History of Art, Architecture, and Archaeology Commons^™

The Cottages That Almost Were Not Saved: A Preservation Perspective On Three Newport Mansions, Julia Boron

MA Theses

The Gilded Age in America was a time of swift and extreme economic expansion which caused America’s leading industrial families to become extraordinarily wealthy. Because the introduction of personal income tax had not yet been established, people pocketed every dollar they earned, and the people of the Gilded Age lived and spent lavishly. Having multiple homes was a status symbol, and the wealthy elite flocked to Newport, Rhode Island during the summers building elaborate mansions and sparing no expense. A myriad of economic factors around 1913 greatly changed the general view on wealth and spending. The majority of the summer …

Playing At The Crossroads Of Religion And Law: Historical Milieu, Context And Curriculum Hooks In Lost & Found, Owen Gottlieb

Articles

This chapter presents the use of Lost & Found – a purpose-built tabletop to mobile game series – to teach medieval religious legal systems. The series aims to broaden the discourse around religious legal systems and to counter popular depiction of these systems which often promote prejudice and misnomers. A central element is the importance of contextualizing religion in period and locale. The Lost & Found series uses period accurate depictions of material culture to set the stage for play around relevant topics – specifically how the law promoted collaboration and sustainable governance practices in Fustat (Old Cairo) in twelfth-century …

Introduction To Game Design, Development, And Criticism (Game 201t), Kevin Moberly, Richard E. Ferdig (Ed.), Emily Baumgartner (Ed.), Enrico Gandolfi (Ed.)

English Faculty Publications

No abstract provided.

The Museum As A Mirror: Reinterpreting And Delinking American Landscape Art From Colonial Narratives, Blythe C. Romano

Honors Theses

Art museums have recently been looking at their existing collections with heightened scrutiny, revisiting their decision to display colonial works uncritically in their gallery spaces, and reconsidering the idea that there is such a thing as a unified art historical canon. These conversations regarding reinterpretation are necessary for all museums that choose to display art with problematic histories, as this information is owed to visitors -- especially within the settler colonial context. The Colby College Museum of Art in Waterville, Maine is one site where such collection and gallery “reinterpretation” has begun to be implemented and discussed. For example, in …

Floating Roots: Agnes Varda's Uncle Yanco, Homay King

History of Art Faculty Research and Scholarship

This article traces one source of Agnès Varda's artistic inspiration to Jean “Yanco” Varda, the subject of her 1967 short film Uncle Yanco (US/France). Jean Varda was a peripatetic artist who lived on a houseboat and was part of a bohemian circle that included Henry Miller, Anaïs Nin, Alan Watts, and other luminaries of the San Francisco counterculture. Both Vardas were gleaners and artists. The author argues that both saw the imagination as a place where matter and spirit were reconciled. The article builds on previous work about Varda's The Gleaners and I (Les glaneurs et la glaneuse, …

Introduction: Future Varda, Rebecca J. Deroo, Homay King

History of Art Faculty Research and Scholarship

No abstract provided.

Anna May Wong And The Color Image, Homay King

History of Art Faculty Research and Scholarship

In Cinema 1, Deleuze proposes the “color‐image,” a type of film image with an “absorbent characteristic” that does not refer to a particular object but seizes all that happens within its range. Like color‐images, racial categories have an absorbent, seizing quality: they assert “color” at the expense of the object of representation. Deleuze does not address the potential applications of his concept to race, but they are especially illuminating when applied to early color‐process cinema. This essay approaches The Toll of the Sea (dir. Chester M. Franklin, 1922), starring Anna May Wong and set in China, the first Technicolor film …

Review Of St. Paul's Outside The Walls: A Roman Basilica, From Antiquity To The Modern Era, Dale Kinney

History of Art Faculty Research and Scholarship

No abstract provided.

Found Iconography, Dale Kinney

History of Art Faculty Research and Scholarship

No abstract provided.

