History of Art, Architecture, and Archaeology Commons^™

The Chemistry Of Nueva Cadiz And Associated Beads: Technology And Provenience, Brad Loewen, Laure Dussubieux

BEADS: Journal of the Society of Bead Researchers

Dating to about 1500-1560, Nueva Cadiz beads are the earliest glass beads found in the Americas, and many questions regarding their technology and provenience surround them. Analysis of 10 beads from the namesake Nueva Cádiz site in Venezuela and 33 beads collected from an unknown site or sites near Tiahuanaco, Bolivia, provide chemical compositions of their turquoise, dark blue, white, red, and colorless glasses. We analyze the sand, flux, and colorants that went into their fabrication. The two collections show a common beadmaking tradition and provenience, except for three beads made of high-lime low-alkali (HLLA) glass. Colorants and opacifiers are …

The Last Prisoners Of War: How Nazi-Looted Art Is Displayed In U.S. Museums, Monica May Thompson

Geifman Prize in Holocaust Studies

How art museums approach NLA is important today because much of the public relies on museums for their education. NLA cases are especially controversial because they are not only legal battles, but ethical ones so museums have to be extra careful approaching them. Even if the museum has won the legal battle the public may not see them as winning the ethical one therefore they might want to avoid displaying this information to the public. However, as we can see with the previous websites, it actually looks worse for museums not to be open and honest about their NLA pieces …

The Archaeology Of Resilience: A Case Study From Peel Town, Western Australia, 1829-30., Lauren Tomlinson, Shane Burke

Sciences Papers and Journal Articles

This paper describes the archaeology of one family’s tolerance to the stressors associated with the settlement of a new place. Artifacts associated with the maintenance of clothing suggest that a British family newly arrived at the Swan River colony in the southwest of Australia had the ability to remain composed during a period of reduced resources and psychological strain. The family’s ability to resist stress was probably the result of the social knowledge gained during previous experiences with internal migration in the British Isles during a time of high social dislocation.

Review Of Leonora Neville, Byzantine Gender, Leeds: Arc Humanities Press, 2019, Alicia Walker

History of Art Faculty Research and Scholarship

No abstract provided.

Nueva Cadiz Beads In The Americas: A Preliminary Compositional Comparison, Heather Walder, Alicia Hawkins, Brad Loewen, Laure Dussubieux, Joseph A. Petrus

BEADS: Journal of the Society of Bead Researchers

Nueva Cadiz and associated beads are among the earliest categories of European glass beads found in the Americas. Named after the site in Venezuela where they were first identified, these tubular, square-sectioned beads occur in regions of 16th-century Spanish colonial trade. A similar style occurs around Lake Ontario in northeastern North America in areas of 17th-century Dutch and French colonial trade. We compare the chemical composition of beads from South America and Ontario, Canada, to explore their provenience and technology. Differences in key trace elements (Hf, Zr, Nd) strongly indicate separate sand origins for the two bead groups. Comparison with …

Beads: Journal Of The Society Of Bead Researchers - Volume 33 (Complete)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Pipilotti Rist : Your Eye Is My Island / Pipirotti Risuto : Anata No Me Wa Watashi No Shima; ピピロッティ。リスト : あなたの眼はわたしの島, Makiguchi Chinatsu, 牧口千夏, Oko Goto, 後藤桜子, Special Collections, Fleet Library

Art History

2 volumes : color illustrations. "Published on the occasion of the exhibition Pipilotti Rist : your eye is my island, held at Kyōto Kokuritsu Kindai Bijutsukan, April 6, 2021 - June 20, 2021 and the Contemporary Art Gallery, Art Tower Mito, August 7 - October 17, 2021. Text in Japanese and English. Catalog and text volumes held together with cloth elastic band. Text volume has clear plastic spiral binding. Catalog volume perfect bound. Library has ""Second edition published on August 25, 2021"" --colophon of text volume. SEI"

A Beaded Hair Comb Of The Early Ming Dynasty, Valerie Hector

BEADS: Journal of the Society of Bead Researchers

This article describes an unprovenanced artifact: a 700-year-old beaded hair comb probably entombed with a woman who died between 1405 and 1446 during China’s early Ming dynasty. It is intended to establish basic facts and stimulate further research. The comb may be the first intact example of mainland Chinese beadwork to undergo radiocarbon dating as well as laser ablation-inductively coupled plasma-mass spectrometry (LA-ICP-MS) analysis. The lead-potash (Pb-K) composition of the comb’s glass coil beads resembles that of coil beads recovered from jar burials of the 15th-17th centuries in Cambodia’s Cardamom Mountains. Thus, the comb links glass coil beads ostensibly made …

