Italian Language and Literature Commons^™

Preventing Pregnancy: Dante And Medieval Culture, Anne C. Leone

Languages, Literatures, and Linguistics - All Scholarship

This article provides an overview of the dominant views expressed in legal, medical and religious/theological traditions in the late Middle Ages in order to illustrate two basic points: 1) that the “historical precedent” with regard to abortive practices in the medieval Christian West was less homogenous and more diverse than the Supreme Court Justices assumed in their opinion delivered in Dobbs v. Jackson Women’s Health Organization (2022); and 2) that – in stark contrast with what many anti-abortion activists today might assume about the historical precedent, – medieval thinkers did not generally believe that human life begins at conception.

The …

Dante’S Volgare And The Pastoral Presence: An Analysis Of The Concept Of Language In The Divina Commedia, Paola M. Rodriguez

Dissertations, Theses, and Capstone Projects

Dante’s conception of the Italian vernacular, the “volgare illustre”, is a central concern of his work and one which catalyses and nurtures, both overtly and covertly, his creation of the Commedia. Although Dante positions himself in his writings as the continual defender and most prolific poet of the vernacular, isolating a specific linguistic use and structure, a coherent definition of what vernacular Dante privileges or what appropriate usage he adheres to, is a difficult and often confusing task. The existence of two eclogues, the only works by Dante to have been written after the majority of the Commedia had been …

The Divine Comedy: A Work Of Medieval Mythology, Jamie Alexander

Undergraduate Honors Theses

Prior to The Divine Comedy (1308-1321), ideas about Purgatory were in the early stages of development. Purgatory had loose rituals surrounding its existence and it lacked depiction in written works. Yet in the following centuries, the fear of Purgatory and the practices of penance and indulgences reached a fever pitch, ultimately leading to the Protestant Reformation. Purgatory as a celestial location, and not just the “purgatorial fires” of the Bible, only began to develop in the twelfth century, but its fearful description and imagery in The Divine Comedy not only solidified previously nebulous understandings of Purgatory, but also increased anxiety …

The Middle Of The Middle: Purgatory, Pilgrimage, And Human And Plant Mobility In A Time Of Climate Crisis, Stephen S. Collis

The Goose

This paper, adapted from a talk given for the Institute of the Humanities at Simon Fraser University on April 26 2023, explores intersecting issues taken up by an in-progress long poem I am currently writing. That long poem, “The Middle,” explores questions of climate displacement, migration, and refuge via a writing-though of Dante’s Purgatorio—itself a poem of pilgrimage. A further context for both the poem and the paper about the poem is an ongoing project of walking in solidarity with refugees, asylum seekers, and immigration detainees that the author has been involved with since 2015. In seeking to “override …

What Our Hearts Crave For: An Examination Of The Paradoxical Attraction To Dante’S Inferno, Ketzalt E. Marquez

Honors Projects

This paper serves to analyze and explain why audiences are attracted to stories with elements of Horror in them, using Dante’s Inferno as the vehicle for this conversation, as the Inferno’s setting is in the worse possible place imaginable. Horror narratives arise feelings of fear and disgust in its audiences through the use of monsters, as audiences relate to the fear and disgust the positive characters in the narratives are feeling because of the monster’s presence. Since these emotions arise in a safe space, such as in literature or film, where the source of the emotions is not endangering the …

The Structure Of Human Redemption As Demonstrated In Dante's The Divine Comedy, Erick S. Flores

Student Research

Dante Alighieri's The Divine Comedy is renowned all around the globe for its impact on literary history as a whole. This research paper delves into the structure of human redemption as portrayed in Dante's epic masterpiece. Through a comprehensive analysis of the narrative structure, allegory, and symbolism, employed by Dante, this study illuminates the underlying framework that guides the protagonist and readers on a transformative journey through the afterlife. By examining the divisions of Inferno, Purgatorio, and Paradiso, this paper reveals the hierarchical nature of sin, the ever-progressive path of spiritual growth, and the ultimate attaining of salvation and understanding …