Rewriting The Renouveau, Dale Kinney

History of Art Faculty Research and Scholarship

The art and architecture of eleventh-century Rome are predominantly discussed within the framework of an ‘early Christian renewal’ (renouveau paléochrétien) closely tied to the Gregorian Reform. Articulated fifty years ago in accordance with the prevailing top-down model of history, the framework is incompatible with more recent historical approaches that emphasize agency from below. This essay argues for a more distributed model of agency in the making of eleventh-century art. A case study of Santa Maria in Trastevere, reformed in 1065, calls into question the model of a Reform art directed by cardinals. A comparison with cinematic auteur theory …

Imperial/Non-Imperial Encounters In The Gulf During The Late Pre-Islamic Period: The Glazed Pottery From Southeastern Arabia And Tepe Yahya, Iran, Matthew F. Jameson

Bryn Mawr College Dissertations and Theses

This dissertation proposes a method of combining formal, contextual, and geochemical ceramic analyses to investigate an encounter between imperial and non-imperial societies evidenced in the archaeological record. Glazed pottery from Mesopotamia appeared in southeastern Arabia and southeastern Iran during the late pre-Islamic period (c. 300 BCE – 7th century CE) and neither the mechanisms through which it arrived nor its use in local contexts is fully understood. It is found alongside a set of objects that signal an increased connectivity with the wider worlds of the Indian Ocean, MENA region, and the Mediterranean. Previous scholarship has focused on the extent …

Mapping The Light Fantastic At Newgrange, Frank Prendergast, Clare Tuffy, John Lalor, Claire Breen, Sinéad Gargan

Articles

THE WORLD HERITAGE PROPERTY of Brú na Bóinne attracts thousands of visitors from Ireland and around the globe, many drawn by the remarkable winter solstice phenomenon, when the rising sun’s rays illuminate the burial chamber. During 2020 it became clear that public health measures to combat the global pandemic were going to preclude visitor access to the chamber of the Great Mound of Newgrange, including during the annual winter solstice celebrations. When the government agencies OPW and NMS discussed how to manage Newgrange and the solstice during the restrictions, Clare Tuffy, Manager of Visitor Services at Brú na Bóinne, suggested …

Fashion As Freedom - The Bustle And Women Of The Late Victorian Era, Sydney A. Everett

The Kennesaw Journal of Undergraduate Research

In contrast to the general bias of Americans, the First- and Second-Bustle periods allowed the women of the time to find freedom through changes in the Victorian fashion. The women of the 19th century were able to achieve freedom through the bustle periods between 1867 and 1889 by gaining freedom of movement more so than through any of the other fashions, first by gaining social and economic benefit through smuggling items in their bustles and finally, through being able to remove the bustle for athletic wear. This research uses primary research sources and contemporary scholarly essays to analyze how these …

The Materiality Of Metaphor In Mayan Hieroglyphic Texts: Metaphor In Changing Political Climates, Dinkel A. Rebecca

Anthropology Theses & Dissertations

Recent research on the discursive and rhetorical forms of Mayan hieroglyphic texts has demonstrated how language and writing were used to frame, not just represent, Pre-Columbian Mayan history. Research on the role of metaphor in this framing has only just begun, and despite the well-known multimodal character of Mayan hieroglyphic texts, research on the role of metaphors in pictorial images has been even more limited. Previous research has not fully documented metaphor variation, particularly as it materializes across different modalities, media, places, and times. Doing so will allow for more subtle and elaborate interpretations of metaphor use and meaning in …

To Burn Or Bury? That Is The Question : The Late Bronze Age And Iron Age In Northern Europe, Petra N. Peretin

Legacy Theses & Dissertations (2009 - 2024)

Changes in social organization can be studied through several different avenues one ofwhich is through mortuary patterns. Here we will be looking at changes in social organization during the Late Bronze Age and Iron Age in Northern Europe using mortuary and osteological data. If we study how each community interacts, mourns, stores, transports, and buries their dead then we can learn about the underlying mechanisms that transform and maintain a society, and gain insight into the societal and economical shifts of the Late Bronze Age and Iron Age in this region. These changes will be determined by analyzing the distribution …

Harlots And Hooligans: The Representation Of Women In Hogarth’S Strolling Actresses Dressing In A Barn (1738), Hannah Arnold