Insight Into The 17th-Century Bead Industry Of Middelburg, The Netherlands, Hans Van Der Storm, Karlis Karklins

BEADS: Journal of the Society of Bead Researchers

During the first half of the 17th century, several beadmaking establishments operated in the city of Middelburg in the southwestern corner of the Netherlands. Bead wasters recovered from several find sites in the old part of the city reveal the diversity of the product line which featured beads decorated with straight and spiral stripes. Several chevron types were also produced. There are similarities with wasters found at contemporary beadmaking sites in Amsterdam, indicating that both production centers made similar bead varieties. Few of the bead varieties represented have correlatives in the areas of North America that were under Dutch control, …

Nataf A-9074/2021, Limor Silas

Favissa: Past Archaeological Excavation Reports

In July 2021, a salvage excavation was conducted near Nataf (Permit No. A-9074/2021; Map ref. 207688-9794/636498-7183) prior to laying a water pipeline. The excavation, on behalf of the Israel Antiquities Authority and funded by Mekorot (Israel National Water Co.) was directed by L. Silas (photography), with the assistance of N. Nehama (administration), S. Gendler (metal detector), Y. Zelinger (scientific counseling), E. Marko (photogrammetry) and J. Tiano (location map) and A. Rose and S. Gendler (Judean district).

Bet Guvrin A-8724/2020, A-8982/2021, Shira Bloch-Lifshitz

Favissa: Past Archaeological Excavation Reports

In October–November 2021, an excavation was conducted in the Bet Guvrin Forest (Permit Nos. A-8724/2020, A-8982/2021; Map ref.188732-936/612278-300), as part of the Kings of Judah Road project. The excavation, on behalf of the Israel Antiquities Authority and funded by the Israel Antiquities Authority and the Jewish National Fund (JNF) was directed by S. Bloch-Lifshitz, with the assistance of Y. Alamor (administration), E. Aladjem (surveying and drafting), I. Azoulay (plans), S. Ganor, V. Lifshits, Z. Firer, and A. Montagu (Ashqelon district), A. Golani and D. Eisenberg-Degen (scientific guidance) as well as R. Dagan and O. Aflalo (education department). Students from premilitary …

Beadmaking During The 17th And 18th Centuries In Eu County, Normandy, Guillaume Klaës

BEADS: Journal of the Society of Bead Researchers

This paper reconstructs the history of a family of French beadmakers in Eu County, Normandy, from 1687 to 1747, as well as the context of their migration from the urban beadmaking center of Rouen. While Normandy had produced windowpane and bottles since the Middle Ages, artisans who made “crystal” soda glass – the glass of beads – were newcomers from Italy and Languedoc. They founded glassworks in Paris and Rouen in the late 16th century. Conflicts with Rouen artisans and merchants led the Mediterranean glassworkers to migrate to Eu County in 1634, where their crystal factories spun off a rural …

Ramat Bet-Shemesh, Neighborhood D A-9053/2021, Limor Silas

Favissa: Past Archaeological Excavation Reports

In June 2021, a trial excavation was conducted at Ramat Bet Shemesh, in neighborhood D (Permit No. A-9053/2021; Map ref. 19510/62315), prior to the laying of a sewage line. The excavation, on behalf of the Israel Antiquities Authority and funded by the Ministry of Construction and Housing, was directed by L. Silas, with the assistance of N. Nehama (administration), Y. Zelinger (scientific counseling) and E. Marko (surveying and field photography).

Ramat Bet-Shemesh, Neighborhood C2, A-9014/2021, Limor Silas

Favissa: Past Archaeological Excavation Reports

In May 2021, a trial excavation was conducted at Ramat Bet Shemesh (Neighborhood C2, Lot 508; Permit No. A-9014/2021; Map ref. 199112/623221). The excavation, on behalf of the Israel Antiquities Authority and funded by Yahel Engineers company, was directed by L. Silas, with the assistance of N. Nehama (administration), S. Halevi (photogrammetry, photography and measurements) and Y. Zelinger (scientific consulting). A hewn winepress with a treading surface was excavated and documented (Figure 1).