Exploring Dante’S Sources Online: Interactive Reading, Visualizations, And The Study Of Dantean Intertextuality In The Digital Age, Julie Van Peteghem

Publications and Research

Dante’s Commedia is a highly allusive text, and readers throughout time have noted the many parallels between Dante’s verses and those of others. Now that the text of the Commedia and various scholarly and artistic interpretations of the poem (commentaries, translations, illuminated manuscripts) have become accessible online, also the concordance, the lists of parallel passages in Dante’s poem and other works, has become a digital resource. In this essay I explore the study of Dante’s sources in a digital environment mainly through the Intertextual Dante project and its Dante-Ovid edition, published on Digital Dante. Intertextual Dante visualizes moments of …

Beatrice: A Representation Of Christ, Michelle Wincell

Augsburg Honors Review

Everyone is subject, at some time in life, to an astonishment of the mind resulting from an awareness of something wonderful. Such an awareness creates awe and curiosity and makes one want to know more. In Dante's life, it was simply the sight of the Italian girl Beatrice that moved him to such a state. Beatrice was the image that inspired all of his work and increased his worship and knowledge of God. She was an image of many things, in particular, virtue, redemption, new life, light and God are symbolized. But her representation as a Christ figure is most …

Performing Confession In Dante And Boccaccio, Anne C. Leone

Languages, Literatures, and Linguistics - All Scholarship

With the decree of the Fourth Lateran Council (1215), the Church sought to implement changes to confessional practice, requiring (among other things) private confession to one's own priest once a year before Easter communion. I argue that both Dante and Boccaccio show an awareness of the decree, yet neither shows an uncritical acceptance of the intercessory role that the Church was trying to fashion for itself with recourse to the practice. Dante locates the source of authority for confession in biblical precedents, and in the Comedy itself, downplaying the role of the Church in administering it. Boccaccio pokes fun at …

La Caccia Medievale E Rinascimentale In Italia, Dominic Rago

Italian Renaissance Foodways

No abstract provided.

Dante's Inferno In The 21st Century, Ethan Chebi

Italian 347: Out of Florence: Dante in Exile

No abstract provided.

Digital Zine: Ital 347: Out Of Florence, Dante In Exile, Dominic Rago

Italian 347: Out of Florence: Dante in Exile

No abstract provided.

A Look Into Dante's Inferno: Praise Through Proactivity, Massimo Re

Italian 347: Out of Florence: Dante in Exile

A look into Canto III and Canto VII, and how proactivity in one's life can equate to salvation, as well as a light comparison between Dante's society and government and ours.

Satan And The Inferno: Dante’S Contribution To The Legacy Of Hell, Christopher Schafer

Italian 347: Out of Florence: Dante in Exile

Put forth in the form of a script and multiple analysis pieces, this analysis of Canto XXXIV, Canto XI, Satan's character, as well Modern Consumerism from Dante’s Inferno dives into the character of Satan and his representation in Dante’s Inferno. It also looks at the structure of hell and how Dante constructs it.

The Divine Comedy- Healing Trauma With Literature, Catherine Giorgi

Italian 347: Out of Florence: Dante in Exile

No abstract provided.

Derek Johnson Dante's Inferno Mini Magazine, Derek Johnson

Italian 347: Out of Florence: Dante in Exile

No abstract provided.

Dante's Dream: A Jungian Psychoanalytical Approach, Gwenyth E. Hood

Research in Medieval and Early Modern Culture

An artist or mystic can refresh and revive a culture’s imagination by exploring his personal dream-images and connecting them to the past. Dante Alighieri presents his Divine Comedy as a dream-vision, investing considerable energy in establishing and alluding to its dates (starting Good Friday, 1300). Modern readers will therefore welcome a Jungian psychoanalytical approach, which can trace both instinctual and spiritual impulses in the human psyche.

Il Giudizio Universale Tra La Scolastica Medievale E La Divina Commedia Di Dante, Amanda R. Latrenta

Theses and Dissertations

In The Divine Comedy, Dante presents his readers with an interpretation of The Last Judgement. Although this interpretation bears distinct markers of Dante’s originality, it also closely aligns with medieval scholastic writings on the phenomenon. This thesis examines how Dante’s interpretation aligns with or diverges from medieval theology.