The Kennesaw Journal of Undergraduate Research

The Licensing Act egregiously hindered the English theatrical community when it was placed into effect by King George II in 1737. Strolling actors were thereby forbidden to perform in new plays for profit, forcing acting troupes to disband. This act was widely protested throughout England at the time, most notably by artist William Hogarth in his etching titled Strolling Actresses Dressing in a Barn. This etching cleverly protests the Licensing Act as well as a myriad of quandaries that plagued 18^th-century English society, namely, gender roles both on and off the stage. Yet, what exactly is the …

Glass Beadmaking And Enamel Lampwork In Paris, 1547-1610: Archival And Archaeological Data, Élise Vanriest

BEADS: Journal of the Society of Bead Researchers

This article presents beadmaking in Paris during the second half of the 16th century as seen through period documents and artifacts. Parisian archives document beadmaking by artisans called patenôtriers who made a wide range of glass buttons and jewelry, including beads. Records of the patenôtriers’ guild provide an idea of the number of artisans engaged in this activity, while notarial contracts and estate inventories reveal individual careers and the material dimension of beadmaking in Paris. Patenôtriers obtained their materials – soda glass and enamel supplied as tubes, rods, or ingots – from glassmakers in rural France, Altare in Italy, and …

A Chemical Comparison Of Black Glass Seed Beads From North America And Europe, Danielle L. Dadiego

BEADS: Journal of the Society of Bead Researchers

Analysis of the elemental composition of glass has gained traction over the past few decades. The growing interest and utilization of non-destructive and micro-destructive analytical techniques has allowed for a more in-depth understanding of glass production, distribution, and consumption. The analysis of glass trade beads in particular has led to the development of a chronological sequencing for non-diagnostic seed beads opacified with metal oxides as well as ore sourcing for cobalt-blue and red beads. There is deficient research on 18th-century glass bead composition, including black manganese-colored beads. This article explores the elemental composition of 162 black seed beads from three …

The Trade Beads Of Fort Rivière Tremblante, A North West Company Post On The Upper Assiniboine, Saskatchewan, Karlis Karklins

BEADS: Journal of the Society of Bead Researchers

The archaeological investigation of Fort Rivière Tremblante, a North West Company post that operated from 1791 to 1798 in what is now southeastern Saskatchewan, Canada, yielded 20,119 glass beads representing 63 varieties, as well as seven wampum. While the bulk of the collection is composed of drawn seed beads, it also contains an exceptional variety of fancy wound beads. A comparison with bead assemblages recovered from other contemporary fur trade sites in western Canada reveals that both the North West Company and the Hudson’s Bay Company carried much the same bead inventory in the region around the turn of the …

Popping (Post)Modernism: Joaquín Torres-Garcia & Latin America's Pop Art Movement, Alexandra Branscom

Scripps Senior Theses

Even though the canon of Western Art History has attributed the Pop movement to the US and the UK, artists from around the world have made significant contributions to pop art and formed their own Pop movements. This includes the Latin American pop artists Felipe Ehrenberg (Mexican), Antonio Henrique Amaral (Brazilian), and Juan Dávila (Chilean), who, between the years 1968 and 1974, fled right-wing political unrest of their respective home countries and gained artistic education in dominant, imperialistic countries. These artists subvert the capitalistic, adverting language of pop art to promote the localized political sensibilities of their home countries and …

The Body After Representation: Figuring Posthumanist Corporealities In Contemporary Art, Devon Ma

Scripps Senior Theses

This thesis discusses the use of bodily matter in contemporary art, identifying an emergent tendency in which artists manipulate the materiality of the body, often via experimental media, as a means of uncovering new modes of racial and gendered embodiment.