Har ‘Amasa, The Wastewater Treatment Plant (Wwtp) Line, A-9034/2021, Lauren Davies

Favissa: Past Archaeological Excavation Reports

In June 2021, a salvage excavation was conducted at Har ‘Amasa (Permit No. A-9034/2021; map ref. 208830–926/583382–4831). The site is located near the wastewater treatment plant, in agricultural fields, in the northwestern part of the Har ‘Amasa settlement (Fig. 1). The excavation was opened as a result of the damage caused by infrastructure works carried out by Mekorot, during which two terraces were cut by a backhoe.

Jerusalem, King David Street, A-9145/2021, Irina Novoselsky

Favissa: Past Archaeological Excavation Reports

In November 2021, a small salvage excavation was conducted on King David Street in Jerusalem (David Ha-Melech Street; Permit No. A-9145; map ref. 221195–205/631008–18), prior to road construction. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by the Moriah Company, and was directed by A. Novoselsky, with the assistance of K. Arbiv (inspection) and N. Nehama (administration).

A Multispecies Perspective Into Dietary Genetic Adaptations And Ancient Migration In The Peruvian Andes, Kelsey Jorgensen

Wayne State University Dissertations

Successful adaptation to the high-elevation Andes would have required both cultural and biological adaptations by early human populations. These past adaptations continue to shape the evolutionary outcomes of both humans and non-human species today. A multispecies perspective was used to examine how humans and non-human creatures, specifically insects, were shaped by past human adaptations. This dissertation asked two primary questions: 1) Given the importance and evolutionary history of potato consumption in the Peruvian Andes, is a genetic adaptation to better digest potato starch detectable in present-day Peruvians? and 2) Using the Andean Potato Weevil (APW) phylogeny as a proxy, what …

Mothers Behind Cameras: Mother-Artist, Mother-Child Dyads In Sally Mann’S Immediate Family And Elinor Carucci’S Mother, Hayley A. Pierpont

Scripps Senior Theses

Women, particularly mothers, are often made invisible within narratives of their own family and domestic spaces, despite their role as creators and maintainers of those spaces. This perpetuation of invisibility is threaded throughout the history of artistic practices, (photography especially). Contemporary mother-artists Sally Mann and Elinor Carucci confront and unapologetically reflect their singular experience(s) with motherhood through their photography, which addresses the symbiotic dyads of mother-child and mother-artist. This thesis focuses on an analysis of four images: Mann’s The Wet Bed and Lee’s Dirty Hands, and Carucci’s Trying to Protect Emanuelle and I Will Protect You. In both …

The Hidden Secrets Of Historical Artistry, Jennifer B. Musser

Honors Undergraduate Theses

When I began developing the video game concept for my thesis, I realized that I was one of the kids that grew up in a society where video games took prevalence over historical artistry. I, however, was unaware of the hidden secrets that resided in the art and how much they contribute to the video games I enjoy playing today. This thesis aims to provide the younger generations with an engaging and stimulating way to experience historical artistry, more specifically the Italian Renaissance, without having to consult a history book. I aim to provide enough detail on multiple aspects of …

Bet Shemesh, The Western Industrial Zone, A-8976/2021, Limor Silas

Favissa: Past Archaeological Excavation Reports

In March 2021, a salvage excavation was conducted at Lot 9 in the western industrial zone of Bet Shemesh (Permit No. A-8976/2021; Map ref. 196036-468/625575-6333). The excavation, on behalf of the Israel Antiquities Authority, was directed by L. Silas, with the assistance of N. Nehama (administration) and E. Marko (surveying and photogrammetry).

Review Of Roland Betancourt, Byzantine Intersectionality. Sexuality, Gender & Race In The Middle Ages, Stavroula Constantinou

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Photo Essay: Emulating Zodiaque: The Aesthetics Of Black-And-White Photography Applied To Romanesque Art & Architecture, Dominique Robert

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Review: Elizabeth Savage, Early Colour Printing: German Renaissance Woodcuts At The British Museum, Suzanne Karr Schmidt

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

New Old Stones At Antiochia In Rough Cilicia: A Novel City Name And A Proposed Visit By Hadrian And Sabina, Michael C. Hoff, Rhys F. Townsend, Timothy Howe

School of Art, Art History, and Design: Faculty Publications and Creative Activity

This article considers the evidence of newly discovered inscriptions from Antiochia ad Cragum in western Rough Cilicia and proposes two distinct observations: one, the city had an additional civic name different from that which is most commonly known; and two, the emperor Hadrian and Sabina may have visited the city and region during their journey from Egypt to Athens in 131 CE.

