagonist, characters, setting, and latter theatrical representations within the viceregal context. The poem was made possible by the sponsorship of García Hurtado de Mendoza y Manrique, IV Marquis of Cañete and Viceroy of Peru. If the title of “espíritu cesarino novelo” [Caesar’s new spirit] (V.76.3) corresponds to the patron, Pedro de …

The Body And The Sacred In Contemporary Italian Women Writers, Laura R Feola

Dissertations, Theses, and Capstone Projects

My dissertation explores the presence of what has been called the “persistence of the sacred” in modern and contemporary Western culture. More specifically, I focus on the intertwining dimensions of the human body and the experience of the sacred in selected works by Dacia Maraini, Elena Ferrante, Cristina Campo, and Alda Merini. Despite their different voices, and the “secular” or “religious” labels with which each of these Italian authors could be defined or confined, I identify and analyze patterns, similarities, and differences in the interwoven realities of the body and the sacred present in their works.[1]

[1] See Snyder, …

Transferring Paremias. Cultural, Linguistic, And Literary Transitions Of Proverbs And Proverbial Phrases By Vincenzo Brusantino, Pompeo Sarnelli, And John Florio, Daniela D'Eugenio

Dissertations, Theses, and Capstone Projects

This dissertation demonstrates how literary paremias, i.e. proverbs and proverbial phrases, constitute a rich archive of considerable historical, cultural, and linguistic significance. As discursive phenomena, paremias are usually studied in the context of oral traditions, but this study examines them in terms of what they reveal about the literary works in which they appear. Specifically, it analyzes the context in which they are employed and, through them, it extracts the author’s perspectives, references to and borrowings from previous works, responses to the social and cultural conditions of the time, and effects on the narrative. The exploration of paremias in literary …

Pirandello Proto-Modern: A New Reading Of L’Esclusa, Bradford Masoni

Dissertations, Theses, and Capstone Projects

Luigi Pirandello’s first novel, L’Esclusa, written in 1893, but not published in its definitive edition until 1927, straddles two literary worlds: that of the realistic style of the Italian veristi, and something new, a style and approach to narrative that anticipates the theory of writing Pirandello lays out in his long essay L’Umorismo, as well as the kinds of experimental writing that one associates with early-20^th-century modernism in general, and with Pirandello’s later work in particular. The novel’s living in both worlds, however, makes it an interesting and problematic text. First, it gives readers insight into …

Lyrical Mysticism: The Writing And Reception Of Catherine Of Siena, Lisa Tagliaferri

Dissertations, Theses, and Capstone Projects

Lyrical Mysticism: The Writing and Reception of Catherine of Siena (https://caterina.io) affirms the 14th-century mystic Catherine of Siena as a writer through contextualizing her texts among the corpus of contemporary Italian literature, and studying her reception in the Renaissance period of Italy and England. Joining an increasing body of recent meaningful scholarship that has been making significant progress to recover many overlooked and peripheral female voices of the Middle Ages and the Renaissance, this work serves to fully assert Catherine as a writer of work that is literarily significant and worthy of textual analysis alongside contemporary male Italian …

Not My Queer: Queer Representation In Contemporary Italian Serial Television, Julia Heim

Dissertations, Theses, and Capstone Projects

Contemporary Italian television, like many national televisions, has entered a period in which the relationships the producers and consumers of televisual content are increasingly indistinguishable. In this age of media convergence the new participants of this medium work across platforms to actively engage, consume, create, and recreate both televisual content and our understanding of the medium. These new relationships require a new understanding of the semiotic and discursive changes taking place in television so that we may reconceptualize the contemporary interplay between media and society.

This dissertation maps out a new understanding of the televisual economy through an elaboration of …