Erotic Fever In The Arquives: Imagining A Queer Porn Paradise In Cait Mckinney And Hazel Meyer’S Exhibition Tape Condition: Degraded, Genevieve Flavelle

Journal of Feminist Scholarship

Focusing on Cait McKinney and Hazel Meyer’s site-specific exhibition Tape Condition: degraded (2016) at the ArQuives: Canada’s LGBTQ+ Archives, this paper explores reparative and desire-driven approaches for working with partial and missing histories within archives. Focusing specifically on artists working as archivists, I consider how the limitations of evidence-based histories can be addressed through creative practice. The essay unfolds in two parts. The first examines a selection of objects from the exhibition to draw out the historical context of The ArQuives, grounding my analysis of the conditions that have created and perpetuated specific archival gaps; in this case, pornography made …

Text And Images Of Authority: The Inscribed Seals From The Persepolis Fortification Archive, Christina Chandler

Bryn Mawr College Dissertations and Theses

The Persepolis Fortification archive, a large archive of administrative tablets dating to the early years of Darius I (509-493 BCE), preserves impressions of over 4,000 distinct and legible seals. 174 of these approximately 4,000 seals carry both figural imagery and text in their designs. This dissertation presents the inscribed seals corpus from the Fortification archive for the first time, thus laying the groundwork for future studies on inscribed seals from Persepolis.

Inscribed seals offer myriad avenues of investigation. In the present study, we focus on three main features of inscribed seals: 1) the languages and formulae of the inscriptions; 2) …

Covid-10, Healthcare Interior Design + Provider Experience - How Does Your Space Work For You?, Ruth E.P. Deibler

Graduate Research Posters

The lack of research on healthcare staff experience and interior design of the spaces they work in is evident. A focus on staff perspective is needed, particularly staff who navigated the COVID-19 pandemic. This research seeks to capture those stories to develop further research in order to improve staff experience. The initial phase of this mixed-methods approach is a survey. Hypothetically, by placing providers at the center of qualitative research related to healthcare interior design, we can better understand existing healthcare spaces. Ideally, we can develop additional evidence-based, human-centered solutions to transform interior environments in healthcare.

The 20-year Women’s Health …

Disabling The Abled Eye: Disability In Contemporary Art, Audrey Washuta

Honors Theses

In this thesis I examine the disability identity reflected in contemporary art history. This thesis utilizes theorists in disability studies to expose the lack of meaningful discourse regarding the disabled experience. By focusing on the need to dismantle the abled lens and highlighting disabled artists themselves, I bring to light the need for disability to be viewed as a social construct and not something to be fixed or eliminated. I highlight the importance of bringing disability to contemporary art as it fosters a space for the disabled narrative to come to light. I also highlight that the field of the …

Successful Event Fundraising Strategies For Nonprofit Museums, Stacie Barrett

Walden Dissertations and Doctoral Studies

Some museum nonprofit organizational leaders are experiencing financial losses. Less than 25% of nonprofit agencies in the United States have enough funds to operate for six months. Museum nonprofit leaders are concerned with financial losses because the decrease in financial support can cause decreased operational funding and prohibit museum nonprofit leaders from carrying out the organizational mission. Grounded in Ajzen’s theory of planned behavior, the purpose of this qualitative single case study was to explore successful event fundraising strategies nonprofit managers use to increase financial support. The participants were three successful nonprofit museum leaders who had fundraising responsibilities. The study …

Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler

Art Inquiries

No abstract provided.

Jordan Nassar: The Field Is Infinite, Megan Bickel

Art Inquiries

No abstract provided.

Taking Space: Contemporary Women Artists And The Politics Of Scale, Elizabeth S. Hawley

Art Inquiries

No abstract provided.

Beyond The Social: Artist Project Spaces, 2003 To 2016., Clare L. Van Loenen

Theses and Dissertations

This research examines storefront project spaces in the early 2000s that offered alternative approaches to the programming, organizing, and archiving found in conventional museums. I propose that such sites impacted participatory visual culture by offering a reformulatory role for arts’ practices, one that organized itself across disciplinary boundaries, chose a collaborative rather than competitive approach, and processed the ideological implications of their group work. Focused on three specific sites—Machine Project in Los Angeles, Elsewhere in Greensboro, and Mess Hall in Chicago—this study details the museological, pedagogical, and archival challenges of these artist-convened organizations. My interdisciplinary investigation offers a reference point …