Strangely Dark, Unbearably Bright: From The Volto Santo To The Veronica And Beyond In The Divine Comedy, Alexa Sand

Art and Design Faculty Publications

No abstract provided.

Dante’S Divine Comedy: A Pastoral Subversion, Katie Francom

Criterion: A Journal of Literary Criticism

This paper attempts to widen the scholarly understanding of Dante’s use of pastoral modes within The Divine Comedy. By examining typical pastoral themes, Dante’s use of Virgil as a guide, and the presence of pastoral themes within the Comedy, this paper will ultimately assert that Dante completely reshapes the pastoral genre, taking it from its typically pagan history and giving it new, Christian meaning. By so doing he makes his beautifully artistic story into an enlightening spiritual journey for the reader.

Communal And Economic Implications Of Blood In Dante, Anne C. Leone

Languages, Literatures, and Linguistics - All Scholarship

This article investigates two of the varied and diverse implications of blood in Dante’s works (Fiore, Rime, Vita nova, Convivio, Commedia, Monarchia, Epistole, and Egloghe) where the term and its derivations appear: the ‘communal’ and the ‘economic’. By ‘communal’, I mean that Dante emphasizes the generative, formative, nourishing and charitable implications of blood: as the parts of a body are joined together through the blood they share, members of various communities — the city, the Church, the Roman Empire, the family, humankind — are joined together through blood. By ‘economic’, I understand …

Unruly Catholics From Dante To Madonna: Faith, Heresy, And Politics In Cultural Studies, Marc Dipaolo

Faculty Books & Book Chapters

"During the Second Vatican Council, the Roman Catholic Church went through a period of liberal reform under the stewardship of Popes John XXIII and Paul VI. Successive popes sharply reversed course, enforcing conservative ideological values and silencing progressive voices in the Church. Consequently, those Catholics who had embraced the spirit of Vatican II were left feeling adrift and betrayed. In Unruly Catholics from Dante to Madonna, scholars of literature, film, religion, history, and sociology delve into this conflict–and historically similar ones–through the examination of narratives by and about rebellious Catholics.

Essays in Unruly Catholics explore how renowned Catholic literary figures …

A New Perspective On Dante’S Dream Of The Siren, Tomás Antonio Valle

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Political Persecution Of A Poet: A Detail Of Dante's Exile, Jason Ader

A with Honors Projects

Durante degli Alighieri, known throughout the world as simply Dante, was a fourteenth century Italian poet, philosopher, literary theorist, and politician. He is best known for his epic Commedia, which was later dubbed The Divine Comedy. Commedia is generally considered the greatest Italian literary work and a masterpiece of world literature. Due to the turbulent political atmosphere of his time and place, Dante spent over a third of his life living in exile. This paper will explore the details of Dante's exile and the influence that it had upon his work.

Dante’S Understanding Of The Two Ends Of Human Desire And The Relationship Between Philosophy And Theology, Jason Aleksander

Faculty Publications

I discuss Dante’s understanding that human existence is “ordered by two final goals” and how this understanding defines philosophy’s and theology’s respective scopes of authority in guiding human conduct. I show that, while Dante devalues the philosophical authority associated with the traditional Aristotelian emphasis on the significance of contemplative activity, he does so in order to highlight philosophy’s ethico-political authority to guide human conduct toward its “earthly beatitude.” Moreover, I argue that, although Dante subordinates earthly beatitude to spiritual beatitude, he nonetheless maintains that philosophy’s authority to reveal a path to spiritual beatitude requires its fundamental independence from theology.

Dante And The Franciscan Movement, Ilona Klein

Faculty Publications

Consider what might happen if, instead of nuclear bombs and pollution, twentieth-century technology had provided us with time machines; affordable, handy appliances to be bought readily and kept in living rooms, perhaps next to the sofa. In order to travel through time, one would only need to sit back comfortably and turn the electronic control panel's time knob in the proper direction; then, push a button when the indicator reaches the year one wants to visit. . .