Italian Language and Literature Commons^™

The Myth Of The Italiani Brava Gente In Cinema Since 1945, Bradley P. Reimer

Honors Theses

The myth of the italiani brava gente has been intertwined with cinema since the end of the Second World War. This thesis aims to examine the ways in which these movies, from neorealist classics to disregarded comedies, are influenced by this myth.

By analyzing thirteen films of both Italian and American origin, clear trends begin to emerge between the socioeconomic state of Italy and the ways in which the myth is manifested on the silver screen. When Italy emerges from the war a rebuilding country, the films focus on the futility of war and the evil of Nazi Germany. During …

Reframing Culture: The Decolonization And Repatriation Process In The Italian Museum System, Leila De Gruy

Honors Theses

In 2022, the collections of the former Museo Coloniale, Colonial Museum, were reopened to the public as a part of the Museo delle Civiltà in Rome. This reopening, viewed by many as an exhumation of fascist dictator Mussolini’s former collection, in the neighborhood he built for the World Fair, reinvigorated the debate surrounding museum decolonization and brought Italy into the spotlight for this topic. This thesis seeks to explore the conversation surrounding the topic of Italian museum decolonization, using the Museo Coloniale’s collection as the primary example of a colonial museum in a post colonial world. Through this, it asks …

Screening Revolution: Cinema As An Alternative Public Space During The Years Of Lead (1969 - 1994), Patrick Hayes

Honors Theses

1969 to 1988 was a period of social and political unrest in Italy known as the Years of Lead. Within this political foment, leftist directors produced films that dealt with topics that were of concern to the Left such as the condition of factory workers and police corruption. This thesis explores the role of cinema within the public sphere, whether it acted as an alternative space, and whether its role changed over time. Influenced by neo- Habermasian theory, I hypothesize that cinema served as an alternative public space in which directors critiqued the environment which drove students and workers to …

Cognitive Poetics And Italian Literary Criticism, John Biffle

Honors Theses

This thesis explores the possibility of the application of cognitive poetics to Italian literature, with a comparison to four major nineteenth century currents of literary criticism. Given the interdisciplinary nature of the research, the data was obtained from reviewed psychology articles, textbooks regarding both psychological and literary subjects, original sources containing the examined poetry and prose, e-books, and open source web material for literary works that lacked copyright. Unless specified, all translations from Italian to English were done by me. Since cognitive poetics are based on the assumption that we perceive literature similarly to how we perceive reality and that …