The excavations at the Roman-era city of Antiochia ad Cragum on the Turkish south coast have been ongoing since 2005, and since the beginning inscriptions have been discovered that shed helpful light on the history of the city. …

Pistore Panem Petimus: Specialization In The Late-Roman Baking Industry, Jared Benton

Art Faculty Publications

The traditional Roman baker (pistor) is typically thought of as having been horizontally specialized; that is to say he or she performed all the tasks involved in converting raw materials (grain, salt, and water) into bread. This means that they were, in early modern terminology, both millers and bakers. The two professions are generally thought to have vertically specialized within the industry sometime at the end of antiquity. Previously, scholarship has only casually treated this instance of specialization and for the most part it is thought to have been driven by technological innovation, specifically the watermill, which took milling out …

Pottery Horizons Of The Jalul Ceramic Assemblage In The Iron Age Iia-C From Square G4 In Its Historical And Geographical Context, Michael Christian Orellana Mendez

Dissertations

Problem

Several scholars have debated the traditional and low chronology of the Iron Age in Southern Levant using pottery as one of their main pieces of evidence. Both approaches disagree in regards to the dates assigned to the early Iron Age II pottery. To achieve a better understanding of the problem, the still rudimentary knowledge of Iron Age II pottery in Transjordan needs to be improved. Since 1992, Tall Jalul—the largest tell site in the central Jordan plateau—has been due for a comprehensive study of its ceramic assemblages. The site produced Iron Age IIA-C pottery in stratified layers, and it …

Distorted Icons In Contemporary Art: An Examination Into How We Know What We Know And Why, Alessandra Ruggiero

MA Projects

The purpose of this exhibition, Distorted Icons in Contemporary Art: An Examination into How We Know What We Know and Why, is to explore the nature of icons, specifically contemporary renditions of modern or traditional icons. Colloquially, icons are a symbol of something well-known or an image that is easily recognizable. Traditionally, icons refer to religious figures, most commonly devotional paintings in Roman Catholic and Orthodox Greek churches and are used as a means of prayer to represent peace, piety and faith. However, what constitutes an icon in Western contemporary culture has changed significantly. Devotional images have been replaced by …

Contemporary Textiles: Unraveling White Feminist Discourse, Meredith Friedman

MA Theses

In recent decades, attention to textile art has flourished. The growth of contemporary studies committed to revising fiber’s hierarchical categorization represents a discursive turn heavily weighted within feminist inquiry. The interrelation between textile techniques and constructs of femininity and domesticity was at the base of a robust interdisciplinary field of feminist theory developing around the 1970s in the US. Often referred to as the second wave of feminism, this era experienced scholars and artists proposing the medium’s capacity to counter the elusive genre’s marginalization and, by extension, presenting textile’s ability to subvert notions of gender difference. This analysis aims to …

More Than Just Middlemen: The Legacy And Influence Of Art Dealers Joseph Duveen, Peggy Guggenheim And Leo Castelli On Shaping Art Collections, Valencia Tong

MA Theses

The purpose of this study is to examine whether art gallerists are replaceable in the current climate in which the plea for removing the middlemen has been growing. The speed and ease of art transactions through digital platforms provide an alternative to the relationship-based in-person elements of the art world. Before the pandemic, the art market was seen as notoriously opaque, and gallerists have been stereotyped as middlemen who take high commission from art sales. However, art gallerists have played an important role throughout art history, not only buying and selling works of art like traders, but also shaping the …

The Brave New Virtual Art World The Evolution Of Digital Art: Nfts And Their Effects On The Art Market In 2021, Sophie Delaplaine

MA Theses

The first half of 2021, NFT crypto art captured both the public’s attention and the art market due to the escalation of sales prices and the auction houses acceptance of cryptocurrencies. As an artform, digital art is not new. It began in the 1960s and 1970s with roots as early as the 1940s. During this evolution the lines between technology and art have intersected, often become blurred and in many cases have merged into new artforms. Even when scholars trace the origins of digital art to present day it is difficult to tell if scientists are influencing artists or artists …